Manuscript on parchment of Leonardo Bruni, De bello italico adversus gothos, in the Italian version by Ludovico Petroni made in 1456. Preceded by the letter of Leonardo Bruni to Giuliano Cardinal Cesarini (1398-1444).
Description:
Binding: 18th-19th centuries, Italy. "Alla rustica" with grey-green paper added over the spine and part of the boards. Edges yellow., Partial border in inner margin of white vine-stem ornament, f. 1r, on blue, green and pink ground with white and blue dots. In lower border terminals extending in ink hair spray with green, pink and blue flowers and gold balls frame central medallion with a crude outline drawing of a head in profile (later addition?). Two decorated initials, 4- to 3-line, gold on blue, pink and green grounds with white vine-stem ornament. On f. 1r initial joined to partial border. Heading on f. 1r in red., and Script: Written by a single scribe in fere-gothic script, above top line.
Subject (Geographic):
Rome--History
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--15th century, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Lawrence Justinian, Saint, 1381-1456 Tavelli, Giovanni, 1386-1446
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 796
Image Count:
466
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (sturdy) of Laurentius Iustinianus (Lorenzo Giustiniani, 1381-1456), De disciplina et spirituali perfectione monasticae conversationis (De disciplina spiritualium), Italian translation by Iohannes de Tossignano (Giovanni Tavelli da Tossignano, 1386-1446, bishop of Ferrara 1431-1446).
Description:
Binding: Of the original binding the wooden boards (and the gilt and gauffered edges) survive. The boards are now covered with brown 19th-century marbled paper and the spine with cloth-reinforced beige marbled paper. On the latter (now detached) a paper label with handwritten 19th-century inscription: "146. / Anonimo. / Della disciplina et perfectione / de la monastica conversatione. / Cartaceo. / secolo XV."., Collection of Bernard M. Rosenthal, Berkeley (MS 136). Purchased from him in 1994 on the Edwin J. Beinecke Fund., Headings in red ink of various darkness. On f. 1r the Prologue opens with an 8-line Gothic foliate initial L in purple and blue, heightened with white penwork, on a square golden background, containing a stylized flower in purple and yellow with green foliage and ending in blue, purple and green acanthus leaves; on the same page a full floral border in blue, purple and green with a multitude of hairy gold balls. On all the remaining pages the decoration was not executed: the rectangular spaces with guide letters for initials are blank. A 4-line initial was planned f. 5r at the beginning of the text, a 3-line initial at the beginning of chapter 2 (f. 10r), and 2-line initials at the beginning of the other chapters., and Script: Copied by one hand in Italian Gothica Hybrida Libraria/Currens.
Subject (Name):
Lawrence Justinian,--Saint,--1381-1456
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monastic and religious life
Manuscript on paper of 1) Note on the reign of the first Doge of Venice, Pauluccio Anafesto (697-717). 2) History of Venice from its legendary foundation to 695. 3) Alphabetical list of Venetian noble families, with their coats of arms and notes on their history. 4) History of the Doges of Venice up to Francesco Venier, elected 1554, d. 1556, with their coats of arms.
Description:
Binding: Date? Pasteboard., In Italian., Painted coats of arms, those in art. 3 in decorative cartouches. Large decorative painted initials for each family name., Script: Copied by two hands. A (ff.IIr and 1r-84v): Gothica Cursiva Libraria/Currens; B (ff. 85r-170r): Humanistica Cursiva Currens., and The top and the lower corners of the final leaves badly damaged by moist, with loss of some text.
Subject (Geographic):
Venice (Italy)--History
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Nobility--Italy
Manuscript on paper of Christophorus Columbus (Christopher C.,1451-1506), Epistola de insulis de novo repertis. Relation of his first voyage to America (1492-1493), addressed to Raphael Sanchez and translated into Latin by Leander de Cosco, dated 14 March 1493. Probably copied from the edition Paris, [Guy Marchant, after 29 April 1493], GKW 7175, variant (a). With Bartholomaeus Columbus (Bartholomew C., c. 1460-1514), Descrizione della navigazione nel Mondo Nuovo. The text is in the wrong order, being probably copied from an exemplar in four pages, of which pages 2 and 3 were inverted. The manuscript should be read in the following order: (1) p. 1, lines 1 to 20 asai; (2) p. 2, lines 6 lavorate to 28 vidono di; (3) p. 1, line 20 dismontar to p. 2, line 6 corazze; (4) p. 2, line 29 bambaso to the end. Copied by one hand in Gothica Hybrida Formata verging to the Semitextualis, with a typographic outlook (but totally different from the printing type used in the presumed exemplar).
Description:
At the top of the first page the autograph ownership inscription of Sigismondo Pandolfo de Malatesta (1498-1543?), son of Pandolfo Malatesta. From the Gritti family archives., Cite as: Christopher Columbus, Epistola de Insulis de Novo Repertis. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Latin and Italian., Paragraph marks, flourished initials (5 ll. f. 1r, 3 ll. f. 5r) and Columbus coat of arms all in the same brown ink as the text. The arms closely resemble those found in the Genoa codex of his Book of Privileges., Unbound. Placed in a boardpaper portfolio and leather-backed boardpaper slip-case., and Watermark: cardinal's hat, var. Briquet 3409 ... (1519-1527?).
