"Four men, much caricatured, fish from a punt which is anchored to a pole. One sleeps, another has hooked a giant frog, which a third is about to scoop up in a landing-net. The fourth registers excitement. In the punt is a chair."--British Museum online catalogue
Description:
Title from caption below image. and Printmaker from British Museum catalogue.
A torrent of taxes gushes from the mouth of Lord Henry Petty, chancellor of the exchequer, emptying into the "Unfathomable Sea of Taxation" in which John Bull is drowning in full view of greedy cormorants representing members of the Grenville ministry which was formed after the death of William Pitt
Alternative Title:
John Bull swamped in the flood of new taxes
Description:
Title etched below image., Attributed to Williams in the British Museum catalogue., A copy of a print by Gillray. Cf. No. 10564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and With stamp of S.W. Fores in the lower right corner.
Publisher:
Pubd. May 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Windham, William, 1750-1810, Bedford, John Russell, Duke of, 1766-1839, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Lauderdale, James Maitland, Earl of, 1759-1839, Smith-Stanley, Edward, 1752-1834, and Adair, Robert, Sir, 1763-1855
Subject (Topic):
Taxes, John Bull (Symbolic character), Fountains, Cormorants, and Rowboats
"View of Twickenham, looking over the River Thames; the houses on the opposite shore reflected in the water; a barge and rowing boat in foreground."--British Museum online catalogue
Alternative Title:
Vüe du village de Twickenham
Description:
Titles etched below image, in English and French., Probably after a design by Heckel; statement of responsibility "A. Heckel delint." is present on another print of identical composition. Cf. British Museum online catalogue, registration no.: 1875,0508.1447., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "No. 3" in upper left corner and "1" in upper right corner., Mounted to 24 x 38 cm., and Leaf 2 in an album of views of London and its vicinity.
Publisher:
Printed for Robert Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Twickenham (London, England) and Thames River (England)
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
[1751]
Call Number:
751.00.00.44+
Image Count:
1
Resource Type:
still image
Abstract:
A young couple head toward the stairs leading up from the small wharf where they have disembarked from a small row boat. They hold onto their hats in the strong wind that brings the water lapping at her heels and bends the trees in the distance. The waterman in the boat leans back on his elbow as he looks up at the girl whose skirts are blown up around her calves; his wig having been blown off lies behind him on the prow of the boat. He wears his waterman's badge on his right arm
Description:
Title from item. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robt. Sayer opposite Fetter Lane, Fleet Street
"View of the Thames with boats afloat, three figures conversing in the left foreground."--British Museum online catalogue
Alternative Title:
Vüe du village de Chelsea
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "8" in upper right corner., Mounted to 24 x 39 cm., and Leaf 9 in an album of views of London and its vicinity.
Publisher:
Printed for Robert Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Chelsea (London, England), Thames River (England), England, and London.
"View at the entrance to the bridge, looking across the river towards Putney; people passing in foreground including a man with a donkey, and a milkmaid with yoke and pails."--British Museum online catalogue
Alternative Title:
Veüe du Pont de Fulham regardant Putney
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "6" in upper right corner., Mounted to 24 x 38 cm., and Leaf 7 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Putney (London, England), Thames River (England), England, and London.
Subject (Topic):
Rivers, Bridges, Pedestrians, Sailboats, and Rowboats
"View of the Thames, with the Adelphi at far left on opposite shore, St Paul's in mid-distance, Blackfriars Bridge to its right and the steam engine at the York Buildings waterworks on the far right."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 89., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 279.
Publisher:
Pub. Novr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Blackfriars Bridge (London, England), Thames River (England), London (England), England, and London.
Subject (Name):
St. Paul's Cathedral (London, England), and York-Buildings Company,
Subject (Topic):
Waterfronts, Buildings, Bridges, Rivers, Sailboats, and Rowboats
"View of Richmond with a large house on the bank to left, figures at the edge of the water in the foreground, rowing boats on the river to right, including a laden barge passing a narrow island, with houses on the ridge of the slope of the far bank opposite."--British Museum online catalogue
Alternative Title:
Vüe de Richmond, du coste de Twickenham
Description:
Titles engraved below image, in English and French., Another state of this plate has "Collert delin. & sculp." for the statement of responsibility; see British Museum online catalogue, registration no.: 1877,0609.1729., Imperfect; sheet trimmed within plate mark with loss of imprint and plate number from bottom edge. Missing text and numbering supplied from impression in the British Museum, registration no.: 1978,U.1749., "No. 30"--Lower right corner., Folded to 24.3 x 37.4 cm., and Leaf 59 in an album of views of London and its vicinity.
