In this anti-Jacobin, pro-Girondist print, seven prisoners, in various postures of distress and exclamation are seated on stools in a prison cell. Each one wears a feathered Liberty cap and each is tied to the cell wall by a rope around his neck. The cell is bare save a circular grated window in its top left corner. Speech bubbles hover above each prisoner reading: “Oh Damn it! Is this proper treatment for the Commissioners of a great nation?”, “Oh curse him this false Dumourier.”, “He has finaly trapt us”, “no hole to creep out at”, “Now I feel for the poor prisoners in the Temple”, “It’s all up. With us”, “Oh I could beat my brains out for making the motion that as brought us like asses to it”. The print alludes to the arrest of Charles Dumouriez who despite having played a key role in the victory of the Battle of Valmy in 1972 suffered a significant defeat in the Battle of Neerwinden (March 1793) at the hands of the Austrians which fuelled suspicion amongst the Jacobins of his loyalties. Believing that Dumouriez harboured royalist sympathies several commissioners representing the National Convention were sent to investigate him. Instead of cooperating with the investigation, Dumouriez turned against the deputies and the Minister of War (Pierre Riel de Beurnonville), arresting the commissioners and handing them over to the Austrian forces
Alternative Title:
Commissioners become hostages and French vermin in the German trap
Description:
Title etched below image., Date of publication inferred from the reference to events occurring in 1793., Reversed English copy, with English text, of a French print entitled "A qui Mal veut, Mal arrive." For the original French print, see Princeton University Library Graphic Arts Collection, call no.: GA 2012.01066., Text beneath title: Being a representation of the present situation of the commissioners, Bournonville, Memoire, Villeneuve, Camus, Lamarque, Luinette and Bancal who were sent to arrest Dumouriez, but the tables being turned upon them they were delivered up to the Austrians and by them imprisoned where they may reflect on the long and cruel confinement they subjected their unfortunate monarch to previous to his martyrdom., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. by J. Aitken, No. 14 Castle Street, Leicester Fields, London
Subject (Geographic):
France and Austria
Subject (Name):
Dumouriez, Charles François Du Périer, 1739-1823.
Subject (Topic):
Girondists, Prisons, Cells (Rooms & spaces), Prisoners, Liberty cap, History, Campaigns, Foreign public opinion, British, and Foreign relations
Three grotesque French officers forceably recruit a gang of emaciated, terrified-looking Frenchman. Of the several men who have been thrown over the back of a horse, one has had a pole thrust into his posterior; at the top of the pole is a liberty cap. The wife and children of one man who has been tied to the back of the horse, cling in desperation to his ragged clothes, as they are dragged along behind him
Description:
Title from item., Publication year possibly an engraver's error for 1793 as the Republic was not proclaimed until 22 September 1792 and while the first execution by guillotine took place in April 1792, it was, early on, called La Louisette. See C.D. Hazen's French Revolution (1932), i., page 384 and British Museum catalogue v. 6, no. 7853., Publisher's advertisement following imprint: where may be seen a compleate model of the guilotine [sic], also the largest collection of caracaturs [sic] in the Kingdm., the head & hand of Count Streuenzee, &c. Admit. 1., Sheet trimmed within plate mark., and Watermark: F & P.
Publisher:
Pub. May 7, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
History, Foreign public opinion, British, Guillotines (Punishment), Liberty cap, and Starvation
At the center of the sheet stands John Bull, hands clasped in prayer, as Sheridan and Fox force the bread of liberty into his wide open mouth as they pick his pocket. On either side of the three stands a gallows and the Temple Bar. In each of the four corners in similar scenes, labelled clockwise from upper left, Holland, Savoy, German & Prussia, red-capped French sansculottes try to force the bread of liberty down recognizable national stereotypes from these four nations as they loot the terrfied citizens
Alternative Title:
Sansculottes feeding Europe with the bread of liberty
Description:
Title from text in image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; plate mark 30.1 x 36.4 cm, on sheet 35.8 x 42.0 cm., and Mounted on leaf 25 of volume 3 of 12.
