Manuscript on parchment of Leonardo Bruni, De bello italico adversus gothos, in the Italian version by Ludovico Petroni made in 1456. Preceded by the letter of Leonardo Bruni to Giuliano Cardinal Cesarini (1398-1444).
Description:
Binding: 18th-19th centuries, Italy. "Alla rustica" with grey-green paper added over the spine and part of the boards. Edges yellow., Partial border in inner margin of white vine-stem ornament, f. 1r, on blue, green and pink ground with white and blue dots. In lower border terminals extending in ink hair spray with green, pink and blue flowers and gold balls frame central medallion with a crude outline drawing of a head in profile (later addition?). Two decorated initials, 4- to 3-line, gold on blue, pink and green grounds with white vine-stem ornament. On f. 1r initial joined to partial border. Heading on f. 1r in red., and Script: Written by a single scribe in fere-gothic script, above top line.
Subject (Geographic):
Rome--History
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--15th century, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Domenico Cavalca OP (c. 1270-1342), Esposizione del Credo.
Description:
Binding: Nineteenth century. Quarter binding, brown paper over cardboard, the spine in brown leather with five raised bands, the second compartment gold-tooled with the title “CAVALCA / ESPOSIZIONE / DEL CREDO”. Marbled endpapers., Parchment stays in the center and at the outer side of the quires; the fold of many bifolios is repaired by means of strips of parchment. The top, outer and lower margins water-stained, the upper outer corners of the leaves defective. Many lower margins repaired by means of strips of paper., Script: Written in many different hands., and Unevenly spread decoration.
Subject (Name):
Cavalca, Domenico,--d. 1342 and Dominicans
Subject (Topic):
Creeds, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Curtius Rufus, Historia Alexandri Magni, translated into Italian and supplemented with material from Plutarch by Pier Candido Decembrio. 2) Pier Candido Decembrio, Comparazione di Cesare e d'Alessandro Magno.
Description:
Binding: 15th-16th centuries, Italy. Sewn on four tawed skin, slit straps laid in channels on the outside of wooden boards and pegged. Gilt edges. Covered in brown goatskin with corner tongues, and blind-tooled with a ropework star inside painted (red) and blind-tooled circles inside a floral border, all with metallic annular dots. There are traces of four leaf-shaped fastenings, the catches on the lower board, the upper one cut in for fabric straps attached with star-headed nails. Rebacked twice., One illuminated intial, 6-line, gold against blue, green and pink ground with white vine-stem ornament, extending into inner margin to form a partial border; terminating at top and bottom in pen inkspray with buds in green and pink and gold balls with hair-line extensions. Plain initials, 3- to 2-line, in blue, mark text divisions; headings in pale red., Purchased from Lathrop C. Harper in 1949 by Thomas E. Marston., and Script: Written by a single scribe in a slightly rounded humanistic bookhand with many cursive elements, below top line.
Subject (Name):
Caesar, Julius, Decembrio, Pier Candido,--1399-1477, Plutarch, and Rufus, Curtius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--15th century, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of a Miscellany of vernacular humanistic prose texts, including works by Giovanni Boccaccio, Petrarch, Francesco Filelfo, and Leonardo Bruni.
Description:
Binding: Fifteenth century, Italy. Vellum stays adhered inside the quires. Original sewing on four tawed skin, slit straps laid in channels on the outside of wooden boards and nailed. Edges yellow ochre. A green and natural color, beaded endband is sewn on five cores. The primary one laid in grooves on the outside of the boards. The spine is lined with tawed skin or vellum extending onto the edge of the boards between supports. Covered in tan leather blind-tooled with a potented cross in a central square with rope interlace panels above and below, and a border also filled with rope interlace. Spine: supports defined with double fillets and the panels diapered. Traces of five bosses on each board. Two ivy leaf fastenings, the catches on the lower board, the upper one cut in for green fabric straps attached with star-headed nails. Binding is heavily overoiled., Script: Written in neat humanistic cursive by a single scribe, below top line., Three-quarter border, f. 5r, white vine-stem ornament on blue, red and green ground with grey and yellow dots. In lower border, vine-stem turning into a floral border and brown penwork scrolls with pink, blue and green flowers and gold dots. Illuminated initial, 6-line, gold on blue, green and red ground with white vine-stem ornament joined to inner border. Headings in red. Plain 3-line initials in blue mark text divisions. Guide letters in margins., and Watermarks: Briquet Fleur 6655, Echelle 5908, 5910, and similar to Briquet Chapeau 3370.
Subject (Topic):
Humanism--Italy, Italian literature--15th century, Italian literature--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of an unidentified mystical treatise.
Description:
Alternately red and blue paragraph marks. Headings in red. Gothic plain initials in red or blue, normally 3 lines, sometimes 2 or 4 lines. The first page, now missing except for part of a stub, had a border decoration in ink., Binding: Original binding in bad condition, made at the time the manuscript had more than twice the thickness it has now: undecorated brown pigskin over wooden boards. Bound on three double cords. The binding was strengthened by means of strips of textile, now loose. These and the leather turn-ins show the offset of a page of a 12th-century Latin manuscript from Italy. Remnants of two clasps attached to the front cover, with two trapezoid brass catches on the rear cover., Numerous pages have been torn out after f. 84. The top inner section of f. 1 is missing. All pages water-stained, seriously affecting the lisibility of the text., and Script: Copied by one hand in Humanistica Cursiva Libraria under Gothic influence. The scribe often writes the last letters of the final word at the bottom line in vertical sense. Starting f. 40r the descenders at the bottom line frequently have enormous fanciful extensions (loop-shaped, in the shape of a bird [ff. 54v, 65r], etc.).
Subject (Topic):
Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Mysticism
Friendship--Early works to 1800, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Jacopo Salimbeni's Viaggio de quatro chavalieri andarono cercando il mondo, an account of travel to the East.
Description:
Contemporary foliation employed: ff. 61-84. Also has modern foliation in pencil at bottom right., Disbound., Manuscript on paper of Jacopo Salimbeni's Viaggio de quatro chavalieri andarono cercando il mondo, an account of travel to the East undertaken 1416 May 1, starting from Venice. The language of this manuscript is influenced by the Venetian dialect. The first sixty folios are missing., and Script: copied by one hand in Gothica Semihybrida Currens (Mercantesca).
Subject (Name):
Salimbeni, Jacopo,--d. ca. 1427
Subject (Topic):
Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Voyages around the world