Manuscript on paper of 1) C. Sallustius Crispus (c. 86-34 B.C.), De coniuratione Catilinae, A. Kurfess, ed. (Teubner, 1954), pp. 2-52. 2) Bellum Iugurthinum, A. Kurfess, ed., pp. 53-147.
Description:
Binding: Original, blind-tooled, over wooden boards. Remnants of three clasps attached to the front cover with three nails each, one at each edge of the cover, and three pentagonal brass catches on the rear cover. Remnants of five bosses., Lower section of leaves, especially of first and last quires, badly waterstained, causing loss of text. Quires strengthened by means of parchments stays at inner and at outer side., Script: Copied by one hand writing a careful Humanistica Textualis with wide distance between the lines., and Space for 2-line initials has been reserved (for a 3-line initial on f. 1r). The words following a planned initial and the explicit formulas are in Capitalis.
Manuscript on paper of 1) Juvenal, Satirae I-XVI (with XVI preceding XV). With the argumenta of Guarino of Verona added at the beginning of each satire. 2) Persius, Prologue followed by Satirae I-VI. 3) Notes on the moon in the twelve signs of the zodiac.
Description:
Argumenta of Guarino of Verona in red rustic capitals preceding each title; spaces for decorative initials never filled., Binding: Sixteenth century (?). Vellum stays. Original sewing on three slit, tawed straps. Primary, plain and secondary, beaded endbands on twisted, tawed cores, laid in grooves and pegged or nailed. Spine lined with tawed skin, mostly lacking. Straps laced and pegged or nailed into beech boards covered in (originally) brick-red leather, blind-tooled with an inscription in a border around an inner panel of overlapping circles interspersed with dots. Four flower-shaped bosses on each board and two catches on the lower one. Two bosses and clasp straps wanting., Watermarks: similar to Briquet Lettre R.8941 and Harlfinger Fleche 12., and Written in humanistic script by three scribes. The principal scribe, Franciscus Seroddi Centinomius Phylaretus, wrote ff. 1r-72v and 79r-84v; he signed the manuscript on ff. 72v and 84v. Scribe 2 wrote ff. 74r-78v and Scribe 3 the notes on ff. 85r-87v. Marginal and interlinear glosses in several contemporary hands.
Alternately red and blue paragraph marks. Alternately red and blue 2- or 3-line (sometimes 4- or 5-line) flourished initials, half inset, with penwork in the opposite colours extending in the left margin or in the intercolumnar space. On f. 1r at the beginning of the text a 9-line littera duplex with penwork, badly rubbed. Guide letters., Binding: Undecorated cardboard cover, sewn on three leather thongs., Collection of Bernard M. Rosenthal, Booksellers, Berkeley, CA (MS 192). Purchased from him on the Edwin J. Beinecke Fund., Script: Copied by one hand in Southern Gothica Textualis Libraria., and The leaves are badly soiled and rubbed, making reading often difficult or impossible (especially f. 1, which is waterstained and misses the lower corner).
Manuscript on parchment (palimpsest) of Ps.-Cicero, Synonyma.
Description:
Belonged to Giuseppe (Joseph) Martini of Lugano. Purchased from H. P. Kraus in 1955., Binding: Nineteenth century, Italy. Original sewing on three slit straps. Quarter bound in white sheepskin. The beech boards are early, 15th century, with title written twice on front and once on back. A leaf-shaped catch on the lower board, the upper one cut in for a clasp strap. Spine covering and clasp strap are recent additions., Initials, 5-line, at beginning of text: red with delicate black penwork designs. Heading and each verbum in red; synonyms connected by a curving red line., and Script: Written in a well formed round gothic bookhand by a single scribe.
Manuscript on parchment of Guarino of Verona, 1) Regulae grammaticales. 2) De orthographia. 3) Carmina differentialia.
Description:
Binding: Nineteenth century (?). Rigid vellum case. Remains of a brick red label., Bookplate of Thomas E. Marston; the date and source of acquisition unknown., One illuminated initial of poor quality, f. 1r, 11-line, purple with white filigree on gold and blue ground; filled with a stylized flower red and green with white filigree, upper terminal extending into pen-and-ink inkspray with gold balls and a mauve flower in upper border; pen-and-ink flourish with gold balls, ending in a bird's head, mauve, green and blue. Plain initials and paragraph marks alternate in blue and red; headings in red. Arms of the Valaresso family of Venice in lower border (azure, 3 bars gemelles or); partially effaced arms of Cardinal Bessarion in outer margin (azure, a cross botonny gules, a chief or; crest, cardinal's hat and crozier)., and Script: Written in humanistic bookhand, below top line; marginal annotations in humanistic cursive.