The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4"--Lower right corner., Ms. notes above image in pencil: "The improved plate, done in China ink by Hogarth himself, was bought by Mr. S [Robert Sayer?] from Mrs. H. [Hogarth?] in 17[68?].", and Sheet trimmed within plate mark: sheet 333 x 409 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., and "Plate 4"--Lower right corner.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4"--Lower right corner., and Sheet trimmed to image: sheet 330 x 410 mm. Fragment with engraved text mounted separately below image: sheet 26 x 406 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., State 2 with stormy, rainy sky etched in and a jagged bolt of lightening is aimed at the building with a sign that now reads "WHITE". For other changes see Paulson., After the painting now at Sir John Soane's Museum., "Plate 4"--Lower right corner., Ms. note in pencil in Steevens's hand to right of print: See Mr. Nicholls's Biographical anecdotes &c. p. 215. The variations throughout this set of Prints are numerous. Annotated in later (LWL hand): Paulson 135.2 unique., and On page 70 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4"--Lower right corner., and On page 70 in volume 1. Plate trimmed to: 34.5 x 39 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Wash drawing depicting a plainly dressed woman holding the hand of her small child while buying goods from a street vendor. The vendor is scooping goods from a large portage basket strapped to his horse and weighing the purchase in a two pan beam balance scale
Description:
Title devised by cataloger. and Drawing dated from Bruce Robertson's The art of Paul Sandby,1985, fig. 121.
Subject (Topic):
Baskets, Children, Mothers, Scales, and Street vendors
"Three strips arranged horizontally as in BMSat 9488. The subjects (with inscriptions) are a 'round-about' or primitive merry-go-round, a couple in a 'Tax'd Cart', a newsboy crying 'The Second Edition', street musicians with hurdy-gurdy, tambourine, and triangle, a Punch and Judy show, parson and clerk, a couple on a horse, a man selling garters, 'Long, and strong Scarlet Garters a penny a pair', a man with a performing bear and dancing dogs, a town crier, a pugilistic encounter."--British Museum online catalogue
Description:
Title supplied by cataloger., "No. 8."--Upper left corner., Three horizontal strips between borders., Imperfect; sheet trimmed within plate mark, with loss of plate number. Missing text from impression in the British Museum., and Watermark: Iping.
Publisher:
Pubd. June 20th, 1799, by R. Ackermann, No. 101 Strand
Subject (Topic):
Bears, Carts & wagons, Clergy, Clerks, Dogs, Fighting, Musical instruments, Newspaper carriers, Organ grinders, Puppet shows, Puppets, Street musicians, Town criers, Street vendors, and Trained animals
A traveling preacher stands before a crowd of citizens, vendors, and soldiers on a busy city street. He is pointing to a series of images of the crucifixion on the interior of the cover of his large traveling case; on the inside is what appears to be a statue of a martyr or Christ, hands bound, with two angels kneeling in prayer on either side. Signs in the form of playing cards hang from the eaves of the building. A woman in wooden shoes carries her wares (pears?) on a platform suspended round her waist
Description:
Title devised by cataloger., Possibly by Charles Parrocel?, Sheet trimmed within plate mark., and Window mounted to 35 x 24 cm.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Cobblestone streets, Crucifixions, Preaching, and Street vendors
The quadrangle at Tattersalls (1823) is filled with groups of betting men, 'the greater part ... are portraits' (p. xx). The three men on the extreme left are Mr. Tanfield, Lord Sefton, and Colonel Hylton Jolliffe. In the extreme right corner is Sir L. Skeffington; near him, but not identifiable, is John Gully the ex-pugilist. A Jew sells wares from a basket-tray. Over the doorway: Houses must not be taken away without being paid for
Alternative Title:
Heroes of the turf paying & receiving at Tattersals and Heroes of the turf paying and receiving at Tattersals
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14944 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 1, page 370. "Subscription Room" left out on sign between windows on final plate.
Publisher:
Sherwood, Jones, & Co.
Subject (Geographic):
Great Britain.
Subject (Name):
Gully, John, 1783-1863., Skeffington, Lumley St. George, Sir, 1771-1850., and Tattersalls (Firm)
Subject (Topic):
Jews, Horse buyers, Horse trading, Crowds, and Street vendors
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges. A sign to the left of the musician's window advertises The Beggar's Opera. A sign on the building to the right reads "John Long Pewterer." In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened
Description:
Title from published state of the print., Ink trasing of the trial proof of: The enraged musician., Inscribed in pencil by the artist above drawing: A sketch from Mr. Crickett's Impression (formerly Mr. Ingham Foster's.) See John Ireland's Hogarth Illustrated, p. 342. & Mr. Nichols's Book, 3d edit, page 257., Tracing of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 152., and On page 101 in volume 2.
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination