Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1810]
Call Number:
Quarto 33 30 Copy 6
Collection Title:
Page 42a. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of one of two small Welsh armchairs kept by Horace Walpole in the Star Chamber at Strawberry Hill. The support posts of the chair are painted with alternating blue and white bands; the triangular seat has a cushion of blue-gray point lace. Centered within the backrest are the yellow and black arms of Mr. Richard Bateman
Alternative Title:
Welsh armed chair
Description:
Title written in ink below image, on mounting page., Unsigned; attribution to G.P. Harding from local catalog card., Date based on death date of Thomas Kirgate, who likely assembled the extra-illustrated volume in which this drawing is found., and Inlaid on page 42a in Thomas Kirgate's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784].
Title etched above image., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Lewes, Charles Lee, 1740-1803. and Stevens, George Alexander, 1710-1784.
Subject (Topic):
Theater, Physiognomy, Heads (Anatomy)., Hearses, Coats of arms, and Obelisks
Title from caption below image., Text following title: There goes a flower of a youth!!, Plate from: Almack's: a novel., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Satirical armorial ridiculing Lord Denbigh's claim to descend from the Habsburg family
Description:
Title etched below image., Artist identified as 'Lord de Ferrars' in the British Museum catalogue., Publication date from contemporary manuscript note in lower left margin: Publish'd 27th May 1780., Four lines of text in Latin below title: Monstrum, horrendum informe, ingens, cui lumen ademptum. Quale portentum neque militaris, aaunia in latis alit esculetis, nee jubae tellus generat, &c. &c., and Dedication etched at bottom of plate: Humbly dedicated to Garter King at Arms and all other the officers of the College of Arms, London.
"A copy of Hogarth's design: on the shield, a naked and reclining infant raising its right arm. Supporters, dexter, a terminal figure of 'Nature', many-breasted; sinister, 'Britannia', holding a cap of Liberty on a staff, and her shield. Crest 'a Lamb'; motto 'Help'. Below the title: 'These Armes are to be altered by the Desire of the Committee, a Wolf in Fleecy Hosiery is to be substituted for the Lamb and the Supporters are to be taken away - '."--British Museum online catalogue
Alternative Title:
Arms for the Foundling Hospital
Description:
Title from item., Printmaker and imprint from British Museum catalogue., One plate [tail-piece] to Sayers' verse satire: Foundling Chapel Brawl. Printed by C. Roworth in Bell Yard, Temple Bar in 1805., Publication information from British Museum catalogue., and Mounted to 31 x 42 cm.
Page 243. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Abstract:
A satirical coat of arms, engraved heraldically, with cards, dice, Earls coronet (Lord Darlington) shaking a dice-box. The arms are encircled by a claret bottle ticker, by way of order
Alternative Title:
Cog it amor nummi and White's Club coat of arms
Description:
Title from note in pencil below image; the motto "Cog it amor nummi" is written within a banner at bottom of image., Unsigned; artist unidentified., Copy of a drawing by Richard Edgcumbe, designed along with George Selwyn, George Williams, and Horace Walpole, that was produced in 1756 at Strawberry Hill. The original drawing was sold in lot 12 of the 22nd day of the Strawberry Hill Sale in 1842., Date of production based on death date of T. Crofton Croker, who assembled the extra-illustrated volume in which this drawing is found., For an engraving after the original drawing, see no. 3350 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Tipped in at page 243 in T. Crofton Croker's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill., and With a clipping, mounted in upper right corner of sheet, that describes a portfolio of prints and drawings from Strawberry Hill; the clipping is annotated "See 22d day, lot 10" in ink at top.
Subject (Geographic):
England, London., and London
Subject (Name):
White's Club (London, England)
Subject (Topic):
Clubs, Men, Societies and clubs, Playing cards, and Coats of arms
Engraving of the coat of arms of the Foundling House used to illustrate the title page of "An account of the hospital for the maintenance and education of exposed and deserted young children". Coat-of-arms shows a naked child, a lamb holding a sprig of thyme as the crest, figures of maternal nature and Britannia as supporters, and the motto "Help".
Description:
Title from letterpress text above image., Imprint from letterpress text below image., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 230.
Manuscript on vellum prepared by Sir Gilbert Dethicke for Queen Elizabeth I includes colorful drawings of the arms of all the knights elected or installed during the reigns of Richard III and Henry VII
Description:
Sir Gilbert Dethick (1499/1500-1584), herald and diplomat. Dethick became Garter king of arms on 20 April 1550 and was knighted on 14 April 1551. He was genealogist and heraldist, and a member of the original Society of Antiquaries., In English, with one French phrase., Bound in red velvet, the arms are beautifully balzoned in color., and Bound in red velvet. Bookplate 2 early state. Not in Manuscript Catalogue of 1763.
