"The Queen drives in state through a cheering crowd; windows and balconies are filled with women waving handkerchiefs. P. 21: V, for the Virtue displayed in the town, When Demo and Kresso were said to be down. ..."--British Museum online catalogue
Alternative Title:
V, for the virtue displayed in the town, when Demo and Kresso were said to be down ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Demont, Louisa, active 1814-1820., Kress, Meidge Barbara., and Rosco.
785.06.28.01 Framed, shelved in Object Room Rack 1.
Image Count:
1
Resource Type:
still image
Abstract:
"An evening scene in Vauxhall Gardens. On the extreme left is the orchestra with the organ behind and performers on the kettledrums, string and wind instruments. The vocalist, Mrs. Weichsel, sings, in profile to the right, from the adjacent (and slightly lower) balcony, just above the heads of the crowd. A violinist and another musician are seated behind her. In the supper box beneath the orchestra is Dr. Johnson seated full-face, between Boswell and Goldsmith (d. 1774), who face each other in profile, both caricatured; of two stout women one is reputed to be Mrs. Thrale. Many groups fill the foreground and middle distance. The two centre figures are the Duchess of Devonshire and Lady Duncannon arm in arm. A naval officer with a wooden leg and a patch over one eye is reputed to be Admiral Paisley (Admiral Pasley, 1734-1808?). Major Topham, an excellent portrait, stands (left) in profile to the right staring through an eyeglass. Between Topham and the supper-box are two men, one of whom is identified as Lord Camelford. [In the reproduction in Angelo's 'Reminiscences'; to whom the name refers is not clear.] An elderly parson, [he closely resembles the parson of BMSat 7059 who is probably William Jackson of the 'Morning Post'] reputed to be Bate Dudley but not resembling him, gazes at the Duchess from behind a tree. Next him a man dressed as an officer in a Highland regiment with kilt and broadsword is supposed to be James Perry, editor of the 'Morning Chronicle'. On the right the Prince of Wales, conspicuous by his star, whispers to Mrs. Robinson (Perdita), though their liaison was ended. Her right arm is linked with an ugly and elderly little man, probably Robinson. On the extreme left an elderly couple advance arm in arm in profile. Behind the Prince is a group standing on a small platform (or tables), showing half length above the crowd. In the foreground (right) is a supper-table under trees where two cits entertain two courtesans. Lamp-lit trees and the covered way form a background on the right."--British Museum online catalogue
Alternative Title:
Vauxhall
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Publish'd June 28th 1785, by J.R. Smith, No. 83 Oxford Street
Subject (Geographic):
Vauxhall Gardens (London, England), London (England), England, and London.
Subject (Name):
Billington, Elizabeth, 1765-1818., Boswell, James, 1740-1795, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Pitt, Thomas, Baron Camelford, 1737-1793, George IV, King of Great Britain, 1762-1830, Goldsmith, Oliver, 1730?-1774, Johnson, Samuel, 1709-1784, Pasley, Thomas, Sir, 1734-1808, Perry, James, 1756-1821, Piozzi, Hester Lynch, 1741-1821, Robinson, Mary, 1758-1800, and Topham, Edward, 1751-1820
Subject (Topic):
Social life and customs, Parks, Audiences, Concerts, Couples, Crowds, Musicians, Orchestras, Peg legs, and Singers
View at night of a fire blazing through the Houses of Parliament; firemen attack the flames with hoses; a large crowd gathers behind soldiers surrounding scene; several guards are seen in the left foreground
Description:
Title from text below image., Laid in James Sayers's Folio album of 144 caricatures., and Attached to a pen and ink drawing with a metal pin that pierces the lower left corners of both sheets.
Publisher:
Pub. by W. Soffe, 380 Strand
Subject (Name):
Westminster Palace (London, England)
Subject (Topic):
Fires, Fire fighters, Crowds, Soldiers, and British
Title from item., Sheet trimmed within plate mark., Plate from: The European magazine, 1784, p. 241., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Artillery Ground -- Spy glasses -- Flags: Union Jack -- Barrels., Mounted on verso of cropped title page of: The looking glass or caricature annual, v. 6. London : Thomas McLean, 26, Haymarket, [1835], and Mounted to 27 x 21 cm.
Two separate images illustrate Charles Fox's contrasting political pronouncements. On the left, "in private," Fox, with fox's head, is sitting in front of a fireplace in which "An Essay on Politic Sperit [sic]" is being consumed by flames while Fox points to a large document, his political creed, spread on the table to his right. From his coat's pocket sticks out "A Panegyric on Lord North." In the foreground, a monkey plays with a pamphlet "The tru[e] principle of the Constitut[ion]," next to a bundle of books comprising MacCauley's, Locke's and Sydney's works, marked "To Be Sold." On the right, "in publick," Fox, standing on a platform and cheered by a large crowd, including 'Sir' Jeffrey Dunstan, advocates views opposed to those in his creed on the left
Alternative Title:
Vox populi in publick and Vox populi in public
Description:
Title from item., Sheet trimmed within plate mark with loss of imprint., Imprint from British Museum catalogue., A re-issue of the plate first published by T. Cornell. Cf. No. 6207 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Mounted to 29 x 33 cm.
