Frontispiece. Dandyism displayed, or, The follies of the Ton.
Image Count:
1
Resource Type:
still image
Abstract:
"Two couples, the men on the right and the women on the left: the couple at top half for 'dandies in a morning dress', the man in morning suit with hat and umbrella, the woman with large hat and shawl; the other couple at bottom half for 'dandies in a evening dress', the man in short evening jacket with handkerchief, the woman with large feather headpiece."--British Museum online catalogue
Description:
Title from item., Attributed to George Cruikshank by Cohn., Frontispiece to: Bisset, J. Dandyism displayed, or, The follies of the Ton. London : Published by Duncombe ..., [approximately 1820]., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Duncombe
Subject (Topic):
Dandies, British, Clothing & dress, Umbrellas, Hats, Handkerchiefs, and Headdresses
"Portrait of Sir William Temple, half-length to right, with head turned to front, looking towards left; wearing a wig, loose gown, and lace cravat; in an oval frame decorated on top with Acanthus leaves and ribbon lettered with motto "Servare modum [...] sequi.", placed on a pedestal, with coat of arms in front."--British Museum online catalogue
Description:
Title engraved below image., Frontipiece to: The works of Sir William Temple. London : Printed for A. Churchill, T. Goodwin, J. Knapton, R. Smith, B. Tooke [and 6 others in London], 1720., Sheet trimmed within plate mark., Three lines of Latin text below title: Sermi. et Potmi. Mag. Brittanniae Regis ad Ords. Faedti. Belgÿ̈ Legatus ..., Window mounted to 51 x 36 cm., and Mounted opposite page 76 (leaf numbered '125' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
A. Churchill, T. Goodwin, J. Knapton, R. Smith, B. Tooke, and 6 others
Portrait of Henry Seymour Conway, half length, turned slightly left, in an oval
Alternative Title:
Field Marshall Conway
Description:
Title from text below image., Window mounted to 51 x 36 cm., and Mounted before page 277 (leaf numbered '95' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published as the act directs May 1st, 1798, by G.G. & J. Robinson, Paternoster Row, London
In an elegant sitting room, a Hogarthian young dandy lounging on a sofa with a young woman by his side, both holding wine glasses, as she lays one hand on his knee. She rests her elbow on a round side table on which there sits a bottle of Madeira and a bottle of claret along with a dish of peaches and a knife; through the open door in the background to right is a canopy bed
Description:
Title from text below image., Text below title: With women & wine I defy ev'ry care., From a set of four 'times of day' after Dighton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 18 June 1795 by Haines & Son, No. 19 Rolls Buildings, Fetter Lane
Subject (Topic):
Bedrooms, Couples, Dandies, British, Intoxication, and Parlors
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
Portrait of David Garrick, seated at a desk, with his wife standing behind him, reaching to grasp the pen that he is holding in his right hand and "Portrait of David Garrick, three-quarter length, seated at a writing table, to the left, looking at viewer, his head supported by right hand, which also holds a quill, his right elbow resting on table; pointing down to the right with left hand; behind him his wife stands, reaching over the back of the chair towards the desk with her right hand, looking down towards Garrick."--British Museum online catalogue
Description:
Title etched below image., Plate from: The art-journal. [London] : [George Virtue], February 1855, opposite page 42., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge. Imprint supplied from impression at the Massachusetts Historical Society, call no.: Special Colls. Waterston autograph vol. 2., Window mounted to 51 x 36 cm., and Mounted opposite page 613 (leaf numbered '47' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published for the proprietors
Subject (Name):
Garrick, David, 1717-1779,, Garrick, Eva Maria, 1724-1822,, Garrick, David, 1717-1779., and Garrick, Eva Maria, 1724-1822.
"Portrait of George Augustus Eliott, 1st Baron Heathfield, after Reynolds (Mannings 578a); almost three-quarter length to front, facing and eyes to the left, wearing uniform and holding a large key in his right hand; smoke and cannons in the background; his lower body in outline."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 604 (leaf numbered '39' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Feb. 4, 1813, by T. Cadell & W. Davies, Strand, London
Subject (Name):
Elliott, George Augustus, 1717-1790,
Subject (Topic):
Military officers, British, Governors, Cannons, and Keys (Hardware)
"The enormously fat Stephen Kemble, as Hamlet, gesticulates, right arm extended, left arm thrown back, fingers (very large) pointing awkwardly; his head is turned in profile to the left. He wears quasi-contemporary dress, much dishevelled, with a star and ribbon from which hangs the elephant of the Danish order."--British Museum online catalogue
Description:
Title etched below image., Publisher from the British Museum online catalogue, registration no.: J,2.22., Two lines of text from Hamlet are etched below title: ---------- that I have thought some of nature's journeymen had made men, and not made them well; they imitated humanity so abominably., Leaf 23 in an album with the spine title: Characatures by Dighton., 1 print : etching and stipple engraving on laid paper, hand-colored ; plate mark 22.5 x 16.1 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Stephen Kemble" in pencil below plate mark.
Publisher:
Robert Dighton
Subject (Name):
Kemble, Stephen, 1758-1822
Subject (Topic):
Actors, British, Obesity, and Theatrical productions
A satire of the 1832 Reform Bill, with a see-saw with the Crown as the fulcrum. At the center is William IV, waving the Union flag; to the right is Lord Grey, seated on the lever, helping William balance with a scroll marked 'Union', with John Bull standing underneath, wedging the lever up with the 'Reform Bill'; and to the right the Duke of Wellington tumbles backwards as the lever breaks under the weight of him and two huge scrolls marked 'Anti Reform'.
Description:
Title from text below image., Date from dealer's description., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Laid on canvas backing.
Publisher:
Pubd. by O. Hodgson, 10 Cloth Fair
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, Grey, Charles Grey, Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, John Bull (Symbolic character), Seesaws, Crowns, Flags, and British