Design in an oval with the bust portraits of George III and Queen Charlotte in profile looking to the right, his taller figure concealing her right shoulder and the back of her shady hat which has a transparent brim. Both are plainly dressed as in prints depicting them as a farmer and his wife, see British Museum satire no. 6918. A reverse of the original (British Museum satire no. 6968). A small anchor is etched in the lower left corner outside the oval design
Alternative Title:
Farmer George and his wife
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., and Probably published by William Holland: the lettering is in his hand and the print is listed in his 1788 Catalogue at a shilling.
Publisher:
Wm. Holland
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Farmer George delivered of a most greivous speech with the cruelty of the gossips
Description:
Title from item., Temporary local subject terms: Games: Tug-of-war -- Interior of the House of Commons -- Allusion to the trial of Warren Hastings -- George III's speech to the House of Commons, January 23, 1787 -- Opening of Parliament -- Gossips., and Watermark in center of sheet.
Publisher:
Pub'd Jany. 23, 1787, by S.W. Fores, No.3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, and North, Frederick, Lord, 1732-1792
Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Ms. identifications on mounting sheet by W.S. Lewis., Mounted to 43 x 106 cm., and Attributed to Cruikshank on mat in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Watermark: J Whatman., 1 print : etching on laid paper ; plate mark 34.3 x 48.5 cm., on sheet 36 x 55 cm., Incomplete: right plate with French title only., Some subjects identified in margins in an unknown hand., and Attributed to Cruikshank on mat in an unknown hand; attributed to Gillray on print, recto, in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Pigs - Taxes: reference to hair powder tax, May 1795 -- Snuff-boxes -- Expressions of speech: "no grumbling" -- Slogans: '45' -- Farmers -- Male dress: farmer's smock.
Publisher:
Pub. July 27, 1795, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
"The Prince of Wales in a drunken frolic enters the King's bedroom, followed by Hanger and Sheridan. The King (right) lies under a tent-shaped canopy with curtains; he turns his head from his son, looking down with an expression of misery; his right arm is outstretched as if to ward off the intruders. By his bedside, between the Prince and the King, sits an elderly bishop, exclaiming in horror; in his hand is a paper inscribed 'A Prayer Restoration of Health Amen'. The Prince has overturned a circular table, a Communion cup lies on the ground. He reels drunkenly with folded arms, saying, '"Damme, come along, I'll see if the Old Fellow's------or not" --'. Hanger and Sheridan are dancing with glee. Hanger, wearing his hat, holds a bottle in both hands; Sheridan waves his hat. On the wall is a picture of 'The Prodigal Son', partly obscured by the label issuing from the Prince's mouth."--British museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Pictures amplifying subject: The Prodigal Son -- Clergy: Elderly Bishop -- Medical: invalid., and Mounted to 28 x 39 cm.
Publisher:
Pubd. Nov'r 25 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, and Sheridan, Richard Brinsley, 1751-1816
Title from item., 'Cold' etched above crossed out word 'French' in title., Sheet trimmed within plate mark., Temporary local subject terms: Military uniforms: undergarments -- Military uniforms: grenadier's busby -- Pictures amplifying subject: portraits of monarchs -- Pictures amplifying subjects: fallen picture of the King of Poland -- Allusion to the 2nd partition of Poland, 1793 -- Lady Cecilia Johnston, 1738-1820., Watermark: Strasburg bend with initials D? L D below., and Printseller's stamp, 'S.W.F.' in lower right corner of plate.
Publisher:
Pub. Novr. 25, 1793, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Frederick William II, King of Prussia, 1744-1797, and Stanisław II August, King of Poland, 1732-1798
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., and Watermark: countermark S. Lay.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
Dressed in the garb of a wizard, King George III sits in a chair, arms across his chest holding a long stick in one hand and legs also crossed; his eyes are closed, but he faces the large bust with the head of Pitt, its eyes also closed. The caption below the title continues: "And Friar Bacon made unto himself a head of brass to answer difficult questions and Friar Bacon watched it incessantly day and night, but it skake not a word. At length the Friar with overwatching fell asleep and the people without were much enraged thereat, as the question was an important one, vix. War or peace!!
Description:
Title etched below image., Questionable attribution to Richard Newton from the British Museum catalogue., Sheet trimmed within plate mark., Five lines of text below title: And Friar Bacon made unto himself a head of brass to answer difficult questions ..., Watermark: fleur-de-lis., and Mounted to 35 x 39 cm.
Publisher:
Published by W. Holland, No. 50 Oxford St.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pitt, William, 1759-1806
Subject (Topic):
Anglo-French War, 1793-1802, Sleeping, and Wizards
"A travesty of Quintin Matsys' picture of 'The Misers' at Windsor, the misers being George III, writing in his ledger and counting coins, and Queen Charlotte, leaning on his shoulder. The pose, dress, background, and accessories are closely copied, except that the hood over the Queen's head is pushed back to show a large ear-ring and her hair which is decorated with pearls. The 's' of 'Originals' in the title has been scored through, stressing the identification of 'the Misers'."--British Museum online catalogue
Alternative Title:
From the original at Windsor and Lord Courtown's dream
Description:
Title etched below image; letter 's' in 'originals' scored through with several etched lines., Questionable attribution to Kingsbury from the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pen cases -- Inkpots -- Jewels: Queen Charlotte's jewels -- Travesty: Quinten Metsys's The Money Changer and His Wife -- Allusion to James Stopford, Earl of Courtown, 1731-1810., and Watermark: initials LV G.
Publisher:
Pubd. by Jacob Dowse, near Turnstile, Holborn
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Purses, Books, Candlesticks, Interiors, Pets, Birds, Miserliness, and Coins