Publisher:
Sold by J. Boydell, engraver at the Unicorn, the corner of Queen Street in Cheapside, London
Subject (Geographic):
Richmond (London, England), Thames River (England),, England, and London.
"View of Richmond with a large house on the bank to left, figures at the edge of the water in the foreground, rowing boats on the river to right, including a laden barge passing a narrow island, with houses on the ridge of the slope of the far bank opposite."--British Museum online catalogue
Alternative Title:
Vüe de Richmond, du coste de Twickenham
Description:
Titles engraved below image, in English and French., Another state of this plate has "John Boydell delin. & sculp." for the statement of responsibility; see British Museum online catalogue, registration no.: 1978,U.1749., "No. 30"--Lower right corner., and Watermark.
Publisher:
Sold by J. Boydell, engraver at the Unicorn, the corner of Queen Street in Cheapside, London
Subject (Geographic):
Richmond (London, England), Thames River (England),, England, and London.
Volume 4, after page 282. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
Windsor Castle, sitting atop its terraced hill, as viewed from across the Thames
Description:
Title written in brown ink below image., Attributed to Bernard Lens by curator. A similar drawing, titled "A view of Eaton College" in the same hand, is mounted in volume 5 of the same extra-illustrated set and has a previous owner's note on the verso identifying Lens as the artist., Date of production based on artist's death date., and Mounted after page 282 (leaf numbered '65' in pencil) in volume 4 of an extra-illustrated copy of Joseph Spence's Anecdotes, observations, and characters, of books and men.
"View from the river of the Custom House, looking east towards the Tower of London; a large boat flying a flag with raised sails in foreground to right."--British Museum online catalogue
Alternative Title:
Vü de la Douane anec une partie de la Tour de Londres prise de dessus la Tamise
Description:
Titles etched below image, in English and French., Probably a later state, with slight alteration to the plate numbering format. For a state with "No. 4" in upper right corner, see British Museum online catalogue, registration no.: 1875,0710.4907., Date of publication from the British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "4" in upper right corner., and Leaf 23 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Thames River (England),, England, and London.
Subject (Name):
Tower of London (London, England),
Subject (Topic):
Customhouses, Rivers, Piers & wharves, Rowboats, and Sailing ships
"A view of the Royal Hospital at Chelsea, with the river in the foreground, boats dotted on the water, and the Rotunda in Ranelaigh Gardens to the right of the hospital."--British Museum online catalogue
Alternative Title:
Vüe de l'Hòpital Royale de Chelsea et de la Rotunde des Jardins de Ranelagh
Description:
Titles etched below image, in English and French., Date range for publication from the British Museum online catalogue, registration no.: 1872,1012.5397., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Plate numbered "4" in upper right corner., Mounted to 24 x 38 cm., and Leaf 5 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Royal Hospital (Chelsea, London, England), and Ranelagh Gardens (London, England),
Subject (Topic):
Veterans' hospitals, Hospitals, Rivers, Gardens, Rotundas, Rowboats, and Sailboats
"View of London from the Thames, with London Bridge on the left and the Tower on the right; St Paul's beyond the bridge, boats in foreground."--British Museum online catalogue
Alternative Title:
View of the southeast prospect of London, from the Tower to London Bridge and Vüe de Londres sur du côte du sud-est depuis la Tour jusqu au Pont de Londres
Description:
Titles etched below image, in English and French., Probably a later state, with slight alteration to the plate numbering format. For a state with "No. 2" in upper right corner, see British Museum online catalogue, registration no.: 1875,0710.4905., Date of publication from the British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "2" in upper right corner., and Leaf 21 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Thames River (England),, London Bridge (London, England),, England, and London.
Subject (Name):
Tower of London (London, England), and St. Paul's Cathedral (London, England),
Subject (Topic):
Monument, The (London, England), Cathedrals, Bridges, Monuments & memorials, Rivers, Sailboats, and Rowboats
Title from caption etched below image., Numbered '208' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dover Castle., and Watermark in center of sheet: quartered shield with crown on top, harp in the lower right quarter.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 St. Paul's Church Yard, London
Volume 1, page 23. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A woman sitting in a boat, waving as her dog looks longingly towards the right, a man rowing at left, land and ships on the sea behind; after Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Printmaker attribution to Charles Knight from the British Museum online catalogue, registration no.: 1906,0419.120., Sheet trimmed to plate mark., Illustration to John Gay's poem 'Sweet William's farewell to black-ey'd Susan'., Two lines of verse etched below title: Her less'ning boat, unwilling rows to land; Adieu! she cries, and wav'd her lily hand. Gay., Companion print to: Blouzelind., Temporary local subject terms: Ballads., and Mounted on page 23 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 1st, 1792, by W. Dickinson, No. 24 Old Bond Street
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the beach and ships on the sea, with men working on shore, a tent. In the distance, a view of the town with several windmills scattered along the landscape
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Title etched below image., Plate numbered '298' in lower right corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Three lines of caption below title: Bless me how we are tossed about, I never saw such rough weather in my life; I hope the boat will not upset; Pray ferry-man has there been many people lost in crossing here? "Lost, did you say! No I never knew of any one to be lost there's my brother he was drowned here last week, but we found him next day., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd May 12, 1803 by Laurie & Whittle, 53 Fleet Street, London
"View from the river of the Custom House, with boats by the quay in front and cranes lining the edge of the quay; a small row boat in foreground, the Tower just visible in the distance at the far right."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 29., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 217.
