"Three men sit, singing a catch, with a round table between them. A British officer (perhaps Cotton), wearing a cocked hat, sits in profile to the right, facing Dalrymple who sits (right) with tightly closed mouth, his hands on his knees. Between them, but with his chair from Dalrymple, sits a man in Spanish (here Portuguese) dress, wearing a feathered hat. The British officer sings: T'was You Sir-Hew - Twas Hew. that let the French Escape, That makes you look so blue Sir-Hew Sir Hew! He and the Portuguese (perhaps Freire) point minatory hands at Dalrymple, whose face is painted lead colour. On the wall are two pictures: (above the Portuguese) 'A correct representation of the French Plunderers stopt in their progress by the Spanish Patriots.' [at Baylen] and (above Dalrymple): 'A Correct representation of the French Plunderers quitting Portugal for France - under a British Escort.' In one a long train of wagons is stopped by armed men, in the other are ships in full sail. On the table are glasses and decanters of 'Port and Calcavella'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Watermark: E& P.
Publisher:
Pubd. Octr. 1808 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Spain. and Portugal.
Subject (Name):
Cotton, Charles, Sir, 1753-1812 and Dalrymple, Hew Whiteford, Sir, 1750-1830
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Generals, British, Military officers, Singing, Wine, Drinking vessels, and Pictures
"Wellington's head, in profile to the right, projects from a huge spurred boot, showing the upper part of his embroidered collar. He wears an enormous field-marshal's cocked hat. He has a satisfied smile, the eyes turned towards the spectator. On each point of the large star-shaped spur is a letter, to indicate some of his many orders: K.G. C.H. G G. C.B. Behind is Horse Guards Parade; a sentry stands in front of a cannon; men are drilling in the background."--British Museum online catalogue
Alternative Title:
Head of the army
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., and Date of publication from British Museum catalogue.
"George IV, on a galloping horse, aims an arrow at the crowned head of the Queen (left), which emerges above the clouds of dust raised by his horse. He wears military uniform, with peacock's feathers (see British Museum Satires No. 13299) in his cocked hat. In the distance (right) are the domes of the Pavilion. The plate faces lines beginning: A, for an Archer, who wounded a Queen, The stoutest Apollo that ever was seen, ..."--British Museum online catalogue
Alternative Title:
A, for an archer, who wounded a queen, the stoutest Apollo that ever was seen ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Rosco., and Royal Pavilion (Brighton, England),
Subject (Topic):
Horseback riding, Feathers, Bows (Weapons), and Archery
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
Politicians hide and try to encourage John Bull to enter a cage, making him believe in reform
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 66.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Title from item., Attributed to Cruikshank by George., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Cf. No. 9528 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Royal Court -- Military uniforms: Highland officer -- Coats of arms: Royal Arms -- Emblems: Chamberlain's gold key and wand., Watermark: Russell & Co 1797., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Pubd. March 25th, 1800, by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Salisbury, James Cecil, Marquess of, 1748-1823, and Pitt, William, 1759-1806
Lyndhurst in Chancellor's wig and gown, stands between Wellington (left, standing beside a writing table) and Brougham (right, also in a wig and gown), who face each other in profile. Lyndhurst looks at Wellington while gesturing with his left arm at Brougham who steps toward him. In a speech balloon, Lyndhurst says: My honourable & learned Friend wishes to Enroll himself amoung Your Graces political friends
Description:
Title from text below image., Print signed with John Doyle's monogram: "HB"., Date of publication from the British Museum catalogue., A close copy of British Museum satires no. 15837 with the same signature, title, and inscription, but without the apostrophe in the word "Grace's" in the speech balloon., and Matted to 42 x 49 cm.
