Manuscript on paper of a copy of the correspondence of Cardinal Ludovico Madruzzo and his nephew, Cardinal Carlo Gaudenzio
Description:
In Latin., Script: copied by a single hand writing Humanistic Cursive., Copies of the correspondence of Cardinal Ludovico Madruzzo, prince-bishop of Trent 1567-1600, and his nephew, Cardinal Carlo Gaudenzio, prince-bishop of Trent 1600-1629., and Binding: original binding: yellow parchment over cardboard.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gaudenzio, Carlo. and Madruzzo, Ludovico, 1532-1600.
Manuscript on goatskin parchment of 1) St Basil of Ancyra, De vera integritate virginitatis. Translated into Latin by Ambrogio Traversari between 1423-1424; 2) St John Chrysostom, Adversus oppugnatores vitae monasticae. Translated into Latin by Ambrogio Traversari in 1420
Description:
In Latin., Script: Copied by one scribe, writing in Humanistica Semitextualis with a few Gothic features., Pale red rubrics. Text undecorated, with the following exceptions: plain 2-4-line initials (Capitalis) in red or blue on pp. 1, 152, 155, 188; 5-line white vinestem initial integrated in a three-margins-left border in the same style on p. 3; the initial and border have been attributed by Albinia C. de la Mare to Giovanni d'Antonio Varnucci (1416-1457)., and Binding: 19th-20th centuries; brown morocco over cardboard. Both covers are blind-tooled with frames of fillets and four different flower tools. Five raised bands are on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Traversari, Ambrogio, 1386-1439.
Subject (Topic):
Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monastic and religious life
Manuscript on paper (sturdy) of what is probably the first version of the treatise, finished ca. 1476-77. The order of contents is as follows: fortresses; temples, churches and theaters; columns and other architectural details; plans for palaces; aqueducts; measuring and surveying; instruments of war
Description:
In Italian., Watermarks: anchor and star similar to Briquet Ancre 478, Bergamo 1502., Script: Written in italic script by a single scribe who left blank spaces for illuminated initials., Outer and lower margins of almost every page filled with architectural or mechanical sketches drawn either directly on the leaves (ff. 1r-5v) or on small strips of paper pasted onto the margins of the leaves (ff. 6r-57v), in brown ink, sometimes with green or pink washes. The drawings illustrate every section of the text; many have explanatory inscriptions., and Binding: Eighteenth century. Red edges. Mottled, brown calf, streaked on the turn-ins. Blind-tooled, with a gold-tooled spine.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Name):
Martini, Francesco di Giorgio, 1439-1502.
Subject (Topic):
Architecture, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, and Military art and science
Manuscript on paper of Guglielmo Balzani, of Casale Monferrato, Treatise on Falconry
Description:
The 8th Marchese of Monferrato mentioned in the prologue is presumably Guglielmo (1550-1587)., In Italian., Watermarks: unidentified crossbow in circle, with countermark "B A B"., Script: Written by 2 hands in 17th-century cursive: Scribe 1) ff. 1r-177r; Scribe 2) ff. 177v-208r., and Binding: Eighteenth century. Spattered brown calf, blind-tooled. Edges spattered blue/green and red. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Balzani, Guglielmo.
