Manuscript on parchment (thick, but good quality) of a Collection of Texts on St. Barbara. With a miscellany of texts including patristic works, moralistic poems, and prophecies
Description:
In Latin., Script: Written in a regular heavy hybrida formata script with features of bastarda by a single scribe who placed small circular flourishes above the letter u., 10-line illuminated initial on f. 5r, blue and mauve with white designs and highlights on gold cusped ground, a blue and gold bar border extending into the left-hand margin and terminating in acanthus leaves in the lower margin; interior of initial in orange, blue and gold checkered pattern. Fine red and blue divided initials, 8- to 7-line, with parchment designs and extensive pale purple flourishes, for major texts. Smaller plain initials in red or blue with parchment designs. Headings and initial strokes in red. Some instructions to rubricator in outer margins., and Binding: ca. 1500, Belgium. Covered in brown calf with corner tongues over wooden boards, a central panel diapered with blind-tooled triple fillets. Center and corner fittings and title written in a careful gothic bookhand under a brass-framed window on the upper board: "liber gloriose uirginis et martyris christi barbare". Lower board cut in for the straps which are attached with metal plates. Hasps of a chain on the lower board. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Barbara, Saint.
Subject (Topic):
Christian martyrs, Christian poetry, Latin (Medieval and modern), Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Prophecies
Dionysius, the Areopagite, Saint, active 1st century
Published / Created:
[between 1600 and 1610]
Call Number:
Beinecke MS 260
Image Count:
14
Resource Type:
unspecified
Abstract:
Manuscript on paper (variety of watermarks) of Part I: Dionysius the Areopagite, De caelesti hierarchia with the Paraphrasis of George Pachymeres. Part II: Dionysius the Areopagite, De divinis nominibus I.1-II.9, with Paraphrasis of George Pachymeres. Part III: Nicetas of Serres, Commentarius in Gregorii Nazianzeni orationes. Part IV: Theophanes Cerameus, Homiliae (text of 13 sermons). Part V: Andrew of Crete, Encomium in Martyres X. Part VI: Nicephorus Blemmydes, De anima. Part VII: Dionysius of Halicarnassus, De compositione verborum, extract (ch. 14-15).
Description:
In Greek., Script: The codex is composed of several small manuscripts and booklets, each copied by a different scribe but all written in similar styles of minuscule, that were originally bound together in the 17th century shortly after being copied., Part I: Carefully executed woven headpieces in black and red on ff. 1r and 7r; beginning of each portion of the text marked by large initial in red, accompanied by flowers outlined in red and filled with pale yellow. Rubrics stop on f. 22v. Part II: Crude headpiece (in imitation of that on f. 7r?) occurs on f. 100r. Large painted initials, in red, with vine-leaf appendages, mark sections of the text. Part III: Delicate floral headpiece on f. 138r: each flower is outlined in red and painted with pale grey and red washes; details added in black. More modest headpiece in similar style, but painted with yellow, occurs on f. 148v; intricate initials in same colors on ff. 138v and 148v. Part IV: Simple woven headpieces, in red, on ff. 266r and 269r. Initials with floral motifs accompany rubricated titles for each sermon; decoration is incomplete (stops on f. 320r). Part V: One initial, in black, occurs at the beginning of the text (f. 330r). Part VII: Small decorative initial and heading, in red, at the beginning of the work., and Binding: 18th-19th centuries. Rigid vellum, rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dionysius, the Areopagite, Saint, active 1st century.
Subject (Topic):
Christian martyrs, Cosmology, Ancient, Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, Sermons, and Theology
Manuscript on parchment (trimmed) of Augustine, De civitate Dei, translated into French by Raoul de Presles. Composed of 4 volumes, originally bound as 2.
Description:
In French., Script: Written in an informal batarde by one scribe who also added proper names in the margins., The miniatures are dry and unoriginal copies of rather average quality. One large 2-column miniature of the Two Cities at the beginning of Bk. 1 (f. 5r) in a thin gold frame; on 3 sides a bar-border with pink, orange, and blue plant scrolls on a gold ground, surrounded by a full border of dense ivy in pink, red, orange, blue, and gold, with white highlights; interspersed with gold balls with hairsprays. Before the Prologue and all the remaining books, miniatures, 19- to 18-line (vols. 1-2) or 16- to 15-line (vols. 3-4), in thin frames, pink and blue, with white highlights, set within a gold band, with 3/4 bar borders in red, blue, and gold, highlighted in white, and a full ivy border, as described above (no orange)., Beneath each miniature there is a large initial, 7- to 5-line, blue or pink with scrolls and geometric forms in white highlighting, on blue or pink grounds respectively, set within thin gold frames, or blue and/or pink on a gold ground; both types filled with red and/or blue ivy scrolls with white highlights (in one case, v. 4, f. 74r, there is also a dragon terminal). Initials, 3- to 2-line, at the head of each chapter, gold edged in black, on pink and blue grounds with white highlights. Paragraph marks and book numbers, top center of each folio, recto and verso (which in v. 4, ff. 152r-54r read XXII instead of XXI) in the same manner. Ribbon line-fillers (in v. 3-4 only) red and blue, with gold dots or lozenges and white highlights, edged in black. Chapter headings and numeration in red (orange occasionally)., There are some stains, abrasions, and irregularities in the parchment throughout; none obscure text or miniatures., and Binding: Nineteenth century. Marbled and gilt edges. Blue goatskin heavily gold-tooled. Bound for Count Justin MacCarthy-Reagh. Spines mislabelled: II labelled IV, III labelled II, IV labelled III, I labelled correctly.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430.
