- Creator:
- Stubbs, George Townly, -1815?, printmaker
- Published / Created:
- [1 June 1789]
- Call Number:
- 789.06.01.03+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- gin in an interior in St Giles's, London
- Alternative Title:
- Refreshment at Saint Giles's
- Description:
- Title etched below image., Imperfect; sheet trimmed within plate mark with probable loss of imprint statement. Imprint supplied from impression in the British Museum, registration no.: 1948,0315.6.36., Companion print to: Refreshment at St. James's., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on laid paper backing and matted to 31 x 39.
- Publisher:
- Publish'd June 1st, 1789, by G.T. Stubbs, No. 2 Compton Street, Soho
- Subject (Geographic):
- St. Giles in the Fields (London, England)
- Subject (Topic):
- Interiors
- Found in:
- Lewis Walpole Library > Refreshment at St. Giles's [graphic]
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- Creator:
- Rowlandson, Thomas, 1756-1827, printmaker
- Published / Created:
- [1 October 1799]
- Call Number:
- 799.10.01.02
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- Gull and the rook
- Description:
- Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Oxford chambers -- Oxford scholars -- Furniture: armchairs -- Screen -- Books -- Literature: Ovid's Art of Love -- Viola -- University education -- Slang: rook & gull., and Watermark: E & P.
- Publisher:
- Pubd. Octr. 1, 1799, by Hixon, engraver, printer & printseller, No. 355, near Exeter-change, Strand
- Subject (Topic):
- Interiors
- Found in:
- Lewis Walpole Library > The gull & the rook [graphic]
- Creator:
- Cruikshank, George, 1792-1878, printmaker
- Published / Created:
- [September 1812]
- Call Number:
- Print00208
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The Knave of Clubs, 'Pam', sits in state in a ramshackle attic, one foot resting regally on a footstool. He is faint-hearted and melancholy and turns to a dapper little man (Sir Walter Stirling) at his right hand, who is supported by the Devil. He says: "I'm going to Hastings give me some Sterling No Tokens." Stirling, who holds an open book and is prompted by the Devil, says: "Let Us Pray," with a cynical smile. The Devil says: "Honestly if you Can?!!--but get Money." A hideous old woman, grotesque and ragged, offers him a glass, saying, "Try if Brandy won't save you." Behind the Devil, and on the extreme left, stands a burlesqued, knock-kneed lawyer, closing one eye in a cynical grimace; he holds a large pen and a paper headed 'The Last Will & Testement [sic] of Pam'. The room has the signs of squalor characteristic of the period: bricks showing through broken plaster, raftered roof, check bed-curtains, a broken chair, with broken jug and plate on the floor. Ragged stockings and a night-cap, &c. hang from a string across the fireplace (right), and on the mantelshelf are a candle in a bottle, a saucepan, medicine-bottle, teapot, and cup. Above it are a gallows broadside, and a print of a seated demon holding a small pair of scales."--British Museum online catalogue
- Alternative Title:
- Pam be civil
- Description:
- Title etched below image., Printmaker from British Museum catalogue., and Temporary local Medical Library subject terms: British politics -- Law -- Games.
- Publisher:
- Published September 1812 by Y.Z. & sold by Clinch, Princes Street, Soho
- Subject (Name):
- Stirling, Walter, 1758-1832 and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
- Subject (Topic):
- Interiors
- Found in:
- Medical Historical Library, Cushing/Whitney Medical Library > The Devil to pay, or, Pam be civil [graphic].
- Creator:
- Alken, Samuel, 1756-1815, printmaker
- Published / Created:
- [22 October 1789]
- Call Number:
- 790.00.00.02
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
- Description:
- Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored; sheet 21 x 26 cm., and Imperfect; only lower left design entitled "After dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet.
- Publisher:
- Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
- Subject (Topic):
- Interiors
- Found in:
- Lewis Walpole Library > Different sensations [graphic] / T. Rowlandson delt. ; S. Alken fecit
- Published / Created:
- publish'd as the act directs, 1 Sepr. 1768.
- Call Number:
- 768.09.01.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A satire on the folly of marriage where the two parties are of a dissimilar age, and on the sexual opportunism of young military office. An elderly magistrate has fallen asleep sitting beside a table on which are glasses, pipes and two bottles, one labelled “Port” in front of an empty grate. He holds a copy of “Compleat JUSTICE”, showing him to be a Justice of the Peace, and a paper protrudes from his pocket lettered “-him for a Trepass on...”. On a bracket table behind him are “BURNS JUSTICE”, a paper lettered “Stealing a Hare” and another “Mid to Wit...”. On the wall over his head is a stag’s head with antlers alluding to his cuckoldry. On the other side of the fireplace, watching him, his pretty young wife sits beside an army officer who caresses her. The officer’s hat hangs on the wall behind them. On the mantelpiece are two oriental style jars and a figure of Budai,” the smiling Buddha” and over these is a gun suspended upside down.."--British Museum online catalogue
- Description:
- Title from item., Sheet partially trimmed within plate mark., and Watermark: Strasburg bend with initials GR below.
- Publisher:
- Printed for Robt. Sayer, Map & Printseller, No. 53 in Fleet Street
- Subject (Topic):
- Interiors
- Found in:
- Lewis Walpole Library > Love and opportunity [graphic].
- Creator:
- Lane, Theodore, 1800-1828, printmaker
- Published / Created:
- April 30, 1821.
- Call Number:
- Folio 75 H89 821 (Oversize)
- Collection Title:
- Page 44. George Humphrey shop album.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
- Alternative Title:
- Castles in the air! Glorious prospects!
- Description:
- Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
- Publisher:
- Published by G. Humphrey, 27 St. James's St.
- Subject (Name):
- Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
- Subject (Topic):
- Interiors
- Found in:
- Lewis Walpole Library > Delicious dreams! [graphic].