"George IV as the 'Great Babe' lies asleep in his cradle rocked by Lady Conyngham, while Wellington, seated before a pier-glass, places the crown on his own head. The glass reflects the dark emaciated features of British Museum Satires No. 15520. The Duke wears a uniform with boots and sword. On a table below the glass the sceptre and orb lie on a cushion. Lady Conyngham, with a towering coiffure as in British Museum Satires No. 15508, croons: Oh slumber my darling | The time may soon come | When thy rest may be broken | By Trumpet & Drum [the last three words in large letters]. The infant sucks a thumb; a gouty foot projects from the coverlet. On the floor is a line of toys: a sailing boat on wheels, a model of Buckingham Palace reconstructed by Nash as in British Museum Satires No. 15668, a giraffe (see British Museum Satires No. 15425), a Life Guard on a toy horse, a Foot-Guard, a dismantled or unfinished ship resting on a prostrate toy soldier. A napkin on a towel-horse (right) indicates a nursery."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: the character Paul Pry, a man with an umbrella., Date of publication from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Nurseries (Rooms & spaces), Cradles, Toys, Military uniforms, British, Daggers & swords, Boots, and Scepters
"George IV, with a swathed and gouty leg, stands in front of the throne, supported by Lady Conyngham and a crutch, his arm round her shoulder. Peel stands partly hidden by a curtain and immediately behind Wellington, his mouthpiece; he speaks into a speaking-trumpet, the stem of which passes from Wellington's ear to his mouth from which the trumpet projects. From this mouthpiece issue the words: I feel happy in being allowed thro any medium, however degrading to communicate my expressions of sincere devotion TO-- The King interrupts him: PLACE--hat will do Arthur, always keep between me and that fellow -- he rings such a peil in our Ears. Lady Conyngham turns to the King, pointing to the trumpet: This is a contrivance of my own -- I hate the sight of him & now your M-y can keep him at a distance. She wears a towering coiffure of loops of hair decorated with flowers. Beside Peel: To join with Christian Jew or Turk In doing any dirty Work."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 174.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"Twelve reduced copies (hand-coloured woodcuts), crude and sometimes simplified, of caricatures, arranged in three rows of four, each in a border, having an additional title above the design, the original title (except in No. 9) being below. The original of 11 is not in the Museum. The designs are copied in British Museum Satires No. 15782, or, otherwise, from it. [1] No. 15732, reversed. Above: ''Tis all vel at Vindsor'. Inscription: 'Does jarvey [Wellington] mean to start on his own account? Them leaders seem tohave it all their own way'. [2] No. 15731, reversed. Above: 'Achilles' [cf. No. 14409]. Inscription: 'Ready to start, your Honour'. Reproduced, Hindley, Life and Times of Catnach, p. 214. [3] No. 15734, reversed and altered: Peel holds, not a cage, but a rat by the tail. Above: 'Orange Pe--l' [cf. No. 15390]. Inscription: 'He made each felley turn his coat | And caught each rat by the tail'. [4] No. 15733. Above: 'The Cunning Hen'. The inscription is as the original, but continues, 'or they'll bolt with the coach'. [5] No. 15749, reversed and with the same inscription. Above: 'Paddy Whack!' [6] No. 15736, reversed and altered. Above: 'The Oeld 'un'. His foot is on the Catholic [Bill]. Inscription: 'I drove the Long Tail Blacks [cf. No. 15658] for fifty years. I drove your dad, your honour'. [7] No. 15737, reversed and altered. Above: 'A Kow-Cumber'. Inscription: 'I say, Jemmy All-Weather [see 8], keep your eye on them fellies of the Sovereign--they're arter no good: See they dont prig our luggage. That coach is their own, they think'. [8] A copy of No. 15752, reversed. Above: 'A Man of All-Weathers'. Inscription: 'I was once a bright lad, | But now I'm a Cad'. [9] A copy of No. 15703, reversed and altered; title: 'The Man wot missed his mark'. Above: 'Once in Batter sea | NoW-in-Chelsea'. His paper is headed 'Anti-Catholicism'. On the rock are scrawled two duellists, aiming at each other. Inscription: 'Death's heads and marrow bones, are now my portion'. [10] A copy of No. 15756, reversed and without the letter. Above: 'A drive from Dublin'. Inscription: 'One kick from the leader floor'd me'. [11] 'The Man wot owns the Vestminster'. Above: 'Long Franky'. Burdett stands in profile to the left, knees flexed, regarding a small framed picture of a giraffe (see No. 15425). Inscription: 'I used to go by the John Bull, now I goes by the Sovereign'. (The radical M.P. for Westminster as a supporter of the Ministry, cf. N0.16058.) [12] 'John Bull, broke down'. Above: 'The Last Stage'. Probably based on No. 15743. J. B. stands in profile to the right, bowed under a bulky sack inscribed 'Taxation'; he rests both hands on a stout stick, inscribed 'Trade', which breaks under his pressure. (See No. 15799.)"--British Museum online catalogue
Description:
Title from text at top of sheet., Date of publication from the British Museum catalogue., One line of quoted text below title: "All the world's a stage, and all the men and women merely players.", "Price 2s."--Lower left corner., and Folded and laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Printed and published by T. Rockliffe, 65 Ratcliff Highway
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Conyngham, Elizabeth Conyngham, Marchioness, -1861, O'Connell, Daniel, 1775-1847, Eldon, John Scott, Earl of, 1751-1838, George V, King of Hanover, 1819-1878, Wetherell, Charles, Sir, 1770-1846, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Anglesey, Henry William Paget, Marquis of, 1768-1854, and Burdett, Francis, 1770-1844
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April? 1829]
Call Number:
829.04.00.19+
Image Count:
1
Resource Type:
still image
Abstract:
"Apparently an imitation (better drawn) of British Museum Satires No. 15716. Wellington drives (left to right) four galloping horses, each with a human head. The leaders are Lyndhurst (piebald) and Scarlett (black), both wearing legal wigs; the wheelers Brougham, also in his wig, and Burdett. He flicks his lash over the leaders, saying, 'Kim up Motley--keep together odd Rat [Lyndhurst] ye--or I'll lay it into ye!!' The King's (pleased) face is seen through the coach window; he says: 'I say Arthur, you are the Man Wot can make'm go, if you like!!' The guard is Lady Conyngham: she stands up, blowing her horn. She wears a guard's greatcoat and satchel over her dress and holds a blunderbuss. The coach is the 'Windsor Castle'; 'Wellington & Co.'; 'G R 1829'. It has just passed and overturned a two-wheeled ass-cart, the ass falling on its head, the driver, Eldon, sprawling on the ground. In the cart, which is inscribed 'John Eldon Rubbish Carter' [see British Museum Satires No. 15700, &c], are big bundles of 'Anti-Catholic Petetions' [see British Museum Satires No. 15661, &c.]. Standing behind and below the guard's dickey is Peel as 'cad', or conductor; he thumbs his nose at Eldon, saying, 'There's a Guard for the Sovereign eh!!!' Windsor Castle is on the extreme left; on the extreme right is a signpost pointing (left) to 'Windsor' and (right) 'To London'."--British Museum online catalogue
Alternative Title:
Needs must when well - drives
Description:
Title etched below image; the words "safety-coach" are etched above the line, inserted with a caret. and Month of publication suggested in the British Museum catalogue.
Publisher:
Pubd. 1829 by S.W. Fores, 41 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Scarlett, James, Sir, 1769-1844, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Wellington drives a large new coach pulled by three horses with human heads. He is dressed in a a triple-caped greatcoat and broad brimmed hat and flicks the long whip with skill on the backs of the horses depicted with the heads of John Bull and on either side, stock characters of an Irishman and Scotsman wearing traditional hats. They ride on a road labelled "national debt' as the horses hoves sink in the mud labelled "sinking fund." Peel rides behind in the conductor's seat. One of the four curtains on the windows of the omnibus is pulled aside to reveal George IV about to kiss Lady Conyngham. The splash board of the new omnibus is painted with the gold initials 'GR' and a crown
Alternative Title:
Omnibus
Description:
Title etched below image., Sheet trimmed within plate mark., and Printseller's announcement following publication statement: sole publisher of WH's etchings.
Publisher:
Pub. Oct. 15th, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholics, Catholic emancipation, Debts, public, John Bull (Symbolic character), Economic conditions, Buses, and British
The Duke of Wellington stands before the King who sits on his throne, his right foot resting on a footstool. Dressed in uniform and standing very erect, Wellington holds out a large cross-hilted sword at an angle between himself and the King. From his plumed cocked hat, which he holds behind him, hangs a piece of paper with the words "Military commission to throw dust in John Bull's eyes." Projecting from his back pockets, are two papers labelled "Church patronage" and "Army patronage." A lady, Lady Conyngham, is seen peaking between the curtains behind the throne of the puzzled-looking King. The crown is on a table behind Wellington
Alternative Title:
Throne in danger
Description:
Title etched above image., Figure of a man with an open umbrella is one of artist's devices used by William Heath., and Below design: "There is a power before the throne & a power behind the throne -- greater than the throne itself."
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"A mail-coach inscribed 'Sovereig, Windsor and London', with high-stepping horses, is driven, left to right, by Wellington, who wears fashionable coaching dress with multiple-caped coat and broad-brimmed hat. He has just passed a rival coach, 'the Humbug & Co London Windsor', which has overturned, after colliding with a roadside post inscribed 'Emancipation'. An alarmed face looks out of the window; the traces have broken, the front wheels are off; the driver, Eldon, has fallen on his back on to the prostrate wheelers. The Duke of Cumberland falls head first from the frail dickey; another man (? Winchilsea) falls from the roof, which is stacked high with bulky petitions, one inscribed 'Old Womans Petition']; a paper also falls to the ground inscribed 'Bigotry, Ignorance, Intolerance, Loaves, Fishes, Pensions, Places'. Behind Wellington, on "The Sovereign", sit four men: Brougham, in barrister's wig and holding a brief-bag, a bishop, Burdett, a judge (probably Lyndhurst). The guard is Peel, who stands up, horn in hand, to say to the Duke: 'I say governor we've done em up at last, they will never recover themselves any more.' Wellington, looking over his shoulder, answers: 'No No, they are quite done up that post has smash'd them.' The inside passengers are George IV and Lady Conyngham; he leans out to watch the catastrophe, saying with a smile, 'Floored by George.' She says: 'Aye Aye George we've gotten a Coachman now vot is up to a thing or two, and knows vot is vot.' Brougham: 'Why the concern has been in a bad way some time they say that it is so rotten that all the Rats abandoned it.' The bishop: 'Its lucky they had few passengers.' Burdett: 'No wonder they upset they had too much rubbish on the roof'. The coach flies a flag inscribed 'True Patriotism Honor Truth Liberality'; it is decorated with the Royal Arms: shamrock and roses. There is a background of trees dominated on the right by Windsor Castle."--British Museum online catalogue
Description:
Title from caption below image., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 210.
Publisher:
Published by J. Field, 65 Quadrant, Piccadilly
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Mathews (left) gives a selection from his "Entertainments"; he stands behind his accustomed small draped table, which is lit by candles in place of the usual lamps. A pianist sits at the grand piano. The King stands as if making a speech: he is giving an imitation of John Kemble, evoked by Mathews's imitation thought by the King "too boisterous". On his right sits Marchioness of Conyngham, on his left Princess Augusta. Knighton stands behind the former. Five men (portraits) stand behind the royal settee: Liverpool, Wellington, and Hertford are recognizable. The room has an ornate cornice and Ionic pillars. Behind Mathews are two tall Chinese folding screens.-- See British Museum catalogue
Description:
Title and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14940 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Ms. note in pencil on front: Page 337, vol. 1. Watermark 1822., and Watermark: J. Whatman 1822.
Publisher:
Sherwood, Jones, & Co.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wellington, Arthur Wellesley, Duke of, 1769-1852