Title supplied by curator., Date derived from style of dress depicted., Artist's name on plate at lower left., Place of publication derived from artist's likely nationality., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification)., Mortality, Sick persons, Physicians, Clocks & watches, Coffins, Skeletons, and Medicines
The twelfth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this twelfth drawing, Charles is in a coffin in his parlor. His wife cries into her handkerchief as two men with looks of pity point to the long sheet of paper with his list of debts. Her two children cling to her with fear and sadness. Two other men go about the room putting tags on the urns and other furnishings in preparation for their sale. The pistol on the sofa suggests Charles's suicide
Description:
Title from pencil notation below title., Signed "Dodd" in lower left and numbered '12' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Plate 7. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the left, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the right, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son playing with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Description:
Title, date, publisher, and state from Paulson., With addition of black Latin cross added (from state 2) in the center below design, and many additions to design. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.7 x 38.7 cm, on sheet 46 x 59 cm., and Plate 7 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Seduction, Servants, Syphilis, Undertakers, and Wake services
Plate 7. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the left, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the right, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son playing with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Description:
Title, date, publisher, and state from Paulson., With addition of black Latin cross added (from state 2) in the center below design, and many additions to design. See Paulson., and On page 63 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Seduction, Servants, Syphilis, Undertakers, and Wake services
A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the left, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the right, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Description:
Title, publisher, date, and state from Paulson., "Plate 6"--Lower left corner., Sheet trimmed within plate mark., and On page 63 in volume 1. Sheet trimmed to: 313 x 382 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Rake's progress, Seduction, Servants, Syphilis, Undertakers, and Wake services
A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the left, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the right, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Description:
Title, publisher, date, and state from Paulson., "Plate 6"--Lower left corner., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Rake's progress, Seduction, Servants, Syphilis, Undertakers, and Wake services
Plate 7. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the left, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the right, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son playing with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Description:
Title, date, publisher, and state from Paulson. and With addition of black Latin cross added (from state 2) in the center below design, and many additions to design. See Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Seduction, Servants, Syphilis, Undertakers, and Wake services
Emblematic funeral ticket for Isaac Watts, Congregational minister, hymn writer, theologian, and logician who died 25 November 1748. In the center is a mausoleum decorated with pillars and scrolls with three small Cherub heads along the top and the lid decorated with two full-figure Cherubs holding torches on either side of an urn at the top of the structure. The center has been left blank to allow for the letterpress printing (used as the title). On the left, standing on a low block, is the allegorical figure of Time, shown as an old, bearded man with wings, scythe, and hourglass. On the right Death stands on a coffin, shown as a skeleton with an arrow in his left and his right hand resting on one of the small heads decorating the base of the mausoleum. Along the base of the mausoleum hangs a cloth with an image of a funeral procession in a graveyard. On the hills in the background are churches and on the right, a ruins overgrown with vines. In the sky centered above the mausoleum is the symbol of the Holy Ghost and above it the Sun and on either edge two Cherub heads
Description:
Title from letterpress text in a compartment left blank in an elaborately engraved pictorial sheet. and Plate mark: 23 x 27 cm.
Publisher:
publisher not identified
Subject (Name):
Watts, Isaac, 1674-1748
Subject (Topic):
Death and burial, Cherubs, Churches, Coffins, Death, Funeral processions, Sun, Skeletons, and Tombs & sepulchral monuments
Verse begins: "You youthful charming lady's fair,"., In four columns with the title and two woodcuts above the first two; imprint at foot of the last column, below a series of long dashes; the columns are separated by rules composed of long dashes., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 58. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
"At each side of a table are seated figures with the heads and forms of grotesque monsters or animals. The bull-faced Sir Fletcher Norton (the Speaker) presides; in one hand is a scourge, in the other a staff to which are attached bags of money and a coronet. He says: "He that dares be Virtuous shall be punish'd, but Ye my Friends shall be rewarded". Bute and Grafton are hovering above as imps. The table is emerging from flames and is decorated with 'The Coffin of Liberty'. Two demons act as clerks at the head of the table in front of the Speaker."--British Museum online catalogue and "From the 'Oxford Magazine', vi. 219. As usual in the series the explanatory text is in the form of a letter to the Editor, showing that the design represents "the extraordinary appearance the present ministerial wretches will make in the next world ... I have erred on the favourable side; for it is impossible for many of them to assume any shape or character that is not less horrible than their own." The only two who can be identified are North, on the Speaker's right, as a dog wearing a ribbon and star, and Lord Holland as a fox clasping a number of money-bags. For the unpopularity of the House of Commons cf. also British Museum Satires Nos. 4850, 4889, 4893, 4944, 4970."--British Museum online catalogue, Curator's comments
Alternative Title:
True portraits of the majority of the Parliament of Pandemonium
Description:
Title etched below image., Date inferred from that of the periodical in which the plate was published., Plate from: The Oxford magazine; or, Universal museum ..., v. 6, page 219 (June 1771)., "Engrav'd for the Oxford magazine"--Above image., and Temporary local subject terms: Unpopularity of House of Commons -- Secret influence -- Ministers in pandemonium -- Imps.
Publisher:
publisher not identified
Subject (Name):
Norton, Fletcher, 1716-1789, Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Holland, Henry Fox, Baron, 1705-1774, and North, Frederick, Lord, 1732-1792