Manuscript on parchment (speckled on hair side) of 1) Petrarch, Rerum vulgarium fragmenta. 2) Petrarch, Triumphi.
Description:
Acquired from H. P. Kraus in 1960 by Thomas E. Marston., Binding: Nineteenth century, Italy. Brown calf, blind- and gold-tooled. Gilt edges. Title on spine: "Petrarca". Signed by "CR"., Illuminated by Antonio di Niccolo di Lorenzo. The decoration consists of an illuminated title page with full border, white vine-stem ornament on blue, red and green ground with white, blue and pale yellow dots, respectively, with a thin gold bar in all margins, forming a diamond (black) in inner and a roundel with a profile head of a young woman against blue sky with some clouds in the outer margin. In the lower border a medallion (erased) framed in gold and supported by four round-faced putti with multicolored wings in green and red. Superimposed on the border are a variety of multicolored birds, a lion and two putti. These animals are related to animals in contemporary Florentine manuscripts and perhaps reflect the use of a model book. Historiated initial, 10-line, gold, on blue green and red ground with white vine-stem ornament attached to the inner border, with a half-length portrait of Petrarch holding a book against a blue sky with white cloud formations. Six illuminated initials (ff. 143r, 155v, 159r, 168v, 176r, 178v), 6- and 5-line, gold on blue, red and green grounds with white vine-stem ornament extending into margin, and gold dots with hair-line extensions. On f. 143r, initial joined to partial border, same as above. Plain initials in blue, paragraph marks alternate red and blue. Headings in red., and Script: Written by Carlo di Palla Guidi in a round humanistic script, above top line.
Subject (Name):
Petrarca, Francesco,--1304-1374
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (thick, coarse) of Lives of the Saints, preceded by accounts of events in the Bible from both the Old and New Testaments. Folios 51 and 61 interchanged in rebinding.
Description:
Binding: Nineteenth century, Italy. Rigid vellum case with two red labels on spine: "Trattati di storia sacra" and "Manuscritto 1360"., Crudely executed title page, f. 1r, consisting of floral and foliage motifs in upper margin, scroll around column in inner margin, and, in outer margin, scroll around column terminating in elongated arm with text on the scroll (much rubbed and stained). In lower margin a coat of arms (damaged; probably: or, two columns gules); the letters B and C on either side in the bases of columns in inner and outer margins. The decoration of title page in bright red and green. Plain initials (some with simple foliage designs), headings, paragraph marks, pointing hands, and hands holding crosses or symbols of passions of martyrs (e. g., gridiron for Laurence), all in bright red, green, and/or black., Folio 1 damaged; no loss of text., Script: Written by several scribes in unruly mercantesca script, above top line. Script becomes smaller and tighter toward end of codex., and Watermarks: similar in design to Briquet Ciseaux 3708 dated Genoa, 1465.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Jacopo Ariani (?), 200 Sonnets addressed to a lady called Laura. With Alberto Maffei, Colophon in the form of a sonnet addressed to the readers
Description:
In Italian., Script: Written by Alberto Maffei in a small calligraphic Humanistica Semitextualis Formata., Each sonnet opens with a Capital in gold ink, the three subsequent stanzas with alternating red and blue Capitals. On the opening page (f. 2r), however, the opening Capitals are in gold on a square blue background dotted with gold, above each of the two sonnets floral ornaments have been painted in red and gold ink and in the lower margin there is a medallion within a gold wreath adorned with ribbons and containing the coat of arms of the Ariani family flanked by the initials "I.A.". ff. 1 and 52 are stained purple and the text of artt. 1 and 3 is written in gold ink, the headings being executed in silver ink. On both pages silver and gold floral ornaments in three margins. The ones in the lower margins end in Capital "A" (for "Albertus")., and Binding: Nineteenth century. Blue velvet over cardboard with blue watered-silk doublure. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ariani, Jacopo.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on paper and parchment containing 1) Ownership inscription and note on the scribe, followed by a variant form of a Biblical quotation (Lamentations 3:27-28). 2) Legend of St. Jerome in Italian, with special attention for miraculous events, as an introduction to artt. 4-6. Quotes Iohannes Belet (12th century), St. Augustine, Prosper of Aquitaine, Isidore of Seville, Sulpicius Severus. 3) Ps.-Eusebius, Epistula de morte Hieronymi (BHL 3866), Italian translation. 4) Ps. -Augustinus Hipponensis, Epistola de magnificentiis Hieronymi (BHL 3867), Italian translation. 5) Ps.-Cyrillus, Epistola de miraculis Hieronymi (BHL 3868), in Italian translation. 6) History of abbot Daniel living in Thebais and his disobedient servant, to whom he tells the life of a virtuous man they have met, called Eulogius, who eventually became patricius and praefectus praetorio in Constantinople at the time of emperor Justinus I (518-527); due to the loss of one or more quires the major part of the text, containing the intervention of the Virgin, is missing.
Description:
Binding: Quarter binding of bevelled wooden boards (worm-eaten) and brown leather; spine with three raised bands and paper title label with handwritten 17th-century inscription: “Vita / di S. / Girola.” On the boards marks of one clasp attached to the front board and on the front board the ca. 1800 inscription “JO.” written in black ink. Possibly the binding once belonged to another manuscript., Collection of Bernard M. Rosenthal (MS 38). Purchased from him on the Edwin J. Beinecke Fund., Description follow modern foliation which includes two preliminary leaves.., Headings in pale red, often difficult to read. Yellow heightening of the majuscules. Initials, with guide letters written in the space reserved for the initial: (1) flourished initials (3-4 lines) in red with pale red (or brown) penwork or in blue with red penwork, sometimes with marginal penwork extensions; (2) at the beginning of each text a larger initial; the letters following this type of initial are majuscules. F. 3r: 12-line blue initial of the littera duplex type with extensive penwork in red and some blue, with decorative border in the same colours in the inner and lower margin and tendrils in the other margins containing flowers and acorns; the border of the lower margin terminates in a medallion containing a coat of arms; ff. 8r, 41r: 9-line initial of the same type and in the same colours; f. 47v: 6-line, idem; f. 77v: 7-line black initial., Script: Copied by one hand in a peculiar form of Southern Gothica Textualis Libraria under Humanistic influence as visible in the total lack of compression; special features are: the sloping hairline at the top of the second stroke of e, parallelled by the sloping stroke on i; h with exceptionally long curved extension under the baseline; the forked lower ending of f and straight s on or under the baseline and the forked descender of p; and the very fancy majuscules., and The lower margin of f. 62 torn off.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (sturdy) of what is probably the first version of the treatise, finished ca. 1476-77. The order of contents is as follows: fortresses; temples, churches and theaters; columns and other architectural details; plans for palaces; aqueducts; measuring and surveying; instruments of war
Description:
In Italian., Watermarks: anchor and star similar to Briquet Ancre 478, Bergamo 1502., Script: Written in italic script by a single scribe who left blank spaces for illuminated initials., Outer and lower margins of almost every page filled with architectural or mechanical sketches drawn either directly on the leaves (ff. 1r-5v) or on small strips of paper pasted onto the margins of the leaves (ff. 6r-57v), in brown ink, sometimes with green or pink washes. The drawings illustrate every section of the text; many have explanatory inscriptions., and Binding: Eighteenth century. Red edges. Mottled, brown calf, streaked on the turn-ins. Blind-tooled, with a gold-tooled spine.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Name):
Martini, Francesco di Giorgio, 1439-1502.
Subject (Topic):
Architecture, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, and Military art and science
Manuscript on paper of an unidentified treatise, incomplete, on the Cardinal Virtues; material taken mostly from Valerius Maximus, with additional material from Augustine, the Bible, Cicero, Seneca, Macrobius, Aristotle, and Vegetius. and Unidentified treatise, incomplete, on the Cardinal Virtues; material taken mostly from Valerius Maximus, with additional material from Augustine (De civitate Dei, De beata vita, Epistolae), Bible (Proverbs), Cicero (De officiis, etc.), Seneca (Epistolae morales, De ira, De constantia), Macrobius, Aristotle, Vegetius, the "Storie Romane" of "Arineo" (f. 6r), and "Salino" (f. 23v). The presence of the "versificatore" (f. 11r), cited in Latin (Walther, Sprichwoerter 33507), and a similar constellation of sources suggest that Vincent of Beauvais' Speculum Doctrinale was a major (though not exclusive) source for this author.
Description:
Imperfect: incomplete manuscript; leaves 42-43 also wanting. and Written by a single scribe in humanistic cursive script.
Subject (Name):
Valerius Maximus
Subject (Topic):
Cardinal virtues, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
In Italian., Script: Written by one scribe in humanistic bookhand., Six fine miniatures. Each miniature, 12- to 9-line, is rectangular, framed with a thin band of burnished gold (except on f. 39r, a square 14-line miniature in a purple frame edged on both sides with gold). On f. 3v, a full border: putti with swags in upper margin [trimmed], white-vine ornament in side and lower margins, the ground predominantly blue, with some green and pink and with white dots; in outer and lower margin, a gold trellis, with polygonal medallions at corners and midpoints, containing a capital I, and the busts of a child, youth, and young woman; finely drawn animals (stag, goat, panther, rabbit, and fox) superimposed over border. In the lower margin of f. 1r is a coat-of-arms (effaced), supported by four putti and with birds in surrounding vine ornament. For the other miniatures, partial borders with dark blue, green, pink and gold flowers and gold dots and hair-spray. Small medallions containing the letters I, A, C, O, P, O incorporated into successive borders form the name Iacopo (probably the man who commissioned the volume). 3-line initials of gold, infilled green and pink, with delicate white filigree, against blue grounds. Headings and initial of each tercet in gold., and Binding: Eighteenth century. Gilt, gauffered edges. Red calf, gold-tooled with a ribbon border, acorns in the corners and a diced central ornament.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on parchment of a Ducale issued in the name of Leonardo Loredan, doge of Venice (1438-1521), giving instructions to Andrea Marcello as Governor of Dulcigno (now Ulcinj, Yugoslavia). The document is dated 8 August 1513, and signed by "Victor Blanchus Secretarius," the same individual who signed Beinecke MS 104, a Venetian ducale dated 1515. On ff. 12v-13r is a directive from the Venetian Council of the X, signed by Rafael Iordannis, regarding Andrea Marcello, captain of Dulcingo, and the payment of custom duties; followed by a yearly and quarterly outline of salaries owed, in a different but contemporary hand, signed Zune (Giovanni) Spineli [?].
Description:
In Latin and Italian., Script: Written in elegant italic., One full border (f. 1r), flowers and swirling leaves extending from a vase in lower right corner, gold on a dark purple ground, executed in a style related to Benedetto Bordone; two inset panels at top of folio (framed by thick gold bands), the upper containing the lion of St. Mark stepping out of water and holding an open book, dolphins, and a castle on a cliff in the background, the lower an inscription in gold majuscules on blue ground. In lower margin the Marcello arms (azure a bend wavy or) against a landscape., 2-line initials, on f. 1r only, gold on green and on red grounds respectively. 1-line initials, red, for ff. 1v-10r., and Binding: 19th-20th centuries. Rigid vellum gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Venice (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
Manuscript on paper (with various watermarks), composed of five separate manuscripts bound together. Parts I and II were written in the 15th century and III-V in the 17th century. Part I: Vita di San Petronio. Part II: Tommaso Nacci Caffarini, Tractatus de stigmatibus extractus, the second part of the book De supplemento legende beate Katerine de senis. Part III: Federico Borromeo, Vita S. Caroli Borromei. Part IV: Pope Pius II, De morte eugenij Quarti creationeque et coronatione Niccolai V oratio. Part V: Thomas Obicinus, Motiuo Celeste diretto in questo segnato tempo
Description:
In Latin and Italian., Script: Part I: Round humanistic by a single scribe. Part II: Small neat round textura in a single hand. Part III: Written by one scribe in a calligraphic italic hand. Part IV: Written in italic hand by a single scribe. Part V: Written in a small italic hand by one scribe., Part I: Simple penwork initials in red or blue, some with penwork designs of the other color. Part II: Uninspired and badly rubbed historiated initial (Christ [?] displaying stigmata) on gold background with three gold dots, f. 19r; small decorative initials in red with black penwork designs, or blue with red. Paragraph marks in red or blue., The manuscript has been damaged and repaired extensively. Parts I and III: Waterstained and mended throughout. Part II: Folios have been trimmed with some loss of marginalia., and Binding: 18th-19th centuries. Vellum and paste paper case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petronius, Saint, Bishop of Bologna, d. ca. 445.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papal documents, and Stigmatization