"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., 1 print : etching on wove paper ; plate mark 17.6 x 12.6 cm, on sheet 20.2 x 14.7 cm., and Mounted on verso of leaf 42 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Partial watermark upper left edge., and On verso, written in ink in a contemporary hand: Burlesque on the admission ticket to Hasting's trial. The three heads on the cannons are Burke, Fox, & Sheridan.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
A satyr seated in front of an easel is painting Fox's head in a cocked hat with a French cockade. He is using for his model a bust of Fox from which another satyr removes a smiling mask signed "Patriotism," revealing the word "Faction" on the forehead. A large portfolio signed "Outlines of the Opposition collected from the designs of the most capital Jacobin artists," is propped against four large volumes signed "Parliamentary Speeches" lying on the ground next to the easel
Alternative Title:
Outlines of the Opposition collected from the designs of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 78.
Publisher:
Publd. 17 March 1794 by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Books, Artists' materials, and Politics and government
A satyr seated in front of an easel is painting Fox's head in a cocked hat with a French cockade. He is using for his model a bust of Fox from which another satyr removes a smiling mask signed "Patriotism," revealing the word "Faction" on the forehead. A large portfolio signed "Outlines of the Opposition collected from the designs of the most capital Jacobin artists," is propped against four large volumes signed "Parliamentary Speeches" lying on the ground next to the easel
Alternative Title:
Outlines of the Opposition collected from the designs of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 29.2 x 23.8 cm, on sheet 32.1 x 25.8 cm., and Mounted on verso of leaf 58 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Books, Artists' materials, and Politics and government
A satyr seated in front of an easel is painting Fox's head in a cocked hat with a French cockade. He is using for his model a bust of Fox from which another satyr removes a smiling mask signed "Patriotism," revealing the word "Faction" on the forehead. A large portfolio signed "Outlines of the Opposition collected from the designs of the most capital Jacobin artists," is propped against four large volumes signed "Parliamentary Speeches" lying on the ground next to the easel
Alternative Title:
Outlines of the Opposition collected from the designs of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 43 x 34 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Books, Artists' materials, and Politics and government
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., and Mounted on page 57 with one other print.
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., 1 print : etching with stipple on laid paper ; plate mark 25 x 17.7 cm, on sheet 27.2 x 19.4 cm., and Mounted on leaf 39 of James Sayers's Folio album of 144 caricatures.
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., and Contemporary mss. note on verso.
A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress