The King sits on a couch with Lady Conyngham on his left knee, the large feathers of her headdress extending over their heads. The couple gaze at each other amourously as a woman holding a candle (a maid?) enters through a doorway on the left. On the wall behind the woman hangs a picture of an estate with the name "[C]unningh[am]" written on the frame. Another picture on the wall to the right shows a man, probably Lord Conyngham, full-length and facing away from the viewer, antlers on his head and the speech bubble "I dont see it" in the upper left. A document on the floor to the right of the couch reads "Hertford," with a speech bubble to the immediate left reading "The right owner is." A canopy bed is seen through the open door on the left side of the design
Alternative Title:
Cunningham outwitted, Conygnham outwitted, and Fair play at Brighton
Description:
Title etched below image., Description based on an imperfect impression; sheet trimmed within plate mark and also mutilated in lower right corner, with portions of the imprint statement lost. Missing text supplied from ink annotations on the repaired corner., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 24.1 x 34.1 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 49 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Lady Conyngham" and "Ld. Conyngham" are identified in ink at bottom of sheet; date "24 July 1820" written in lower right corner.
Publisher:
Pubd. July 24, 1820, by Be[nbow], corner of St. Clements Church [Yard]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Adultery, Mistresses, Couches, Candles, Headdresses, Feathers, Antlers, and Canopy beds
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., 1 print : etching with stipple ; sheet 23.9 x 34.3 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed within plate mark resulting in loss of "Turn over-" text from lower right margin., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 76 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Caroline," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in ink below image. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
The King sits on a sofa with Lady Conyngham on his right knee, the large feathers of her headdress extending over his head. The couple kiss passionately as an older woman (Lady Warwick?) in the background shields her view with a fan, saying "I shall go to Warwick, and leave this Cunning-m." A stool sits on the floor by the King's feet; each arm of the sofa has a crown insignia on its end
Description:
Title etched below image., Possibly by William Heath, to which the British Museum catalogue attributes many prints from this time period with S.W. Fores's address spelled "Picadilli" in imprint., Four lines of text below title: Oh powerful love, that in some respects makes a beast a man; in some other a man a beast ... - vide Merry wives of Windsor., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 11 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With various pencil annotations at bottom of sheet, including identification of the figures of "Lady Cunningham" and "Lady Warwick". Annotations in black ink consist of "Ly. Conynhgham" written above title, and date "25 May 1820" written in lower right.
Publisher:
Pub. May 25th, 1820, by S.W. Fores, 41 Pccadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Kissing, Sofas, Stools, Headdresses, Feathers, Crowns, and Fans (Accessories)
"Sir Watkin Williams Wynn (Taffy), Lord and Lady Conyngham, and the King all approach the door of Wynnstay, part of the façade of which is accurately depicted on the left Lady Conyngham rides a stag with the head of her husband; she wears a coronet in which are the feathers of the Prince (or Princess) of Wales. Sir Watkin, in the foreground, gallops up on a goat with a collar inscribed Wynn St[ay]; he wears a leek in his hat and is further identified by a letter in his pocket: To Sir Wat ... He shouts to the porter: Porter! Shut all the W .... s out!! The man obeys by closing the door, saying, You shan't come in I tell you!! She answers: What do you mean fellow I belong to the Family. Just behind are the four horses of the King's travelling chaise. He looks from the window to ask: What's the matter?--but on hearing Sir Watkin's words, adds: I say Coachee! turn about and drive me to Plymouth! There is a background of trees and mountains."--British Museum online catalogue
Alternative Title:
Hint to well regulated families
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Printed on watermarked paper., Window mounted to 24.1 x 34.2 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 104 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sir W.W. Wynn" and "Geo. IV" identified in ink below image; date "Sept. 1821" written in lower right corner. Typed extract of sixteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. Septr. 1821 by S.W. Fores, Picadilly [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Williams-Wynn, Watkin, 1772-1840, Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wynnstay Theatre,
"Lady Conyngham sits on a chair under which crouches the King; his head, larger than life, draped by her skirts, and hands project (left). She holds a fan, on which is depicted the 'Regent's Bomb', see British Museum Satires No. 12799, with (?) the King seated astride it. In her left hand is a tulip. She wears evening dress, jewels, and feathers. On the back of her chair is a (baron's) coronet. She says: "You're Old Quarters how do you like now, My Angel." He says: "O! what a mess I am in, this part of the Country is hotter, than in Hertford!""--British Museum online catalogue
Alternative Title:
Shelter for the destitute, removed to Cunningham Lodge
Description:
Title from text below image., Questionable printmaker attribution to Vowles from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 84 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Lady Conyngham" identified in ink below image; date "13 Sep. 1820" written in lower right corner.
Publisher:
Pubd. 13 Septr. 1820 by S. Vowles, 31 St. Johns Square
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861 and George IV, King of Great Britain, 1762-1830
Subject (Topic):
Adultery, Mistresses, Chairs, Fans (Accessories), Tulips, Jewelry, Feathers, and Crowns
