Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist
Published / Created:
May 1831.
Call Number:
831.05.00.02+
Image Count:
1
Resource Type:
still image
Abstract:
Grey stands in the center pulling back a curtain on the large painting (right) addressing the three men (probably Peel, Cumberland, and Wellington) who look on in amazement. Grey says, "Gentlemen this is a fine color'd picture representing Futurity. The idea of which was concieved [sic] by an injured people and painted by a new and promising artist. Reform." Reading from the left Peel looks at himself in the painting seated in a chair at a loom, "Why if there a'nt me at a spinning Jenny." Cumberland, hat flying off, looking at himself depicted in the painting on his backside, "And me dying on a dunghill." And Wellington closest to the painting that depicts him as a wounded soldier holding a broom and begging with his cap in hand, observes "And me begging." In the painting is a tower with the British and French flags the former with the year 1814, referencing the Wellington's successful campaign to end the Peninsular War
Description:
Title from text below image. and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by G. Tregear, Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Great Britain. Parliament, Wellington, Arthur Wellesley, Duke of, 1769-1852, Ernest Augustus, King of Hanover, 1771-1851, Peel, Robert, 1788-1850, and Grey, Charles Grey, Earl, 1764-1845
Subject (Topic):
Reform, Politics and government, Begging, Spinning machinery, and Paintings
"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
"The irradiated head of George IV in profile to the left, is almost covered by the darkly shaded head of Wellington, which is almost full-face, but glaring to the right with fierce yet apprehensive melancholy. From this darkened mask slants down and to the right a broadening shadow which passes across a terrestrial globe at the base of the design, covering an island inscribed 'England', but leaving 'Ireland' (right) unobscured. The rays from the King's head, only a few of which are covered by the shadow, extend to the margins and illuminate the edge of a border of dark cloud."--British Museum online catalogue
Alternative Title:
Eclipse lately discovered in the Georgium Sidus, and quite unexpected by any of the astronomers
Description:
Title etched below image., "A. Sharpshooter" is the pseudonym of John Phillips; see British Museum catalogue., and Approximate month of publication from the British Museum catalogue: June 1829.
Publisher:
Pub. by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Ireland.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and George IV, King of Great Britain, 1762-1830
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
April 25th, 1831.
Call Number:
831.04.25.01+
Image Count:
1
Resource Type:
still image
Abstract:
"A cricket-match. The King (left), who is nearest the picture-plane and larger in scale than the others, has just bowled, with arms flung wide, a huge ball inscribed 'Reform', hitting the batsman, Wellington, in the stomach and knocking him against the stumps. Grey fields near the King, exclaiming, 'Hu.a he's Out'; the King: 'Aye and with a Ground hopper too'. Farther off (left to right) are Burdett (in top-boots), Lord John Russell, who says 'Thats what I call a Purger' [see British Museum Satires No. 16602], and Brougham. All the players wear shirts and waistcoats. There are also two others in the field (as spectators they wear coats), Aberdeen (indicated by tartan) who says 'Foul Foul', and Cumberland. In the background are many frantically cheering spectators and a marquee from which flies a flag inscribed 'Umpire Public Opinion'."--British Museum online catalogue
Alternative Title:
Bowled out, or, The King and all England against the Boroughmongers, K-g & all England against the Boroughmongers, and King and all England against the Boroughmongers
Description:
Title from text below image.
Publisher:
Pub. by Tregear, Cheapside
Subject (Name):
William IV, King of Great Britain, 1765-1837, Wellington, Arthur Wellesley, Duke of, 1769-1852, Grey, Charles, 2nd Earl, 1764-1845, Burdett, Francis, 1770-1844, Russell, John Russell, Earl, 1792-1878, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Aberdeen, George Hamilton Gordon, Earl of, 1784-1860, and Ernest Augustus, King of Hanover, 1771-1851
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[after 30 October 1841]
Call Number:
841.10.30.01++
Image Count:
1
Resource Type:
still image
Abstract:
Wellington (as Constable of the Tower of London) holds a pistol to the head of John Bull, as Henry Goulburn (Chancellor of the Exchequer) harangues Bull from the other side, forcing John to reach into his pockets to pay for the rebuilding of the Tower of London, seen burning in the background
Description:
Title from item., Signed with the initials of printmaker Charles Jameson Grant., Part of a new series of The political drama that was begun in 1841. See pages 12-13 in: C.J. Grant's political drama: a radical satirist rediscovered. London : University College, c1998., Sheet trimmed with partial loss of printed border., Wood engraving with letterpress text., "Price 1d. plain."--Upper right corner., and Mounted to: 57 x 38 cm. With a fragment of a burnt document from the 30 October fire at the Tower of London that destroyed the Grand Armoury. With a note saying that it had been recovered on 6 November. The fragment contains references to Viscount Townsherd (Lieutenant-General of the Ordnance in the Greenville Ministry in 1763), Sir Charles Frederick (1709-1785), and James Syme are among the legible names.
