William Petty, Lord Shelburne, invites two gentlemen into a room to see "A pantomimical performance now exhibiting in the cabinet at St. Ja--ss [i.e., St. James's]." On a platform in front of them, Punch with the face of the Duke of Portland performs moves controlled by Lord North and Charles Fox who, from behind a screen in the back, pull strings attached to Punch's toes. A devil points at Portland while a demonic looking cherub with horns playing a trumpet. On the ledge above the entrance is a bust of George III who looks complacently at an image nailed to the wall in which Lord North is dancing with a fox and an Harlequin
Description:
Title from item., Sheet trimmed to plate mark., and Mounted to 28 x 37 cm.
Publisher:
Pub. by Mrs. D Archery, May 20, 1783, St. James Street
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Politics and government, Puppet shows, Demons, and Clothing & dress
"Mrs. Clarke and four other women stoop down and directs blasts from large posteriors, defined by tight dresses, against the sails of a windmill (right) which pivot upon the head of the Duke of York. The four sails are inscribed respectively, Army, State, Navy, Church. The mill, on a low hill to which a winding path ascends, is Commission Warehouse. The names of the five meretricious-looking women are inscribed on their posteriors. One clutching a tree, on the extreme left, and advantageously placed on a hillock, is Carey. She says: If this wont raise the Wind, I do not know what will, This is not the first time I have employed my bottom to raise the Wind. The other four are close together: Cressaid, Sutherland, Cook, and Clarke, who says: Aye and no bad way to raise an Army-also. Between the women and the mill stands a dismayed little man with arms extended; he says: O ho this will not bring Grist to my Mill I must put a stop to this; and remove this Mill to Charing Cross."--British Museum online catalogue
Description:
Title from caption below item., Printmaker identified In British Museum catalogue., Sheet trimmed to plate mark on three sides., and Watermarks: Budgen 1805.
Publisher:
Published by S. W. Fores 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne Thompson, 1776-1852
"Gaetan Vestris (right) giving a dancing lesson to a gigantic goose with a human head and long pigtail queue. They face each other in profile. Vestris stands with his legs together, chest thrown out, his arms curved. "Regardez-moi" was his characteristic admonition. On a stool behind the goose is an open book inscribed "Electrical E. E. L."; on the ground at its feet is another inscribed "The Torpedo. Dedicated to Ld------C------. My Lord, I take the Liberty------ The greatness of whose Parts are known. . ." . This indicates that the goose is Lord Cholmondeley (1749-1827), "The Torpedo, a Poem to the Electrical Eel addressed to Mr John Hunter Surgeon" and "Dedicated to . . . Lord Cholmondeley," 4th ed. 1777, was a coarse and scurrilous poem, three lines of which are, "What tho' Lord Ch--lm--d--ly may conceal A most enormous length of Eel Admir'd for Size and bone:"In the wall which forms the background are two sash-windows and a door (left) round which a grinning youth, probably a servant, is looking. On the wall are half length portraits: three in ovals of elderly ladies in profile, one of a clergyman, full-face, wearing a biretta, his left hand on a book. There is also a picture of Fox, with a fox's head, seated opposite Cholmondeley; they are throwing dice. Fox appears satisfied, the other clenches his fist and exclaims in anger. A devil is climbing on the top of the frame and holds out a claw to grab the head of Fox. On the picture are the words "A Nick by God". Like Fox, see BMSat 5972, Cholmondeley held a faro bank at Brooks's. G.E.C., 'Complete Peerage'."-- British Museum online catalogue
Description:
Title from text at bottom of image., Printmaker and date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Vestris, Gaëtan, 1729-1808, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Fox, Charles James, 1749-1806
Leaf 5. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Admiral Rodney is depicted receiving the submission of the defeated De Grasse after the Battle of the Saints, as English sailors bring ashore the spoils of war, and chagrined politicians Fox, Keppel, and the Duke of Richmond look on from the left, with Sandwich and North behind them. Contrasts the new ministry's hostility to the popular Rodney with the rewarding of the incompetent Keppel (Admiral "Lee-shore.").
Alternative Title:
Admiral lee-shore in the dumps
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5992 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], "Political characters & caracatures of 1782. No. 3"--On left above design., Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 36., and On leaf 5 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 31st, 1782, by E. D'Achery, St. James's Street, London [i.e. Field & Tuer] and Field & Tuer
Subject (Geographic):
England
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Rodney, George Brydges Rodney, Baron, 1719-1792, Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Admirals, French, British, Sailors, and Clothing & dress
Admiral Rodney is depicted receiving the submission of the defeated De Grasse after the Battle of the Saints, as English sailors bring ashore the spoils of war, and chagrined politicians Fox, Keppel, and the Duke of Richmond look on from the left, with Sandwich and North behind them. Contrasts the new ministry's hostility to the popular Rodney with the rewarding of the incompetent Keppel (Admiral "Lee-shore.").
Alternative Title:
Admiral lee-shore in the dumps
Description:
Title etched below image., Printmaker from British Museum catalogue., and On left above design: Political characters & caracatures of 1782. No. 3.
Publisher:
Pubd. May 31st, 1782, by E. D'Achery, St. James's Street, London
Subject (Geographic):
Great Britain and England
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Rodney, George Brydges Rodney, Baron, 1719-1792, Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Politics and government, History, Naval, Admirals, French, British, Sailors, and Clothing & dress
"The Duchess of St. Albans, immensely fat, florid, and bejewelled, and a stout elderly naval officer wearing loose wide trousers, and apparently doing hornpipe steps, his hands on his hips, dance side by side with rollicking abandon. The others of the set: one man and two ladies on the left and one lady and two men on the right dance rigidly erect, and watch the central pair with hauteur; the men are dandies, the women slim and fashionable. The duchess has a swirling paradise-plume in her towering loops of hair, above tossing ringlets."--British Museum online catalogue
Alternative Title:
Run neighbours, run, St. Albans is quadrilling it
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., British Museum curator's note: The naval officer is (unconvincingly) identified by E. Hawkins as Sir George Warrender (1782-1849), a Huskissonite M.P. who was never in the navy; he was a Lord of the Admiralty 1812-22; he appears, in back view, in a "Sketch of a Ball at Almack's, 1815" (Gronow, 'Reminiscences', 1892, ii, frontispiece). Perhaps Lord Amelius Beauclerk (1771-1806), her husband's uncle. Cf. 'Croker Papers', 1884, ii. 200., and Watermark: 1827.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837, Beauclerk, Amelius, 1771-1846, and Warrender, George, 1782-1849
Subject (Topic):
Clothing & dress, Dandies, British, Obesity, Balls (Parties), and Dance
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
Subject (Topic):
Threats, Judges, Gambling, Interiors, and Clothing & dress
"Five ladies play musical instruments; all stand, except a performer on the triangle who is seated (right) in profile to the left. Next her a vast lady, perhaps Lady Buckinghamshire, raises a massive fist to thump a tambourine. The centre figure, who plays the cymbals with graceful energy, her head turned to the left to show a classic profile, may be Lady Charlotte Campbell .... A fat performer on the French horn inflates her cheeks grotesquely. On the extreme left a thin woman, of gipsy-like appearance, plays the true hurdy-gurdy or vielle."--British Museum online catalogue
Alternative Title:
Musical mania of 1799
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Edmeads & Pine.
Publisher:
Pubd. April 24th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
France
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Bury, Charlotte Campbell, Lady, 1775-1861
Subject (Topic):
Savoyards, Bracelets, Clothing & dress, Chairs, Cymbals, French horns, Musical instruments, Organ grinders, Tambourines, and Women
"Portrait (whole-length) of a man standing in profile to the right holding a violin in his right hand, a bow in his left."--British Museum online catalogue
Alternative Title:
First catgut scraper
Description:
Title etched below image., Possibly etched by Gillray. See British Museum catalogue., and First letters of imprint statement are lightly printed and illegible, possibly due to an imperfection in the plate. The letter 'S' in 'Street' in publisher's address is etched in reverse.
Publisher:
[Pu]bd. Nov. 27, 81, by H. Humphrey, No. 18 New Bond Street
"The head and shoulders of Lady Archer at different stages of her toilet. In the first (right), wearing a night-cap, with unsightly pendent breasts, she looks up to the left, tears falling from an empty eye-socket, her gaping mouth showing toothless jaws. In the next she fits in an eye, in the third she places a wig on her head, in the fourth (below on the right) she fits in a set of false teeth; in the next she applies rouge to her cheeks with a hare's foot, holding a mirror. In the last (left) she appears a pretty young woman, holding a mask in her hand. In the last two stages her arms, which were skinny and muscular, have become smooth and rounded and her breasts have been covered with the gauze drapery then fashionable."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Line of text below title: Dedicated with respect to the Right Honble. Lady Archer., Companion print to: Six stages of marring a face., Sheet trimmed within plate mark., and Watermark: Edmonds & Pine 179?
Publisher:
Publish'd May 29th, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Archer, Sarah West, Lady, 1741-1801
Subject (Topic):
Clothing & dress, Grooming, Mirrors, Teeth, and Wigs