Manuscript on paper of 1) Juvenal, Satirae I-XVI. 2) Unidentified commentary on the sixteen satires of Juvenal. This extensive commentary, written in the same hand as the text, draws upon some of the earlier scholia as well as works of later scholars. 3) Miscellaneous passages on the nature of tragedy, satire, comedy, plus a short life of Juvenal
Description:
In Latin., Watermarks similar to Briquet Tete de boeuf 14874., Script: Written by a single scribe in a well spaced informal batarde for the main text and in a very small cramped batarde for surrounding notes., Crude illuminated initial, 9-line, on f. 1r; red initials, 3-line, at beginning of remaining satires. First letter of each verse stroked in red (ff. 13r-61r); some lines underlined in red., and Binding: Twentieth century. Cloth boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Satire, Latin, and Scholia
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval
Manuscript fragment on parchment of a sequentiary containing: Notker Balbulus (Christmas, 25 December), Notker Balbulus (St. Stephen, 26 December), Notker Balbulus (Assumption of Mary, 15 August), and Adam of St. Victor (St. Augustine, 28 August).
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2-line initials at the beginning of sequences are in red, decorated with blue penwork; 1-line initials at the beginning of verses alternate red and blue; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text; musical notation in black on four-line staff in red.
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript on paper of Vincent of Beauvais, Speculum Historiale, Books 21-25. Previously bound together with the Vinland Map (Beinecke MS 350A).
Description:
In Latin., Watermarks: Briquet Tête de boeuf 15056., Script: Written by a single scribe in a well-formed running hand with bâtarde shading and flourishes in the upper and lower margins that are often decorated with red. The same scribe also wrote the Hystoria Tartarorum (Beinecke MS 350A.1). A somewhat later hand, (approximately 1500), added running titles in the upper margin in italic script., Rubrics, Roman numerals and some simple initials in red., and Binding: Fifteenth century. Sewn on four tawed, twisted, double supports laced into grooves extending approximately 25 mm on the inside of beech boards and pegged. The spine is square and lined with vellum extending onto the inside of the boards between sewing supports. Covered in brown leather blind-tooled with concentric frames, the center panel filled in with small, square bird tools. The entire binding was tooled upside down. Impressions of the tools go through to the wood. Four fastenings, the clasps on the upper board. Restored; endbands added and clasps wanting. On the glue left from the original pastedowns, now wanting, are the offset impressions from a single, heavily annotated manuscript document that was cut in half vertically; dated 1437 from the Council of Basel.
Manuscript fragment on parchment of a portion of old statutes related to the Carthusian order
Description:
In Latin., Script: written by two scribes in gothic script, one writing littera hybrida script (fols. 1-2) and the other writing littera textualis (fols. 3-4)., and Decoration: there are spaces for 2-line initials and rubrics, but they have not been added; 1-line capitals within text are in black; punctuated with the punctus, punctus elevatus, and punctus flexus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians.
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Manuscript on paper of Summa de casibus conscientiae by Bartholomaeus de Sancto Concordio (Bartholomaeus Pisanus O.P., c. 1260-1347).
Description:
In Latin., Script: Copied by Jodocus Sparlützel in a single hand in Gothica Hybrida Libraria. The scribe is elsewhere given the name Jodocus Sparlützel (Swicker) de Wil., Decoration: Red stroking of the majuscules and red underlining. Red plain initials, normally 1-2 lines; the initial of the first lemma beginning with a given letter of the alphabet is larger (up to 7 lines) and may be a flourished initial with penwork in the same red colour. Many initials are given strange and fancy forms. Erroneous initials are found on ff. 109r, 246v, 248v. An initial “U” is missing on f. 246r, and in art. 4, no initials “T”, “X”, “Y” and “Z” were provided by the scribe., and Binding: Original binding, with a repaired spine, composed of (very damaged) undecorated brown leather over wooden boards, and sewn on three double cords(?), with plaited headbands. Five brass bosses are on each cover. Two clasps are attached to the rear board and rectangular engraved catches are on the front board. The inscription, in Northern Gothica Textualis Formata, is not deciphered.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bartholomew, of San Concordio, 1262-1347. and Dominicans.
Manuscript, on paper, in a single scribal hand, of this treatise on the administrative questions of communal ownership and inheritance raised by the Franciscan vow of poverty
Description:
Bartolo of Sassoferrato (1313-1357), also known as Bartolus de Saxoferrato, was a prominent Italian legal scholar who taught in severa northern Italian universities and wrote many influential treatises, including several pertaining to the administrative and judicial problems raised by the rule of poverty of the Franciscan order., In Latin., Layout: single column of 43 lines., Script: gothica cursiva., Binding: 19th-century marbled paper over pasteboards., and Guards from fragments of unidentified Hebrew manuscript on parchment.
Manuscript on parchment of an outline map of Europe, Africa, Asia, the surrounding seas and the islands including Iceland, Greenland, and "Vinland," which resembles the coastline of northern North America, with identifying legends. Known as the "Vinland Map," at the time it was acquired by Yale it was considered to be the earliest European map of any portion of the Western Hemisphere. The authenticity of the map was the subject of considerable debate for decades. Extensive scientific testing sponsored by Yale University in 2021, conclusively demonstrated that the map is a modern forgery and Originally the Vinland Map, Speculum historiale (Beinecke MS 350), and Hystoria Tartarorum (Beinecke MS 350A.1) were bound together in that order in a single volume, as is indicated by the patterns of the wormholes