Coat-of-arms with a naked child, a lamb holding a sprig of thyme as the crest, figures of maternal nature and Britannia as supporters, and the motto "Help"; a landscape beyond, and a rococco frame; below, a ticket for a performance of "a sacred oratorio" composed by George Frederick Handel Esqr. to be performed at the Foundling Hospital. Blank spaces left for the date, month, year, and time of the performance
Alternative Title:
Arms of the Foundling Hospital
Description:
Title from first line of text, below image., Title from Paulson: Arms of the Foundling Hospital., and State and date from Paulson.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Foundling Hospital (London, England) and Handel, George Frideric, 1685-1759.
Subject (Topic):
Charities, Britannia (Symbolic character), and Coats of arms
An enormously fat gentleman, with a footman stationed at his rear, brandishes a whip, as he drives his phaeton behind a pair of diminutive horses. The signpost behind him reads "to Salthill" with a mile marker to the right of the print XIX miles. A crest of a deer or donkey head adorns the side of the carriage
Alternative Title:
Flying buck
Description:
[State with plate number]., Title from item., Reissue, with added plate number., Initial letters "MD" of publisher's name form a monogram., Numbered '12' in upper left of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by MDarly, July 6, 1776, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Carriages and carts, Carriages & coaches, Coach drivers, Horses, Clothing & dress, Obesity, and Coats of arms
Page 121.5. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Description:
Title of top drawing from note in Horace Walpole's hand written beside it; title of bottom drawing supplied by curator., Unsigned; attributed to Horace Walpole by curator., Date of production based on Horace Walpole's death date., Two small drawings on one sheet, positioned above and below twelve lines of manuscript in Horace Walpole's hand beginning: Sir Jeffery Burwell's mother was daughter & heiress of Jeffery Pitman ..., and Mounted on page 121.5 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Title above each image., Titles: Bombario Actionist en de Geest van Esopus; Actieuse Nacht-Wind-Zanger met zyn Tover Slons; Natuur Actie-Doctor of klap-achtig Bobbel Meester; Directrice der Vervalle Actie-Regimenten en bezonderlyk van Natuurlyke Lawe Actien., Date supplied by curator., Four plates on one uncut page, numbered 1 thru 4., From an edition of "Het Groote Tafereel der Dwaasheid" or "The Great Mirror of Folly"., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Politics and government, Physicians, Peddlers, Coats of arms, Parrots, and Cauldrons
Title from first lines of text below image. All engraved., Date of publication based on the April 1767 opening date of the Westminster New Lying-in Hospital, Lambeth., Motto engraved in banner at base of image: Hide not thy Face from thine own Flesh. Isian Ch. 58, and Not in: Adams, B. London illustrated, 1983.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
General Lying-in Hospital (Lambeth, London, England),
Subject (Topic):
Britannia (Symbolic character), Hospitals, and Coats of arms
"Three half-length figures in circles of laurel leaves. Lord Mayor Crosby (centre) in his gown wearing a civic mural crown holds a scourge inscribed "For Monopoly" in one hand, in the other a scroll: "Thanks and Prayers of the Poor". Behind him is a figure of Justice with her scales and a view of the Tower of London in which he had been imprisoned, see British Museum Satires No. 4850, &c. Wilkes (left), as Hercules, with a sheriff's staff holds a club "For undue Influence" and a scroll inscribed "Herculas's Labours overcome Genl Warrants maintain'd Lib. of Press - Freedom of Election, &c. &c. &c". A bull (right) wearing an alderman's chain, holding a sheriff's staff and with one hoof on a column inscribed "Fortitude" denotes Alderman Bull who was elected sheriff with Wilkes in 1771, see British Museum Satires No. 4874. In the centre, between the circles, are the City arms and motto, "Domine dirige nos", and the cap of liberty inscribed "Libertas"."--British Museum online catalogue
Alternative Title:
Characteristics
Description:
Title from item., Date of publication from that of the periodical for which the plate was engraved., Dated to 1 January 1772 in the British Museum catalogue., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors , v. 7 (1771), p. 229., and Temporary local subject terms: Arms: London city arms -- Personifications: Justice -- Aldermen -- Tower of London -- Mythology: Hercules -- Brass Crosby, 1725-1793, Lord Mayor of London, 1771.
