A coat of arms with a large oval in the center. Within the oval is a fist holding a small tree with exposed roots, as well as two stars and a crescent. Surrounding this is a mantling that includes various flora. Above the helm is the motto Mihi Res, non Me Rebus. Below the title name reads Antiqui Facultatis Medicinæ Parisiensis Decani, nec non Castrorum Regis et Exercituum Proto medici. See: Olivier. E. & Vialet, G, Ex-Libris et Fers de Rwelieure, Paris, 1927, No. 40-41, p.16
Subject (Name):
Baron, M. Hyacinthi Theodori
Subject (Topic):
Amorial, Armorial bookplates, Hand, Physicians, and Shields
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
f. 1r-v Antiphona. Cruci, corone spinee, clavisque dire, lancee ... per que corone gaudia perpetua speramus. Versus. Adoramus te Christe ... Oremus. Quesumus omnipotens Deus, ut qui sacratissima nostre redemptionis insignia temporaliter veneramur, per hec indesinenter muniti eternitatis gloriam consequamur. Per. De sancto Eustachio antiphona., On parchment., This small luxurious book of devotion seems to be organized according to the liturgical year, the Exaltation of the Cross being celebrated on 14 September, the martyr Eustace on 20 September., and Yellow heightening of the majuscules. One 2-line flourished initial, gold with blue flourishes, and on f. 1r one square miniature (5 lines) in a golden frame representing the Instruments of the Passion, accompanied by a full rinceaux border with a gold and pink bar in the inner margin. In the upper right and the two lower corners flowers and plants grow on a circular grassy patch of earth. The spiralling tendrils between them carry gold balls and vine leaves and flowers.
Manuscript on parchment of Petrus Pictaviensis, Compendium historiae in genealogia Christi.
Alternative Title:
Compendium historiae in genealogia Christi
Description:
Binding: Nineteenth century, Germany. Grubby blue paper wrapper. Title, in ink, on upper cover: "Manuscript des XIII#t#e#n Jahrhunderts. Historia mundi sec. ord. chronol. usque ad mortem Jesu Christi"., Genealogical tables accompany text throughout: drawn in red with roundels connected by pairs of parallel lines and aligned between red vertical rulings. Roundels for Adam and Eve, f. 1r, in yellow and blue, respectively; the roundels for their descendants on green ground. The plan of the temple at Jerusalem, f. 4r, in red, green and blue. The roundels for Christ, f. 5r, in blue, yellow, and red. Headings in red; spaces left for decorative initials remain unfilled., Lower portion of f. 1 torn, with loss of text., and Script: Written by a single scribe in fine gothic bookhand, above top line.
Subject (Name):
Jesus Christ--Genealogy and Petrus Pictaviensis
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
2 leaves (of 4) trimmed with loss of right columns. and Also in folder: Bibliographic note from Bernard M. Rosenthal, Inc. and notes in pencil by the Dutch dealer von Scherling, who compared the fragments to Reichling's edition of 1893 and found numerous substantial text variants.
Manuscript on parchment of Thomas Aquinas, In tertium librum Sententiarum Petri Lombardi. Copied from an exemplar vended by Guglielmus Senonensis, stationer on the rue St. Jacques.
Alternative Title:
Comment on the 3rd book of sentences of Peter Lombard
Description:
Binding: 1899. Quarter leather over wooden boards, blind-tooled, with a gold-tooled label and brass clasps. Bound by Douglas Cockerell (stamp with date inside back cover)., Script: Written in neat gothic textura by a single scribe secundum pecias (notations along bottom of leaves, mostly trimmed)., Small decorative initials in red and/or blue with penwork designs of either or both colors; notes for illuminator in margins. Paragraph marks alternating red and blue throughout; running headings in red and blue., and Some folios mended with chartreuse thread.
Subject (Name):
Peter Lombard, Bishop of Paris, ca. 1100-1160
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pecia, Scholasticism, and Scholia
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
f. 1r //tur vobis. Deus autem pacis qui eduxit de mortuis pastorem magnum dominum ... Secundum Marcum. In illo tempore mane prima sabbati ...et illi euntes nunciaverunt ceteris.
Thursday of the second week after Easter, with lessons from Hebrews 13:20 and Mark 16.2-13.
f. 1r-v Feria via. Ad Romanos. Fratres, cum adhuc essemus infirmi ... Secundum Matheum. In illo tempore exierunt mulieres de monumento ... usque in hodiernum diem.
Friday of the second week after Easter, with lessons from Romans 5:6-11 and Matth. 28:8-15.
f. 1v Sabbato. Si non fuerit festum novem lectionum sollempnizamus ultimam missam ...
Saturday of the second week after Easter.
Dominica iia post Pascha. Ad missam de beata Maria. Alleluia. Versus. Post partum ... Ad processionem per cimiterium. Antiphona. Surgens Dominus Ihesus ... Ad missam introitus. Misericordia Domini plena est terra ... Gloria in excelsis. Collecta. Deus qui in filii tui humilitate iacentem mundum erexisti ... Lectio epistolae beati Petri apostoli. Karissimi, Christus passus est pro nobis ... R. Alleluia. Versus. Ego sum pastor bonus et cognosco oves meas et cognoscunt me mee. //
Second Sunday after Easter, with lesson from 1 Peter 2:21-25., On parchment., Pricking in the upper and lower margins. Ruled with brown ink for two columns of 30 lines below top line (type 43, 212 x 140 mm., The majuscules are heightened in yellow. One line-filler in gold and paint. The decoration consists of (1) 2-line dentelle initials and (2) 3-line foliate initials. On f. 1v there is a gold and blue bar in the intercolumnium ending in the upper and lower margins in rinceaux with vine-leaves, a few flowers and acanthus leaves. Instructions for the rubricator are written in the margins in small Gothica Cursiva., and Written in Northern Gothica Textualis Formata in two sizes.