"Fox and Sheridan officiate at the wedding of Lady Lucy Stanhope and an apothecary who is made up of medical implements. The bride is a pretty girl wearing a feathered hat from which a transparent veil falls over her face. Stanhope (left), without breeches, and wearing a bonnet-rouge, stooping in profile to the right, pushes her towards the bridegroom who is placing a ring on her finger; from his coat-pocket protrudes a three-masted vessel flying a tricolour flag (see BMSat 8640). The bridegroom, Taylor, is also a sansculotte; his posteriors are formed of a syringe, his body is a mortar, from which issues a pestle supporting a bonnet-rouge. His arm is made of two medicine-phials. Fox stands full-face behind the altar balustrade holding open Paine's 'Rights of Man' (see BMSat 7867, &c). He wears surplice and bands. Sheridan stands (right) in profile to the left, reading from 'Thelwal's Lectures' (cf. BMSat 8685), he wears a lay coat with bands; both wear bonnets-rouges. On the wall which forms a background, and immediately above Fox, is a large picture, 'Shrine of Equality': three men wearing bonnets-rouges officiate at a guillotine; the blade is about to fall on a man wearing a ducal coronet; other peers stand (right) waiting their turn. On the ground by the guillotine lie coronets which have just been chopped off."--British Museum online catalogue
Alternative Title:
Union of the coronet & clyster pipe, Alliance a la Franc̦aise, and Union of the coronet and clyster pipe
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Marriage ceremonies -- Rings: wedding rings -- Marriages: misalliance -- Medical implements -- Bonnets rouges -- Allusion to sansculottes -- Reference to Paine's The Rights of Man -- Reference to John Thelwall's Tribune -- Pictures amplifying subject: guillotining of peers -- Architectural details: balustrades -- Lady Lucy Rachel Stanhope -- Thomas Taylor of Sevenoaks.
Publisher:
Pubd. March 4th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Stanhope, Charles Stanhope, Earl, 1753-1816
Title from item., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., Temporary local subject terms: Seamstresses -- Cribs -- Washer tubs -- Crowns -- Bonnet rouge., Watermark: J Whatman., and Mounted to 31 x 42 cm.
Publisher:
Pubd. by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Tooke, John Horne, 1736-1812, Thelwall, John, 1764-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Bedford, Francis Russell, Duke of, 1765-1802, and Lauderdale, James Maitland, Earl of, 1759-1839
Title from item., Printmaker identified in British Museum catalogue., Eight lines of verse in two columns below title: Budgets & loans so thick we see ..., Temporary local subject terms: Taxes: Dog Tax, April 1796 -- Gibbets -- Doghouses -- Treasury: allusion to Treasury -- Emblems: bonnet rouge., and Watermark: Strasburg lily with initials G R below.
Publisher:
Pubd. April 19, 1796, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Pitt, William, 1759-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Burke, Edmund, 1729-1797
"The members of the Secret Committee of the Commons are seated round a table examining the documents relating to the United Irishmen and other revolutionary societies. A lamp on the table illuminates a large framed transparency [The transparency, a large pictorial design lit from behind, was a popular form of street illumination. On 5 Nov. 1813 (for the battle of Leipzig) Ackermann displayed on the façade of his 'Repository' Rowlandson's 'The Two Kings of terror, afterwards published as a print. Broadley, i. 338.] divided into four equal sections which hangs from the ceiling and conceals the heads of the Committee ; the four scenes depict the supposed intentions of the revolutionaries. The transparency is irradiated, throwing into deep shadow members of the Opposition in the foreground (right), who flee from the room in a body, terror-struck. The nearest (three-quarter length) are Erskine, clutching a brief-bag, Fox, M. A. Taylor, and Norfolk. Behind these are Tierney, Sheridan, and Nicholls; in the last row are Sir J. Sinclair, Burdett, Moira, Bedford. The two most prominent members, though in back view with heads obscured, suggest Pitt (left) and Dundas (right); they read papers inscribed 'Scheme to Overthrow the British Constitution, & to seize on all public Property and Invitation to the French Republic'. Over the edge of the table hang the bulky 'Reports of the Secret Committee of the House of Commons.' On the floor are four papers: 'Names of Traitors now sufferd to remain at large'; 'Oath of the Members of the Society of the United Irishmen in London'; 'Account of ye Lodge of United Englishmen, & of the Monks of St Ann's Shrine' [see BMSat 9217]; 'Proceedings of the London Corresponding Society with a list of all the Members.' [See BMSat 9189, &c] The transparency is suspended on tricolour ribbons. Titles are engraved on the frame: [1] 'Plundering the Bank'. A scene in the Rotunda; tiny figures hasten off with sacks of gold, the most prominent being Tierney with '£10000'. Sir William Pulteney (identified from his resemblance to BMSat 9212) staggers off to the left with two sacks; the poker-like Moira has a sack on his head; two men dispute over a sack, one being Walpole with his huge cocked hat, the other resembling Jekyll; Sheridan (right) slouches off with two sacks. Proletarians exult over small money-bags. [2] 'Assassinating the Parliament'. The interior of the House of Commons is realistically depicted; the Opposition violently attack the occupants of the Government benches, daggers being the chief weapon. Erskine (left) is about to murder Dundas; Fox strikes at Pitt, holding him by the throat, while Sheridan is about to stab Pitt in the back. The puny Walpole tries to drag the Speaker from his chair, while Burdett raises the mace to smite him. Sir John Sinclair raises a broadsword to smite a man held down by little M. A. Taylor. Volumes of 'Acts and Statutes' fall to the floor. [3] 'Seizing the Crown. \ Scene the Tower'. Exulting plunderers emerge from the gate of the Tower on to the drawbridge. Bedford, dressed as a jockey (cf. BMSat 9380), walks ahead with two sacks: 'New Coinage' and 'New Guineas'; Fox, [Identified by Grego as Lansdowne.] smiling, holds the crown; Lauderdale, wearing a kilt, carries the sceptre. Just behind is Sir George Shuckburgh. Stanhope (or Grattan) carries a sack, 'Regalia of E[ngland]'. On the right a chimney-sweep and others dance round a bonfire in which 'Records' are burning. Cf. BMSat 7354, where Fox carries off the crown from the Tower. [4] 'Establishing the French Government. \ St James s Palace'. French troops march with arrogant goose-step and fixed bayonets into the gateway of the palace; their large tricolour flag is inscribed 'Vive la Republique Français'. In the foreground is planted a tall spear surmounted by a bonnet-rouge (a tree of Liberty, cf. BMSat 9214, &c.); at its base are decollated heads wearing coronets and a mitre. They are cheered by spectators (right): Grattan holding 'Grattans Address', Norfolk holding his staff, Lord Derby in hunting-dress standing on an overturned sentry-box, Moira standing like a ramrod. ...."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Representing the Secret-Committee throwing a light upon the dark sketches of a revolution found among the papers of the Jacobin societies lately apprehended ..., and Sheet trimmed to plate mark.
Publisher:
Pubd. April 15th, 1799, by H. Humphrey, 27 St. James Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Sinclair, John, Sir, 1754-1835, Bedford, Francis Russell, Duke of, 1765-1802, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Jekyll, Joseph, 1754-1837, Walpole, George, 1761-1830, Pulteney, William, Lauderdale, James Maitland, Earl of, 1759-1839, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, and Grattan, Henry, 1746-1820
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Satire on ministerialists, 1785 -- Barber's blocks -- Allusion to Irish Propositions, 1785 -- Allusion to Edward, Baron Hawke, 1705-1781 -- Earl of Mulgrave, 1755-1831 -- 3rd Duke of Montrose, 1755-1836., Watermark (partial): initials LVG below shield., and Mounted to 29 x 37 cm.
Publisher:
Pubd. as the act directs, by Moore, Bond Street
Subject (Name):
Jenkinson, Charles, 1727-1808, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Camden, Charles Pratt, Earl, 1714-1794, Taylor, Michael Angelo, 1757-1834, Melville, Henry Dundas, Viscount, 1742-1811, Stanhope, Charles Stanhope, Earl, 1753-1816, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Galloway, John Stewart, Earl of, 1736-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Sydney, Thomas Townshend, Viscount, 1733-1800, Hood, Samuel Hood, Viscount, 1724-1816, Macdonald, Archibald, Sir, 1747-1826, Rose, George, 1744-1818, and Carrington, Robert Smith, Baron, 1752-1838
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day.", and Mounted on page 89 with one other print.
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day.", 1 print : aquatint and etching on wove paper ; plate mark 30 x 23.6 cm, on sheet 32.7 x 25.8 cm., and Mounted on leaf 71 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day.", and Mounted on page 89 with one other print.
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Stanhope stands in his library, declaiming; he has just risen from his chair and holds his pen in his raised right hand, his left rests on a small table (right) covered with documents. He wears a cocked hat; his leanness is caricatured, his legs being of exaggerated thinness. His right foot rests on a large volume, 'Cocker's Arithmetic'. Under his left hand are 'Observations upon Mr Pitts Plan' and 'M . . of Mr Sheridan's Speech - I prefer the Noble Lord['s] Plan to th[at] of the Minister less visionary'. Behind the table is a bookcase against which are pinned two placards, the smaller superimposed on the other. The larger is a 'Table of the Average Price of Stocks for April 1786', the prices being partly hidden by the smaller print: a man rides a horse in the air, above a line of buildings; a flying figure blows a trumpet. It is inscribed 'Ready for Ascension in a few Days Aerial Figures' and 'Thin glittering Textures of the filmy Dew'. On the right is a small cupboard on legs, its open door showing a chamber-pot whose overflowing contents drip on to a document inscribed 'To Prevent Bribery at Elections'. On the pot are papers inscribed 'Sinking Fund' and 'Surplus'; these fragments appear to have been torn from a document inscribed 'Report of the select Committee upon the Ministers Plan for the Reduction of the National Debt. Amount of Taxes Red[ucti]on of Salar[ies]'. Above this is an oval picture of the three Graces, to ridicule Stanhope's lanky figure and awkward gestures. Beneath the title is etched: 'One St.... pe pester'd his Relations With sage Advice about the Graces But left Finance and Calculations To plodding Pates, and graver Faces. Another St.... pe now appears Ye Pitts and Neckars give him place In Figures first of Financiers The first of Figures too in Grace.'"--British Museum online catalogue
Alternative Title:
Frontispiece to the second edition of Lord Stanhope's Observations on Mr. Pitt's plan of finance
Description:
Title etched below image., Signed with the monogram of James Sayers., Lewis Walpole Library: Horace Walpole makes reference to this print., and Mounted on page 39 with one other print.
Publisher:
Publd. 29 May 1786 by Thos. Cornel [sic], Bruton Street