Publisher:
publisher not identified
Subject (Name):
Wilkes, John, 1725-1797, Bull, Frederick, approximately 1714-1784, and Tower of London (London, England)
A double portrait of King Charles I on horseback riding through an arch with the Duke of Espernon on foot at his right side, looking up at the King. On the left is a shield with a coat of arms leaning against the column; a curtain frames the scene on the right and left
Alternative Title:
Charles the First, King of England &c. and the Duke d'Espernon and Charles the First, King of England &c. and the Duke d'Epernon
Description:
Title from caption below image., Sheet trimmed within plate mark at top edge., and In contemporary manuscript note on verso: Amann
Publisher:
Published by John Boydell, engraver in Cheapside, London
Subject (Geographic):
Great Britain.
Subject (Name):
Charles I, King of England, 1600-1649, and Epernon, Jean-Louis de Nogaret de La Valette, duc d', 1554-1642,
"North and Fox as supporters of the Coalition Arms (cf. BMSat 6369 (5)), which rest on the prostrate body of the king, on whom North rests his left foot and Fox his right. North stands (left) dexter, holding in his right hand a flag on which are two demons and the word 'Coalition'; the staff is surmounted with a skull; in his left is a small flag with thirteen oblique stripes, an allusion to the loss of the Colonies, which forms part of the first quarter of the arms. Fox holds a ragged cap of Liberty on its staff; his right hand, resting on the escutcheon, holds a small axe which forms part of the second quarter of the arms. The crest is formed of the heads of North and Fox back to back, in profile, right; from their mouths comes a ribbon with the word 'Faction'. The motto which supports the figures of Fox, North, and I the king, is 'Neck or Nothing'. Beneath the plate is a printed explanation of the Coalition Arms: 'Lately granted by a new College of Arms to two Illustrious Persons for their numerous and distinguished Virtus "Go and do thou likewise". They are thus emblazoned: First Quarter. A Standard with the Thirteen Stripes of the American States; Base, Edmund St Omer's [Burke], like a skilful Dentist, drawing the Teeth of a Lion. Second. Quarterly, First and Fourth, Implements of Gambling; Sinister Chief, a declining Axe; Dexter base, the head of Charles, Martyr; Fesse Point Arms of H--ll--d [Holland, the arms of Fox, cf. BMSat 6423]. Third. A Gallows, Two Halters charged Proper. Fourth. Britannia Renversed. Crest. Janus, with the motto Faction. Supporters. Dexter, the Promoter of Independence with the Flag of Coalition. Sinister; the Man of the People, with a Liberty Cap worn Threadbare; both Supporters trampling on an injured------[King] who is extricating Himself from their Oppression.' The arms are as described: Burke (half length) applies a pair of forceps to the teeth of a lion, seated passively. Above them is a paper inscribed 'Reform Bill' (cf. BMSat 5645, &c). The implements of gambling are dice-box, dice, and cards. From the gallows hang a fox (left) and North (right). Britannia, seated head downwards, holds out an olive-branch, emblematical of the peace and the loss of America."--British Museum online catalogue
Description:
Title from item., Original issue of no. 6441 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires; with the printmaker's initials and date intact., The printed explanation of the arms below the plate begins: "Key to the coalition arms," and ends with: "These arms were given from the Herald's Office to the two men, for their many and distinguished virtues. 'Go and do thou likewise.'", and Mounted to 38 x 27 cm.
Publisher:
Published by M. Smith, March 8, 1784, and sold at No. 46 in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Britannia (Symbolic character), Politics and government, Coats of arms, Liberty cap, Foxes, Lions, Gambling, Gallows, and Clothing & dress
The shield of the Coalition Arms rests on the prostrate figure of the King who tries to free himself from his burden. His efforts are resisted by two supporters of the shield, Lord North (dexter) and Charles Fox (sinister) who each press him down with a foot. North holds a flag with two dancing devils and sign "Coalition," and a small flag with thirteen stripes. Fox holds a stick with a tattered liberty cap on its top. The shield is divided into four quarters. In the first one, Burke, standing under the sign, "Reform bill," pulls a lion's teeth. In the second, the "implements of gambling" are combined with an axe and the head of "Charles Martyr" [i.e., Charles I]. In the third, Fox, shown as a fox, and North, hang from a gallows. In the fourth, a seated figure of Britannia with an olive branch is drawn upside down. The whole is supported by a motto, "Neck or nothing."
Description:
The printed explanation of the arms below the plate begins: "Lately granted by a new College of Arms to two illustrious persons for their numerous and distinguished virtues. 'Go and do thou likewise.'" and "Price one shilling."
Publisher:
Published by M. Smith, March 8, 1784, and sold at No. 46 in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Britannia (Symbolic character), Politics and government, Coats of arms, Liberty cap, Foxes, Lions, Gambling, Gallows, and Clothing & dress
A collection of four engraved admission tickets to the trial of Warren Hastings for the 75th, 116th, 136th, and 141st days in Westminster Hall, each signed by (presumably) the chamberlain for the day -- Chedworth, Somerset, Darlington, Dorchester. Two are printed in black ink, another in blue, and the fourth in green ink; they all carry seals. Three contain comments in a contemporary hand about the day's proceedings praising Sir Robert Dallas's defense, commenting on the fact of Mr. Pitt's reply, and evaluating Edmund Burke's remarks on his second day of speeches. The ticket for the 116th day contains extensive notes on the verso. The ticket of 136th mentions Mr. Fox's reply to Hasting's counsel. Three of the tickets have been torn in the corner, possibly when the bearer entered the hall?
Description:
Warren Hastings (1732-1818) was the first governor-general of British India, from 1773 to 1785. He joined the British East India Company in 1750 as a clerk. In 1757 he was made the British Resident of Murshidabad; appointed to the Calcutta council in 1761; a member of the Madras council in 1769; made governor of Bengal in 1772; and appointed the first Governor-General of India in 1773. However, Hastings resigned in 1784, and, returning to England, was charged with high crimes and misdemeanors by Edmund Burke. He was impeached for corruption in 1787 but was acquitted in 1795., In English., Engraved admission tickets with mss. notations., With Hasting's coat of arms in the center with text around image: For the trial of Warren Hastings, Esq. Peter Burrell Dy. Great Chamberlain., and For further information, consult library staff.
Subject (Name):
Burke, Edmund, 1729-1797., Chedworth, John Howe, Baron, 1754-1804., Dallas, Robert, Sir, 1756-1824., Hastings, Warren, 1732-1818, and Somerset, Charles Henry, Lord, 1767-1831.
Volume 1, page 14.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Banner on a pole with the arms of Maurice de Berkeley, 2nd Baron Berkeley: a chevron between ten crosses pattée, six in chief and four in base argent. Below the banner are six lines of verse in French with the attribution "Roll of Karlaveroc, St. 22".
Alternative Title:
Square banner of Sir Maurice Berkeley
Description:
Title written in ink above image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 14.1 in volume 1 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Depicts a furious man (William Austin) on a sidewalk, shouting "Damn your foollish [sic] caricatures" as he attacks the windows of Matthias Darly's London printshop with his walking-stick. On his left arm he carries a portfolio as a shield (emblazoned with a broken anchor). From it fall papers and drawings, including a prescription (suggestive of madness) from Dr. Monrow (i.e. John Monro, physician of Bethlehem Hospital). One print in the shop window echoes the present image, while Austin's "Proposals for opening a museum of drawings" is trodden underfoot by a dog in the foreground
Description:
Title etched below text., Text beneath image: "Be it known to all men that I -- upon just cause before God and men do declare & pronounce war with and against all and every printshop and printseller within and without the city of London....", Text on shield is a quote from John Gay's My own epitaph: Life's a jest and all things show it. I thought it once, but now I know it., At bottom of plate: B--b--y., Attributed to Francesco Bartolozzi. See British Museum catalogue., and Cropped within plate mark. Numbered in ink by an unidentified hand: 46.
Publisher:
Published as the act directs by Danl. Demoniae
Subject (Geographic):
England and London.
Subject (Name):
Austin, William, 1721-1820., Darly, Matthias., and Monro, John, 1715-1791.
Subject (Topic):
Mental illness, Shields, Dogs, Coats of arms, Prints, Stores & shops, and Window displays
Plate [73] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; diagram showing the rectos and versos of nine coins from the reigns of Edward IV to Richard III, on a plaque surmounted by a grieving figure, royal coat of arms below."--British Museum online catalogue
Alternative Title:
Edward the Fourth to Richard the Third and Coins of Edward the Fourth to Richard the Third
Description:
Title from text below image., Sheet trimmed within plate mark on right and left sides., and Plate [73] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Novr. 1796, Historic Gallery, Pall Mall
Design occupying top third of plate shows Bute driving a cart labelled G.R. III, having just crossed the Rubicon, laden with National Debt, Pensioners, etc., drawn by ministerial donkeys including ones labelled North, Germaine, Sandwich, and Weymouth. The donkeys are assailed by opposition dogs Burke, Wilkes, Fox etc. In the upper left an overloaded boat depicts the "Commissioners setting off for America." Smaller insets beneath the main image refer to the balance of power and antiministerial demonstrations. Two columns of dialect verse beneath image, follow the title "A new gallant shew or the ministry's cabinet & minority's closet broke open" signed at bottom by Doodle Doodle Doo. A criticism of both governmental ministry and the opposition
Alternative Title:
View of the political state of the nation
Description:
Title from item., Imperfect; cropped with loss of imprint and last 2 lines of verse., Date of publication from English political caricature., Publisher from impression in John Carter Brown Library., "Price 1 shilg.", and Mounted to 33 x 35 cm.
Publisher:
Publish'd as the act directs May 11, 1778 at Darly's, Strand
Subject (Geographic):
Great Britain, United States, and America.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792., North, Frederick, Lord, 1732-1792., Sandwich, John Montagu, Earl of, 1718-1792., Sackville, George Germain, Viscount, 1716-1785., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., Franklin, Benjamin, 1706-1790., Hancock, John, 1737-1793., and Adams, John, 1735-1826.
Subject (Topic):
Politics and government, History, Colonies, Donkeys, Carts & wagons, Dogs, Seesaws, and Coats of arms
Volume 2, opposite page 364. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
Ticket for the ninth day of the trial of Warren Hastings; coat of arms at center, with the motto "sub libertate quietem" beneath
Description:
Title etched within banner above coat of arms; remainder of title etched below coat of arms, with "Ninth day" etched at bottom of plate., Date based on that of the trial, which began in February 1788., With wax seal and contemporary inscription "Tuesday Feb. twenty sixth 1788, James Ely" in brown ink at bottom of sheet. Later pencil annotation on verso identifies the writing as that of James Yorke, Bishop of Ely., Window mounted to 51 x 36 cm., and Mounted opposite page 364 (leaf numbered '183' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Hastings, Warren, 1732-1818 and Gwydir, Peter Burrell, Baron, 1754-1820.
Frontispeice to the celebrated lecture on heads and Frontispiece to the celebrated lecture on heads
Description:
Title from item., From: Stevens, G. Lecture on heads. London: J. Pridden, 1765., Date, printmaker, publisher, and place of publication taken from volume for which this is the frontispiece., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
John Pridden
Subject (Topic):
Theater, Phrenology, Physiognomy, Coats of arms, and Heads (Anatomy)
Charles James Fox, standing on a pedestal in a posture of a fighting gladiator, strikes the royal arms with his outstretched left arm. In his right hand he holds a dagger hidden under a sheet of paper. Under his feet is a large volume inscribed "Good Ground of Opposi[tion] Subscription Book." On it stands a collection box
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., Fifth of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Royal arms -- Subscriptions: Subscription for Fox -- Boxes: Money box., and Mounted to 45 x 35 cm.
Charles James Fox, standing on a pedestal in a posture of a fighting gladiator, strikes the royal arms with his outstretched left arm. In his right hand he holds a dagger hidden under a sheet of paper. Under his feet is a large volume inscribed "Good Ground of Opposi[tion] Subscription Book." On it stands a collection box
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., Fifth of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Royal arms -- Subscriptions: Subscription for Fox -- Boxes: Money box., and Mounted on page 79 with one other print.
Charles James Fox, standing on a pedestal in a posture of a fighting gladiator, strikes the royal arms with his outstretched left arm. In his right hand he holds a dagger hidden under a sheet of paper. Under his feet is a large volume inscribed "Good Ground of Opposi[tion] Subscription Book." On it stands a collection box
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., Fifth of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Royal arms -- Subscriptions: Subscription for Fox -- Boxes: Money box., 1 print : etching on wove paper ; plate mark 30.3 x 23.8 cm, on sheet 32.9 x 25.8 cm., and Mounted on leaf 59 of James Sayers's Folio album of 144 caricatures.
"The gateway of St. James's Palace. On its flagstaff is a standard bearing Bute's arms with the motto 'Avito viret honore' (cf. British Museum Satires No. 4423). Under the archway a Scotsman in kilt and plaid holds a prancing horse by the tail. Another Scot stands by flourishing a whip and holding in his left hand a saddle with stirrups."--British Museum online catalogue
Alternative Title:
He rules as absolutely and with as much indignity ...
Description:
Title from text below image., Sheet trimmed within plate mark., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 10 (1772), page 265., and Temporary local subject terms: Buildings: St. James's Palace gateway -- Flagstaffs -- Arms: Earl of Bute's arms -- Scotsmen -- The White Horse of Hanover? -- Allusion to the Earl of Chatham's speech on secret influence.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Saint James's Palace (London, England),
A burlesque coat of arms of the city of Preston, evidently relating to a contested election of that city's parliamentary representative, probably John Burgoyne. A mayor with staff of office is on the left and a woman holding a chamber pot on the right. She stands behind an older horned man (a cuckold). The central escutcheon depicts a lamb, with Folly in a fools-cap as the crest
Description:
Title from item., Possibly by Isaac Cruikshank. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
Preston (Lancashire, England) and England
Subject (Name):
Burgoyne, John, 1722-1792., Great Britain. Parliament, and Great Britain. Parliament, 1783-1784.
"Princess Caroline (left) sits in an ornate oval bath in a small boarded room. Bergami stands in the bath (right), draping himself in a towel from the waist down, and splashing water at his companion, who extends her arms towards him, with an encouraging smile. A man and woman, evidently Majocchi and Demont, peep from behind the door (right). On the bath is a Maltese cross (see British Museum Satires No. 13810), placed hatchment-wise between supporters, the Lion and Unicorn, who lie with closed and averted eyes. The Princess's feathered hat and the miniature of Bergami (cf. British Museum Satires No. 14103) hang on the wall (left). Beside her on a camp-stool are a bottle of 'Brandy' [see British Museum Satires No. 14175] and a decanter of 'Essence of Bergami'. His postilion's boots and cap are on the floor."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Four lines of verse below title: While she received the copious shower, he got a step in honor's path, and grew from that auspicious hour, a K-night Companion of the Bath.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
Subject (Topic):
Adultery, Bathing, Bathtubs & showers, Disgrace, Coats of arms, Miniatures (Paintings), and Unicorns
"Large palace yard lined with porticos, with draped people engaged in activities representing sciences and arts, and royal coat of arms with crown, fleur-de-lys and insignia of the Order of the Saint-Esprit in the lower part."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from British Museum online catalogue, registration no.: R,8.85., Dedication etched beneath title: Dediée au Roy par son tres humble tres obeïssant et tres fidéle serviteur et sujet Seb. le Clerc., and With two unidentified (collector?) stamps.
Portrait of Lord Sheffield within an ornamental oval border
Alternative Title:
Lord Sheffield and the commerce of Great Britain
Description:
Title from item., Another [earlier?] state published with the imprint: John Str. Bristol, 1790., and Temporary local subject terms: Cap and staff of liberty -- Emblems: Commerce -- Literature: Sheffield on commerce -- British commerce -- Cargo.
Publisher:
publisher not identified
Subject (Name):
Sheffield, John Holroyd, Earl of, 1735-1821,
Subject (Topic):
Liberty cap, Commerce, Coats of arms, Shipping, and Sailing ships
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
Caroline and Bergami sit together in an opera-box, frowning angrily at the occupants of the pit, all men, who look up at the box disapprovingly. Bergami holds a bottle labelled 'Essence of Bergamot' and wears a braided hussar uniform. Caroline is very décolletée, with loose black curls and a four-cornered headdress. The Arms of the Republic of Genoa are on the wall beside them with a harp and musical score below. The front of the box is decorated with two cupids holding a ribbon
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of quoted verse below title: "Her modest looks a cottage might adorn, sweet as the primroase peeps beneath the thorn.", and An enlarged version of a design, one of four on a single plate, etched by George Cruikshank and published 15 June 1820. Cf. No. 13731 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"Portrait of an innkeeper known as 'Mother Louse'; an old woman with pointed chin, smiling, almost three-quarter length, directed to left, wearing bonnet, tall conical hat, ruff and apron, a jug in her left hand by her side, a tankard in her right, held out; landscape in the distance beyond, at left, her inn, lettered 'Louse Hall', a famous establishment outside the city of Oxford; fanciful coat of arms below image: three lice surmounted by a tankard, motto on banner underneath, 'Three lice passant'. Reversed copy after Loggan."--British Museum online catalogue
Description:
Title etched below image., Plate from: Wonderful magazine, v. 1 (1793), page 303., Sheet trimmed within plate mark., Temporary local subject terms: Old women -- Costume: women's costume, 17th-century -- Buildings: ale house -- Dishes: mugs -- Flagons -- Mottoes: Three lice passant -- Satirical coats of arms., and Mounted to 34 x 46 cm.
Publisher:
Pubd. by C. Johnson
Subject (Topic):
Older people, Taverns (Inns), Drinking vessels, and Coats of arms
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1799]
Call Number:
335 A
Collection Title:
After page viii. Copies of seven original letters from King Edward VI to Barnabry Fitz-Patrick.
Image Count:
1
Resource Type:
still image
Description:
Title written in pencil below image., Signed and dated by the artist in lower right corner using his monogram: The letters "G" and "P" below with an "H" centered above., With coat of arms bearing three scorpions drawn in upper left corner., and Bound in after page viii in an extra-illustrated copy of Copies of seven original letters from King Edward VI to Barnabry Fitz-Patrick, the third of three works bound together in a volume with the spine title: Miscellaneous antiquities--Original letters. The first two numbers of Miscellaneous antiquities are bound at the beginning of the volume.
Title from item., Date supplied by curator., Engraved title page for Opera Omnia., In text: Francofurti; Apud joh. justum Erythropilum [Johannes Justus]., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Apud joh.justus Erythropilum
Subject (Name):
Helmont, Jean Baptiste van, 1577-1644.
Subject (Topic):
Chemistry, Chemists, Coats of arms, Scientific equipment, Miners, Plants, Wheelbarrows, Fish, and Snakes
Charles James Fox is depicted half length, scowling, in the center of a crowd of his political colleagues, who include on the left Portland, Keppel, Lord Carlisle, and on the right Lord Derby, Lord Stormont, Cavendish, Burke, and in the foreground North. At the top of the image is a lozenge containing the arms of Rockingham. A satire on Fox's fall from power, comparing the event with Lucifer's expulsion from Paradise
Alternative Title:
Pand monium and Pandemonium
Description:
Title from text at top of image. The coat of arms obscures the letter 'e'., Signed with the monogram of James Sayers., Text following printmaker's signature: Plate [the] 4th., Nine lines of text from Milton's Paradise lost etched below image: All these and more came flocking, but with looks downcast and damp ..., and Mounted to 44 x 34 cm.
Publisher:
Published as the act directs by Thomas Cornell, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Cavendish, John, Lord, 1732-1796, Carlisle, Frederick Howard, Earl of, 1748-1825, Keppel, Augustus Keppel, Viscount, 1725-1786, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Mansfield, David Murray, Earl of, 1727-1796, and Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782.
Charles James Fox is depicted half length, scowling, in the center of a crowd of his political colleagues, who include on the left Portland, Keppel, Lord Carlisle, and on the right Lord Derby, Lord Stormont, Cavendish, Burke, and in the foreground North. At the top of the image is a lozenge containing the arms of Rockingham. A satire on Fox's fall from power, comparing the event with Lucifer's expulsion from Paradise
Alternative Title:
Pand monium and Pandemonium
Description:
Title from text at top of image. The coat of arms obscures the letter 'e'., Signed with the monogram of James Sayers., Text following printmaker's signature: Plate [the] 4th., Nine lines of text from Milton's Paradise lost etched below image: All these and more came flocking, but with looks downcast and damp ..., and Mounted on page 31 with one other print.
Publisher:
Published as the act directs by Thomas Cornell, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Cavendish, John, Lord, 1732-1796, Carlisle, Frederick Howard, Earl of, 1748-1825, Keppel, Augustus Keppel, Viscount, 1725-1786, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Mansfield, David Murray, Earl of, 1727-1796, and Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782.
Charles James Fox is depicted half length, scowling, in the center of a crowd of his political colleagues, who include on the left Portland, Keppel, Lord Carlisle, and on the right Lord Derby, Lord Stormont, Cavendish, Burke, and in the foreground North. At the top of the image is a lozenge containing the arms of Rockingham. A satire on Fox's fall from power, comparing the event with Lucifer's expulsion from Paradise
Alternative Title:
Pand monium and Pandemonium
Description:
Title from text at top of image. The coat of arms obscures the letter 'e'., Signed with the monogram of James Sayers., Text following printmaker's signature: Plate [the] 4th., Nine lines of text from Milton's Paradise lost etched below image: All these and more came flocking, but with looks downcast and damp ..., 1 print : etching on wove paper ; plate mark 30.2 x 23.1 cm, on sheet 32.8 x 25 cm., and Mounted on leaf 17 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published as the act directs by Thomas Cornell, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Cavendish, John, Lord, 1732-1796, Carlisle, Frederick Howard, Earl of, 1748-1825, Keppel, Augustus Keppel, Viscount, 1725-1786, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Mansfield, David Murray, Earl of, 1727-1796, and Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782.
Two plates on one sheet: top plate is an engraved title page with text. The plate below is a reduced copy of Hogarth's designfor the arms of the Foundling Hospital: on the shield, a naked and reclining infant raising its right arm. Supporters, dexter, a terminal figure of 'Nature', many-breasted; sinister, 'Britannia', holding a cap of Liberty on a staff, and her shield. Crest 'a Lamb'; motto 'Help'.
Alternative Title:
Arms of the Foundling Hospital
Description:
Title from Paulson., Date based on earliest edition of this collection of psalms., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 230., and On page 101 in volume 2.
Drawn bookplate of Richard Bull, with his arms above and his name and residence written within a banner below. The heads of bulls, colored red, feature prominently on the crest and shield. The banner for the motto, outlined in red, is left blank
Alternative Title:
Richard Bull Esqr. of Northcourt, Isle of Wight and Bookplate: Coat of arms of Richard Bull
Description:
Title written in ink within banner at bottom of image; alternative title devised by curator., Unsigned; artist not identifed., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this bookplate appears. See Hazen., Mounted inside front cover of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Title from item., Place of publication derived from nationality of printmaker., Date derived from date of diploma (May 17th, 1820)., Description from British Museum: A triumphal arch surmounted by the royal crest with lion and unicorn, with rows of crests interspersed with pillars and a statue of Jenner standing looking to right, gesturing to right as he tramples a serpent, on a pedestal decorated with a woman milking a cow and handing a bowl to children, on the left; with a view of London and St Paul's through the arch, papers listing patrons, presidents, 'Honorary Members MDCCCXVII' and a paper rolling into the foreground lettered with details of the testimonial; after Oben; with artists' names., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Jenner, Edward, 1749-1823.
Subject (Topic):
Royal Jennerian Society, Degrees, Academic, Smallpox vaccine, Arches, Snakes, Coats of arms, Sculpture, and Physicians
Volume 1, page 96.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
A seal with a shield at center bearing the coat arms of Stafford, Roos and Burley: greyhound supporters on either side; anchor above
Description:
Title written in ink below image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 96.1 in volume 1 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Volume 2, page 398.2. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of six seals bearing images of clergy and armorial shields. The name of the English king who used each seal and the date it was used are written below each seal; depicted are seals used by Edward III, Edward IV, and Richard II.
Description:
Title written in ink at top of image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 398.2 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Edward III, King of England, 1312-1377., Edward IV, King of England, 1442-1483., and Richard II, King of England, 1367-1400.
Title engraved below image., Sheet trimmed to plate mark., Image within an ornamental frame., Book illustration; placement instructions above image: Vol. VIII, p. 204., and Temporary local subject terms: Historical illustrations: Essex's ear boxing, 1594 -- Arms: Royal Arms -- Leaded casement windows.
Publisher:
Publish'd as the act directs, 1 Aug. 1774, by J. Johnson, St. Pauls Church Yd.
Subject (Name):
Elizabeth I, Queen of England, 1533-1603. and Essex, Robert Devereux, Earl of, 1566-1601.
514 colored drawings of the arms of English barons, including the kings and queens of England from William the Conqueror to James I.
Alternative Title:
Baronage of England
Description:
Title from Hazen., Title from 1842 Strawberry Hill sales catalog listing: Baronage of England., Date conjectured from active collecting years., In English., Bound in contemporary calf with the arms of Horace Walpole stamped on front and back covers; also with his bookplate on front flyleaf., and Not in Manuscript Catalogue of 1763.
Charles Fox, riding a lion, and William Pitt, on a white horse, face each other in the House of Commons, in front of the vacated Speaker's chair. Fox, holding a whip in one hand and a bridle in the other, tries to convince Pitt to dismount the untamed horse that stands with its front legs on a large sheet signed, "Magna Charta, Bill of Rights, Constitution," and kicks with the hind legs and defecates at the fleeing crowd of the members of Parliament. In return, Pitt praises his steed for its wild behavior. The last of the members pushing toward the door is the Speaker, Cornwall, in a wig and carrying the Speaker's mace. A satire on the dissolution of the Parliament on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., Abbreviation "No." in imprint statement appears in superscript above the digit "7" in street number "227.", and Text below title: A scene in a new play lately acted in Westminster with distinguished applause. Act 2nd scene last.
Publisher:
Pubd. March 31st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Cornwall, Charles Wolfran, 1735-1789, and Great Britain Parliament
Subject (Topic):
Dissolution, Politics and government, Humor, Horses, Lions, Coats of arms, Chairs, Defecation, and Crowds
Leaf 16. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Charles Fox, riding a lion, and William Pitt, on a white horse, face each other in the House of Commons, in front of the vacated Speaker's chair. Fox, holding a whip in one hand and a bridle in the other, tries to convince Pitt to dismount the untamed horse that stands with its front legs on a large sheet signed, "Magna Charta, Bill of Rights, Constitution," and kicks with the hind legs at the fleeing crowd of the members of Parliament. In return, Pitt praises his steed for its wild behavior. The last of the members pushing toward the door is the Speaker, Cornwall, in a wig and carrying the Speaker's mace. A satire on the dissolution of the Parliament on March 25.
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike, with scatology removed from image. For original issue of the plate, see no. 6476 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Abbreviation "No." in imprint statement appears in superscript above the digit "7" in street number "227.", Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text below title: A scene in a new play lately acted in Westminster with distinguished applause. Act 2nd scene last., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 123-4., and On leaf 16 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. March 31st, 1784, by W. Humphrey, No. 227 Strand [i.e. Field & Tuer]
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Cornwall, Charles Wolfran, 1735-1789, and Great Britain. Parliament
Subject (Topic):
Dissolution, Politics and government, Horses, Lions, Coats of arms, Chairs, and Crowds