Publisher:
Sold by W. Humphrey, 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806. and Dunstan, Jeffery, 1759?-1797.
Subject (Topic):
Politics and government, Crowds, Books, Fireplaces, Monkeys, Public speaking, and Clothing & dress
Three candidates for Westminster election are shown under the portico of St. Paul's, from left, Admiral Rodney, accompanied by the figure of Neptune, sword in his right hand, announcement of victory over the Spanish fleet at Gibraltar in his left; Charles James Fox, holding in his left hand an open book inscribed "Magna Charta" and accompanied by the figure of Britannia petting a fox seated in her lap; Lord Lincoln, who lost the election, with a devil hovering above him. He is holding a scroll inscribed with the number of purchased votes and acknowledgement of bringing the news of the capture of Charleston. Below the portico the poll-clerks sit behind a long table, their books on top. Fox's supporters are gathered to the right and can be distinguished by fox's tails in their hats. A band of butchers plays in the foreground. More tails are offered for sale at the stand to the far right. A man carries a stuffed fox on a pole, placarded "4878 Reynard for ever." Next to him is a barrel of beer
Description:
Title from item. and Variant of no. 5699 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd as the Act directs Sept. 25, 1780, by P. Mitchell, North Audly Stt. Grosr. Sqr. & J. Harris, Sweething Alley, Cornhill
Subject (Geographic):
England and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Rodney, George Brydges Rodney, Baron, 1719-1792, Newcastle, Thomas Pelham-Clinton, Duke of, 1752-1795, and Neptune (Roman deity)
Subject (Topic):
Britannia (Symbolic character), Demons, Political elections, Crowds, Foxes, and Butchers
"A fight between the four barristers: Brougham and Denman, without shields, wield papers inscribed respectively 'Truth' and 'Justice'. The other two, with shields and a heavy spear, are worsted; at their feet lie Eldon, and (according to the text) Lauderdale and Redesdale (the most aggressive of the peers during the proceedings). In the background (left), among clouds of smoke, the Ministerial forces, with a tattered banner inscribed 'Pains . . Penalties', are retreating to the left. A cheering crowd advances from the right. P. 23: X, for the cross, and the Archer's distress, The battle had roared like a storm thro' the press, ..."--British Museum online catalogue
Alternative Title:
X, for the cross, and the archer's distress, the battle had roared like a storm thro' the press ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Lauderdale, James Maitland, Earl of, 1759-1839, Eldon, John Scott, Earl of, 1751-1838, Redesdale, John Mitford, Baron, 1748-1830, and Rosco.
Subject (Topic):
Politicians, Lawyers, Shields, Spears, Fighting, and Crowds
The fishwives stalls are in the foreground with the masts of ship vessels behind, and among them one tall smoking funnel. The market buildings are on the right. The foreground is more crowded than in other Billingsgate prints. The chief feature is an irate woman seated on an upturned tub beside her stall, berating a lady in a riding-habit who holds a huge fish's head. Beside the latter is another lady, disconcerted. Two liveried servants are among the crowd. Lady Caroline Lamb and a young marchioness, both 'in disguise', go to the market to hear the traditional language of the fishwives, this Lady Caroline provokes by disparaging a fish. On the left is a fashionably dressed young man, resembling Robert Cruikshank. On the left, a drunken woman sits with her glass raised. From British Museum catalogue
Alternative Title:
Visit to Billingsgate
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14941 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 342, vol. 1. Watermark: Warranted not bleached.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Geographic):
Billingsgate Ward (London, England)
Subject (Name):
Cruikshank, Robert, 1789-1856 and Lamb, Caroline, Lady, 1785-1828
Subject (Topic):
Crowds, Fishmongers, Intoxication, Riding habits, Servants, Ships, and Street vendors
Title from dealer's description., Unsigned; attributed to Rowlandson., and Inscribed on verso: Names of the Ships taken by Lord Howe on 1st of June 1794, and brought into Portsmouth Harbour; Sans Pareille 84 Guns, L'America 74, Limpetue 84, Northumberland 84, Achille 76, La Vengeur 74.
Subject (Geographic):
Portsmouth (England)
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799.
Subject (Topic):
First of June, Battle of the, 1794, Harbors, Warships, British, French, Crowds, Cannons, Carriages & coaches, Peg legs, and Victories