A satirical broadside, with two vignettes of the "Weaver". On the left the weaver is at his loom his back to his wife who is seated at the hearth warming her hands over the fire. On the right he is shown in the disguise of a Friar receiving his wife for confession as she kneels before him. Two columns of verse below: "A weaver jealous of his wife like many, Still dream't of horns before the Knave had any ... Twas you were the young man the old man & [the] Fryer. Finis."
Alternative Title:
Weaver jealous of his wife like many, Still dream't of horns before the Knave had any ...
Description:
Title from engraved text above image., All engraved., Date from British Book Trade Index., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With "Pro Patria" watermark.
Publisher:
Printed and sold by Samuel Lyne, map and printseller at the Globe in Newgate Street
Subject (Topic):
Adultery, Weavers, Looms, Fireplaces, Confessions, Costumes, and Monks
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
publish'd according to Act of Parliament Sept 29, 1750.
Call Number:
750.09.29.01+
Image Count:
1
Resource Type:
still image and text
Abstract:
"A broadside on the trial of the robber James Maclaine; with an etching showing the interior of a court room, the judges seated on the left, Maclaine standing on the right, in the middle background a lady standing, giving evidence in his favour; and with engraved title and letterpress text giving an account of the trial in three columns."--British Museum online catalogue
Description:
Title and imprint from engraved text below image at top of sheet., Among Maclaine's other crimes is the robbing of the Salisbury Coach at Turnham Green on 26 June 1750, when he was disguised using a Venetian mask. In 1749 he robbed a coach in which Horace Walpole was a passenger; he took Walpole's watch in this incident which is mentioned in the final paragraph., and Watermark in center of sheet: Fleur-de lis.
Publisher:
Printed for T. Fox in the Old Baily
Subject (Geographic):
England., England, and London.
Subject (Name):
Maclaine, James, 1724-1750, and Maclaine, James, 1724-1750
Subject (Topic):
Brigands and robbers, Trials (Robbery), Courtrooms, Criminals, Judicial proceedings, and Broadsides
"A broadside satirising the fall of James II; with an etching formerly attributed to de Hooghe. King James (1) lies in an ornate bed, wearing a Jesuit's cap encircled by a crown, vomiting a stream of reptiles with crowns, papal tiaras, cardinals' hats and Jesuit caps; further reptiles emerge from the foot of the bed where broken shackles lie on the floor.. In the centre stands the finely dressed Lord Mayor of London (2) holding his nose, a dog with a spiked collar at his side, and to the right Aldermen and Bishops (3). To the left, beside the bed, a double-faced physician (4) holds up a urinal in one hand while feeling the king's pulse with the other. The Lord Chancellor (5; George Jeffreys) stands on the other side of the bed, holding his nose and pointing to the doctor as the cause of the king's sickness. Mary of Modena (6) sits on the extreme right pointing across the room to the Prince of Wales. The Archbishop of Canterbury (7) stands behind her with the other bishops holding out his hand to receive a sealed package from a masked Jesuit (8). The Prince of Wales (9), holding an orb or ball and toy windmill is sitting in the lap of his nurse (10) who spoon-feeds him while she listens to a monk who gestures with his left hand as he speaks. Behind them Father Petre (11) receives a passport and is sent on his way together with Quakers and other sectaires (12) including Anabaptists surviving from the days of Cromwell. Through an archway in the background the sun rises on the Dutch fleet (13) setting sailing to bring relief to England. Engraved Latin title and Latin and Dutch inscriptions, and with Dutch letterpress verses, including legend, in three columns."--British Museum online catalogue
Description:
Title from caption below image., Three columns of letterpress text in Dutch below plate are the key to numbers in the image: 1. Den Konink had voor af door Jesuitsche vonden ..., Temporary local subject terms: Jesuits -- Law: Lord Chancellor -- London: Lord Mayor -- London: aldermen -- Quakers -- Protestants -- Medical: physician with Janus's head -- Navy: fleet of William III, Oct. 16, 1688 -- Pets: pug in a collar -- Symbols: evil, windmill -- Furniture: bed -- Chair., and Watermark.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718, James, Prince of Wales, 1688-1766, and Petre, Edward, 1631-1699
Caption title., Signed: Enemy to the shop tax., In support of Lord John Townshend against Lord Samuel Hood in the Westminster election of 1788., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Great Britain. Parliament, Townshend, John, 1757-1833., and Hood, Samuel Hood, Viscount, 1724-1816.
