"Caricature with the actor John Liston standing to attention, his cane held to his mouth."--British Museum online catalogue
Description:
Title from text below image., Attribution to M. Egerton from the British Museum online catalogue, registration no.: 1991,0126.5., One line of text below title: "How do you do-- I hope I don't intrude!", and Plate from: Liston's characters : six coloured engravings. London : Published by Thomas M'Lean ..., 1826.
Publisher:
Published by Tho. McLean, 26 Haymarket
Subject (Name):
Poole, John, 1786?-1872. and Liston, John, 1776-1846.
The courtroom scene from Act 4, Scene 1 of Merchant of Venice when Portia reminds Shylock that the bond only allows him a pound of flesh, and makes no allowances for blood. Shylock, standing with a knife in his right hand and scales in his right, registers the disappointment and shock in his expression as he stands before Portia disguised as Balthasar, holding the bond. They are flanked by Antonio and Bassanio. In the background, the judge sits at his bench, his finger to his forehead. Below the title, Portia's lines: Have by some surgeon, Shylock, on your charge to stop his wounds lest he should bleed to death. Followed by Shylock's lines: Is it so nominated in the bond?
Alternative Title:
Mr. Macklin and Mrs. Pope in the characters of Shylock and Portia
Description:
Title from item., Sheet trimmed within plate mark., and Date based on last performance date of Macklin and Pope in the The merchant of Venice.
Publisher:
publisher not identified
Subject (Geographic):
England and London
Subject (Name):
Macklin, Charles, 1697?-1797,, Pope, Elizabeth, approximately 1740-1797,, Shakespeare, William, 1564-1616., and Shylock (Fictitious character)
Subject (Topic):
Actors, British, Courtrooms, Portia (Fictitious character), and Theatrical productions
Leaf 52. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Restrike. For original issue of the plate, see Lewis Walpole Library call no.: 826.00.00.80., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 52 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thomas McLean, 20 Tichborne Stt., Haymarket [i.e. Field & Tuer]
"Double portrait, Mattocks to right standing with hands clasped in pleading, looking to right at Mendoza, who stands drawing his sword, looking implacably at the other, both wearing richly decorated suits and coats and small ruffs."--British Museum online catalogue
Description:
Title engraved below image., The head of John Quick seems to have been engraved after a painting by Johann Zoffany; see Curator's comments, British Museum online catalogue, registration no.: 1902,1011.7269., Publisher Carington Bowles was located at the listed street address between 1766 and 1793. A publication date of 1777 is deduced from the plate numbering; see table on page 786 in v. 5 of the Catalogue of prints and drawings in the British Museum., Imperfect; sheet trimmed within plate mark with loss of imprint and plate numbering from lower edge. Missing text supplied from impression in the British Museum., Plate numbered "369" in lower left corner., Window mounted to 51 x 36 cm., and Mounted opposite page 122 (leaf numbered '171' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Quick, John, 1748-1831,, Mattocks, George, 1734 or 1735-1804,, and Linley, Thomas, 1733-1795.
Subject (Topic):
Characters, Actors, British, and Theatrical productions
Mrs. H. Johnston as Princess Zorilda in M.G. Lewis' Timour the Tartar, in full custume, astride a rearing, white horse
Description:
Title from item. and Sheet trimmed within plate mark resulting in loss of imprint. Imprint from copy at the Folger Shakespeare Library, Washington, D.C.
Publisher:
Pub. by Dighton, Spring Gardens
Subject (Geographic):
England and London
Subject (Name):
Johnston, Nannette, and Lewis, M. G. 1775-1818. (Matthew Gregory),
"Portrait of Mrs Jordan as Peggy in 'The Country Girl' after Romney, standing three-quarter length with her hands clasped together in front of a doorway and column; state after title changed, before engraver's name altered."--British Museum online catalogue
Description:
Title engraved below image. and Second state, with title altered from "Mrs. Jordan in the Character of the Romp". For the earlier state, see Yale Center for British Art accession no.: B1970.3.341.
Publisher:
Publish'd June 24th, 1788, by John & Josiah Boydell, No. 90 Cheapside, London
Subject (Name):
Jordan, Dorothy, 1761-1816, and Garrick, David, 1717-1779.
"Heading to engraved verses. A theatrical cabin-boy of feminine appearance, wearing a striped shirt and dark trousers, sings with his back to the sea, and within a few inches of the breakers. On the right are pasteboard rocks. A small boat is sinking, and a castle is lit by a flash of lightning.'"--British Museum online catalogue
Description:
Title engraved below image., Plate numbered '468' in lower left corner., From the Laurie & Whittle series of Drolls., Two lines of text above design: As sung (with unbounded applause) by Master Smalley in the popular pantomime of 'Mother Goose, or, the Golden Egg' already perform'd 87 times this season at the Theate. Royl. Cont. Gardn., and Eight lines of verse with repeated line beginning refrain arranged in two columns below title: The sea was rough, the clouds were dark; Far distant every joy, When forc'd by fortune to embark, I went a cabin boy. I went &c. My purse soon fill'd with frenchmen's gold, I hasten'd back with joy, When wreck'd in sight of port, behold The helpless Cabin Boy. I went &c.
Publisher:
Publish'd June 8, 1807 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Boys, Sailors, British, Singing, and Theatrical productions
"The boxing scene from 'The Romp', Act II, between Young Cockney (left) and Priscilla Tomboy. They face each other with clenched fists. Young Cockney is fashionably dressed and portly, Priscilla's large hat and mittens are on the floor. Behind her (right) stands Captain Sightley in regimentals and Miss La Blond wearing a large hat which conceals her face. Behind them on the extreme right is a folding screen. Framed pictures decorate the wall."--British Museum online catalogue
Description:
Title etched below image., Signed in lower left of image with monogram RR [first 'R' reversed] delin., Sheet trimmed within plate mark., Watermark in center of sheet., and In pencil on verso: RR [R Rushworth?].
Publisher:
Publisehed [sic] Jany 3d. 1786, by S.W. Fores at the Caracature Warehouse No. 3, Piccadilly
Subject (Name):
Barnes, Mrs., active 1782-1808., Barrymore, Mr. 1759-1830. (William),, Dodd, James William, 1740?-1796, Jordan, Dorothy, 1761-1816, and Bickerstaff, Isaac, 1735-1812.
Subject (Topic):
Boxing, Military uniforms, British, Theaters, and Theatrical productions
"Kemble (scarcely caricatured), as Rolla (the noble Peruvian), stands with his left hand pointing upwards, his right arm thrown back, his head in profile to the right. He wears quasi-classical dress, with barbarian adornments, feathered head-dress, heavy gold belt, and ornaments. The costume appears substantially correct, with some exaggeration of the gold chains and ornaments."--British Museum online catalogue
Description:
Title etched below image., Leaf 26 in an album with the spine title: Characatures by Dighton., and Figure identified as "Kemble" in pencil below plate mark.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Kemble, John Philip, 1757-1823