"Lord Petersham sits erect on his horse in profile to the right, a large cocked hat in his right hand, the arm, in a long wrinkled sleeve dropped by his side. A family likeness to his father is stressed by the similarity of pose, see British Museum Satires No. 10294. His shoulders are oddly drawn, his waist pinched."--British Museum online catalogue
Alternative Title:
Noble aide-de-camp
Description:
Title etched at bottom of image., Leaf 68 in an album with the spine title: Characatures by Dighton., and Figure identified as "Lord Petersham" in pencil in lower left corner.
Publisher:
Pubd. by Dighton Junr., Charing Cross
Subject (Name):
Harrington, Charles Stanhope, Earl of, 1780-1851
Subject (Topic):
Military officers, British, Dandies, Horses, and Staffs (Sticks)
"Lord Harrington, in uniform, slim and upright, sits his horse in profile to the right. A cane dangles from his right wrist. He has a leopard's skin saddle-cloth."--British Museum online catalogue
Description:
Title etched at bottom of image., Leaf 67 in an album with the spine title: Characatures by Dighton., and Figure identified as "Earl of Harrington" in pencil at bottom of sheet.
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
"A very obese man stands in profile to the right, his hands behind him with a meditative expression. He wears old-fashioned dress, with round, broad-brimmed hat, and buckled shoes."--British Museum online catalogue
Description:
Title etched below image. and Leaf 29 in an album with the spine title: Characatures by Dighton.
"Two tiers of single English figures expressing appropriate opinions about the coronation of Napoleon."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in dealer's description. Questionably attributed to Isaac Cruikshank in the British Museum online catalogue, registration no.: 1985,0119.188., Sheet trimmed to plate mark leaving thread margins., "Folios of caracatures [sic] lent out for the evening"--Below image in lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. July 16th, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
France and Great Britain.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Foreign public opinion, British, Public opinion, Soldiers, French, Sailors, and British
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
"Townsend, the Bow Street Officer, stands in profile to the right, left hand on a tall stick, pointing with right forefinger. He is neatly dressed, with broad-brimmed top-hat, long coat over a long waistcoat, and short loose trousers, with high-quartered tied shoes."--British Museum online catalogue
Alternative Title:
Townsend
Description:
Title etched below image., Leaf 3 in an album with the spine title: Characatures by Dighton., Watermark, trimmed: [Ed]meads 1808., and Figure identified as "Mr. Townsend" in pencil in lower left corner of sheet.
"Gunboats in the form of coffins are foundering or about to founder. Each has a single cannon in the bows, and a mast with a triangular sail whose corner is held in the teeth of the skull which surmounts the mast. The crews all wear shrouds and bonnets rouges; on the skulls also are bonnets rouges. Some of the men are screaming in the water, where a floating skull holds the end of a sail in its teeth, looking round fiercely at one of the drowning men. Others are still in the coffin-gunboats, holding muskets or making gestures of despair. One says: "Oh de Corsican Bougre, was make dese Gun Boats on purpose for our Funeral." In the background are two British men of war. Two tiny sailors say: "I say Messmate if we dont bear up quickly there will be nothing left for us to do", and, "Rigt [sic] Tom, & I take them there things at the mast head to be Boney's Crest, a Skull without Brains." A satire on the manifest impracticability of an invasion (see British Museum Satires No. 10008) by gunboats without the command of the sea, cf. British Museum Satires Nos. 9995, &c, 10125, 10223, 10231, 10260, 10277."--British Museum online catalogue
Alternative Title:
Boney's invincible armada half seas over
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement beneath imprint: Folios of caracatures lent out for the evening., Printseller's stamp in lower right corner: S.W.F., and Mounted at the corners: 30 x 42 cm.
Publisher:
Pubd. Jany. 6th, 1804, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Coffins, Gunboats, Cannons, Rifles, Skulls, Liberty cap, Drowning, Warships, and British
"Mr. and Mrs. Bull are in their breakfast parlour; she sits beside a table on which is a tray with coffee-pot, &c, he stands booted and spurred, impatient to set off. Through an open doorway (right) a groom is seen holding a saddle-horse. Behind are the houses of a London street. Mrs. Bull reads with dismay the '[M]orning Post'; she cries: "Here Mr Bull here's the Speech of that fellow on the Corn Bill - You must stop and hear this - The Price of Corn is yet Far Below the Price which is universally allowed to be Necessary!!!! why we shall all be starved Mr Bull." He shouts, with outstretched arms: "D------n the Corn Bill! I have not time to think of any thing till the Election is over. - why Liberty and Independence is at stak [sic] - What is Starving to that Mrs Bull!" Both are very fat, and evidently prosperous."--British Museum online catalogue
Alternative Title:
Corn bill, or, John Bull and his hobby, Iohn Bull and his hobby, and John Bull and his hobby
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., "Folios of caracatures [sic] lent out for the evening"--Below image, lower right., Printseller's stamp in lower right of sheet: S.W.F., and Counter watermark in center of sheet: A.
Publisher:
Pubd. Augt. 20th, 1804, by S.W. Fores, 50 Piccadilly
Subject (Topic):
John Bull (Symbolic character), Corn laws (Great Britain), Breakfast rooms, Coffeepots, Doors & doorways, Newspapers, and Obesity