Publisher:
Printed and published by B.D. Cousins, 18, Duke-Street, Lincoln's-Inn-Fields
Subject (Geographic):
England.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Goulburn, Henry, 1784-1856, Tower of London (London, England),, and Tower of London (London, England)
Subject (Topic):
Fires and fire prevention, John Bull (Symbolic character), Politicians, Handguns, and Fires
"George IV, dressed as a magician, rises from the throne (right) to give a wooden sword to Canning, who is dressed as Harlequin. A clown (intended for Melville) turns his back on Canning and the King, to run off, registering anger and alarm. Wellington stands fiercely, with legs astride, both arms raised, holding his sword; he wears uniform with boots and cocked hat. On the left Eldon and Westmorland stand together, with flexed knees, registering senile dismay. The latter, dressed as Pantaloon, drops his crutch. The King, in a robe bordered with symbols (serpents, &c), has the curled wig and whiskers which he had discarded (cf. British Museum Satires No. 14637). He chants: Harlequin! the Gods above have now decreed That thou and all thy measures shall succeed. Fear not old El--n, nor that Pantaloon, West----d, the bold Duke, nor the Scotch Clown. Who e'er opposeth thee, thou by love shalt thrive; Thy Genius and my Cunning him shall drive To H--ll's abyss. Let virtue be thy guide-- This wand I give thee--stick it to thy side."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted to: 33 x 48 cm.
Publisher:
Pub. by G. Humphrey, 24 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Eldon, John Scott, Earl of, 1751-1838, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Westmorland, John Fane, Earl of, 1784-1859
Subject (Topic):
Harlequin (Fictitious character), Thrones, Magicians, Clowns, Military uniforms, Daggers & swords, and Crutches
A satire of the 1832 Reform Bill, with a see-saw with the Crown as the fulcrum. At the center is William IV, waving the Union flag; to the right is Lord Grey, seated on the lever, helping William balance with a scroll marked 'Union', with John Bull standing underneath, wedging the lever up with the 'Reform Bill'; and to the right the Duke of Wellington tumbles backwards as the lever breaks under the weight of him and two huge scrolls marked 'Anti Reform'.
Description:
Title from text below image., Date from dealer's description., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Laid on canvas backing.
Publisher:
Pubd. by O. Hodgson, 10 Cloth Fair
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, Grey, Charles Grey, Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, John Bull (Symbolic character), Seesaws, Crowns, Flags, and British
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April? 1829]
Call Number:
829.04.00.19+
Image Count:
1
Resource Type:
still image
Abstract:
"Apparently an imitation (better drawn) of British Museum Satires No. 15716. Wellington drives (left to right) four galloping horses, each with a human head. The leaders are Lyndhurst (piebald) and Scarlett (black), both wearing legal wigs; the wheelers Brougham, also in his wig, and Burdett. He flicks his lash over the leaders, saying, 'Kim up Motley--keep together odd Rat [Lyndhurst] ye--or I'll lay it into ye!!' The King's (pleased) face is seen through the coach window; he says: 'I say Arthur, you are the Man Wot can make'm go, if you like!!' The guard is Lady Conyngham: she stands up, blowing her horn. She wears a guard's greatcoat and satchel over her dress and holds a blunderbuss. The coach is the 'Windsor Castle'; 'Wellington & Co.'; 'G R 1829'. It has just passed and overturned a two-wheeled ass-cart, the ass falling on its head, the driver, Eldon, sprawling on the ground. In the cart, which is inscribed 'John Eldon Rubbish Carter' [see British Museum Satires No. 15700, &c], are big bundles of 'Anti-Catholic Petetions' [see British Museum Satires No. 15661, &c.]. Standing behind and below the guard's dickey is Peel as 'cad', or conductor; he thumbs his nose at Eldon, saying, 'There's a Guard for the Sovereign eh!!!' Windsor Castle is on the extreme left; on the extreme right is a signpost pointing (left) to 'Windsor' and (right) 'To London'."--British Museum online catalogue
Alternative Title:
Needs must when well - drives
Description:
Title etched below image; the words "safety-coach" are etched above the line, inserted with a caret. and Month of publication suggested in the British Museum catalogue.
Publisher:
Pubd. 1829 by S.W. Fores, 41 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Scarlett, James, Sir, 1769-1844, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"Caricature of the Holy Alliance (the rulers of Russia, Spain, Austria and Britain) seated round a table plotting to restore Ferdiand of Spain to his throne"--British Museum online catalogue and Satire depicting the The Quintuple Alliance (Tsar Alexander I of Russia, Napoleon Bonaparte, Francis I, Emperor of Austria, Louis Antoine de Bourbon, duc d’Angoulême and the Duke of Wellington) debating the question of the Spanish succession and French intervention in Spain at the 1822 Congress of Verona. Losers in the negotiation are depicted as tiny doll-like figures trampled under the table. Masks are scattered on the floor and animal symbolism includes a bear, a monkey and a pair of bulldogs
Description:
Title from text above image., Print signed within lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Manuscript number "65" in upper right corner of sheet.
Publisher:
Published Feb. 1823 by J. Dickinson, 114 New Bond St.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Angoulême, Louis-Antoine d'Artois, duc d', 1775-1844, Ferdinand VII, King of Spain, 1784-1833., and Congress of Verona
Subject (Topic):
Bulldogs, Monkeys, Bears, Masks, Flags, and Globes