Publisher:
Pubd. Jany. 12st [sic], 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
France
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
John Bull (Symbolic character), Girondists, Sansculottes, Liberty, Liberty cap, Popes, History, and Foreign relations
At the center of the sheet stands John Bull, hands clasped in prayer, as Sheridan and Fox force the bread of liberty into his wide open mouth as they pick his pocket. On either side of the three stands a gallows and the Temple Bar. In each of the four corners in similar scenes, labelled clockwise from upper left, Holland, Savoy, German & Prussia, red-capped French sansculottes try to force the bread of liberty down recognizable national stereotypes from these four nations as they loot the terrfied citizens
Alternative Title:
Sansculottes feeding Europe with the bread of liberty
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark on bottom edge.
Publisher:
Pubd. Jany. 12st [sic], 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
France
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
John Bull (Symbolic character), Girondists, Sansculottes, Liberty, Liberty cap, Popes, History, and Foreign relations
"The five commissioners (right) recently nominated to negotiate peace with the colonies, kneel one behind the other at the feet of America, who sits (left) on a pile of barrels and bales looking away from the Commissioners at a cap of liberty which she holds on a staff. She is a partly draped woman wearing a crown of feathers; her head is irradiated, and above it is suspended a laurel wreath. The bales and barrels on which she sits are inscribed "Tobacco for Germany"; "Rice for France"; "Tobacco for France"; "Tobacco for Holland"; "America 1778"; "Indico for Spain"; "Indico for the Mediterranean Ports, V.R." (Monogram.), cf. BMSat 5472, 5859, &c. The Commissioners are headed by Lord Howe in naval dress; he says, "We have block'd up your ports, obstructed your trade, with the hope of starving ye, & contrary to the Law of Nations compelld your sons to war against their Bretheren". Behind him is General Sir William Howe, wearing the red ribbon of the Bath; he says "We have ravaged your Lands, burnt your Towns, and caus'd your captive Heroes to perish, by Cold, pestilence & famine". Next is Lord Carlisle wearing the green ribbon of the Thistle; he says "We have profaned your places of Divine worship, derided your virtue and piety, and scoff'd at that spirit which has brought us thus on our knees before ye". He is foppishly dressed and appears deeply interested in his snuff-box, cf. BMSat 5474. Behind him is William Eden (afterwards Lord Auckland) with a pen behind his ear; he says, "We have Ravish'd, Scalp'd, and murder'd your People, even from Tender infancy to decrepid age, altho Supplicating for Mercy", cf. BMSat 5470, &c. Last comes Commodore George Johnstone, known as Governor Johnstone, in naval dress; he is saying, "For all which material services, we the Commissioners from the most pious & best of sovereigns, doubt not your cordial duty & affection towards us, or willingness to submit yourselves again to receive the same, whenever we have power to bestow it on ye". The five swords of the Commissioners lie in a pile on the ground beside Carlisle. The words of the speakers are in long labels, numbered, as are the five Commissioners, to show by whom they are spoken."--British Museum online catalogue
Description:
Title from item. and Trimmed within plate line.
Publisher:
Pubd. April 1, 1778 by M. Darly 39 Strand
Subject (Geographic):
United States, Great Britain, and America
Subject (Name):
Howe, William Howe, Viscount, 1729-1814., Howe, Richard Howe, Earl, 1726-1799., Carlisle, Frederick Howard, Earl of, 1748-1825., Auckland, William Eden, Baron, 1744-1814., and Johnstone, George, 1730-1787.
Subject (Topic):
History, Causes, Colonies, Economic policy, Clothing & dress, and Liberty cap
Two medallions side-by-side contrast British Liberty and French Liberty. On the left Britannia is seated under a large oak looking out to sea at a ship under full sail. At her feet lies the British lion, in her hands the scales of justice and a copy of the Magna Charta. On the right French Liberty, Medusa-like, tramples on a decapitated body, as she holds a trident impaled with a head and two hearts. In the background a body hangs from a street lamp shaped like a gibbet. Beneath the images, a list of contrasting virtues and vices of the two countries
Description:
Title etched above images., Printmaker, artist, and publication date from British Museum catalogue., Text in lower right corner of plate, preceded by the word "Price" that has been mostly burnished out: Plain 3d coloured 6., Six lines of text below each image. Under the image of British Liberty: Religion, morality, loyalty ... Under the image of French Liberty: Atheism, perjury, rebellion ... At the lower edge, below both columns: Which is best., and Mounted to 32 x 45 cm.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Topic):
Medusa (Greek mythology), Britannia (Symbolic character), Decapitations, Hangings (Executions)., Liberty cap, Liberty, Scales, Ships, History, and Foreign public opinion, British
A gallows separates the design into two compartments. A sign in the center reads "Roberspierre, Marat, Santerre." The crossbar reads "Held up to infamy and posterity." Another sign hangs from the left arm and reads "Paine's Rights of Man." The sign on the right side reads "Classical lectures on the Roman History.", The scene on the left half is labelled at the top "Old England" and depicts naval and commercial prosperity under the bright skies. Three columns labelled Virtue, Honor and Loyalty stand over the words British Constitution; at the base of the drawing are the words "is basis, the happiness of the people.", and The scene on the right half is labelled at the top "New France", and in contrast, all is death and destruction: cities in ruins, bodies hanging from gallows, a bloody guillotine along with other instruments of torture. Flowing from the guillotine into a shaft underground are discarded fragments: religion, pubk. credit, monarchy, laws, trade, honor, loyality, virtue, art ...
Alternative Title:
Things as they are
Description:
Title etched below image., Sheet trimmed within plate mark., On verso of mount: offset impression of Opening of the budget, or, John Bull giving his breeches to save his bacon / James Gillary. Cf. 796.11.17.01+., and Mounted to 45 x 64 cm.
Publisher:
Pubd. Novr. 12th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
France
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
Democracy, Gallows, Guillotines (Punishment), Liberty cap, Revolutions, French, Ruins, Ships, and History
A gallows separates the design into two compartments. A sign in the center reads "Roberspierre, Marat, Santerre." The crossbar reads "Held up to infamy and posterity." Another sign hangs from the left arm and reads "Paine's Rights of Man." The sign on the right side reads "Classical lectures on the Roman History.", The scene on the left half is labelled at the top "Old England" and depicts naval and commercial prosperity under the bright skies. Three columns labelled Virtue, Honor and Loyalty stand over the words British Constitution; at the base of the drawing are the words "is basis, the happiness of the people.", and The scene on the right half is labelled at the top "New France", and in contrast, all is death and destruction: cities in ruins, bodies hanging from gallows, a bloody guillotine along with other instruments of torture. Flowing from the guillotine into a shaft underground are discarded fragments: religion, pubk. credit, monarchy, laws, trade, honor, loyality, virtue, art ...
Alternative Title:
Things as they are
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 36.9 x 62.7 cm., Sheet trimmed within plate mark on three edges., and Mounted on leaf 13 of volume 4 of 12.
Publisher:
Pubd. Novr. 12th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
France
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
Democracy, Gallows, Guillotines (Punishment), Liberty cap, Revolutions, French, Ruins, Ships, and History
publish'd as the act diricts [sic] Feby 3, [17]94.
Call Number:
794.02.03.01
Image Count:
1
Resource Type:
still image
Abstract:
A large naked monster sits astride a large cup, which is balanced on a dagger held in the mouth of a small sansculotte juggler who exclaims, " By Gar tis var heavy, O dear! O dear! It will fall!" The monster holds in his hands the heads of Louis XVI and Marie Antoinette. On his head five daggers meet at a point to form a cap labelled "Cap of Liberty." He grins showing sharp teeth, two labels issuing from his mouth, " Ca ira, ca ira, ca ira" and "Hold me well up or I will bit off your head."
Description:
Title etched above image., Printmaker from British Museum catalogue., Word "of'" in title etched over "!!" The original title appears to have been "Democracy!!", and Earlier state, with earlier date and without publisher's name. Cf. No. 8446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793 and Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793
Subject (Topic):
History, Foreign public opinion, British, Sansculottes, Decapitations, Liberty cap, and Monsters
"Britannia and America embrace, while France and Spain try to pull America away, Holland watches their efforts, and Fox points out the struggle to Keppel." A reference to attempts by Russia and Fox to mediate the conflict in 1781-82.
Description:
Title from item., A probable earlier state of no. 5989 without the Humphrey imprint. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Artist and date of publication from British Museum catalogue., and Mounted to 32 x 44 cm.
Publisher:
Pub. by T. Colley No. 5 Acorn Court Rolls Buildings Fetter Lane Old England
Subject (Geographic):
Great Britain, United States, and America.
Subject (Name):
Fox, Charles James, 1749-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, History, Colonies, Liberty cap, and Clothing & dress