Subject (Topic):
Fathers of the church, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Augustine, De civitate Dei, translated into French by Raoul de Presles. Composed of 4 volumes, originally bound as 2.
Description:
In French., Script: Written in an informal batarde by one scribe who also added proper names in the margins., The miniatures are dry and unoriginal copies of rather average quality. One large 2-column miniature of the Two Cities at the beginning of Bk. 1 (f. 5r) in a thin gold frame; on 3 sides a bar-border with pink, orange, and blue plant scrolls on a gold ground, surrounded by a full border of dense ivy in pink, red, orange, blue, and gold, with white highlights; interspersed with gold balls with hairsprays. Before the Prologue and all the remaining books, miniatures, 19- to 18-line (vols. 1-2) or 16- to 15-line (vols. 3-4), in thin frames, pink and blue, with white highlights, set within a gold band, with 3/4 bar borders in red, blue, and gold, highlighted in white, and a full ivy border, as described above (no orange)., Beneath each miniature there is a large initial, 7- to 5-line, blue or pink with scrolls and geometric forms in white highlighting, on blue or pink grounds respectively, set within thin gold frames, or blue and/or pink on a gold ground; both types filled with red and/or blue ivy scrolls with white highlights (in one case, v. 4, f. 74r, there is also a dragon terminal). Initials, 3- to 2-line, at the head of each chapter, gold edged in black, on pink and blue grounds with white highlights. Paragraph marks and book numbers, top center of each folio, recto and verso (which in v. 4, ff. 152r-54r read XXII instead of XXI) in the same manner. Ribbon line-fillers (in v. 3-4 only) red and blue, with gold dots or lozenges and white highlights, edged in black. Chapter headings and numeration in red (orange occasionally)., There are some stains, abrasions, and irregularities in the parchment throughout; none obscure text or miniatures., and Binding: Nineteenth century. Marbled and gilt edges. Blue goatskin heavily gold-tooled. Bound for Count Justin MacCarthy-Reagh. Spines mislabelled: II labelled IV, III labelled II, IV labelled III, I labelled correctly.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430.
Subject (Topic):
Fathers of the church, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Augustine, De civitate Dei, translated into French by Raoul de Presles. Composed of 4 volumes, originally bound as 2.
Description:
In French., Script: Written in an informal batarde by one scribe who also added proper names in the margins., The miniatures are dry and unoriginal copies of rather average quality. One large 2-column miniature of the Two Cities at the beginning of Bk. 1 (f. 5r) in a thin gold frame; on 3 sides a bar-border with pink, orange, and blue plant scrolls on a gold ground, surrounded by a full border of dense ivy in pink, red, orange, blue, and gold, with white highlights; interspersed with gold balls with hairsprays. Before the Prologue and all the remaining books, miniatures, 19- to 18-line (vols. 1-2) or 16- to 15-line (vols. 3-4), in thin frames, pink and blue, with white highlights, set within a gold band, with 3/4 bar borders in red, blue, and gold, highlighted in white, and a full ivy border, as described above (no orange)., Beneath each miniature there is a large initial, 7- to 5-line, blue or pink with scrolls and geometric forms in white highlighting, on blue or pink grounds respectively, set within thin gold frames, or blue and/or pink on a gold ground; both types filled with red and/or blue ivy scrolls with white highlights (in one case, v. 4, f. 74r, there is also a dragon terminal). Initials, 3- to 2-line, at the head of each chapter, gold edged in black, on pink and blue grounds with white highlights. Paragraph marks and book numbers, top center of each folio, recto and verso (which in v. 4, ff. 152r-54r read XXII instead of XXI) in the same manner. Ribbon line-fillers (in v. 3-4 only) red and blue, with gold dots or lozenges and white highlights, edged in black. Chapter headings and numeration in red (orange occasionally)., There are some stains, abrasions, and irregularities in the parchment throughout; none obscure text or miniatures., and Binding: Nineteenth century. Marbled and gilt edges. Blue goatskin heavily gold-tooled. Bound for Count Justin MacCarthy-Reagh. Spines mislabelled: II labelled IV, III labelled II, IV labelled III, I labelled correctly.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430.
Subject (Topic):
Fathers of the church, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Augustine, De civitate Dei, translated into French by Raoul de Presles. Composed of 4 volumes, originally bound as 2.
Description:
In French., Script: Written in an informal batarde by one scribe who also added proper names in the margins., The miniatures are dry and unoriginal copies of rather average quality. One large 2-column miniature of the Two Cities at the beginning of Bk. 1 (f. 5r) in a thin gold frame; on 3 sides a bar-border with pink, orange, and blue plant scrolls on a gold ground, surrounded by a full border of dense ivy in pink, red, orange, blue, and gold, with white highlights; interspersed with gold balls with hairsprays. Before the Prologue and all the remaining books, miniatures, 19- to 18-line (vols. 1-2) or 16- to 15-line (vols. 3-4), in thin frames, pink and blue, with white highlights, set within a gold band, with 3/4 bar borders in red, blue, and gold, highlighted in white, and a full ivy border, as described above (no orange)., Beneath each miniature there is a large initial, 7- to 5-line, blue or pink with scrolls and geometric forms in white highlighting, on blue or pink grounds respectively, set within thin gold frames, or blue and/or pink on a gold ground; both types filled with red and/or blue ivy scrolls with white highlights (in one case, v. 4, f. 74r, there is also a dragon terminal). Initials, 3- to 2-line, at the head of each chapter, gold edged in black, on pink and blue grounds with white highlights. Paragraph marks and book numbers, top center of each folio, recto and verso (which in v. 4, ff. 152r-54r read XXII instead of XXI) in the same manner. Ribbon line-fillers (in v. 3-4 only) red and blue, with gold dots or lozenges and white highlights, edged in black. Chapter headings and numeration in red (orange occasionally)., There are some stains, abrasions, and irregularities in the parchment throughout; none obscure text or miniatures., and Binding: Nineteenth century. Marbled and gilt edges. Blue goatskin heavily gold-tooled. Bound for Count Justin MacCarthy-Reagh. Spines mislabelled: II labelled IV, III labelled II, IV labelled III, I labelled correctly.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430.
Subject (Topic):
Fathers of the church, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper (sturdy but of uneven weight; no watermarks, wavering chain-lines ca. 53 mm. apart) of a collection of excerpts from Biblical commentaries and sermons by patristic writers. Mainly drawn from Remigius of Auxerre, Expositio super Matthaeum; and Bede, Expositio super Lucam. Also includes texts by Leo, Gregory, Gualterus Anglicus, Augustine, Anselm, Ambrose, and Boethius. Sermons written for feast days and about the Passion of Christ
Description:
In Latin., Script: Written mostly by one scribe, perhaps over a period of time, in a small gothic book hand with many abbreviations. Additions by slightly later hands in more or less formal script, e.g. ff. 1v, 3r-5v, 87v-105v., Initials (3-line), paragraph marks, underlining and strokes on 1-line capitals in red., and Binding: Date? Square, flush boards. Trimmed out turn-ins suggest a late date. Covered in vellum with contents and a compass-drawn circle on lower cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jesus Christ and Remigius, of Auxerre, approximately 841-908.
Subject (Topic):
Passion, Catenae, Church year sermons, Fathers of the church, and Manuscripts, Medieval
Manuscript on parchment (poor quality: thick, holes, ends, repairs) of Gregory the Great, Homeliae in Hiezechielem prophetam. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged
Description:
In Latin., Script: Written by multiple scribes in spiky early gothic bookhand., Spaces left unfilled, f. 1r, for initials and headings at beginning of prologue and text. Decorative monochrome initials and headings, which extend the width of columns, of modest quality, in red (many oxidized). Minor initials, 5- to 2-line, some with simple penwork designs, headings, initial strokes in red., Many leaves damaged along outer edges, now repaired, but with loss of text; stained throughout., and Binding: 1800-1810, Italy. Half bound in mottled brown calf with bright pink paper sides. Two gold-tooled, brick red labels on spine: "Greg. Pape. in Ezechiel." and "Saecul. XIII". Red edges. Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 153, 158, 197, also from the Cistercian abbey of Hautecombe.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604. and Cistercians.
Manuscript on parchment of John Chrysostom, Sermo de dignitate humanae originis, translated into Latin by Ambrogio Traversari. The text is preceded by a dedicatory letter, here directed to Rene d'Anjou (King of Sicily and Naples, 1435-42).
Description:
In Latin., Script: Written by a single scribe in humanistic cursive script, below top line., 3 large initials of modest quality, 8- to 7-line, gold on blue or blue and red grounds with white dots and white vine-stem ornament. 1 smaller initial, 3-line, gold on red and blue ground with white dots. Plain initials in blue and red, one in gold, some with penwork flourishes in red. Rubrics throughout. Paragraph marks in red or blue. Guide letters for initials., and Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laced through tunnels in the edge to channels on the outside of beech boards and nailed. Beige and white chevron endbands are sewn on tawed skin cores laid in grooves on the outside of the boards. The spine is lined with green tawed skin between supports. Covered in brown, originally tan, calf with corner tongues, blind-tooled with a triple cross in a border of rope interlace. Spine: sewing bands defined and panels diapered with triple fillets. Two truncated diamond catches with a flower in a circle on the lower board, the upper one cut in for the red fabric straps attached with star-headed nails.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John Chrysostom, Saint, -407. and Traversari, Ambrogio, 1386-1439.
Subject (Topic):
Catechetical sermons, Fathers of the church, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and Sermons
