Correspondence, autograph manuscripts, and one printed broadside song documenting aspects of the social and creative life of the poet John Hall-Stevenson. Contents include manuscripts of verses by John Hall-Stevenson and Robert Lascelles; letters by members of his club and social circle, including a lengthy letter by Jean-Baptiste Tollot discussing Laurence Sterne's character and good nature (1762 April 4) and another describing events in Geneva immediately after the expulsion of Jean-Jacques Rousseau (1764 January 8); and related correspondence, including a letter of advice from Hall-Stevenson to his grandson John Wharton and several business letters received by Wharton. The printed broadside song, "Trout Hall," is extensively annotated in Hall-Stevenson's hand.
Description:
Formerly owned by William Durrant Cooper. Purchased from Paul Grinke on the Edwin J. Beinecke Book Fund, 1972., John Hall-Stevenson (1718-1785), was a poet, a country gentleman, and a close friend of Laurence Sterne, whom he met at Cambridge and who based the character of Eugenius in Tristram Shandy on him. Hall-Stevenson founded a club of "Demoniacks," which met at "Crazy Castle," his country seat, and was loosely modeled on Sir Francis Dashwood's Monks of Medmenham. His published works included Crazy Tales and Fables for Grown Gentlemen, both of which were reprinted several times during his lifetime. He died at home in March, 1785., and The collection also contains a photocopy of W. Durrant Cooper's "Seven Letters Written by Sterne and His Friends;" a copy of the bookseller's catalogue; and a handwritten finding aid for the collection.
Subject (Topic):
Authors, English--18th century and English literature--18th century
Correspondence, autograph manuscripts, and one printed broadside song documenting aspects of the social and creative life of the poet John Hall-Stevenson. Contents include manuscripts of verses by John Hall-Stevenson and Robert Lascelles; letters by members of his club and social circle, including a lengthy letter by Jean-Baptiste Tollot discussing Laurence Sterne's character and good nature (1762 April 4) and another describing events in Geneva immediately after the expulsion of Jean-Jacques Rousseau (1764 January 8); and related correspondence, including a letter of advice from Hall-Stevenson to his grandson John Wharton and several business letters received by Wharton. The printed broadside song, "Trout Hall," is extensively annotated in Hall-Stevenson's hand.
Description:
Formerly owned by William Durrant Cooper. Purchased from Paul Grinke on the Edwin J. Beinecke Book Fund, 1972., John Hall-Stevenson (1718-1785), was a poet, a country gentleman, and a close friend of Laurence Sterne, whom he met at Cambridge and who based the character of Eugenius in Tristram Shandy on him. Hall-Stevenson founded a club of "Demoniacks," which met at "Crazy Castle," his country seat, and was loosely modeled on Sir Francis Dashwood's Monks of Medmenham. His published works included Crazy Tales and Fables for Grown Gentlemen, both of which were reprinted several times during his lifetime. He died at home in March, 1785., and The collection also contains a photocopy of W. Durrant Cooper's "Seven Letters Written by Sterne and His Friends;" a copy of the bookseller's catalogue; and a handwritten finding aid for the collection.
Subject (Topic):
Authors, English--18th century and English literature--18th century
Correspondence, autograph manuscripts, and one printed broadside song documenting aspects of the social and creative life of the poet John Hall-Stevenson. Contents include manuscripts of verses by John Hall-Stevenson and Robert Lascelles; letters by members of his club and social circle, including a lengthy letter by Jean-Baptiste Tollot discussing Laurence Sterne's character and good nature (1762 April 4) and another describing events in Geneva immediately after the expulsion of Jean-Jacques Rousseau (1764 January 8); and related correspondence, including a letter of advice from Hall-Stevenson to his grandson John Wharton and several business letters received by Wharton. The printed broadside song, "Trout Hall," is extensively annotated in Hall-Stevenson's hand.
Description:
Formerly owned by William Durrant Cooper. Purchased from Paul Grinke on the Edwin J. Beinecke Book Fund, 1972., John Hall-Stevenson (1718-1785), was a poet, a country gentleman, and a close friend of Laurence Sterne, whom he met at Cambridge and who based the character of Eugenius in Tristram Shandy on him. Hall-Stevenson founded a club of "Demoniacks," which met at "Crazy Castle," his country seat, and was loosely modeled on Sir Francis Dashwood's Monks of Medmenham. His published works included Crazy Tales and Fables for Grown Gentlemen, both of which were reprinted several times during his lifetime. He died at home in March, 1785., and The collection also contains a photocopy of W. Durrant Cooper's "Seven Letters Written by Sterne and His Friends;" a copy of the bookseller's catalogue; and a handwritten finding aid for the collection.
Subject (Topic):
Authors, English--18th century and English literature--18th century
Manuscript on paper of a collection of extracts from various alchemical and medical writers. Includes John of Rupescissa, Liber de confectione veri lapidis; and Arnold of Villanova, De perfectione operis alkimie. Compiled by one Johannes Baptista F., along with Mellon MSS 34 and 36.
Description:
Binding: Original parchment over pasteboards with remains of thong ties; probably a home-made binding utilizing used parchment (show-through of writing visible) from a document, plain edges. Labeled in ink in the hand of the compiler on the backstrip: "Medicina astrologia." Loose in cover and wormed., Denis Duveen; Mellon MS 23, acquired with the Duveen collection. Gift of Paul and Mary Mellon, 1965., In Latin, Italian, and Spanish., and Script: Written by one or perhaps two hands in mid-16th-century italic, sometimes of excellent, professional quality, but often ranging from fairly good to extremely bad and careless.
Subject (Name):
Arnaldus, de Villanova, -1311. and Johannes, de Rupescissa, ca. 1300-ca. 1365.
Subject (Topic):
Alchemy--Early works to 1800., Italian poetry--16th century., Manuscripts, Medieval--Connecticut--New Haven., and Medieval and Renaissance Manuscripts in Beinecke Library.
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
f. 1r-v Antiphona. Cruci, corone spinee, clavisque dire, lancee ... per que corone gaudia perpetua speramus. Versus. Adoramus te Christe ... Oremus. Quesumus omnipotens Deus, ut qui sacratissima nostre redemptionis insignia temporaliter veneramur, per hec indesinenter muniti eternitatis gloriam consequamur. Per. De sancto Eustachio antiphona., On parchment., This small luxurious book of devotion seems to be organized according to the liturgical year, the Exaltation of the Cross being celebrated on 14 September, the martyr Eustace on 20 September., and Yellow heightening of the majuscules. One 2-line flourished initial, gold with blue flourishes, and on f. 1r one square miniature (5 lines) in a golden frame representing the Instruments of the Passion, accompanied by a full rinceaux border with a gold and pink bar in the inner margin. In the upper right and the two lower corners flowers and plants grow on a circular grassy patch of earth. The spiralling tendrils between them carry gold balls and vine leaves and flowers.
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
Abundant decoration consisting of line-fillers in gold and paint containing animal and hybrid bodies and ending in human or animal heads; 1- and 2-line initials, the latter ending on f. 1r in borders consisting of a horizontal bar in the upper and lower margin on which grotesques are painted: in the upper margin an animal (its head partly cropped) shooting a bird and in the lower margin a monkey looking at a hybrid., f. 1r-v //Nam et testimonia tua meditacio mea est ... Et ne auferas de ore meo verbum veritatis usque//[quaque].
Ps. 118 :24-43, On parchment., Ruled with lead for one column of 19 lines below top line (type 31, 170 x 105 mm). The horizontal ruling is double, lines being traced for the headlines as well as for the baselines., and Written in a narrow Northern Gothica Textualis Formata (Textus Rotundus).
Manuscript on parchment (scraps, endpieces) of the Canticum canticorum, with glossa ordinaria.
Description:
Text written in large round late caroline minuscule; commentary in a similar, but smaller script with many abbreviations.
Subject (Name):
Bible. O.T. Song of Solomon and Glossa ordinaria
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Petrus Pictaviensis, Compendium historiae in genealogia Christi.
Alternative Title:
Compendium historiae in genealogia Christi
Description:
Binding: Nineteenth century, Germany. Grubby blue paper wrapper. Title, in ink, on upper cover: "Manuscript des XIII#t#e#n Jahrhunderts. Historia mundi sec. ord. chronol. usque ad mortem Jesu Christi"., Genealogical tables accompany text throughout: drawn in red with roundels connected by pairs of parallel lines and aligned between red vertical rulings. Roundels for Adam and Eve, f. 1r, in yellow and blue, respectively; the roundels for their descendants on green ground. The plan of the temple at Jerusalem, f. 4r, in red, green and blue. The roundels for Christ, f. 5r, in blue, yellow, and red. Headings in red; spaces left for decorative initials remain unfilled., Lower portion of f. 1 torn, with loss of text., and Script: Written by a single scribe in fine gothic bookhand, above top line.
Subject (Name):
Jesus Christ--Genealogy and Petrus Pictaviensis
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Poggio Bracciolini, Dialogus in avariciam., The text has been glossed by a contemporary hand, in both Latin and German., and The text is the revised version made by Poggio following the suggestions of Niccolo Niccoli. The original version was printed in Basel (1538) and Strasbourg (1513), whereas the revised edition was never printed, although it exists in many manuscripts.
Description:
Binding: place uncertain, s. xx. Limp vellum case., Modern binder's blanks and contemporary blanks not scanned., On paper, and Written in elegant batarde by a single scribe.
Subject (Topic):
Avarice, Avarice--Early works to 1800, Dialogues, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library