Volume 2, page 73. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man wearing large-brimmed and feathered hat and carrying a rifle over his shoulder, his catch attached to his belt, which two of the six dogs grouped around him look at with interest at left; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., "First state with etched letters, before re-publication"--British Museum online catalogue, registration no.: 1873,0712.442., Sheet trimmed to plate mark., and Mounted on page 73 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd January 5th, 1791, by Thos. Macklin, Poets Gallery, Fleet Street
A large black woman, smiling in her sleep, lies in a bed surrounded by bedcurtains. She wears a cap and earrings, and her large breasts hang out over her nightclothes. A thin old, white man also in nightclothes and a night cap ogles her by the candlelight from the candlestick he holds in his right hand
Description:
Title etched below image., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to: 33 x 43 cm.
Publisher:
Pubd. by W. Holland, Oxford St.
Subject (Geographic):
Great Britain,
Subject (Topic):
Black people, Candlesticks, Canopy beds, Lust, and Sleepwear
An old man sits outdoors in an upholstered chair, looking through a telescope which is pointed up left to a black woman standing on a cliff with her dress pulled up and her large derrière bared. A dog sits by the man's chair with a similar look on its face as it too looks up at the woman
Description:
Title etched below image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to: 38 x 31 cm.
"A design in six compartments arranged in two rows, each with a title. [1] 'Johnnys reception by "merry Tonkanoo at Negro Ball'. The ball is in an open shed with a negro fiddler seated high on a hogshead; most of the guests watch Johnny, the only white, and 'Tonkanoo' bowing to each other. The latter is a tall negro with huge false moustache and long wig, feathered hat, and wide-cuffed coat in imitation of English dress c. 1740, with breeches and bare legs. A negro behind Johnny disperses flies with a branch. A negro couple is dancing; the ladies are fully dressed, some with tall cylindrical hats. Behind are distant mountains. [2] 'Johnny dancing with Rosa--the Planters beautiful daughter'. At the same ball all the negroes form a background of admiring spectators while Johnny, still wearing his enormous hat, dances with a pretty English girl in conventional evening dress, holding both her hands. Tonkanoo stands with his arms extended towards them. In the foreground (left) is a little naked negro Cupid with bow, quiver, and arrows, pointing to the couple. [3] 'Johnnys Courtship and professions of Love to Rosa'. Rosa reclines on a sofa under a piece of drapery looped from a tree; Johnny (left), hat in hand, kneels at her feet while the Cupid aims his bow at him. A pet monkey sits beside Rosa, and behind her (right) stands a negro girl brushing away flies with a branch. Johnny's servant is behind (left) holding an umbrella. Two cockatoos bill on a branch. [4] 'Johnny and the fair Rosa tripping to the Altar of Hymen'. The pair run hand in hand along a path which winds to a church resembling an English village church. Negro servants run after them, one holding up a large umbrella. Before them run two little negroes; one is Cupid playing a fiddle, the other, Hymen, holds up a lighted torch. In the distance, nearing the church, are the parson and his clerk. [5] 'Nuptial ceremony of Johnny and the charming Rosa'. In a Gothic church the parson with his book stands behind a cylindrical altar on which are two hearts transfixed by an arrow. Johnny puts the ring on Rosa's finger. The congregation are delighted negroes and negresses. Against the altar sit Cupid and Hymen; Cupid wears Johnny's huge hat and plays the fiddle; Hymen blows at his torch. [6] 'Johnny and his fair Bride reveling in Jollity and festive mirth'. Johnny, tipsily jovial, his father-in-law, and Rosa, sit at table, drinking, the men smoking, many bottles of 'Sangaree' on the floor. A man fiddles, and in the background a dance is in progress. Johnny wears his planter's hat, &c., as in British Museum Satires No. 11983, and has always a swarm of flies round his head. Rosa throughout wears her ball-dress, with feathers in her hair."--British Museum online catalogue, description of an earlier state
Description:
Title etched above image., State before imprint mostly burnished from plate., Plate numbered "180" in upper right corner. Also numbered in upper left: Pl. 2., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and "Price one shilling coloured."
Publisher:
Pubd. by Ts. Tegg
Subject (Topic):
Black people, Celebrations, Courtship, Dance, Intoxication, Marriage, and Musicians
Roberts, Piercy, active 1791-1805, printmaker, publisher
Published / Created:
[September 1801]
Call Number:
801.09.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
A view of the shop of P. Roberts, publisher, from the street with a crowd on the sidewalk and street looking at the display of prints in the window. An elegant figure Roberts (?) stands in the doorway with a tool of his trade (a burin?) in hand; a customer is seated inside near the window. In the crowd are men, women and children, including a Black man and a man with no legs
Description:
Title from caption etched below image., Printmaker surmised from subject matter., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mss. note at top of sheet: No. 7.
Publisher:
Pub'd. Sepr. 1801 by P. Roberts, Middle Row, Holborn
Subject (Geographic):
England and London
Subject (Name):
Roberts, Piercy, active 1791-1805,
Subject (Topic):
Black people, City & town life, Crowds, Dogs, Merchandise displays, Prints, Stores & shops, Window displays, Printing industry, and People with disabilities
Title from caption below image., Publication information from unverified data from local card catalog record., Caption continues: "Tank you Mr. Cato wid much pleasure only I'm engaged for de nine next set!", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Balls -- Costume: 1830.
A couple dance together under a lush tree with large fruit hanging from its branches. They are accompanied by two men playing instruments, a drum and tambourine as one woman claps along to the music. Others, including a small girl, stand and converse
Description:
Title from text below image. and Sheet trimmed to plate mark.
Publisher:
Published 15 Feby. 1779 by the proprietor N [...] Broad Street
Subject (Geographic):
Dominica.
Subject (Topic):
Black people, Dance, Indigenous peoples, and Musical instruments
"Five designs arranged as in No. 11131, the place of the sixth being filled by the inscription below 2. [1] A West India Nabob. He sprawls on a sofa wearing a wide-brimmed hat and with his feet supported on two small chairs. Round him stand nine young women and children. The room is bare, with a table on which is a large bowl, bottle, and glasses. [2] Creolean Patience. A dark-haired lady reclines in a chair, holding a piece of needlework, addressing a black woman, in a sparsely furnished room. Below: "Mimbo "Here Missee "Tell Quashebah to tell Prue to tell Dido "to tell Sue to come and pick up / "my Needle. "Yes Missee "Quashebah is gone to Market "Missee and wont be back dis / " tre hour "What am I to wait three hours for my needle? "Tell Prue to tell Dido to tell Sue to come "and pick up my Needle" "Yes Missee Sue is scratching my Massah's legs and cant come for dis two hour. Oh dear me! one must have the Patience of Job to live in this world with any comfort, here I must wait two hours for my Needle -- Oh dear me! [3] Part of the façade of a house, two open sash-windows above, and, below, a doorway between two windows with open jalousies. The head of the lady of [2] looks from an upper window to say to a black woman standing in the doorway : Quashebah come and take my Head in again. [4] Portable Boot Jack. A planter in a broad-brimmed hat reclines in an arm-chair, wearing top-boots; the left leg, horizontally extended, is held between the legs of a black servant, who is supported by a second (left), while a mixed race boy steadies the back of the chair, and is supported by the back of a fourth boy (right). The man pushes his right foot against the posterior of the first servant, in order to draw off his left boot. [5] One of the Luxuries. The planter leans back in a chair, while one woman cuts his hair, and a second, kneeling on the ground, washes his feet. They are both mixed race. A black girl plies a fan, and a second approaches with a bowl on her head holding out a goblet."--British Museum online catalogue
Description:
Title engraved above image., Nineteen lines of text in the center of the design., Companion print: Johnny Newcome in love in the West Indies., and Temporary local subject terms: Nabon -- Creolian -- Planter.
Publisher:
Published April, 1803 by William Holland, No. 11 Cockspur Street, London
A scene of a busy market in the West Indies with enslaved, free Africans, and white mingling amongst the vendors: The Black vendors are seated on the ground with their wares displayed around them, including produce (mellons, pineapples, bananas, etc.), livestock (goats, pigs, poultry, etc.); one man (left) is holding a lizard (iguana?); a little boy holds a bird on his finger. One woman carries her chickens and a piglet in a basket balanced on her head. Customers, both Black and mixed-race, mingle with vendors. White women with umbrellas and white men wearing hats walk among the vendors; a horse and carriage and buildings are in the background
Description:
Title from text below image., Based on a 1806 etching with the title: Negroes Sunday Market at Antigua. Engraved by Cordon, Pub. by G. Tustolini, London, 1806. See National Maritime Museum, Greenwich, UK. Accession reference: National Maritime Museum, ZBA2594., Motte started publishing in 1818 in Paris, opened a branch in London in 1830, and moved to 70 St. Martin's Lane in 1831. See British Museum online catalogue., "From an original drawing taken in 1806."--Lower left, below design., After W.E. Beastall and the engraving by Cardon. Cf. Negroes Sunday market at Antigua / engraved by Cardon. Pub. by G. Tustolini, London, 1806. Accession reference: National Maritime Museum, ZBA2594., and Imprint partially burnished and illegible.
Publisher:
Printed by Motte, 70 St. Martins Lane
Subject (Geographic):
Antigua.
Subject (Topic):
Black people, Animals, Farm produce, Markets, Poultry, and Slave trade
"Midshipmen at table in a confined space, with a low roof, lit by a candle stuck in a bottle, which casts heavy shadows. They drink grog from tea-cups with a blue interior rim. Eight midshipmen sit at the table, bare except for a jug and bottle; of these two play cards, two sleep, one plays a fife. One of the card-players smokes a cigar and holds a handful of coins. A mishipman holds a lighted cigar to the face of his sleeping neighbour. A lieutenant drinks with the midshipmen. A ninth dances tipsily, holding cup and bottle; behind him stands a sailor playing a fiddle. A tenth, wearing a fur cap, struggles sulkily into a greatcoat before going on duty. A black boy stands against the wall grinning at the dancing midshipman. A steward (left) also stands against the wall, before recessed shelves containing a dinner-service. Against the wall hang hats, a dirk, a sextant, a sextant-case, swords, a speaking-trumpet."--British Museum online catalogue
Description:
Title from caption below image., Questionable attribution to Marryat from British Museum catalogue., Sheet trimmed within plate mark., and Reissue of no. 14287 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published Aug. 12, 1821, by G. Humphrey.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Black people, Sailors, British, Interiors, Intoxication, Ships, and Servants