Subject (Topic):
Elections, 1788, Taxation, Public opinion, and Retail trade
volgens approbatie van het Parlement Febr. 8, 1741/42 [i.e., 1742]
Call Number:
742.02.08.01+
Image Count:
1
Resource Type:
text and still image
Description:
Image attributed to Parr and Vanlot by Stephens. See English version in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2515., Title from item., Imprint engraved on plate below caption., Letterpress broadside illustrated at top of sheet with an etching., Five lines of engraved caption below image: Met een opregteen Suyver hert veerdel ik de roof onder ..., Thirteen stanzas of verse in two columns separated with a decorative border, below plate: Een vrédelievend man verdeelt hier's Oostryks Landen ..., Temporary local subject terms: War of the Austrian Succession, 1740-1748., and Watermark: Strasburg lily.
Publisher:
publisher not identified
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Charles VII, Holy Roman Emperor, 1697-1745, Charles III, King of Spain, 1716-1788, Philip V, King of Spain, 1683-1746, and Fleury, André Hercule de, 1653-1743
"Satire on the ineffectual opposition at the time of the parliamentary motion to remove Robert Walpole from office suggesting that they are motivated by self-interest. Walpole stands in a landscape assailed by arrows labelled "Ambition", "Want of Place", "Disappointment", "Self Interest", "Sham Patriotism", "affected Zeal", "Resentment", "Malice", "Prejudice", "Revenge", "Disaffection", "Want of Pension", and "Pique"; none of the arrows hit their mark. On the left opposition politicians with their bows stand or run away. They are identified in the verses beneath: Carteret, Argyll, the Bishop of Lichfield fallen to the ground saying "The D[evi]l owed me a Spite", Sandys crying "all mismanaged", Doddington, Lyttelton, Pulteney saying, "Z[ound]s I've mist him"; in the foreground, the tory William Shippen kneels laying down his bow and saying "I'll e'en not meddle"; a group of tories rushing away to left cry, "Let us make hast out"; the devil flies above them in the form of a winged pig, crying "yah! yah! yah!". In the background three men labour in vain to push a millstone up a hill twoards where another waits to receive it. On the right a group of Walpole's supporters mock the opposition, noting particularly the collapse of the Bishop Smalbroke, "Split Devil is down". Fifteen explanatory stanzas below, each ending with the chorus, "Doodle, &c."--British Museum online catalogue
Description:
Title etched on plate above image., Fifteen stanzas of verse below image: Who be he dat stand alone-a ..., "Publish'd according to Act of Parliament. Price Six-Pence."--Following imprint., Letterpress broadside poem illustrated with etching at top of sheet (plate mark 20.8 x 30.2 cm)., and Watermark: Pro Patria.
Publisher:
Printed for T. Cooper, at the Globe in Pater Noster Row
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Bath, William Pulteney, Earl of, 1684-1764, Ombersley, Samuel Sandys, Baron of, 1695-1770, Smalbroke, Richard, 1672-1749, and Shippen, William, 1673-1743
publish'd according to act of Parliament, Septr. 15, 1762.
Call Number:
762.09.15.01.1
Image Count:
1
Resource Type:
text and still image
Abstract:
"A broadside satirising Lord Bute's mission to Paris to arrange peace with France, disputed by two patrons of the fictitious "Bedford Coffee-House"; with an etching showing the interior of a coffee-house, two gentlemen seated at a table, on the table various newspapers and a tray with a hot chocolate pot, one gentleman pouring liquid from the cup into the saucer; with engraved inscriptions, speech bubbles, and with letterpress title and verses in two columns, and with one vertical segment of type ornament"--British Museum online catalogue
Description:
Letterpress broadside song, illustrated with etching at top of sheet (plate mark 155 x 200 mm)., A song with nine stanzas in two columns separated with decorative border: Good people attend (if you can but spare time), to a grumblig poet, who grumbles in rhyme ..., and Watermark: fleur-de-lis.
