Manuscript on parchment (soft, furry; trimmed) in two parts, the first of which has several distinct formats. Part I: 1) Pierre de Peckham, La lumiere as Lais, lacking all of Book I and part of Book II. Part II: 2) Edmund Rich, St., abp. of Canterbury, Speculum amicicie, also known as Speculum religiosorum or Speculum ecclesie, in a French translation. 3) Poem on the love of God and the hatred of sin. 4) Hymn based on the "Iesu dulcis memoria" (14 quatrains). 5) Appeal of Christ to sinner. 6) Collection of recipes
Description:
In French., Script: Part I: Written in gothic textura by two hands: Scribe 1) ff. 1r-71v; Scribe 2) ff. 72r-85v. Part II: Written in gothic textura by two hands: Scribe 1) ff. 86r-99v (column 1); Scribe 2) ff. 99v (column 2)-110v., Decoration, Part I: One historiated initial, f. 16v, Master expounding to a pupil, figures predominantly pink and blue on a pale purple and gold diapered ground; blue initial with white filigree and pink and green curling vine serifs on a pink ground with white ivy; ground framed by a thick gold band, edged in black. Two styles of minor decoration that correspond to work division of the two scribes: ff. 1r-71v, 2-line initials, blue or gold with red or blue penwork with flourishes; 1-line initials, blue or gold; numerous line-fillers, almost every line in different styles, blue and gold; first letter of each verse stroked in red. ff. 72r-85v, 2-line initials, blue with red penwork and flourishes. No line-fillers. First letter of each verse stroked in red. Rubrics throughout. Part II: Decorative initial, divided red and blue, 4-line, on f. 86r, with blue and red flourishes and design cascading down inner margin. 2-line initials, blue, with red penwork and flourishes. 1-line initials, red or blue. Rubrics throughout. Very crude drawings (16th century) added on f. 111r-v., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled. Bound by F. Bedford (London, active 1851-ca. 1883). Title on spine: "Lume As Lais/ Poemes francais MS. XIV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pierre, de Peckham, -1293.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript leaf, on parchment, apparently from a collection of law reports (perhaps a Year-book). Actions mentioned include cases of Dower and Quare impedit
Description:
In Law French (Anglo-Norman)., Layout: single columns of 61-62 lines each., and Script: cursive legal script with some anglicana features.
Manuscript on parchment of Georges d'Esclavonie (canon of the Cathedral of Tours), letter to Dame Isabelle de Villeblanche, a nun at the Benedictine convent of Beaumont-les-Tours; the work was apparently presented to her 31 December 1411, and this would seem to be an early copy
Description:
In French., Script: Written by a single scribe in a neat gothic script with batarde influence. Annotations and corrections by a contemporary hand., One simple initial on f. 1r (4-line) in red; other plain initials (3-line) alternating red and blue. Headings, paragraph marks, strokes on initials, in red., Water damage in lower margin of most leaves, ff. 13-54., and Binding: Eighteenth century. Red straight-grained goatskin, wide gold-tooled floral border, with owner Richard Weir's "broken cable" roll. Gold-tooled panels on spine. Edges gilt. Title on spine: CURIEUX/ MSS SUR VELLIN.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
D'Esclavonie, Georges. and Benedictines.
Subject (Topic):
French literature, Manuscripts, Medieval, and Monasticism and religious orders
Christine, de Pisan, approximately 1364-approximately 1431
Published / Created:
[between 1450 and 1475]
Call Number:
Beinecke MS 427
Image Count:
212
Resource Type:
unspecified
Abstract:
Manuscript on parchment (trimmed).
Description:
In French., Script: Written in batarde, with elaborate flourishes and cadeaux in upper and lower margins., The manuscript includes four miniatures which are among the finest by the Master of Amiens 200, active in Hesdin and Mons and possibly in Amiens in the third quarter of the fifteenth century. Four half-page miniatures, each with a 6- to 4-line initial, blue with white highlights, filled with red, blue and green ivy, against an irregular gold ground, edged in black, some with cusping. Initial on f. 1r with arms of Crevecoeur family (gules, 3 chevrons or) added later. Folios with miniatures have a blue and gold bar in inner margin, with diamond-shaped terminals and regularly spaced blocks of black hair-spray with two gold ivy leaves in margin; the other three margins with red, blue and green acanthus, with some gold, red and blue flowers, birds, insects, surrounded by blue and gold ivy leaves. 2-line initials, gold, filled with pink or blue against irregular, cusped blue or pink grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red, straight-grained goatskin gold-tooled with black onlays over the bands. Light blue, watered silk doublures and gilt edges. Bound by Bozerian (Paris, 1793-1817). Armorial binding of comte L. L. Pajot d'Ons-en-Bray.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Christine, de Pisan, approximately 1364-approximately 1431.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Women authors, French
Manuscript on paper of Raoul LeFevre, Le Recueil des histoires de Troies. With Author's Prologue to Philip the Good, Duke of Burgundy
Description:
In French., Watermarks: similar in design to Briquet Lettres et Monogrammes 9747., Script: Written in bold batarde by two scribes. Scribe 1) ff. 1r-125r; Scribe 2) 125r-262r., On f. 6r, a 4-line initial in red and black, crude. 3- to 1-line plain initials and paragraph marks, in red. Rubrics, sometimes with calligraphic flourishes extending into margins, throughout., and Binding: Eighteenth century. Yellow edges. Blue diced calf, gold-tooled, with red labels.
Subject (Geographic):
Connecticut, New Haven., and Troy (Extinct city)
Subject (Name):
Lefèvre, Raoul, fl. 1460. and Philip, Duke of Burgundy, 1396-1467.
Jean, de Meun, approximately 1240-approximately 1305
Published / Created:
[between 1300 and 1350]
Call Number:
Beinecke MS 703
Image Count:
45
Resource Type:
unspecified
Abstract:
Manuscript on parchment (low quality) of 1) Jean de Meun (ca. 1240, d. before 1305), Le Testament. 2) Raoul de Houdenc (ca. 1170-ca. 1230), Le Songe d'Enfer (La Voie d'Enfer), 1-672. At least 6 verses are missing at the end; they were probably written on a leaf now missing after f. 18.
Description:
In French., Script: Copied by one hand in a rather uneven Northern Gothica Textualis Libraria, marked by many fusions., The opening letters of all verses are heightened in red; in art. 1 the first verse of each quatrain except the first one opens with a 1-line plain red initial. Art. 1 opens with a 3-line plain red initial, art. 2 with a 2-line one. All initials are executed over guide-letters., The codex is badly trimmed, causing the loss of letters at the end of verses., and Binding: Nineteenth century. Half brown leather over pasteboard, the boards covered with red paper. On the spine a black leather label with the gold-tooled title "CODICILLE / I. DE MEUN" and a green circular paper label with the handwritten shelfmark "301".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jean, de Meun, approximately 1240-approximately 1305. and Raoul, de Houdenc, approximately 1165-approximately 1230.
Subject (Topic):
French literature, French poetry, and Manuscripts, Medieval
Manuscript on paper (unidentified watermark) of a List of English Knights with Blazons. The names of the knights are arranged by counties. The manuscript was originally part of a larger manuscript
Description:
In French., Script: Copied by one hand in Gothica Cursiva Libraria (Secretary)., Edges and folds of most leaves repaired., and Binding: Twentieth century. Half leather (dark brown sprinkled calf) over cardboard covered with blue-grey marbled paper. On the spine gold-tooled inscription "ENGLISH KNIGHTS. MS - ABOUT - 1480".
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment (thin, fine quality) of a collection of chansons. Written probably at the Aragonese court in Naples in the 1470's, perhaps as a wedding gift for Beatrice of Aragon, who married Matthias Corvinus, King of Hungary, in 1476
Description:
In French., Script: Written by one scribe in batarde, usually one line below each staff, but sometimes text written on every other line of the staves., The style of the Chansonnier's initials points to one of the ateliers active in the service of Ferrante I of Naples, in particular to the shop of Matteo Felice. One 2-line initial (f. 1r) tan, shaded purple and green, with curling floral serifs, blue and puce, filled with curling leaves against burnished gold and blue, with white filigree, against gold ground, framed in blue with white filigree; short, 3-stemmed flowers, gold, with brown hair-spray stems project from upper serif and midpoint; 3 gold dots with hair-spray symmetrically disposed around letter; floral border in outer margin, hair-spray stems with gold and green leaves and flowers, blue, purple, and gold at midpoint and terminals. One-line initials throughout, gold, infilled blue or purple, with white filigree, against irregular grounds, purple or blue, edged in black, with white filigree and two short flowering tendrils, as in border on f. 1v; often with a gold dot with hair-spray adjacent in outer margin., and Binding: 19th-20th centuries. Brown goatskin, blind-stamped, by Henri Marius-Michel of Paris (1846-1925), whose name is stamped inside the front cover. Not in his usual style. Included in the center front and back panels are monograms of Baron Joseph Vitta.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Frye, Walter, d. 1474 or 5.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Music, and Songs, French
Manuscript on parchment. Formerly known as the "Fouquet Missal", based on the mistaken attribution of the illumination to Fouquet
Description:
In French., Script: Written by a single scribe in formal gothic bookhand., A richly decorated manuscript with an unusual and elaborate program of miniatures by at least four artists: the Master of the Vienna Mamerot, Jean Colombe, a hand close to the Masters of Morgan 96 and 366, and a fourth artist whose hand has not yet been identified in other manuscripts. Each large miniature (107 total) has a full border incorporating four marginal scenes (428 in all) with subjects which either amplify or follow closely from the action of the miniature, disposed with two rectangular scenes in the outer border and two roundels in the lower border. The subsidiary miniatures, framed in red, are surrounded by blue and gold acanthus, flowering vines in green, blue and red, ivy in black pen with gold dots, large, naturalistic flowers, and black hair-spray with gold dots. The borders are framed on the outer edges with a red bounding line, on the inner edges with a red or gold bounding line., 4- and 2-line initials throughout, shaded pink or blue with gold foliate decoration against blue or pink grounds with pink or blue curling leaves, heightened in gold. 1-line initials, gold, against pink or blue grounds with gold filigree. On ff. 6r-13v the 4- and 2-line initials, as well as line-fillers in the same manner, are painted over blue or red initials with red or blue penwork and line fillers in red, blue and gold. The overpainting of this archaizing decoration reflects a change in decorative scheme rather than an interval of three-quarters of a century between the writing and the illumination of the manuscript. Rubrics and some underlining in red throughout., and Binding: Nineteenth century. Quarter bound in brown goatskin. Blue/green cloth sides with silver fastenings and fittings. On fastenings small roundels with portraits of the evangelists; on clasp a roundel with Annunciation. Numerous Turk's head place-marks on fore edge. Earlier covers, 17th century, mounted inside boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals