Manuscript on parchment of Book for the instruction of monks
Description:
The author Hieronymus Miraballius of Naples was vicar general of the Olivetan order 1417-20, 1431-35., In Latin., Script: Written by two scribes. Scribe 1 (ff. 1r-22r) in informal humanistic script. Scribe 2 (ff. 22r-54v) in fere-humanistic script., Gold initial, 4-line, infilled and surrounded by blue penwork designs, on f. 1r for beginning of prologue; charming border extending down inner margin, in blue and purple penwork, with gold dots, incoporates grotesque with gold tongue. Plain red initials, 3- to 2-line, with purple penwork, for first incipit. Headings and paragraph marks in red throughout. Guide-letters for rubricator., Some folios repaired with modern paper or parchment along lower margin., and Binding: Nineteenth century. Rigid vellum case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hieronymus de Neapoli. and Olivetans
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of Agogo Mago, Libro medesynal delli spariueri
Description:
In Italian., Script: Written by a single scribe in a neat humanistic bookhand., One gold initial (f. 1r), 7-line, filled and surrounded by white-vine ornament, on a dark blue, dark red, and dark green ground, with pale yellow dots; extends into inner and upper margins. In lower margin an unidentified coat of arms (or, on a chief azur a parrot vert beaked gules) in a laurel wreath; accompanied by gold balls, hair-sprays, and simple floral patterns. Four initials, 6- to 4-line, in blue with red penwork designs or red with purple; plain capitals alternating red and blue throughout., and Binding: Nineteenth century. Brown goatskin, gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mago, Agogo.
Subject (Topic):
Game and game-birds, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, Medicine, and Medicine, Medieval
Thomas, of Ireland, approximately 1265-approximately 1329
Published / Created:
[between 1400 and 1495]
Call Number:
Beinecke MS 380
Image Count:
583
Resource Type:
unspecified
Abstract:
Manuscript on paper of 1) Excerpts (De prudentia, De fortitudine, De continentia, De iustitia) from Martin of Braga, Formula honestae vitae, a work often attributed incorrectly to Seneca. 2) Salomonis dicta; excerpts concerning wisdom, including quotes from Seneca, Book of Wisdom, etc. 3) Thomas of Ireland, Manipulus florum. 4) Excerpts from Petrarch, De remediis utriusque fortunae. 5) Isidore, Chronicon
Description:
In Latin., Watermarks: similar to Briquet Huchet 7693., Script: Written by a single scribe in various styles of italic script; heavy annotations by the scribe and later hands., Several crude initials: f. 1r, 4-line gold initial on blue ground, infilled red, and 3-line red initial on gold ground; on f. 2r, 5-line red initial on blue ground; f. 72v, 4-line red initial on green ground with some flourishes and gold dots, infilled blue. Initials (2- and 1-line), names of authors (added in margins), paragraph marks and headings in pale red., and Binding: Nineteenth century. Quarter bound in brown, diced calf with a gold-tooled title on spine: "Miscellanea di Seneca, Petrarcha e d'altri". Orange, leather-grained paper sides. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, of Ireland, approximately 1265-approximately 1329.
Subject (Topic):
Classical literature, Christian literature, Latin (Medieval and modern), Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript on parchment of Giordano Ruffo, Marescalcia equorum
Description:
In Latin., Script: Written by Ieronimo Sandei in fere-humanistica for the introduction and rubrics, and in humanistic cursive for the text., Historiated initial on f. 3r, 9-line, St. George and the dragon, curling foliage, mauve, red, and green, with gold and white and yellow highlights, on gold ground, edged in black, in a loose and painterly style. 3- and 2-line initials, blue or red with elaborate red or light purple penwork respectively. Paragraph marks in red or blue. Rubrics throughout., and Binding: 17th-18th centuries. Covered in brown leather, blind-tooled with concentric borders. Four clasp-and-catch fastenings. Modern paper pastedowns and flyleaves, the former covering an unidentified printed text in German.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano.
Subject (Topic):
Animal culture, Horses, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) Copy of passage omitted from Institutiones VII.9 and supplied in a later hand. 2) Prefatory material. 3) Lactantius, Divinarum Institutionum Libri VII. 4) Lactantius, De Opificio Dei. 5) Lactantius, De Ira Dei
Description:
In Latin., Script: Written by a single scribe in a "fractured" gothic script. Marginal notations by several later writers, one of whom made extensive corrections to the text and added Latin translations for the Greek passages., Ten neat gold initials, 9- to 8-line, infilled and surrounded by white vinework on blue, pale green, and pale red grounds, with white dots and pale yellow highlights (ff. 9r, 33v, 53v, 77r, 100r, 119v, 144r, 163r, 163v, 177v). Greek quotations in red (only for ff. 1r-88r). Capitals and paragraph marks, alternating red and blue for ff. 2r-8v., and Binding: Eighteenth century. Brown calf case, gold- and blind-tooled with interesting pictorial tools.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lactantius, approximately 240-approximately 320.
Subject (Topic):
Apologies, Christian literature, Latin, Church history, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Julius Caesar, Commentarii de Bello Gallico; Commentarii de Bello Civili; De Bello Alexandrino; De Bello Africo; and De Bello Hispaniensis
Description:
In Latin., Script: Written by a single scribe in a small elegant humanistic bookhand., Fine initials, gold capitals, 9- to 5- line, edged in yellow, filled with white-vine ornament, on blue, green, and red ground, decorated with yellow dots. Headings in red., and Binding: Fifteenth century. Wound sewing on four slit straps. Colored beaded endbands sewn onto cores of tawed skin laced and nailed into wooden boards. All edges gilt. The sewing straps are laced through tunnels in the edges of the boards and nailed in channels on the outside, protruding well above the face. Covered in dark brown goatskin, blind-tooled with an eight-pointed star and corners filled in with rope-tool interlace interspersed with copper-colored dots, in a border of rectangular tools. Four catches on the lower board and stubs of red cloth (velvet?) straps lined with parchment held to the upper with star headed nails
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Caesar, Julius.
Subject (Topic):
Latin prose literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
In Latin., Script: Written in italic script by Piero Cennini (b. 1444)., Fine border and initials by Mariano del Buono. 3/4 white-vine border, f. 2r, infilled green, pink, and blue, against a blue ground, with white dots; putti and birds; at the periphery, flowers, gold dots, and hair-spray, especially profuse in lower margin; supported by a trellis, gold, which expands at regular intervals to form roundels. In upper margin, a blossom with fruits, in lower margin, in separate roundels, a hound chasing a stag, against deep landscape backgrounds. Between roundels with animals, the arms of Joannes Vitez, bishop of Gran, in a complex braided roundel, infilled green and blue with white and yellow filigree, and supported by four putti, two of which play musical instruments. One historiated initial, f. 1r, gold, Cicero reading a book, against a blue ground with stylized clouds, all against a green ground with yellow filigree. Thirty-two 7-, 6-, 5-, and 3-line initials, gold, with white-vine infilled green, pink, and blue, with white dots, against blue ground, with vines extending into margin, gold dots and hair-spray. Twelve 4- and 3-line initials, following f. 178, gold, against pink and blue or pink and green grounds, with white and/or yellow filigree. Following initials, one line of square capitals in brown or alternating red and brown. 1-line square capitals in text., The entire codex, including the binding, is in an excellent state of preservation., and Binding: Fifteenth century. Resewn on seven tawed, slit straps laid in channels and nailed into wooden boards. The spine is square, the edges gilt. Covered in ruby-red goatskin, blind-tooled with concentric panels. The rectangular central panel is reduced to a square with rope interlace and the central ornament is a four-pointed star protruding from a quatrefoil within a circle. Five foliate brass catches on the lower board. Stubs of green fabric clasp straps on the upper board. Rebacked; headbands and a gold-tooled spine added. Two catches and all clasps wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Philosophy
Manuscript on parchment (trimmed) of Hebrew Scripture. Written for Jacob, son of Rabbi Benjamin of Montalcino
Description:
In Hebrew., Script: Written in cursive Italian Hebrew script, with square initial letters., The extremely fine decoration is in the Florentine style of the third quarter of the 15th century. Two full-page miniatures: f. 2v David beheading Goliath (Psalms) and f. 110v Job on the dunghill, with the three tempters. Miniatures accompanied by elegantly illuminated full borders of pink and blue flowers with green stems and yellow fruit issuing from yellow vases; gold dots and hair-spray. Putti and brightly colored birds appear among foliate ornamentation. Polylobed and circular medallions with miniatures in borders. Other borders, without miniatures, contain medallions of busts of prophets, some holding scrolls. One border f. 30v without medallions. Borders of ff. 30v, 80r, 111r are less carefully executed than rest of illumination and may be by another artist. The opening word of Psalms 42, 73, 90 and 107, as well as of Job and Proverbs, occurs in a panel with foliate borders in burnished gold. First letter in each chapter of Psalms, and first word in each chapter of Job and Proverbs framed in red or blue (one in gold, f. 111r) with purple or red penwork flourishes., and Binding: Seventeenth century. Red calf over beech boards, gold-tooled with a floral border and flower vases and arabesques in the center. Gilt, gauffered edges and woodblock paste paper endleaves and pastedowns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of a Liturgical Psalter (Pss. 1-108) with hymns, canticles, and antiphons. Capitals A and B in outer margins every two Psalms, perhaps to denote change in reader. With Hymns for Matins and Lauds
Description:
In Latin., Script: Written in a large round gothic bookhand., One crude historiated initial, 6-line (Ps. 1): David seated on ground with both hands raised in prayer, against a blue ground, the letter-form tan, orange, and red with white filigree; large blue, green, pink, and red acanthus leaves at the corners, against a gold ground, edged with two thick black bands, penwork, gold dots, and hair-spray. In bottom margin a "YHS" monogram, against a blue ground, inside sunburst and green, pink, and blue wreath, supported by large bud from which sprout two large acanthus leaves, red berries, gold dots and hair-spray, as above. 6- or 5-line initials red and/or blue, with large green or red dots, elaborate purple calligraphic decoration, portions filled with green and tan. 2-line initials, red or blue, with calligraphic ornament and flourishes, as above. 1-line initials, blue or red, with guide-letters throughout. On f. 160v a large pen drawing of a hand pointing to text., and Binding: 16th-17th centuries. Sewn on five tawed skin straps. Plain, wound endbands on cores laced into tunnels in the edges of heavy wooden boards. Covered with three separate pieces of dark brown leather (cowskin?) with leather straps extending across the spine and nailed to the boards over the sewing straps. Each board has four corner pieces, a central boss and a strip of metal, probably iron, nailed around the four edges. Strap and pin fastening, the pin on the lower board, stubs of pink, tawed straps attached to the upper one. Fragments from several parchment manuscripts and early printed texts used as binding reinforcements.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters