Manuscript, on parchment, of this work on heraldry, chivalry and the laws of war. Bound with two illustrated heraldic treatises copied from printed editions: Sensuyt le blason des armes (Lyons: Claude Nourry, 1527) and Treatyses perteynyng to coatarmour (Westminster: Wynkyn de Worde, 1496).
Alternative Title:
De studio militari
Description:
Binding: modern parchment over boards, rebacked., Bookseller's printed description pasted in on front pastedown., De officio in Latin; other texts in French and English., Decoration: Headings and initial letters in red and blue; decorated throughout with more than 270 emblazoned coats of arms in colors., Ex libris Lord William Howard; from the collections of H. L. Bradfer-Lawrence and Alan G. Thomas. From the collection of Toshiyuki Takamiya, 2013-., Ownership inscription at top of first page: "William Howard 1591.", and Script: each work in a different professional book hand.
Subject (Name):
Howard, William,--Lord,--1563-1640--Autograph. and Upton, Nicholas,--1400?-1457.
Subject (Topic):
Chivalry--Great Britain., Chivalry--Great Britain--Early works to 1800., Heraldry--Great Britain., Heraldry--Great Britain--Early works to 1800., Manuscripts, Medieval--Connecticut--New Haven., Manuscripts, Renaissance--Connecticut--New Haven., Medieval and Renaissance Manuscripts in Beinecke Library., Nobility--Great Britain., and Nobility--Great Britain--Early works to 1800.
Manuscript on paper (coarse; remains of deckle edges) of 1) Cicero, De oratore I-III. 2) Cicero, Pro T. Annio Milone. 3) Cicero, Pro Q. Ligario.
Description:
Binding: Fifteenth century, Italy. Stays cut from parchment manuscripts (text washed) inside the quires and also outside the first two. Original sewing on three tawed skin, slit straps attached to wooden boards. Beaded, chevron, natural, pink, and green endbands are sewn on tawed skin cores. Covered in dark brown calf with narrow corner tongues and blind- tooled with two circles and corners of rope interlace in a central panel with concentric frames, one with beaded zigzag ribbon tools similar to those on Marston MSS 38 and 68, and gilt annular dots. Spine: double fillets at head and tail and outlining the bands; panels diapered with double fillets. Two fastenings, the catches on the lower board; the straps and clasps probably later additions., Collection of Sir Thomas Phillipps (no. 2814). Passed from the collection of Giuseppe (Joseph) Martini to H. P. Kraus, who sold it to Thomas E. Marston in 1955., Partial border, f. 1r, white vine-stem ornament on blue, green and pink ground with white and pale yellow dots. At the terminals, gold balls with hair-line extensions. Illuminated initial, 4-line, gold on blue, green and red ground as above joined to the border. In lower margin, wreathed medallion for arms (drawn with a compass), blank. Five smaller initials, 4- and 3-line, gold on blue, green and red rectangular grounds with white or pale yellow filigree and white dots. Headings and colophons in red., Script: Written in a neat upright humanistic cursive by a single scribe., and Watermarks: Briquet Echelle 5904, Briquet Fleur 6306, and similar to Briquet Ciseaux 3668.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin
Manuscript on parchment of Ambrose, 1) De paradiso. 2) De Cain et Abel. 3) Exhortatio virginitatis. 4) De institutione virginis. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged.
Description:
Acquired from Maggs Bros. of London in 1957 by L. C. Witten, who sold it the same year to Thomas E. Marston., Binding: 1800-1810, Italy. Half bound with a brown calf spine and goatskin corners, bright pink paper sides and red edges. Three green, gold-tooled labels on the spine: "Manuscri," "S Ambrosi de Cain" and "Seculi XII". Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 158, 159 and 197, all of Hautecombe provenance., Heavily stained but with no loss of text., Plain red initials, 6- to 4-line, with small "pearls" on the thin strokes of the letters, introduce each text. Headings in red. Instructions to rubricator and guide letters., and Script: Written by two scribes in late caroline minuscule. Scribe 1 (ff. 1r-61r): preference for uncial d, angular abbreviation strokes, and a slightly larger module of script than that used by Scribe 2 (ff. 61r-83r).
Subject (Name):
Cistercians
Subject (Topic):
Celibacy--Christianity, Fathers of the church, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Theology--Early works to 1800
Manuscript on parchment (irregularly trimmed pieces) of Jean Gerson, De potestate ecclesiastica.
Description:
Binding: Fifteenth century, Spain (?). Sewn on three tawed skin support, two pink, the central one green, laced into a thick parchment wrapper. Contemporary title written in ink on back cover: "Tractatus de potestate eclesiastica***". Rodent damage at tail., Crude initial, red with an asymmetrical configuration of red and black penwork designs. Floral line-filler at conclusion of prologue. Plain red initials, 3- to 2-line, mark text divisions. Heading, f. 1r, in red. Majuscules stroked with yellow. Contemporary sketches of intertwining snakes on ff. i recto and ii verso., and Script: Written by a single scribe in fere-humanistic script, below top line.
Subject (Name):
Gerson, Jean,--1363-1429
Subject (Topic):
Ecclesiastical law, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Sebastian Brant (1457-1521), De praestantia artis impressoriae elogium, a 52-verse poem in praise of the art of printing, addressed to the German priest, humanist, printer and publisher Johann Bergmann von Olpe (ca. 1460-1532).
Description:
Collection of Bernard M. Rosenthal, Booksellers, Berkeley CA (MS 205)., Script: Written in a small vertical Humanistica Cursiva., and Undecorated.
Subject (Topic):
Laudatory poetry, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Printing
Manuscript on parchment (poor quality) of Leonardo Bruni, De primo bello punico, compiled largely from Polybius.
Description:
Binding: Nineteenth century, England (?). Quarter bound in red, hard-grained goatskin, gold-tooled, with printed marbled paper sides. Edges spattered yellow and black. Title on spine: "Leonardi Aretini, Commentarii. MS. in membranis"., One large illuminated initial, 4-line, gold on blue, light green and pink ground with white vine-stem ornament. Initial joined to partial border, white vine-stem ornament on blue, light green and pink ground with white dots and gold balls with penwork extensions in brown ink. Two smaller initials on ff. 23v and 38r, 4-line, gold, outlined in yellow on blue grounds with white highlights. Plain initial, f. 1v, and headings in pale red., Purchased from Maggs Bros., London, in 1955 by L. C. Witten, who sold it in the same year in 1954 by Thomas E. Marston., and Script: Text written by a single scribe in humanistic cursive script, above top line. Marginal notes (mostly proper names and events) added by at least two hands, 15th-16th centuries, with one set added throughout in red by a scribe who also placed Roman numerals for each book in upper margin.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (palimpsest) of 1) Francesco Barbaro, De re uxoria, with his dedicatory preface to Lorenzo di Giovanni de' Medici. 2) Leonardo Bruni, Oratio Heliogabali ad meretrices. 3) Plato, Crito, the first version of the Latin translation by Leonardo Bruni (1420s). 4) Xenophon, Apologia Socratis, translated into Latin by Leonardo Bruni. 5) The ps.-Virgilian Epistola Virgilii ad Maecenatem written by Pier Candido Decembrio as a young man in 1426; he had difficulty convincing his contemporaries that it was not genuine.
Description:
Binding: 19th-20th centuries, Germany (?). Case bound with leaves from a parchment manuscript (Breviary, France, 1250-1300). On the front pastedown: rubrics for the major feasts and their octaves occurring in late June (John the Baptist, 24 June) through mid-August (Assumption, 15 August), and the beginning of the lessons to be read within the octave of the feast of John the Baptist; on the back pastedown: end of the lessons for Hilarianus of Arezzo (7 August) and beginning of the second lesson for Cyriacus, Largus and Smaragdus (8 August)., Illuminated initial of poor quality, f. 1r, 7-line, gold (almost completely rubbed), with red penwork filigree and small stylized leaves, with some touches of gold. At the top of the page, beneath rubric, arms of the Rustichelli family (per pale, or, a lion rampant sable; or, 4 bars nebuly sable), surrounded by red penwork. Plain initials in red and blue. Headings in red. Some small initials touched with yellow. Off-set impression of eyeglasses on ff. 33v-34r., Purchased in 1957 from H. P. Kraus by L. C. Witten, who sold it in 1959 to Thomas E. Marston., and Script: Written in humanistic bookhand by a single scribe, above top line.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Giles, of Rome, Archbishop of Bourges, ca. 1243-1316
Published / Created:
[between 1300 and 1325]
Call Number:
Marston MS 139
Image Count:
380
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (poor quality, pieced) of Aegidius Romanus, De regimine principum.
Description:
Binding: Nineteenth century, France. Black goatskin, blind-tooled, with gold-tooled doublures. Bound by L. Magnin, Lyon. Stains from fore-edge clasps of earlier binding on early parchment flyleaf., Divided intials, red and blue, 6- to 5-line, with pen flourishes in red and blue, mark major text divisions; initial on f. 1r has simple border extending down inner margin. Small initials, 3- to 2-line, alternate red and blue, with penwork flourishes in opposite color. Headings (some missing) and running headlines in red. Paragraph marks alternate red and blue. Notes to rubricator., Purchased from Emile Rossignol of Paris in 1958 by L. C. Witten, who sold it in 1959 to Thomas E. Marston., and Script: Written by multiple scribes in small gothic bookhand.
Subject (Name):
Augustinians
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Colucii Salutati, De seculo et religione.
Description:
Belonged to S. Harrison Thomson (MS 6); note inside front cover states that he purchased the manuscript in Oxford in 1926. Acquired from Thomson in 1968 with the Edwin J. and Frederick W. Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Coluccio Salutati, De Seculo et Religione. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper of Colucii Salutati, De seculo et religione. Folios 49 and 50 (central conjugate leaves) were reversed in binding. Produced probably in Northwestern Italy (diocese of Ivrea) by the scribe Martinus de Laurentio de Padono, in 1485 (colophon, f. 81r). Written in neat gothic cursive that shows batarde influence; first word(s) of each section executed in bold textura. Spaces for decorative initials are unfilled; guide-letters in margins., and Seventeenth-century (?) binding: Sewn on three tawed, slit strap supports, the spine lined with vellum between them. Blue and cream colored endbands. Covered with tawed skin, originally white, over flush, made boards.