"A ship's boat, containing the Prince of Wales and his friends, puts off from shore. In the stern is Sheridan clenching his fist at two bearded Jews (left) who kneel in supplication for payment of their debts. Behind them stands Perdita Robinson, her hair loose, her arms outstretched, also in despair at the departure. Captain Morris stands in the stern, pushing off with a boat-hook. George Hanger turns round to threaten the two Jews with his bludgeon (cf. BMSat 6924). In front of him sits a man in legal gown and flowing wig, his face almost concealed, identified in an old hand (in BMSat 6992) as Erskine. His wig is inscribed 'Leather Bag'. The two central figures are the Prince and Fox; the Prince sits astride a cask of 'Imperial Tokey', holding up a glass and looking reflectively towards the shore; Fox stands behind him, his hands resting on the hilt of a large sword inscribed 'chop Logic'. In the bows stands Burke, bending forward, his arms outstretched as if giving a benediction; he wears a monk's robe with a mitre in place of the usual biretta (cf. BMSat 6026). At his feet sit North and Portland, wearing his coronet. Sheridan, Morris, and Fox wear armour and helmets; that of Sheridan is inscribed 'From Drury', that of Morris 'W Morris'; that of Fox is plumed, and decorated with a fox's head, a gallows, and the words 'We escape'. The Prince wears a fool's cap trimmed with his feathers. On the extreme left a gallows and a ship on a very small scale, inscribed 'Black Wall', are faintly indicated, showing that the departure is from Execution Dock where pirates and others were hanged."--British Museum online catalogue.
Description:
Also attributed to James Gillray., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street & H. Hedges, No. 92 Cornhill
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., Hedges, Edward, active 1780-1794, publisher., Humphrey, Hannah, active 1774-1817, publisher., North, Frederick,--Lord,--1732-1792--Caricatures and cartoons., Portland, William Henry Cavendish-Bentinck,--Duke of,--1738-1809--Caricatures and cartoons., Robinson, Mary,--1758-1800--Caricatures and cartoons., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
"A travesty of a half length portrait of S. Ireland: ('Hamilton pinxt S = Ireland fect.'). In both Ireland wears the dress of a Rubens picture, cf. BMSat 7020, and looks over his right shoulder, holding up folds of drapery which hang from the left shoulder. The original is young and handsome, with well-dressed hair, tied and falling on his shoulder. [The B.M. impression is dated in a contemporary hand 'Octr 1785'. Listed in Bromley's 'Catalogue', p. 390.] Gillray follows closely the pose and dress of the original, but the head is that of an older man, with a sly smile; his short curling hair recedes from his forehead. In his hand is a book, 'Ireland Shakspe . . .' ..."--British Museum online catalogue.
Description:
Ten lines of text and verse below image: Inscription under a picture of the editor of Shakespeare's manuscripts, 1796, by the Revd. William Mason, author of Elfrida & Caractacus ..., Title etched above image., and Two lines of text, followed by two lines of verse, below title: Mr. Bromley, in his Catalogue, &c., p. 390, has erroneously put this portrait into his seventh class ...
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Ireland, Samuel,---1800--Caricatures and cartoons., and Ireland, Samuel,---1800--Portraits.
"A fat country-woman, threatened by a fierce dog, has fallen face downwards in front of a pair of horses, causing them to stop suddenly, and paw the ground. The terrified coachman loses his hat and wig, the footman is flung across the roof of the low carriage towards the box. An elderly lady looks out of the carriage window to call: "John!" He answers: "Coming Ma'm." All are broadly burlesqued. On the door is a coat of arms with an earl's coronet."--British Museum online catalogue.
Description:
Print signed using Brownlow North's device: A compass pointing north., Printmaker identified as Gillray in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and North, Brownlow, 1778-1829, artist.
"Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet inscribed 'Requisition Budget'. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while he touches his hat. The budget and the breeches pockets are full of guineas. Pitt says: "More Money, John! - more Money! to defend you from the Bloody, the Cannibal French - They're a coming! - why they'll Strip you to the very Skin - more Money. John! - They're a coming - They're a coming." Dundas, Grenville, and Burke kneel on the right, bending towards the 'Budget', each with his left hand in an opening in a vertical seam, eagerly grabbing guineas. Behind them is the stone archway of the 'Treasury', with its high spiked gate. Dundas, the most prominent, wears Highland dress and holds a Scots cap full of coins. Grenville wears a peer's robe; Burke is behind. They echo Pitt: Dundas says "Ay! Ay! They're a coming! They're a coming!" Grenville: "Yes! Yes, They're a coming." Burke: "Ay They're a coming." John says: " - a coming? - are they? - nay then, take all I've got, at once, Measter Billy! - vor its much better for I to ge ye all I have in the World to save my Bacon, - than to stay & be Strip'd stark naked by Charley, & the plundering French Invasioners, as you say". His coat and waistcoat are sound, but the pockets hang inside out, empty. His lank hair, knotted kerchief, and wrinkled gaiters denote the small farmer. Behind (left), on the shore, stands Fox looking across the water towards the fortress of 'Brest' flying a tricolour flag. He hails it with upraised arms, shouting: "What! more Money ? - O the Aristocrat Plunderer! - Vite Citoyens! - vite! - vite! depechez vous! - or we shall be too late to come inn for any Snacks of the I'argant! - vite Citoyens! vite! vite!""--British Museum online catalogue.
Alternative Title:
John Bull giving his breeches to save his bacon
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Three opera dancers, holding a garland of roses, are dressed alike in short transparent petticoats partly covered by a shorter apron. The centre dancer holds out her left leg horizontally . Mme Rose [Parisot] is in back view, her sharp features in profile to the right. On each side of the stage is a column on the plinth of which stands a figure: (left) a satyr holding a mask; (right) a woman wearing a clumsy undergarment, in the attitude of the Venus dei Medici. In front of the stage are the musical instruments of the orchestra, including a violin on which is a cap perhaps intended for a bonnet-rouge. ..."--British Museum online catalogue.
Alternative Title:
Dance a l'eveque
Description:
Four lines of verse in two columns below image: 'Tis hard for such new fangled orthodox rules, that our opera-troop should be blam'd ..., Printmaker from British Museum catalogue., and Title etched below image, in lower left.
Publisher:
H. Humprey, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Didelot, Marie Rose Paul,---1803--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Fox (half length) stands full-face, right arm bent and right fist clenched, looking up and to the left with an accusing frown. He says: "Ruin'd! - undone! - our Commerce destroy'd, our Armies beaten.""--British Museum online catalogue.
Description:
By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of a set of eight satirical portraits, each issued separately., Title etched above image., and Two lines of text below image: Ruin'd! Undone! Our commerce destroy'd, our armies beaten.
Publisher:
H. Humphrey, No. 37 New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The upper part of a telegraph, not the usual screen in one plane (cf. BMSat 8837), but two screens at right angles to each other, the point of junction in the centre of the design. This is supported on a rectangular structure the upper part of which is open, with an aperture below each telegraph. From each of these Jekyll looks out in profile to the left and right, respectively. The telegraph, which is in the foreground, the lower part cut off by the lower margin of the design, overlooks from a height two views of the mouth of the Bruges Canal, flowing from an undulating landscape with a small town and distant windmills. Each Jekyll pulls strings which are attached to circular disks (for letters) in the upper part of the apparatus. On the left he looks through a rolled paper inscribed 'Morning Chronicle' over the intact sluice at the mouth of the canal, outside which are a few boats. From the disks above floats a label: "Ay, now let us see what are the fruits of this miserable Ostend Expedition! - ay, I see that the intelligence I had from Bruges, was of undoubted authority! - yes, yes, our Informations are always to be depended upon! - ay! sure enough there's the great Sluice of Sluykens, which was blown up! - the damages have all been repaired in a Week, & the Canal is now as full as at any former period! - O Lord! O Lord! - this is the way that poor John Bull's money goes!" Above each telegraph floats a tricolour flag surmounted by a bonnet-rouge; on the left the flag is inscribed 'June 20 1798', on the right it is 'June 21. 1798'. On the right Jekyll looks through a rolled paper: 'Capt Pop'em's Information from Capn Winter'. The landscape below shows a block of masonry exploding in the middle of a turbulent flood in which are carried down timbers and wrecked boats. His telegraph signals: 'Why what the devil do I see? - sounds, why here's incontestable evidence that the Sluices are all destroyed! - the Masonry all blown up! - and the Navigation of the Canal at an end! O Lord! what damages they have done!- why it can't be repaird by any effort, in less than 12 Months! - Mercy upon me, what will my Lord Malagrida say when I tell him about the business?' Jekyll's two profiles are identical; both smile waggishly. ..."--British Museum online catalogue.
Alternative Title:
Little second-sighted lawyer gving a true specimen of patriotic information
Description:
One line of text above image: "I trust the world will not regard me as a person ready to bring before them any matter which does not rest on a proper foundation!", One line of text below title: "After so candid & honorable a statement, no man can suspect the Honble. Gentleman of wilful misreprentation [sic]." - Mr. Ds remark., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Jekyll, Joseph,--1754-1837--Caricatures and cartoons.
"An elderly man stands in profile to the right outside a building on which are election placards, holding out his (orange-coloured) hat in which is a favour and a ticket inscribed Milton. He is curiously square, round-shouldered, long-waisted, and bandy-legged, wearing riding-dress with spurred top-boots, and a coat reaching nearly to his heels, with a fox embroidered on the collar. On the wall which forms a background is a placard: State of the Poll. Wilberforce 11808, Milton 11.177, Lascelles 10,990. Other placards are Steele Traps [see No. 10743], No Pretender, No Popery [torn] [cf. No. 10709], No Melville No Plunder. [see No. 10377, &c.] No Slavery [see No. 10778] Milton for Ever. From a narrow board inscribed Etridge on the corner of the wall projects a flagstaff supporting a pennant inscribed Saville in large letters."--British Museum online catalogue.
Description:
Artist identified as F. Hawkesworth in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue.
Alternative Title:
Epitaph on the late Dr. Monsey, supposed to be written by himself and Peep into the last century
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Medical: crutches -- Physicians -- Clocks: on pediment of Chelsea Hospital -- Monsey, Messenger, 1693-1788., and Title etched above image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Monsey, Messenger,--1693-1788--Caricatures and cartoons., and Pindar, Peter, 1738-1819.
"The Tower of Babel is represented by a vast pile of bundles of documents tied by tricolour ribbon, culminating in the allegations of Mrs. Clarke against the Duke of York. It is being destroyed by the Speaker, Abbot, who swoops down upon it from a cloud with uplifted and irradiated mace, and holding up a long scroll: Justice Triumphant-- Decisions of the Rt Honble The House of Commons--Majority against the Evidence of a Prostitute--Majority against the Machinations of Republicans & Levellers--. The tower totters sideways under blasts from the mouths of Canning, Castlereagh, and (below) Perceval, who lean forward from clouds on the left of the design. Between the two clouds appears part of a curving band, on which is a sign of the Zodiac, the Scales, evenly balanced to show that they are an emblem of Justice (cf. No. 10972). The leaders of the 'Republicans' fall headlong from the tower (right) as it topples, and are also struck down by a copious stream of water from the sky inscribed Royal-Water-Spout. Mrs. Clarke receives its full impact. She is astride the shoulders of Wardle who is falling downwards from the summit. Her large muff (see No. 11225), inscribed Mrs A. Clarke's Old Conjuring Muff, To be sold to the best Bidder, flies from her hand. In her hair are the serpents of Discord. To her belt of Ingratitude is attached a bag of Plunder. Wardle wears regimentals; in his pocket is a paper: Wardle Private Reas[ons]. Just below him Lord Folkestone is falling; he drops Patriotic Harangues by Fid Fad Folkstone and a large bundle of papers inscribed Motions for Kicking up a Row in the House of Commons. In his pocket are papers: Cobbetts Hints. Just below him is Whitbread who has fallen on a (falling) ladder, breaking it in half; he sprawls across the broken fragment, struck down by one of his own barrels, inscribed Barrel of Mischief. Its frothing contents pour over his head, inscribed Quassia [see No. 10574], Cocus Indicus, Opium [see No. 10795]; the falling barrel-head is Whitbreads Entire Butt [see No. 10421]. He drops a paper: Essay upon Political Brewing without Malt or Hops, and an open book: Political Divinity by Sam Froth--The Wicked shall be caught in the work of their own Hands. The ladder which he has broken is the Broad-Bottom Ladder of Ambition [cf. No. 10530]. The vast Lord Temple has broken the lower rungs and lies on his back, his legs in the air, the ladder on top of him. ..."--British Museum online catalogue.
Description:
Three lines of quoted text following title: "And they said, go to, let us build to us a city and a tower, whose top may reach to heavens, and let us make us a name!" ... and Title etched below image.
Subject (Name):
Abbot, Charles,--Baron Colchester,--1757-1829--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Perceval, Spencer,--1762-1812--Caricatures and cartoons., Radnor, William Pleydell-Bouverie,--Earl of,--1779-1869--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons., and Whitbread, Samuel,--1764-1815--Caricatures and cartoons.