Manuscript on paper and parchment of Walter Burley's Commentary on Aristotle
Description:
In Latin., Script: copied by one hand in highly abbreviated Gothica Cursiva Libraria., The entire manuscript is damaged by moisture and the text has become extremely pale or is entirely lost on sections of almost all pages. Brittle lower edges., and Binding: S. XVII (?) binding: brown blind-tooled leather over bevelled wooden boards. Both covers decorated with frames of fillets and rolls, the central panel with a strapwork pattern. Two clasps attached to the front board, with rectangular decorated brass catches on the rear board.
Manuscript fragment on parchment of an unidentified commentary on Galatians
Description:
In Latin., Script: written in Caroline minuscule with archaic features such as half-uncial "g", "rt" ligature, and occasionally half-uncial "a"., and Decoration: 1-line initials are in brown uncials with an enlarged minuscule "e"; punctuated with the punctus for major pauses and the punctus elevatus for minor pauses.
Manuscript fragment on parchment of an unidentified commentary on Luke
Description:
In Latin., Script: written in small, highly abbreviated gothic script (littera textualis currens)., and Decoration: 1-line initials in black; punctuated with the punctus; accents added by a later hand.
Manuscript on paper (unidentified watermarks, trimmed) and parchment (f. 1) of Sozomenus Pistoriensis, Commentary on Persius
Description:
In Latin., Script: Written in a neat humanistic script in 1461 by Bartholomaeus Baldinotti., Small initials, in red, mark the beginning of prologue and each satire., and Binding: Nineteenth century. Vellum case.
Manuscript fragment on parchment of a commentary on Priscian's Institutiones Grammaticae
Description:
In Latin., Script: written in Caroline minuscule in a minute, highly abbreviated scholastic hand., and Decoration: 1-line initials are in brown; the lemmata are set apart from the preceding commentary by paragraph marks in brown; punctuated with the punctus.
Manuscript, on parchment, in a single hand, containing the text of Bede's Commentary on the Proverbs (Super parabolas Solomonis), nearly complete. Four original endleaves, at front, contain twelfth-century extracts from Peter Lombard on the Epistle to the Hebrews; exhortational material; and Latin verses (first line: Amittit proscriptus opes nec possi reverti).
Description:
Armorial bookplate of William John Monson, Baron Monson on front pastedown., Binding: nineteenth-century tooled brown leather over pasteboards; gold-lettered spine., Decoration: Rubricated. Two-line initials in red, blue or green with contrasting penwork; two larger initials in red, blue and green with penwork flourishes. Large illuminated initial (f1r) in gold, enclosing gold foliage on blue and green grounds., Layout: single columns of 31 lines., Ownership inscription of "roberti di cantuaria" on verso of final front endleaf., Ownership inscription of Anthony Watson on recto of first front endleaf., Previously owned by Robert of Canterbury (roberti di cantuaria); Anthony Watson. Ex libris William John Monson, Baron Monson. Purchased from Richard Linenthal (Sotheby's London sale, 2013 July 2, lot 60) on the Edwin J. Beinecke Book Fund, 2013., and Script: English book hand.
Subject (Name):
Bede, the Venerable, Saint, 673-735, Monson, William John Monson, Baron, 1796-1862--Bookplate, and Peter Lombard, Bishop of Paris, approximately 1100-1160
Subject (Topic):
Bible.--O.T.--Proverbs--Commentaries--Early works to 1800, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript fragment on parchment of a commentary on Ps.-Gilbert of Poitiers, Lib. VI principiorum
Description:
In Latin., Script: written in a small gothic script with frequent abbreviations (scriptura notularis)., and Decoration: spaces are left for two 2-line initials, but they have not been added; 1-line initials are in brown capitals; quotations from the text are underlined in brown; paragraph marks are in brown; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript on paper of 1) Donatus (4th century), Vita Vergilii. 2) Note on the three kinds of poetry, after the Venerable Bede, De arte metrica. 3) Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis. 4) Ps.-Ovidius, Tetrasticha in cunctis libris Vergilii. 5) Poem in praise of Virgil. 6) Servius grammaticus, Commentum in Vergilii Bucolica, preface. 7) Poem. 8) Servius grammaticus, Commentum in Vergilii Bucolica. 9) Servius grammaticus, Commentum in Vergilii Georgica.
Description:
Binding: 17th-18th centuries. White parchment over pasteboard, the covers gold-tooled (but the gold almost entirely lost) with frames of fillets, four lozenge-shaped floral stamps in the corners and a large lozenge-shaped floral stamp in the center. The spine, with five raised bands, gold-tooled, with a red leather title label in the second compartment with the gold-tooled inscription: "SERVIUS / IN / VIRGILI / M.SS." Sprinkled edges., No headings. Unevenly spread alternately red and blue paragraph marks. 3- or 4-line plain initials in red or blue, with guide letters; art. 9 opens with a 7-line plain initial in red. On f. 1r art. 1 opens with a 7-line Gothic foliate initial in blue and red, with green tendrils, on a rectangular background. The page is decorated with a golden staff in inner, upper and outer margins, around which a green tendril carrying red and blue leaves and gold vine leaves is wound. In the lower margin a wild man in a lion's skin (Hercules?) is painted standing between two rocky hills and carrying two coats of arms., and Script: Copied by one hand in Gothico-Humanistica Semitextualis Libraria with numerous abbreviations. Incipits are written in a large and more calligraphic version of the same script.
Subject (Name):
Servius,--4th cent
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Pseudo-Dionysius Areopagita, Epistolae, translated into Latin by Iohannes Sarracenus (?). 2) Commentary by Albertus Magnus (here ascribed to Thomas Aquinas) on art. 1. 3) Commentary on a poem on Book I of the Sentences of Peter the Lombard. 4) Commentary on a poem on Book II, Distinctiones 1-6 of the Sentences of Peter the Lombard
Description:
In Latin., Script: Art. 1-2 written by a single scribe in two variants of Humanistic script: art. 1 (the text) in Humanistica Textualis, art. 2 (the commentary) after some hesitation in a very similar form of Humanistica Cursiva. Art. 3-4 written by a single scribe in Gothica Hybrida Libraria under Humanistic influence, of greasy appearance; a larger size is used for the poetical parts., The majuscules in art. 1-2 are heightened in dark yellow. Headings in red. Red calligraphic initials throughout the manuscript by the same hand (3 lines in artt. 1-2, 2 lines in artt. 3-4). At the opening of art. 1 a 9-line blue Renaissance initial with white vinestem decoration without background. At the opening of art. 3 a red (?) 3-line initial with some flourishing., The book is excessively trimmed; especially in artt. 3-4 the lower margins are extremely narrow. The paper is badly damaged by the acidity of the ink., and Binding: Seventeenth century (?). Limp vellum. At the top of the front cover: "M.S." in ink. Spine with three raised bands. In the second compartment the title in ink "S. Dionis. Epistol@".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Dionysius, the Areopagite.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval, Scholasticism, and Theology, Doctrinal