"Three men stand in the doorway of the coach-house of a posting inn, through which is seen the courtyard with a post-chaise. The elderly French postilion (left) drinks from a large tankard, holding bones and meat in his left hand. He is caricatured; he wears a cocked hat with tricolour cockade, laced waistcoat, and large boots. His hair is in a long queue. The young English postilion, wearing neat riding-dress with well-fitting boots, and fashionable double-breasted waistcoat, points at him, turning with a smile to a stable-hand (right) who leans grinning against the door-post. Both postilions have short whips with thick plaited lashes, but the lash of the Frenchman is much the longer. On the wall is a bill headed 'Dover \ Post Coach'."--British Museum online catalogue
Alternative Title:
A wet on the road and English and French postillions
Description:
Title from caption below image., Tentatively attributed to Dighton. See British Museum catalogue., Numbered "615" in lower left corner., No. 46 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
A Spaniard using his sword as a walking stick and capering with satisfaction, leads a procession along a country road to a building inscribed "Inquisition." He is followed by a happy looking Frenchman who pulls George III on a rope tied around the King's neck and through a gate made from two vertical spears with a third one tied horizontally on top. A lion is falling down from it while the unicorn tries to balance itself and the crown. The King is followed by Lord Shelburne (William Petty), mimicking both the royal posture and dress, and holding a rolled document signed 'Preliminaries." Their orderly progress is watched by a lean, simply dressed man holding in his right hand a scourge with many lashes and the word "America" between them. With his left, he pulls the rope tied around the neck of a boorish Dutchman, his hands stuck in his pockets, smoking a pipe
Alternative Title:
Blessed are the peacemakers
Description:
Title from item.
Publisher:
Pub. by E. Dashery [sic], Feby. 24 1783 St. James's Street
Subject (Geographic):
England and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820. and Lansdowne, William Petty, Marquis of, 1737-1805.
Scene of men chopping, hewing, and carrying wood, with two figures embracing at center. In the lower right corner, a woman feeds a baby whose foot a seated man kisses; another young child leans on the woman. The scene is set among trees with fronds and a shoreline in the distant background
Description:
BEIN WA Prints +116: Imperfect: bled at foot, with loss of fourth line of text and publisher's statement. Watercolor hand-coloring., BEIN WA Prints +122: Not colored., Title and statements of responsibility engraved below image., and Publication statement engraved below main text.
Publisher:
Chez Bulla, rue St. Jacques No. 38 et chez Ladvocat, Libraire, palais Royal, galerie de bois, Nos. 197 et 198
Scene of men chopping, hewing, and carrying wood, with two figures embracing at center. In the lower right corner, a woman feeds a baby whose foot a seated man kisses; another young child leans on the woman. The scene is set among trees with fronds and a shoreline in the distant background
Description:
BEIN WA Prints +116: Imperfect: bled at foot, with loss of fourth line of text and publisher's statement. Watercolor hand-coloring., BEIN WA Prints +122: Not colored., Title and statements of responsibility engraved below image., and Publication statement engraved below main text.
Publisher:
Chez Bulla, rue St. Jacques No. 38 et chez Ladvocat, Libraire, palais Royal, galerie de bois, Nos. 197 et 198
"design in two groups, one (left) representing the past, the other (right) the present. A Dutchman personifying the Dutch Republic, threatened by Spain (left) kneels, hat in hand, before a military officer representing England, imploring help. He says, "the poor distracted States of Holland". The Englishman answers, "I am your Friend Mynheer I'll help you up & beat your foes". A Spaniard stands (left) behind the Dutchman's back, his sword raised to strike, his left fist clenched, saying, "I am determined Mynheer you shall never rise more". On the right is another group of figures representing Holland, England, America, France, and Spain: A Dutchman on the extreme right, smoking a pipe, his hands in his breeches pocket, scowls at an English officer, saying, "I am now ye high & Mighty." (The States General of the United Provinces were addressed as Hogen Mogen, 'High Mightinesses'.) The Englishman, a drawn sword in his hand, says to him "Now is ye time to pay ye debt of Gratitude". America, an Indian holding a tomahawk, says to France, pointing to England, It shall never have my Colonies again. France, a French military officer with a drawn sword, wearing spurred jack-boots, points to England, saying, "begar me will have half his Possessions". Spain, in cloak and feathered hat, also with a drawn sword, stands behind France saying "Don Diego has vow'd the downfall of England." Beneath the design verses are engraved: "See Holland oppress'd by his old Spanish Foe, To England with cap in hand kneels very low, The Free-hearted Britton, dispels all its care, And raises it up from the brink of Dispair. But when three spitefull foes old England beset, The Dutchman refuses to pay a Just debt; With his hands in his pockets he says he'll stand Neuter, And England his Friend may be D------d for the Future.""--British Museum catalogue
Description:
Title from item.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
Foreign relations, Dutch, Caricatures and cartoons, French, Spaniards, Caricatures and cartons, Americans, Indians of North America, and Clothing & dress
Print shows Caroline, wife of King George IV, hugging and kissing Bartolomeo Bergami, her Italian lover
Description:
Title from item., Mounted to 58 x 39 cm., and Mounted (with one other print) on leaf 75 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bergami, Bartolomeo Bergami, Baron., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Scene set in a landscape dotted with palm trees, mountains and water in background. At center are two men embracing, two other men with hands clasped, a woman holding a baby, and a dog. Around these figures are men hewing, chopping wood, and plowing. A banner flying from tree has text “Colonie Française du Champ D’Asile.”
Description:
Title and publication statement engraved below image. Artist name from M.P. Kelsey, Engraved prints of Texas, 1554-1900, p. 400.
Publisher:
À l'Imprie. Lithogque. de C. Motte, rue des Marais
An album of twenty watercolors recording the 1826 journey to England by the Delahaye family of Pierrefitte, France. A family friend, Gaudissard traveled with them from their home near Saint-Denis, carefully recording the sights they saw across the Channel. His drawings include landscapes, cityscapes, and various views, each inscribed with a caption. Scenes of London include a depiction of a typical city street, St. James's Palace from the Pall Mall, the interior of the Tower of London, and the interior of the Henry VII Chapel at Westminster Palace. He captured the countryside near Richmond, the seaside at Brighton and the Royal Pavilion there, Windsor Castle and a view of London as seen from Windsor, and Christopher Wren's Monument in London, as seen from Greenwich. Gaudissard shows his pictorial range with a night scene of Brighton and a depiction of a strenuous boat race on the Thames. Among other images are the Duke of Devonshire's menagerie at Chiswick House, only in existence between 1811 and 1836, featuring an elephant and a monkey, and an Anglican priest in the pulpit at Canterbury. Two drawings depict friends at Pierrefitte wave goodbye to the Delahaye carriage as it departs, and then welcoming the family with open arms upon their return home. The album's frontispiece features a classic coach-and-four alighting into the English mist, and at the end a record of the family's departure from Dover, its White Cliffs in the background, aboard an early steamship and Accompanied by a 16-page letter dated 1826, written in French, addressed by Madame L. Delahaye to her friend Alexandrine upon the Delahayes' return from England. The letter recounts the family's journey in great detail from start to finish, and includes several mentions of the lively participation of Gaudissard. Also present is a single leaf, written approximately 1850, describing the genesis of the album and brief biographical sketch of the artist
Alternative Title:
Souvenirs de l'Angleterre
Description:
The caricaturist Michel René Gaudissard (1774-1848) used the pseudonym Godissart de Cari (or G de Cari...). He was called the "French Hogarth" and "the greatest master of French caricature during the early 19th century" (Deberdt). He is principally known for his biting caricatures of the English and their odd habits, especially as seen in his collection of engravings Le Musée grotesque (1816-1820)., In French., Title gold stamped on front cover and from text in the first drawing entitled "Frontispiece.", Bound in contemporary brown sheep, gilt spine and gilt cover borders with title stamped on front: Souvenirs de l'Angleterre. With binder's ticket on inside front cover: Rue de Cléry, no. 7 pres celle Montmatre, Binant, Md. de Papiers, Fournitures de Burcaux de Paris., and For further information, consult library staff.
A French woman engages in a fist fight with a startled customer as his friend looks on in horror. Her hook-nosed colleague sits at a table and extends an offer of a shellfish (lobster?) the brawlers
Alternative Title:
Frenchmen in Billingsgate
Description:
Title from item., Publication date from Isaac., Sheet partially trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
At the top of a cliff overlooking the sea, Don Quixote (personifying Spain) and Sancho (a Dutchman) discuss plans for a seige while a monkey (representing France) stands on the neck of the Don's horse, pointing toward the moon in which is visible the fortress at Gibraltar. A reference to plans for the combined attack on Gibraltar by French and Spanish forces. The attack came in September of 1782 and was repulsed by the British
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 22d, 1782, by H. Humphrey, New Bond Street
