"Queensberry (left) leans from the steps of his Piccadilly house, to leer through a double spy-glass (as in British Museum Satires No. 9082) at a buxom young woman who has just descended from a country wagon (right). She stands on the pavement next her father, a yokel in a smock-frock who is addressed by a fat bawd. The woman puts her hand on his shoulder, saying, "Its very lucky I met with you my honest Man if she behaves well she shall be promoted to the service of a Duke". He answers, "Very lucky indeed I'se Woundily Obliged to your Ladyship. My Dame always said as how Bet was cut out for Zarvice of your great Volkes." The wagoner is depositing in the road the corded box of Elisabeth Maybush; he looks up at Old Q, saying, "ah! I knew he'd dart out like an Old Spider at a Fly". A fashionably dressed young woman walks past the railings of 15 Piccadilly, the lower part of the house forming a background."--British Museum online catalogue
Alternative Title:
Queenborough novelist
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Women: country girls -- Procuresses -- Wagoners -- London: 15 Piccadilly -- Quizzing glasses -- Horse whips., and Watermark: Strasburg bend with initials C & S below.
Publisher:
Pubd. March 1st, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Queensbury, William Douglas, Duke of, 1724-1811
Subject (Topic):
Prostitutes, Hand lenses, Farmers, Obesity, Carts & wagons, and Whips
"Queensberry (left) leans from the steps of his Piccadilly house, to leer through a double spy-glass (as in British Museum Satires No. 9082) at a buxom young woman who has just descended from a country wagon (right). She stands on the pavement next her father, a yokel in a smock-frock who is addressed by a fat bawd. The woman puts her hand on his shoulder, saying, "Its very lucky I met with you my honest Man if she behaves well she shall be promoted to the service of a Duke". He answers, "Very lucky indeed I'se Woundily Obliged to your Ladyship. My Dame always said as how Bet was cut out for Zarvice of your great Volkes." The wagoner is depositing in the road the corded box of Elisabeth Maybush; he looks up at Old Q, saying, "ah! I knew he'd dart out like an Old Spider at a Fly". A fashionably dressed young woman walks past the railings of 15 Piccadilly, the lower part of the house forming a background."--British Museum online catalogue
Alternative Title:
Queenborough novelist
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Women: country girls -- Procuresses -- Wagoners -- London: 15 Piccadilly -- Quizzing glasses -- Horse whips., Subject identified on mat below image., Watermark: Curtels & Sons., 1 print : etching ; plate mark 26.6 x 28.7 cm, on sheet 29 x 32 cm., and On laid paper, hand-colored, matted to 47 x 63 cm.
Publisher:
Pubd. March 1st, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Queensbury, William Douglas, Duke of, 1724-1811
Subject (Topic):
Prostitutes, Hand lenses, Farmers, Obesity, Carts & wagons, and Whips
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Stone representing the Irish Church upsetting the Tory cart; Tories on the point of falling into the mud."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "(83)" in brown ink in top center portion of design., and No. 83.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Topic):
Politicians, Carts & wagons, Accidents, and Falling
A satire with a waggoner drives past a dandy who stands at a doorway on the right. The waggoner's cart is enormous and laden with hay filling the street; he grins and points at the gentleman who is spattered with mud from the cart's wheels. The scene illustrates the song engraved below the image., Also lettered below the image, a song of three verses in three columns: When I comes to town with a load of hay ... So to mind 'em I ne'er seem, &c., Title engraved below image., Imprint, plate number, and verses from impression in the British Museum online catalogue., Sheet trimmed within plate mark at the bottom with loss of imprint and verses below., Plate numbered: 281., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 25th July 1792, by Robt. Sayer & Co., Fleet Street
Subject (Topic):
Carts & wagons, Dandies, British, Farmers, Hay, Horses, and Whips
Title etched below image., In border above image: Engraved for Harrison's History of London., From: Walter Harrison, A New and Universal History of London, London: J. Cooke, 1775., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
J. Cooke
Subject (Topic):
Plague, Mass burials, Dead persons, Pipe smoking, Grave digging, Horses, and Carts & wagons
"Three strips arranged horizontally as in BMSat 9488. The subjects (with inscriptions) are a 'round-about' or primitive merry-go-round, a couple in a 'Tax'd Cart', a newsboy crying 'The Second Edition', street musicians with hurdy-gurdy, tambourine, and triangle, a Punch and Judy show, parson and clerk, a couple on a horse, a man selling garters, 'Long, and strong Scarlet Garters a penny a pair', a man with a performing bear and dancing dogs, a town crier, a pugilistic encounter."--British Museum online catalogue
Description:
Title supplied by cataloger., "No. 8."--Upper left corner., Three horizontal strips between borders., Imperfect; sheet trimmed within plate mark, with loss of plate number. Missing text from impression in the British Museum., and Watermark: Iping.
Publisher:
Pubd. June 20th, 1799, by R. Ackermann, No. 101 Strand
Subject (Topic):
Bears, Carts & wagons, Clergy, Clerks, Dogs, Fighting, Musical instruments, Newspaper carriers, Organ grinders, Puppet shows, Puppets, Street musicians, Town criers, Street vendors, and Trained animals
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
View of a cart being pulled by a horse to the right; buildings and a stone gate are seen in the background
Description:
Title and date from local card catalog record., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
"Satirical ballad on the unwillingness of the British government to go to war with Spain with a woodcut illustration derived from British Museum Satires No. 2355 showing Robert Walpole holding the tail of the British Lion which holds a staff topped by a crown. The lion is apparently attempting to lunge at a Spaniard holding a whip who has harnessed three English sailors to a cart."--British Museum catalogue
Alternative Title:
Negotiators, or, Don Diego brought to reason and Don Diego brought to reason
Description:
Title and publication information from British Museum catalogue., Mounted on leaf 73. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
R. Thompson
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and Walpole, Horatio Walpole, Baron, 1678-1757
Subject (Topic):
Whips, Carts & wagons, Lions, Sailors, and Staffs (Sticks)
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title from caption engraved below image., State, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., Etched above image: "Frontispiece.", Sheet trimmed to: 22.5 x 18 cm., and Formerly on page 168 in volume 2. Removed in 2012 by LWL conservator.
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title from caption engraved below image., State, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., Etched above image: "Frontispiece.", Sheet trimmed to: 22.5 x 18 cm., and Formerly on page 168 in volume 2. Removed in 2012 by LWL conservator.