Publication information based on similar plates in the same series., Sixteenth of 24 plates from: Rowlandson, T. Hungarian & Highland broad sword. [London] : H. Angelo, 1799., and Title etched below image.
Publisher:
[H. Angelo, Curzon Street, May Fair]
Subject (Name):
Angelo, Henry, 1756-1835, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"A burlesque of the discovery by Cymon of Iphigenia asleep. A fat country-woman, whose dark skin and coarse features give her a negroid appearance, leans against a sandy bank. A hideous yokel, advancing from the right, stoops towards her, dropping his stick and gaping with delighted surprise."--British Museum online catalogue.
Alternative Title:
Cymon and Iphigenia
Description:
Garrick's 'Cymon and Iphigenia', 1767, adapted from Dryden's version of Boccaccio's tale, made the story familiar and popular. It was the subject of a picture by Reynolds., Thomas Adams is one of the pseudonyms used by Gillray., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Lord Hertford is depicted outside his house, receiving Charles James Fox (shown with a fox's head). Lady Hertford and seven of her children all have rat's heads and stand obsequiously attentive to their guest who ignores them.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
S. Browning, Oxford Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., and Hertford, Francis Seymour-Conway,--Marquess of,--1718-1794--Caricatures and cartoons.
Subject (Topic):
Clothing & dress--England--1780-1790., Rats. , and Receiving lines.
"A Dutch soldier (left) and his wife (right), joining hands, dance round a tree of Liberty to music supplied by a foppish French soldier on the extreme left who beats a drum and blows a trumpet, and by a stout Dutchman on the extreme right who plays bagpipes inscribed 'Vader-lands Liefde' (Love of Country). The 'tree' is a pole surmounted by a milk-churn inscribed 'Vryheid \ Gellykheid \ Broederscha[p]', [This inscription (Liberty, Equality, Fraternity) occurs on Dutch prints after the French invasion, e.g. Van Stolk, No. 5299; Muller, No. 5385.] above which is a cap of Liberty shaped like a fool's cap, and a tricolour flag inscribed 'Hollandia Regenerate[a]'. On the churn sits a parroquet, 'trying to imitate the patriotic accents of his French brothers'. A monkey climbs up the pole as in BMSat 8831. Texts, 'Acts', vii. 41, and 'Job', xviii. 16."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "1" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Military uniforms: Dutch uniforms -- Dutchmen -- Holland: civil discord -- Tree of Liberty -- Cap of Liberty -- Emblems: dove as emblem of peace -- Monkeys -- Kitchen utensils: milk churns -- Musical instruments: drum -- Bagpipes -- Musical instruments: trumpets, Title etched above image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-68
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
A night scene under the Piazza of Covent Garden, the center of which is seen through the arch of the arcade. A couple hurry arm-in-arm through a doorway (right) over which is Haddocks (a bagnio). The woman is the Duchess of Devonshire, shown with a bare breast and holding a lantern. She tells the prim young man "Vote for whom you please but kiss before you poll." He answers, "Tis too much neighbor! I could not go through with it." On the left behind the couple is Mrs. Hobart who holds her lantern to see an old Chelsea pensioner and a negro supported on stumps and crutches. She says to them, " D-m the Duchess, she got all the young voters."
Alternative Title:
Dark lantern business, or, Mrs. Hob and Nob on a night canvass with a bosom friend and Mrs. Hob and Nob on a night canvass with a bosom friend
Description:
CtY-LW, Printmaker from British Museum catalogue., Sheet trimmed partially within plate mark., and Title etched below image.
Publisher:
H. Humphrey, Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Cavendish, Georgiana Spencer,--Duchess of Devonshire,--1757-1806--Caricatures and cartoons., Covent Garden (London, England), Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Riviere & Son Binding.
Subject (Topic):
Brothels., Lanterns., Lighting., People with disabilities. , Political elections--Great Britain., and Prostitutes.
"The Convention, a creature with the body of a stout woman and with seven monstrous and demoniac heads, sits full-face in an accoucheur's chair. A little demon on the ground holds up a pitchfork. A French surgeon, smiling (right), with shirt-sleeves rolled up, holds a clumsy pair of forceps; a Dutch accoucheur, fat and senile, peers into a folio volume: 'Sectio Caes: et Sectio Synchondroseos'. '. . . L'accoucheur Français, homme experimenté, prévoit ses terribles convulsions, et s'est déja muni du forceps. Son collegue Hollandais, dont les craintes vont encore plus loin, repete la théorie de l'incision Caesarienne. Il faudrait effectivement un Caesar, pour couper court à tout proces.' Text, 'Isaiah', xiv. 29. Her fruit shall be a fiery flying serpent."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "19" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Conventions -- Surgeons -- Medical instruments: forceps -- Physicians: Dutch accoucheurs -- Monsters., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Interior of the Athenian Lyceum on Piccadilly, during a meeting of the Debating Society."--British Museum online catalogue.
Description:
Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 223., Plate numbered in upper right, above image: Plate 29., and Title etched below image.
Publisher:
R. Ackermann's Repository of the Arts, 101 Strand
Subject (Geographic):
London (England)--Pictorial works.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Pugin, Augustus, 1762-1832, artist., and Stadler, Joseph Constantine, printmaker.
"An elderly man sits in the middle of a garden seat, taking snuff, and looking delightedly to the left. Behind the seat are plants in pots, including an orange-tree and a rose. Behind these is a large tree; a thrush sings on a branch. There is a background of trees. The seat is constructed for wheeling from place to place (like a modern garden chaise-longue), with wheels at one end in place of legs, and with handles projecting horizontally from the other end."--British Museum online catalogue.
Description:
One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., Temporary local subject terms: Seasons: Spring., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Lady Salisbury stands on a mound holding up a fox's brush. She has outstripped the hounds who rush towards her, the foremost just about to reach her. She turns her head in profile to the left; her long dark hair streams down her back; she wears a hunting-cap resembling the helmet of a light horseman, the skirt of her habit and an under-petticoat are in tatters, the lower part torn away, showing laced half-boots and torn stockings. A masculine collar is thickly swathed with a coloured scarf, as in BMSat 10169. She wears an eyeglass on a ribbon. The background is a landscape with distant mountains; horses and hounds in the middle distance. Below the title: '"Out-stript the Winds in Speed upon the Plain, "Flies o'er the Fields, nor hurts the bearded Grain; "Men, Boys & Women, stupid with surprize, " Where e'er she passes, fix their wondering eyes. Drydens Virgil - '."--British Museum online catalogue.
Alternative Title:
Diana returned from the chace
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cecil, Mary Amelia,--Marchioness of Salisbury,--1750-1835--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.