Publisher:
Pubd. by S. Gans, 15 Southampton St., Strand and Printed by C. Ingrey, 310 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
"A corner of the stage at Drury Lane slants diagonally from left to right, showing part of the orchestra and pit (right) with part of two stage-boxes on the extreme right. The stage manager, Raymond, stands addressing the clamorous audience, while on the left a young man with ass's ears sits on a donkey which flourishes its heels so that they strike the lowered stage-curtain. The donkey brays "Ih ho Ih ho Ih ho," its hind-quarter is branded 'My Pegasus Buz'. Its rider recites: "Nor ever here your smiles would be represt, "Knew you the rival flames that fires our breast, "Flame, Fire and Flame!--sad--woe Neddy! Ladies and Gentlemen, My Papa's Pegasus is so full of fire and spirit that very few are capable of mounting him. for my self I never spoke but once & that was-- Unce logos but if you will give me leave to get on with my Papas Monologue I am positive you will pronounce it the prettiest piece of poetry produced for the purpose." Raymond says: "Ladies and Gentlemen, it was never the intention of the Proprietors to introduce Assess [sic] on these boards but as you seem entertained with their braying if it [is] your wish, we will procure some trainers from the other House as we are really ignorant in the management of thes [sic] Animals." Greeted by derisive cheers from the audience, Dr. Busby, also with ass's ears, leans from the upper stage-box, saying, "Ladies and Gentlemen, only hear My Son speak my Monologue written by myself the only one fit to be heard the committee are as ignorant of good Poetry a[s] I am of true criticism. I am a great writer reviews my sons works very clever indeed--writes my own life--well worth reading--my Life of Lucius Otrigger will astonish you now pray hear my Son speak my Monologue!--." A man behind him shouts: "Bravo! Go on! Go, on," and one in the crowded lower box applauds: "Bravo Apollo go on Go . . ." In the foreground a man in the pit shouts pointing to the ass: "Why don't you come down and get up behind don't you see he wants ballast." Six others address the son: "When you have done there--set those Epigrams to Music young Apollo!"; "Off Off Off Off"; "he will be off presently if Neddy kicks so!"; "Go on Go on"; "Speak out you should have brought your Voice with you"; "hear him hear him." The orchestra is empty of performers, but the music scores are headed 'The Judgement of Midas' [O'Keefe's play]. Three large papers lie on the stage inscribed respectively: [1] 'A Lord [Byron] and a Doctor once started for Fame Which for the best Poet should pass The Lord was cried up on account of his name The Doctor cried down for an Ass--' [2] 'Doctor Buz he assures us on Drury new Stage No Horses or Elephants, there should engage But pray Doctor Buz, how comes it to pass, That you your own self should produce there an Ass' [3] 'Old Buz against Quadrupeds, war did wage, And swore on Drury's board's such Mum'ry ne'er should pass But forcing his own Pegasus on Drurys stage The Critic Audience christen'd Buz an Ass.' Behind Raymond is the lower part of the verd-antique pillar which flanked the curtain, and on the right the large ornate lamp, of quasi-Egyptian design in which three hawk-headed monsters support an inverted tripod, the base of a ring of lamp-jets."--British Museum online catalogue
Alternative Title:
Poet in a pet : with a chip of the block, mounted on Papa's Pegasus
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark., Text following title: vide opening of New Drury Lane Theatre., and Laid-in to a piece of later paper.
Publisher:
Pubd. Octr. 21, 1812, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Raymond, James Grant, -1817, Busby, Thomas, 1754-1838, Busby, George Frederick, active 1812, Byron, George Gordon Byron, Baron, 1788-1824., and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Theaters, Interiors, Theater curtains, Theater audiences, and Donkeys
"William Crowe stands in profile to the right holding his mortar-board in his right hand, his left hand extended, slightly stooping, as if making a speech. He has short thick hair (or wig) and wears bands and cassock under his gown."--British Museum online catalogue
Description:
Title etched below image., Leaf 55 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.8 x 20.4 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Mr. Crow" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Crowe, William, 1745-1829
Subject (Topic):
People associated with education & communication and Public speaking
"William Crowe stands in profile to the right holding his mortar-board in his right hand, his left hand extended, slightly stooping, as if making a speech. He has short thick hair (or wig) and wears bands and cassock under his gown."--British Museum online catalogue
Description:
Title etched below image., Watermark: H S & S., and Countermark: 182[?].
Publisher:
Robert Dighton
Subject (Name):
Crowe, William, 1745-1829
Subject (Topic):
People associated with education & communication and Public speaking