Publisher:
Pub. 1 Augt. 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), Thames River (England), England, and London.
Subject (Topic):
Customhouses, Piers & wharves, Ships, and Rowboats
"Satire on three bishops competing to become Archbishop of Canterbury in succession to William Wake."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum catalogue., 'Price 6d.'--Lower right corner of plate., Temporary local subject terms: Buildings., and Watermark: countermark IV.
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the beach and rocks along the coast at Gorleston, with a ship at sail, men working with a rowboat and a view of the town in the distance
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Publisher:
Printed and sold by W. Meggy
Subject (Geographic):
Gorleston-on-Sea (England),
Subject (Topic):
Beaches, Cities & towns, Rowboats, and Sailing ships
"Dock scene, a sign on the wall reads 'Bell Wharf': a man in a black coat and hat stands writing, resting the paper on a crate, looking to right at a young man with a neck-tie, who stands beside a man carrying a sack, giving an account, hat in hand, while gesturing to another man who brings a barrel up the steps and talks to a man in a rowing boat, alongside to right, with wife and two children to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., and Eight lines of verse beneath image, four on either side of title: These are the cares that give a zest to life, source of no social, no domestic trife ...
Publisher:
publisher not identified
Subject (Topic):
Commerce, Piers & wharves, Barrels, Rowboats, and Dogs
"Dock scene, a sign on the wall reads 'Bell Wharf': a man in a black coat and hat stands writing, resting the paper on a crate, looking to right at a young man with a neck-tie, who stands beside a man carrying a sack, giving an account, hat in hand, while gesturing to another man who brings a barrel up the steps and talks to a man in a rowing boat, alongside to right, with wife and two children to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., Eight lines of verse beneath image, four on either side of title: These are the cares that give a zest to life, source of no social, no domestic trife ..., 1 print : stipple engraving with etching ; sheet 67.8 x 53.5 cm., and Trimmed within plate mark. Printed on wove paper.
Publisher:
publisher not identified
Subject (Topic):
Commerce, Piers & wharves, Barrels, Rowboats, and Dogs
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the sea from the beach, with men on the shore and boats in the water
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"King and Queen on two giants' shoulders crossing the Thames; common people in small boats bothered by the waves sended up by the giants."--British Museum online catalogue
Alternative Title:
Royalty and loyalty making gigantic strides
Description:
Title from item., Initials of printmaker Charles Jameson Grant in bottom center portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "99" in brown ink in upper left portion of design., and No. 99.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
Subject (Topic):
Giants (Fictitious characters), Wading, Rowboats, and Steamboats
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A southern view Greater Yarmouth with sailing ships in the distance and rowboat on the near shore
Alternative Title:
South view of Great Yarmouth
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
"A young man hands a pretty young woman into a wherry which a young waterman, who is apparently standing in the water on the further side of the boat, holds against the landing-place. She raises her petticoats, the waterman stares at her legs."--British Museum online catalogue
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., One of a series of "Drolls.", and One line of text below title: Be cautious my love, don't expose your leg.
Perjur'd ship-carpenter and Perjured ship-carpenter
Description:
Verse begins: "In Gosport of late there a damsel did dwell,"., In four columns, with title and illustration above the first two; imprint at the foot of the fourth column, below a single rule; the columns are not divided by rules., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 54. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", 1 print : etching with engraving on laid paper ; plate mark 26.5 x 34.9 cm, on sheet 29.4 x 44.3 cm., Mounted on leaf 59 x 46 cm., and Plate 48 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", Sheet trimmed within plate mark to: 26.3 x 34.5 cm., and Formerly on page 135 in volume 2. Removed in 2013 by LWL conservator.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 42. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", and On page 135 in volume 2.
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Sotheby 48 Box 100
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., and Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother."
publish'd according to act of Parliamt., Sep. 30, 1747.
Call Number:
Kinnaird 47K(a) Box 100
Collection Title:
Plate 48. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A sea chest stamped "Tho Idle his Chest" set in a row boat on the Thames tells us that it is Tom Idle who is being rowed out to sea by a waterman smoking pipe. Using his fingers to make horns on his head, Tom also makes a face at the sailor who points to a gallows on the shore (Cuckold's Point), while another sailor shows him a rope. Idle's mother sits before him wiping her weeping eyes. In the background on shore are various ships and a line of windmills. In the lower left corner, Tom's Indenture floats on the waves. The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice turned away and sent to sea
Description:
Title engraved above image., State and publisher from Paulson., "Plate 5"--Below frame., Fifth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XXV.Ve:1. A Foolish Son is the heaviness of his Mother.", and Imperfect impression; sheet trimmed within plate mark to 264 x 346 mm.
"A rough-looking woman, stout, tall and muscular, with loose hair blown by the wind, stands in a dinghy, holding an oar, inscribed 'Moll Muggins Billingsgate', to punt or paddle her craft. One foot is on the gunwale, and her pose, looking up and to the left, travesties the lines below the title: "The Maiden paus'd, as if again, She thought to catch the distant strain, With head uprais'd and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art" 'Walter Scott's Poem'. A bottle inscribed 'Mack . . .' and a short clay pipe project from a pocket. In the background (right) is a man in a similar boat with a basket of fish. Two figures, one a Billingsgate woman with a basket on her head, are indicated on the quay, against which lies a small vessel."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Temporary local subject terms: Dinghy., Leaf 11 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 27.3 x 21.1 cm, on sheet 31.1 x 25.5 cm.
"A rough-looking woman, stout, tall and muscular, with loose hair blown by the wind, stands in a dinghy, holding an oar, inscribed 'Moll Muggins Billingsgate', to punt or paddle her craft. One foot is on the gunwale, and her pose, looking up and to the left, travesties the lines below the title: "The Maiden paus'd, as if again, She thought to catch the distant strain, With head uprais'd and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art" 'Walter Scott's Poem'. A bottle inscribed 'Mack . . .' and a short clay pipe project from a pocket. In the background (right) is a man in a similar boat with a basket of fish. Two figures, one a Billingsgate woman with a basket on her head, are indicated on the quay, against which lies a small vessel."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Temporary local subject terms: Dinghy., and Watermark (partial).
"Pitt as the modern Egbert (king of the West Saxons, d. 839) is rowed by four kings, and tows behind him a small boat in which the Prince of Wales is seated, his wrists and ankles chained. Pitt, who steers, is seated high in the stern of the 'Treasury Barge', he wears a combined coronet and mitre, and says to his four oarsmen, 'Pull together Boys'. They are Thurlow (stroke), Buckingham, Dundas, and Richmond (bow). All wear crowns on their heads and badges like those of watermen on their sleeves. Thurlow, stripped to the waist, his badge a rose, says, "Damme! I've got precedence of the Young Lion"; he rows with the Chancellor's mace. Buckingham (Lord Lieutenant of Ireland), an Irish harp on his coat-sleeve, rows with a shillelagh, saying, "I'll answer for the Shelalagh without Authority". Dundas, wearing a thistle badge, rows with a long spoon, saying, "He shall remember old Nemo impune". Richmond, wearing a fleur-de-lis badge (he was due d'Aubigny), rows with a cannon (emblem of the ordnance, cf. BMSat 6921, &c), saying, "We'll shew him Gallic Faith." They row on one side of the boat only. A large flag in the stern of Pitt's boat has his crest (reversed), a stork grasping an anchor, with the motto: 'Devil take the Right P.W. [Prince William]'. The Prince wears a coronet with three feathers; he says, "I feel not for myself but for my country". His boat flies a flag with Pitt's crest above a flag with the royal arms. In the background is the river bank with trees, a church (the House of Commons) flying a (blank) flag (right), and (left) the dome of St. Paul's."--British Museum online catalogue
Alternative Title:
King of kings
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., State with additions to the plate., Watermark: L Taylor., and Mounted to 32 x 45 cm.
Publisher:
Pubd. by Charles Bronwn [sic], Strand
Subject (Geographic):
England. and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Melville, Henry Dundas, Viscount, 1742-1811, and Richmond, Charles Lennox, 3d Duke of, 1735-1806
"View of Battersea, looking across the River Thames; a church in centre of view flying a flag, the river busy with barges and other boats; figures on river bank including a man fishing, a tall tree to the right."--British Museum online catalogue
Alternative Title:
Veüe de Battersea au nord
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "7" in upper right corner., Mounted to 24 x 38 cm., and Leaf 8 in an album of views of London and its vicinity.
Publisher:
Printed for Robert Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Battersea (London, England), Thames River (England), England, and London.
Subject (Topic):
Rivers, Churches, Flags, Barges, Sailboats, and Rowboats
"View with the river at the centre, boats on the water, a man rasing his sail in the left, figures walking on the path in the foreground, including a man on horseback and a man fishing by the river; the city in the background."--British Museum online catalogue
Alternative Title:
North view of Roehampton and Veüe de Row-Hampton au nord
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "5" in upper right corner., Mounted to 24 x 39 cm., and Leaf 6 in an album of views of London and its vicinity.
Publisher:
Printed for Robert Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Roehampton (London, England), Thames River (England), England, and London.
"A gaily-dressed young woman sculling a naval officer who sits in the stern, holding his cane in the water and looking through a single eye-glass at a swan accompanied by a cygnet. A King Charles dog puts its paws on the edge of the boat and looks at the swan. The admiral is in naval uniform with a pigtail queue. The lady wears a feathered hat tilted forward on her high-dressed hair and a low-cut bodice; on the stern of the boat is a design of a cupid riding on a dolphin. The water winds among lawns, trees, and bushes. In the middle distance two ladies are fishing; one holds a rod over the water, the other, seated beside her, holds up a fish."--British Museum online catalogue
Alternative Title:
Admiral Purblind just run a-ground by Peggy Pullaway
Description:
Title from item. and Publication date erased from plate. Date conjectured from another, smaller version. See no. 5819 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London. Publish'd as the Act directs
Date of publication supplied by cataloger., Verse begins: "One morning early in the spring,"., In one column with the title and woodcut centered at head., Lewis Walpole Library copy: Sheet trimmed with loss of title and text., Mounted on leaf 40. Copy trimmed., Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2., and Ms. inscriptions provide text loss from trimming.
"View of the Thames from Lambeth, with Westminster Hall on the opposite shore at the left, and Westminster Bridge at the right; in the foreground to the left men raise the sails of a boat, to their right a number of people hurry towards the river."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 104., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 278.
Publisher:
Pub. Feb. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Westminster Bridge (London, England), Thames River (England), London (England), England, and London.
Subject (Name):
Westminster Hall (London, England)
Subject (Topic):
Waterfronts, Buildings, Bridges, Rivers, Sailboats, and Rowboats
Title from item (in English and French)., Date from item., Place of publication derived from publisher's known location., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Chelsea Hospital; Hospitals, Great Britain.
Publisher:
Published according to Act of Parliament
Subject (Name):
Royal Hospital (Chelsea, London, England).
Subject (Topic):
Veterans' hospitals, Hospitals, Gardens, Rivers, and Rowboats
"View from the river of the West India Docks, near Blackwell, with ships lined up by the docks on the left, small row boats at mid-stream."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 92., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 218., and 1 print : aquatint and etching on wove paper, hand-colored ; plate mark 23.8 x 28 cm, on sheet 26.8 x 33.8 cm.
Publisher:
Pub. Jany. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
"View from the river of the West India Docks, near Blackwell, with ships lined up by the docks on the left, small row boats at mid-stream."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 92., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 218., and Watermark: J. Whatman 1808.
Publisher:
Pub. Jany. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
Date of publication from ESTC., Anonymous. By John Gay. - First published as 'Sweet William's farewell to black ey'd Susan'. - Verse - "All in the Downs the fleet was moor'd,". - Includes 'Sweet William's happy return to his dear Susan' and 'Sweet Susan's constancy'. - In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 66. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold by J. Evans, No. 41, Long-Lane, London
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the ruins of Corton Church, Suffolk, surrounded by gravestones. A man sits alone, leaning against one of the tombs
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Publisher:
Printed and sold by W. Meggy
Subject (Geographic):
Yarmouth (England),
Subject (Topic):
Cities and towns, Harbors, Rowboats, Rivers, and Sailboats
Winchelsea, Charles Finch, Earl of, 1672-1712, artist
Published / Created:
[not after 1712?]
Call Number:
Folio 49 3588 v.1 (Oversize)
Collection Title:
Volume 1, page 50. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Signed with the artist's name in lower left corner. The identity of "Lord Maidstone" is pondered in Horace Walpole's ink annotation at bottom of mount: This was probably Charles Lord Maidstone, son of William lost in the Dutch war, & grandson of Heneage Finch Earl of Winchelsea, whom he suceeded., Date of production based on death date of the presumed artist., Laid down on a wash-line mount, with a border of gold paint around the drawing., and Mounted on page 50 in volume 1 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.