Subject (Topic):
Falconry, Italian literature, and Manuscripts, Medieval
Manuscript on parchment of 1) Moamin, Treatise on Falconry, parts 1-3. 2) Treatise of Dancus rex. 3) Treatise of Guillelmus falconarius. Artt. 4-5: Anonymous treatises on horses. 6) Moamin, part 4, on dogs
Alternative Title:
Moamin
Description:
In Latin., Script: Written in a small round gothic bookhand by two scribes. Scribe 1) ff. 1r-37v, 67v-75v; Scribe 2) ff. 39r-67r., One 6-line initial, red and blue, filled with red and blue penwork in a floral pattern. 4-, 2-, and 1-line pen initials, red, with long trailing serifs and blue calligraphic flourishes. 2- and 1-line initials outside text column. On f. 1r, arms of the duchy of Austria (crudely executed; later addition?):, or, two eagles palewise displayed and crowned sable (Hungary): impaled with barry of 6 gules and argent; supported by griffins passant gules; the whole set between thick pink bands. Line-fillers red undulating lines. Rubrics throughout., and Binding: Sixteenth century. Sewn on three supports, the two outer ones leather, the central one tawed skin, laid and nailed in channels in wooden boards. Plain wound primary endbands sewn on a tawed core at the head and a leather one at the tail, laid in grooves and nailed, with a secondary embroidery added. The square spine is lined with vellum between supports. Covered in dark red goatskin, blind-tooled, with four brass catches on the lower board. Leather cracking along joints, clasps wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Animal culture, Dogs, Falconry, Horses, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of an unidentified dissertation on dispensation from prescriptions of natural or divine law; an unidentified dissertation on the worldly possessions of the clergy and their legitimate employment; Iohannes de Lisura, anonymous opinion in response to a consultation by the city of Lille on the legality of investing the money of minors at interest; and fragments of several texts by Pierre d'Ailly and Nicholas Oresme
Description:
In Latin., Watermark: similar to Briquet 1474 (?)., Script: Copied by 3 hands: Scribe 1 copied ff. 1r-54r in Gothica Hybrida Libraria marked by the use of looped d and one-stroke x; scribe 2 copied ff. 54v-57r in Gothica Cursiva Currens; scribe 3 copied ff. 61r-143r in Gothica Hybrida Libraria under slight Humanistic influence., Headings in red or underlined in red. Heightening of majuscules in red. Red paragraph marks. Plain initials in red (2- or 3-lines, not executed on f. 100r); on f. 1r blank foliage has been spared in the initial's body. Guide-letters in the space reserved for the initials., and Binding: Original brown calf over wooden boards, blind-tooled with fillets and the following small stamps: a square two-headed eagle, a square lion rampant, a square bird and a floweret. At the top of the front cover the title in ink (ca. 1500) "Contra novos Hebreos". Remains of two decorated brass clasps, attached to the rear cover. Spine with four raised bands. White parchment paste-downs. Parchment tabs pasted on the outer edge of ff. 54 and 94; others are lost.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Canon law, Dispensations (Canon law), Dissertations, Academic, and Manuscripts, Medieval
Manuscript on paper of Treatises on Rhetoric and Epistulae including texts by Francesco Filelfo, Apollonius Dyscolus (?), and Trypho
Description:
In Greek and Latin., Watermarks: similar to Briquet Ciseaux 3668, Briquet Monts 11882, and unidentified grapes., Script: Written by one scribe in small, very even Greek minuscule. Letters with name of Filelfo on flyleaves at front and back are written in well-formed italic., Headpiece, 1-line initials and headings in faded reddish-brown., Water stains in the upper right corner of many folios; some loss of text., and Binding: Twentieth century. Block printed paste paper case.
In Italian., Script: Written by one scribe in humanistic bookhand., Six fine miniatures. Each miniature, 12- to 9-line, is rectangular, framed with a thin band of burnished gold (except on f. 39r, a square 14-line miniature in a purple frame edged on both sides with gold). On f. 3v, a full border: putti with swags in upper margin [trimmed], white-vine ornament in side and lower margins, the ground predominantly blue, with some green and pink and with white dots; in outer and lower margin, a gold trellis, with polygonal medallions at corners and midpoints, containing a capital I, and the busts of a child, youth, and young woman; finely drawn animals (stag, goat, panther, rabbit, and fox) superimposed over border. In the lower margin of f. 1r is a coat-of-arms (effaced), supported by four putti and with birds in surrounding vine ornament. For the other miniatures, partial borders with dark blue, green, pink and gold flowers and gold dots and hair-spray. Small medallions containing the letters I, A, C, O, P, O incorporated into successive borders form the name Iacopo (probably the man who commissioned the volume). 3-line initials of gold, infilled green and pink, with delicate white filigree, against blue grounds. Headings and initial of each tercet in gold., and Binding: Eighteenth century. Gilt, gauffered edges. Red calf, gold-tooled with a ribbon border, acorns in the corners and a diced central ornament.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval