Bible. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Binding: Sixteenth-century. Blind-tooled brown calf over thin wooden boards, decorated with rolls. Rebacked. Remnants of two clasps fixed to the rear cover. On the spine two labels, the upper one with the gold-tooled title in Gothic, nineteenth century: Biblia sacra cum interpretationibus Hebraicorum nomine [sic] in fine; the lower one with gold-tooled inscription in Roman type MS.P. On the first fly-leaf (f. Iv) a list of Biblical Kings., Bookplate of James William Ellsworth. Collection of Col. Richard Gimbel. Gift of Mrs. Richard Gimbel, 1971., Cataloged from microfilm by Albert Derolez., Manuscript on parchment containing 1) List of Epistle and Gospel readings (incipit and explicit) for the liturgical year. 2) Survey of the subdivisions of the Bible. 3) Bible text. 4) Interpretationes nominum Hebraicorum. Thin parchment, many leaves and the lower outer corners of all leaves damaged by moist. Two folios are missing between ff. 184 and 185, two folios between ff. 282 and 283, one folio between ff. 295 and 296, all with loss of text. There is no good explanation for the complicated quire structure of this manuscript, except that art. 4 is a separate codicological unit. The first quire, made from goatskin and containing articles 1-2, is a 14th-century addition and the handwriting looks Italian. The rare marginal notes appear most in the first quires, are written in Italian Gothica Cursiva and seem generally to be of a grammatical nature. The manuscript, copied in France in the beginning of the fourteenth century, was consequently later in Italy. Written in very small Northern Gothica Textualis., Red headings and red heigthening of the majuscules. Alternately red and blue pain initials (1 line) in art. 4. Alternately red and blue flourished initials (2 lines) with long marginal extensions. Beautiful larger flourished initials in the same colours with very developed penwork, in which both colours are sometimes combined, at the beginning of the various books and sections. On f. 1r large littera duplex and on f. 8r (beginning of Genesis) large initial I with very fine penwork, both the full height of the text area and in the same colours. Running titles in red and blue., and Shailor, The Medieval Book, 40.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on paper of Colucii Salutati, De seculo et religione.
Description:
Belonged to S. Harrison Thomson (MS 6); note inside front cover states that he purchased the manuscript in Oxford in 1926. Acquired from Thomson in 1968 with the Edwin J. and Frederick W. Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Coluccio Salutati, De Seculo et Religione. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper of Colucii Salutati, De seculo et religione. Folios 49 and 50 (central conjugate leaves) were reversed in binding. Produced probably in Northwestern Italy (diocese of Ivrea) by the scribe Martinus de Laurentio de Padono, in 1485 (colophon, f. 81r). Written in neat gothic cursive that shows batarde influence; first word(s) of each section executed in bold textura. Spaces for decorative initials are unfilled; guide-letters in margins., and Seventeenth-century (?) binding: Sewn on three tawed, slit strap supports, the spine lined with vellum between them. Blue and cream colored endbands. Covered with tawed skin, originally white, over flush, made boards.
Art. 1 is decorated with red plain initials, more or less small decorated initials in various colours and large initials. Art. 3 has a title in mixed Capitalis/Uncialis. The part of art. 4 copied by hand B has some highlighting in yellow, red or green and plain initials; the part copied by hand C has a few plain initials; the 12th-century part copied by hand D has red headings with instructions in small script written in the outer margins, plain or flourished Romanesque initials and an explicit in decorated mixed Capitalis/Uncialis. Art. 5 is undecorated apart from its title and the opening initial. There are effaced drawings in the lower margins of some leaves in art. 1., Binding: Twentieth-century. Reddish brown morocco over cardboard, by Riviere and Son. Spine with five raised bands and gold-tooled inscription S. GREGORII DIALOGI. SAEC. X., Cataloged from microfilm by Albert Derolez., Gift of Mr. and Mrs. Hans P. Kraus in memory of Edwin J. Beinecke, 1975., Gregory the Great, Dialogi. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment of varying quality, some parts very bad (quire IX), with irregular edges. Contains 1) Gregory the Great (Gregorius Magnus), Dialogi, Books I-III. Starts incomplete I, 3, 2 and ends incomplete III, 24, 3 followed by the title of III, 25. Between ff. 13 and 14 a page is missing which contained Dialogi I, 9, 8-13. 2) Sulpicius Severus, Sermo de transitu sancti Martini = Epistula III, 16-21. The beginning is missing. 3) Unidentified sermon for the feast of a Confessor in the Common of the Saints, containing 7 (?) Lessons. Above the line a twelfth-century hand has repeatedly identified the saint with St. Aderaldus archdeacon of Troyes (d. beginning of the 11th cent.). 4) Gregory the Great (Gregorius Magnus), Dialogi, Book IV. 5) Vita S. Symeonis Stylitae. There are more than five scribes: A (Carolingian script with very imperfect word separation, s. X2); B (large and bold Carolingian script, s. X2); C (smaller Carolingian script, very close to B, or same hand); D (Praegothica, s. XII); E (various hands writing Praegothica and succeeding each other at irregular intervals)., and T. E. Marston, A Manuscript of the Dialogues of Saint Gregory the Great, Gazette, 50 (1976), pp. 15-18.
Subject (Name):
Catholic Church, I, Pope, Gregory, ca. 540-604, and Severus, Sulpicius
Subject (Topic):
Christian literature, Latin (Medieval and modern), Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Manuscript on paper of Christophorus Columbus (Christopher C.,1451-1506), Epistola de insulis de novo repertis. Relation of his first voyage to America (1492-1493), addressed to Raphael Sanchez and translated into Latin by Leander de Cosco, dated 14 March 1493. Probably copied from the edition Paris, [Guy Marchant, after 29 April 1493], GKW 7175, variant (a). With Bartholomaeus Columbus (Bartholomew C., c. 1460-1514), Descrizione della navigazione nel Mondo Nuovo. The text is in the wrong order, being probably copied from an exemplar in four pages, of which pages 2 and 3 were inverted. The manuscript should be read in the following order: (1) p. 1, lines 1 to 20 asai; (2) p. 2, lines 6 lavorate to 28 vidono di; (3) p. 1, line 20 dismontar to p. 2, line 6 corazze; (4) p. 2, line 29 bambaso to the end. Copied by one hand in Gothica Hybrida Formata verging to the Semitextualis, with a typographic outlook (but totally different from the printing type used in the presumed exemplar).
Description:
At the top of the first page the autograph ownership inscription of Sigismondo Pandolfo de Malatesta (1498-1543?), son of Pandolfo Malatesta. From the Gritti family archives., Cite as: Christopher Columbus, Epistola de Insulis de Novo Repertis. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Latin and Italian., Paragraph marks, flourished initials (5 ll. f. 1r, 3 ll. f. 5r) and Columbus coat of arms all in the same brown ink as the text. The arms closely resemble those found in the Genoa codex of his Book of Privileges., Unbound. Placed in a boardpaper portfolio and leather-backed boardpaper slip-case., and Watermark: cardinal's hat, var. Briquet 3409 ... (1519-1527?).
Subject (Geographic):
North America -- Description and travel--Early works to 1800
Subject (Name):
Columbus, Christopher and Cosco, Leandro di
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature -- 16th century, Manuscripts, Medieval -- Connecticut -- New Haven, and Navigation
Manuscript on parchment, composed of two parts. Part I (ff. 1-44): Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II (ff. 46-82): Ovid, Epistolae ex Ponto, I.1-IV.16. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin.
Description:
Binding: Fifteenth-century. Caught up sewing on four double, tawed supports. Covers wanting., Cataloged from microfilm by Albert Derolez., Cite as: Ovid, Heroides. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Decorative initials, 4-line, body split red and blue, with neat penwork flourishes, in red (ff. 1r, 46r); plain initials, 3- to 2-line, alternate red and blue for each letter throughout text; first letter of each verse placed on middle ruling of three vertical bounding lines., Early modern provenance unknown. Belonged to Martin Bodmer, from whom it was acquired by H. P. Kraus. Purchased from Kraus in 1970 with the Edwin J. Beinecke Fund., and Manuscript on parchment composed of two parts of similar agenda format that were bound together by the 15th century when notes were added to the parchment pastedowns, now the flyleaves. Part I written in Rheims in 1303 (see colophon, art. 1); Part II was written by the same scribe in a contemporary period. Part I: ff. 1-44, 39 lines of verse. 1) Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II: ff. 46-82, 45 lines of verse. 2) Ovid, Epistolae ex Ponto, I.1-IV.16. Letter 2 of Book I divided into two sections at lines 68-69. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin. Stains in upper margin result in some loss of text. Written by one scribe whose hand is characterized by an unusually tall double compartment a.
Subject (Name):
Ovid, 43 B.C.-17 or 18 A.D
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederick II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123).
Description:
Binding: Modern limp vellum., Cataloged from microfilm by Albert Derolez., Cite as: Petrus Comestor, Historia Scholastica. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederic II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123). Probably written by one hand in extremely small Southern Gothica Semitextualis Libraria under some Cursiva influence. The script of art. 9 is larger., On the front fly-leaf r a table of contents written in pencil by the owner S. Harrison Thomson. Purchased in 1972 from Thomson on the Edwin J. Beinecke Fund., Red headings, red heightening of majuscules and red plain initials, mostly 2-3 lines; the red initials were to alternate with blue ones but the latter have not been executed. Many initials are anyhow missing. Guide-letters are seen close to the fold or to the edge of the pages. The running titles were also planned to be executed in alternately red and blue majuscules, but the blue letters are missing; there are no running titles after f. 20 (quire II)., and The ink on the first pages has flaked, making them very difficult to decipher.
Subject (Name):
Comestor, Petrus, 12th cent
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval -- Connecticut -- New Haven, Religious poetry, Latin, and Sermons, Latin
128r: Signature of Jannette Brongnart, Binding: Modern limp vellum with two pairs of white leather ties. The preceding 19th-century binding is preserved: dark brown leather over cardboard, both covers framed with blind-tooled fillets; spine with four raised bands and gold-tooled title: HEURES DE SENLIS; gilt edges., Cataloged from microfilm by Albert Derolez., Cite as: Hours, Undetermined Use, with French Calendar. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment. Written by a single scribe in Gothica Cursiva Formata (Bastarda) in two sizes. The ascenders on the top line often have calligraphic extensions., Red headings. Heightening of the majuscules in yellow. All initials (1- or 2-lines) are on a rectangular background and are executed in paint and liquid gold. At the opening of the various Hours there are 4-line initials of the same type, always accompanied by full acanthus borders and an arch-topped miniature. The borders are framed in gold and may also contain leaves, flowers, fruit, birds., and Senlis use according to the inscription on the binding, but this use is not documented. The saints in the Calendar and in the Litany point to Northern France and Hainault.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval -- Connecticut -- New Haven
The decoration is uneven and differs from section to section. Artt. 1, 3, 5, 6, 7, 8 have headings in red ink, red heightening of majuscules, red paragraph marks and red plain initials (plain and unusual flourished initials in red in art. 3) of various sizes. Artt. 2, 4 and 5-8 may have yellow heightening of majuscules too. No initials or paragraph marks in art. 8. Artt. 9-11 have red plain initials up to f. 81v; after that blank spaces with guide-letters; headings are missing after f. 67r. Artt. 2, 4, 12, 13, 14 have almost no decoration. Running headlines (author names) in large Southern Gothica Textualis Formata on pages of artt. 1, 3, 5 and 6., Binding: Nineteenth-century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper. Modern binding not digitized., Cite as: Mariological, Ascetical and Other Texts. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper. This incomplete manuscript consists of a series of more or less independent sections. An unusual feature is the writing of text parts in the lower margins as if they were catchwords. Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink. Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v = artt. 1-8 and ff. 107v-108v = art. 14) writes peculiar forms of Humanistica Semitextualis Libraria, which if written rapidly (Currens) tends to become a Cursiva with more pronounced Gothic features, especially in the additional artt. 2, 4 and 14; typical is the unusual abbreviation for in in the shape of dotted i. B (ff. 55r-66v = art. 9) writes Humanistica Semitextualis Libraria, equally under Gothic influence. C (ff. 67r-98v = artt. 10-11) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r = art. 12) writes a Humanistica Cursiva Libraria under Gothic influence; a deviant form D' is seen on ff. 106r-107r = art. 13., and Modern foliation followed. Wanting ff. 71-72.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 91-1153, John, of Wales, 13th cent, and Mary, Blessed Virgin, Saint
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla -- Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V. (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., Cite as: Mariological, Mystical and Ascetical Treatises. General Collection, Beinecke Rare Book and Manuscript Libra, Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials., f. 142 loose. Originally tipped in and tab bound., In Latin., Manuscript on paper in five parts, each with its own very partial foliation (ca. 1800); they seem to have had the same history. The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. The paper at places damaged by the acidity of the ink. Part I (ff. 1-84, art. 1): Copied by four Gothic hands: A (ff. 1r-29v): Hybrida Formata; B (ff. 30r-39va): Semihybrida Currens; C (ff. 39vb-56r): Hybrida Libraria; D (ff. 56v-77r): small Hybrida Libraria. Part II (ff. 85-215, art. 2): Copied by various scribes, writing Hybrida Formata, Hybrida Libraria, Cursiva Libraria (ff. 153v-157v) and Semihybrida Currens (f. 210r-v, 212v). The headings are in diverse types of script, often slovenly written. Part III (ff. 216-273, art. 3): Copied by three hands. A (ff. 216r-230v): large, bold Hybrida Formata; B (ff. 231r-272ra): Hybrida Libraria; C = friar Rudolphus Deyrdynck (f. 272rb-v): Hybrida Libraria. Part IV (ff. 274-343, artt. 4-19): Copied by one hand writing Hybrida or Semihybrida Libraria/Currens. Part V (ff. 344-388, art. 20): Copied by three hands. A (ff. 344r-352ra, 14): bold Hybrida Formata/Libraria; B (ff. 352ra, 14-354va): bold Semihybrida Libraria; C (ff. 354vb-388r): linear Hybrida Libraria/Currens sloping to the left., Note in the lower margin of f. 1r suggests that the manuscript was produced in the Benedictine abbey of Huysburg, north of Halberstadt. The scribe Rudolf Deyerdynck may have been a member of this community. Gift of the Library Associates of Yale University Library., Part I: Headings in red. The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand., Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v., Part III: Headings in red. The majuscules are stroked in red. 2-3 line plain initials in red., Part IV: Headings in red. Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I., and Part V: Headings in red. Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red.
Subject (Name):
Abbot of St. Mihiel, Smaragdus, fl. 809-819, Bishop of Brandenburg, Stephan Bodeker, 1383-1459, and Blessed Virgin, Saint, Mary
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons