In an elegantly decorated bedroom, a young woman with hair piled high in the fashion of the 1770s, holds tightly to a bedpost, while a man (her servant or husband) tugs on her stay-laces, and is in turn held around his waist by a female servant, who is also grasped by a small Black servant. The lady's lapdog looks on from the bed, while a monkey on the floor opens a book entitled "Fashion's victim: a satire"
Alternative Title:
Fashion before ease
Description:
Title from item., Date of printing based on watermark., Place of publication and publisher from British Museum catalogue., Imperfect, trimmed to design with loss of publication information and plate number., Originally issued by Carington Bowles after June 1777, then re-issued (with date burnished from the plate) by Bowles & Carver., Plate number: 362. Cf. Untrimmed impression in the British Museum., and Watermark: 1812.
Publisher:
Printed for & sold by Bowles & Carver ... No.69 in St. Pauls Church Yard, London
Subject (Topic):
Corsets, Fashion, Dogs, Monkeys, Beds, Bedrooms, and Tug of war
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
Description:
Title and imprint from Paulson., Paulson notes that Hogarth omits "invt." from his signature suggesting perhaps that this print too is a copy., "V: II : P: 1"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.3 x 7.8 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
Description:
Title and imprint from Paulson., Paulson notes that Hogarth omits "invt." from his signature suggesting perhaps that this print too is a copy., "V: II : P: 1"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