Publisher:
Sold by W. Tringham, engraver in Castle Alley, Royal Exchange, and at the print shop under St. Dunstan's Church ; and by all the print and pamphlet shops
"Satire on Robert Walpole at the time of his fall. Extended across a room is a large screen with twenty scenes described metaphorically in the text below. The scenes refer to instances of corruption and maladministration in his career: (1) three soldiers standing outside a prison referring to Walpole's alleged acceptance of a bribe in awarding two forage contracts for the army in Scotland when secretary of war in 1711 for which he was committed to the Tower; (2) a figure stretched across a screen indicating his "screening" of those involved in the South Sea Bubble; (3) a "Strumpet, called Corruption" with mitres and other symbols of office at her feet and Walpole at her side while "Pl[ace]m[e]n and Pensioners" gather around; (4) a snake-haired Fury drives men burdened with "Gin Act Dutys Taxes Debts"; (5) Walpole drives a chaise drawn by men instead of horses referring to the deeply unpopular Excise Scheme of 1733 and the Register Bill proposing the registration of seamen for defence purposes; (6) Walpole cutting in half a child representing the Sinking Fund; (7) Walpole embezzling public funds from chests in a strong room; (8) a hydra-headed Standing Army; (9) Walpole on his knees kissing the bare backside of Cardinal Fleury; (10) the "Mansion House" of the Constitution runs to ruin while (11) Walpole builds the splendid Houghton Hall for himself; (12) with the treaties of Hanover and Seville he inhibits the cause of Maria Theresa to the benefit of France and Spain; (13) "Spanish Depredeantions" of timber and cattle apparently in the Caribbean; (14) the export of "Wool to France"; (15) "Negotiations" with France and Spain in which Walpole frivolously blows bubbles, giving up all demands; (16) the Convention of the Pardo of 1738 which was condemned as making concessions to Spain; (17) the under-resourced War of Jenkins' Ear against Spain; (18) the "Spithead Expedition" of 1740 when the fleet was prevented from leaving port, allegedly by contrary orders rather than by unfavourable winds; (19) "His Flight", i.e. his resignation in February 1742, shown as a colossus cut in two and falling to earth while Walpole throws gold dust in the eyes of pursuers; (20) Walpole's "Trial", then in progress, before a committee of Parliament investigating aspects of his record in office shown here as resulting in his execution and the exposure of his severed head in the manner of a traitor. On either side of the screen large windows reveal a night sky in which, seen on the left, three men fly on a broomstick towards the moon; on the right, four others identify one of them as Walpole, one exclaiming "It must be the Comet", his neighbour, holding a telescope, "No! by Jove, tis Robin Goodfellow from R[i]chm[on]d", the third, "I wish the Telescope was a Gun". The Devil, smiling, peers from behind the screen muttering, "Hah! I shall have business here again." as he observes Walpole advising the king and his supporters, all wearing sashes. The king, sitting by a table on which burn two candles, asks, "What is to be done", to which Walpole replies, "Mix and divide them"; a gentleman responds, "tis good advice", another whose pockets are bulging, says, "I can keep up my Britches no longer"; another remarks, "this was an unlucky Change", to which a bishop replies, ""Yes - but I can change too". the Duke of Argyll and another gentleman approach from the left, the latter asks, "What think you?" to which Argyll replies, "I'll throw up tomorrow", referring to his impending resignation.Engraved inscriptions and title, and with letterpress text below in four columns."--British Museum online catalogue
Alternative Title:
Relapse
Description:
Title from item., 'Price 6 pence'--Lower right corner of plate., Letterpress broadside with etching at top of sheet (plate mark 21 x 35 cm). Letterpress overlaps the lower plate line., Four columns of text entitled "Explanation of the screen": 1. He is sent to gaol for selling oats and hay out of his Lady's stables. Getting at liberty again, he transforms himself ..., Cf. No. 2559 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 48 cm., and Watermark.
Publisher:
Publish'd April 12, 1742, by J. Huggonson, in Sword-and-Buckler Court, on Ludgate Hill
Subject (Name):
George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Fleury, André Hercule de, 1653-1743, and Argyle, John Campbell, Duke of, 1680-1743
A writing sheet engraved with vignettes and the large interior space left blank. At the top is a scene with a throne on a platform in the center at the top of a pie-shaped set of stairs with angels standing along the edges on both the right and the left. Behind the line of angels are crowds of people, with the group from the left seemingly walking towards the right. Along the base of the design is a banner held at either end by cherubs blowing horns, inscribed are the words "Come unto me; ye blessed!" Many of the figures in the crowds wear crowns, one holds a harp and another a censer on a chain. The back of the throne is decorated with three connected triangles, points down and with a crown above the oval head rest, rays of light emanating from all sides. On the left margin are vignettes entitled "The birth" and "The wedding" and on the right "The christening" and "The burial". At the foot of the plate is an image of a dragon-like beast from whose mouth streams a banner bearing the engraved text: “There shall be weeping, wailing and gnashing of teeth". A large oval shape on the dragon's body is left blank
Alternative Title:
Come unto me, ye blessed!
Description:
Title devised by cataloger., Place and date of publication based on manuscript note at foot of sheet., Lewis Walpole Library impression: Center blank space is filled in with three manuscript poems in black ink entitled 'On resurrection', 'On mortality', and 'On death'. The document is signed in the blank oval on the side of the dragon, "William Lea Yoxall's Christmas piece, December 16th, 1798, Chester"., With three poems entitled “On the Resurrection", "On mortality", and "On death” written in ink at center of sheet., and For further information, consult library staff.