"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark on three edges.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on three edges., 1 print : etching, hand-colored, on laid paper ; sheet 280 x 496 mm., Sheet trimmed within plate mark on three edges, and two holes have been cut from sheet and repaired., Added in contemporary hand in lower right of sheet: These are the Friends of the Constitution., and Watermark.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
Title from caption below image., Publication date from watermark and manuscript note on verso of mount., Mounted to 37 x 56 cm., Watermark: 1824., and Numerous manuscript notations in ink on mount.
Publisher:
Printed for Carington Bowles, in St. Pauls Church Yard
"This engraving represents a circular building, with conical roof of tiles, shown in two sections, and partly in perspective. Within the building is a large wheel turned by a horse and giving motion to a considerable number of spindles, to which are attached disks; on each of the disks are several razors, which are thus set in action on the faces of the men who apply their cheeks to openings in the inner wall of the building. Exterior to this inner wall is a gallery where stand the men who are thus expeditiously shaved; their hats hang on pegs, each over the hole to which the owner has applied himself. In the gallery several men are finishing or preparing for their toilettes. The operation of dressing a wig is shown below the wheel, on our right, where many combs are placed on a drum which revolves like a water-wheel before a man's wig, placed on a block near it."--British Museum catalogue, description of an earlier state
Description:
Title engraved below image., Text following title: See the explanation., "Price 6d."--Bottom of plate, centered., For an earlier state published in 1745, see no. 2687 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, and English short title catalogue no. T42881., and With watermark of fleur-de-lis. Ms. note on verso in black in ink: Mr. Freeman, Arlington Street.
Publisher:
Publish'd according to act of Parliament Novr. [the] 2, 1749, and sold by J. Dubois at [the] Golden Head [the] corner of Burleigh Street near Exeter Chanc[...]
Subject (Topic):
Horses, Shaving, Razor blades, Machinery, and Wigs
"The interior of the Royal Exchange, showing part of two sides of the arcaded quadrangle, and the statue from the waist downwards of Charles II (by Grinling Gibbons) on a high pedestal surrounded by an iron railing. It is crowded with men, talking in couples, or walking off in deep dejection. All are elderly and caricatured and their dress is old-fashioned; one has a Jewish profile."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark: 23 x 33 cm., and Watermark: Strasburg lily.
Publisher:
Publish'd as the act directs, Decer. 28th, 1794, by S.W. Fores, No. 3 Piccadilly
"The interior of the Royal Exchange, showing part of two sides of the arcaded quadrangle, and the statue from the waist downwards of Charles II (by Grinling Gibbons) on a high pedestal surrounded by an iron railing. It is crowded with men, talking in couples, or walking off in deep dejection. All are elderly and caricatured and their dress is old-fashioned; one has a Jewish profile."--British Museum online catalogue
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Publish'd as the act directs, Decer. 28th, 1794, by S.W. Fores, No. 3 Piccadilly
"A broadside satirising Lord Bute, his Cider Excise scheme, and the Peace Treaty of Paris (1762); with an etching showing a podium with King George III seated on a throne, in front of him a group of men (aldermen) delivering a petition; on the right Lord Bute, dressed in tartan; with engraved speech bubbles and inscriptions, and with letterpress title and verses in one column."--British Museum online catalogue
Alternative Title:
Sawney's oeconomy and Sawney's economy
Description:
Caption title from song in letterpress printed below the plate., Above title: To the Lord Mayor, Aldermen, and Common Council of the City of London; To the glorious Opposition; and to the authors of the North Briton, this piece is humbly inscribed., Sheet trimmed to plate mark at top., Eight stanzas of song below title: All the friends of the land, who corruption withstand, the Muse patriotic must prize ..., "(Price six-pence).", Publisher's advertisement following imprint: Where may be had the Tyburn Interview., Watermark: Strasburg lily., and Mounted to 41 x 28 cm.
Publisher:
Printed for J. Burd, in the Temple Exchange Passage, Fleet Street, and sold by all printsellers, &c. in London and Westminster
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Bute, John Stuart, Earl of, 1713-1792
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., and Mounted on page 57 with one other print.
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., 1 print : etching with stipple on laid paper ; plate mark 25 x 17.7 cm, on sheet 27.2 x 19.4 cm., and Mounted on leaf 39 of James Sayers's Folio album of 144 caricatures.
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., and Contemporary mss. note on verso.