"A coachman in a single-breasted coat reaching to his boot-tops stands looking to the left. His cylindrical hat has an irregular brim. A team-whip leans against his left shoulder and he holds the end of the lash between the tips of the fingers of both hands."--British Museum online catalogue and "Dick Vaughan, the driver of the Cambridge Telegraph, a famous coach, was known as Hell-Fire-Dick, and was 'a favourite companion of University fashionables'."--Curator's comments, British Museum online catalogue
Description:
Title etched below image. and Leaf 22 in an album with the spine title: Characatures by Dighton.
"Three men stand in the doorway of the coach-house of a posting inn, through which is seen the courtyard with a post-chaise. The elderly French postilion (left) drinks from a large tankard, holding bones and meat in his left hand. He is caricatured; he wears a cocked hat with tricolour cockade, laced waistcoat, and large boots. His hair is in a long queue. The young English postilion, wearing neat riding-dress with well-fitting boots, and fashionable double-breasted waistcoat, points at him, turning with a smile to a stable-hand (right) who leans grinning against the door-post. Both postilions have short whips with thick plaited lashes, but the lash of the Frenchman is much the longer. On the wall is a bill headed 'Dover \ Post Coach'."--British Museum online catalogue
Alternative Title:
A wet on the road and English and French postillions
Description:
Title from caption below image., Tentatively attributed to Dighton. See British Museum catalogue., Numbered "615" in lower left corner., No. 46 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
A man dressed as a coachman stands directed to the left, holding a long-lashed coach-whip. He wears a shiny round hat with cockade and gold band over a powdered wig with double row of curls, double-breasted waistcoat, shirt-frill, and loose coat reaching to the knee
Description:
Title from caption below item. and The man is identified by Wright and Evans as Bates, a gamekeeper of George III, said to be a favourite, but dress and appearance make this seem doubtful. See British Museum catalogue.
Publisher:
Publish'd April 23 by H. Humphrey 27 St. James's Street
Leaf 51. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Irish jaunting car
Description:
Title etched below image., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 282., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 121., and On leaf 51 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 1st, 1814, by T. Rowlandson, No. 1 James St., Adelphi and Field & Tuer
Leaf 99. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man whole length standing in profile to right. He has a bulbous nose, a stubbly chin, a protruding waistcoat. In his right hand is a tankard with an open lid, in his left a whip with a long lash. He wears a low wide three-cornered hat, a plain neckcloth, coat, long waistcoat, knee-breeches, buckled shoes."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with plate number altered from "14" to "17". Cf. No. 5162 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "17" in upper right corner., Temporary local subject terms: Macaronies -- Tankards -- Coachman whips -- Jehu -- Bible: 2 Kings ix.20, and Second of three plates on leaf 99.
"Portrait of a man whole length standing in profile to right. He has a bulbous nose, a stubbly chin, a protruding waistcoat. In his right hand is a tankard with an open lid, in his left a whip with a long lash. He wears a low wide three-cornered hat, a plain neckcloth, coat, long waistcoat, knee-breeches, buckled shoes."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., Plate numbered "V. 6" in upper left corner and "14" in upper right corner., Mounted to 20 x 14 cm., 1 print : etching on laid paper ; sheet 17 x 11 cm., and Imperfect; sheet trimmed within plate mark resulting in loss of series numbers.
"Portrait of a man whole length standing in profile to right. He has a bulbous nose, a stubbly chin, a protruding waistcoat. In his right hand is a tankard with an open lid, in his left a whip with a long lash. He wears a low wide three-cornered hat, a plain neckcloth, coat, long waistcoat, knee-breeches, buckled shoes."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., Plate numbered "V. 6" in upper left corner and "14" in upper right corner., and Substituted for 17 in volume 6.
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
"A man wearing a hat, long coat, and top-boots, stands directed to the left, head in profile, holding a long-lashed coach whip; over his left arm hangs a bulky multiple-collared coat, in his hand is a 'Way Bill'."--British Museum online catalogue and "He is Tilleman Hodgkinson Bobart who matriculated as a Commoner 1790 at University College, aged eighteen, but never graduated. He ran a four-horse coach between Oxford and London, had to give up the road owing to accidents, and in 1815 was made Esquire Bedel in Law. He died 1838."--Curator's comments, British Museum online catalogue
Alternative Title:
Classical alma mater coachman Oxford
Description:
Title etched below image., Leaf 32 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 28.2 x 21.5 cm, on sheet 31.1 x 25.5 cm., Watermark, trimmed: [E]dmeads & Co. 1808., and Figure identified as "Mr. Bobart" in pencil in lower left corner of sheet.
"A man wearing a hat, long coat, and top-boots, stands directed to the left, head in profile, holding a long-lashed coach whip; over his left arm hangs a bulky multiple-collared coat, in his hand is a 'Way Bill'."--British Museum online catalogue and "He is Tilleman Hodgkinson Bobart who matriculated as a Commoner 1790 at University College, aged eighteen, but never graduated. He ran a four-horse coach between Oxford and London, had to give up the road owing to accidents, and in 1815 was made Esquire Bedel in Law. He died 1838."--Curator's comments, British Museum online catalogue