Subject (Geographic):
North America -- Description and travel--Early works to 1800
Subject (Name):
Columbus, Christopher and Cosco, Leandro di
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature -- 16th century, Manuscripts, Medieval -- Connecticut -- New Haven, and Navigation
Manuscript on parchment of 1) Curtius Rufus, Historia Alexandri Magni, translated into Italian and supplemented with material from Plutarch by Pier Candido Decembrio. 2) Pier Candido Decembrio, Comparazione di Cesare e d'Alessandro Magno.
Description:
Binding: 15th-16th centuries, Italy. Sewn on four tawed skin, slit straps laid in channels on the outside of wooden boards and pegged. Gilt edges. Covered in brown goatskin with corner tongues, and blind-tooled with a ropework star inside painted (red) and blind-tooled circles inside a floral border, all with metallic annular dots. There are traces of four leaf-shaped fastenings, the catches on the lower board, the upper one cut in for fabric straps attached with star-headed nails. Rebacked twice., One illuminated intial, 6-line, gold against blue, green and pink ground with white vine-stem ornament, extending into inner margin to form a partial border; terminating at top and bottom in pen inkspray with buds in green and pink and gold balls with hair-line extensions. Plain initials, 3- to 2-line, in blue, mark text divisions; headings in pale red., Purchased from Lathrop C. Harper in 1949 by Thomas E. Marston., and Script: Written by a single scribe in a slightly rounded humanistic bookhand with many cursive elements, below top line.
Subject (Name):
Caesar, Julius, Decembrio, Pier Candido,--1399-1477, Plutarch, and Rufus, Curtius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--15th century, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper containing letters by or related to Lapo da Castiglionchio (d. 1381), and his family: 1) Lapo da Castiglionchio, Letter, written in 1377, to his son Bernardo, canon of the cathedral of Florence, then 14 years old, containing an elaborate treatise in three parts dealing with political and historical questions. 2) Bernardo da Castiglionchio (1363-1383), Letter to his father Lapo, in which he thanks him for the education and protection his father has provided and in particular for the extensive letter he has written in reply to his questions. 3) Bernardo da Castiglionchio, Second letter to his father Lapo, of about the same time, in which he resumes the theme of the nobility of the Castiglionchio family and provides a panegyric of his father with details about his career. 4) Francesco da Castiglionchio (second half of the fourteenth century), Letter to his father Alberto, brother of Lapo, written 8 June 1381 or slightly later. Describes the coronation of Charles III, King of Naples and Sicily (1381-1386) by Pope Urban VI in the church of St. Peter in Rome on 2 June 1381, an event in the preparation of which Lapo had an important role. 5) Francesco da Castiglionchio, Second letter to his father Alberto staying at Verona, dated 17 July 1381 and relating the death of Alberto's brother Lapo, which happened in Rome on 27 June of the same year after a short illness, a couple of weeks after the coronation of Charles III, which had been so important for the improvement of the Castiglionchio family. 6) Niccolò Acciaiuoli (1310-1365), Extracts from a letter, dated 26 Dec. 1364, to the Florentine merchant Angelo Soderini (d. 1377) established in Avignon.
Description:
Binding: Seventeenth century (?). Brown leather with artificial cross grain over cardboard. Blind-tooled spine with four raised bands and gold-tooled inscription in the second compartment: “CASTIGLIONCHIO / EPISTOLE”. Below a small oval paper label with the number “7” in red ink. Yellow spine., Headings and explicit formulas in pale red ink; marginal captions and notes in the same colour or in black; paragraph marks in pale red ink. 4-line initials (Capitalis) in blue (missing f. 2v), at the opening of each art. and of the subdivisions of art. 1. On f. 1r 7-line white vinestem initial integrated into left margin border of the same style. In the lower margin, in a wreath, the Volognano-Castiglionchio coat of arms: silver, with four chains azure in saltire and castle azure. Running headlines in pale red Capitalis in art. 1 only., On the author, a Florentine poet, friend of Petrarch, professor of Canon Law, lawyer, diplomat, politician, see Dizionario biografico degli Italiani, v. 22 (1979), pp. 40-44., and Script: Copied by one hand in careful Humanistica Semitextualis Libraria. The first line of each text and some headings are in Capitalis.
Subject (Geographic):
Florence (Italy)--History
Subject (Name):
Castiglionchio, Lapo da,--d. 1381
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian letters, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Nobility--Italy
Manuscript on paper (trimmed) of Five Novelle. First novella about Valeria married against her will to Pietro Lombardo; Second: "Julia e Prunneo"; Third: "Lucretia e Hyeronimo"; Fourth: "Camilla e Estore"; Fifth: "Justa Victoria," by Felice Feliciano.
Description:
Binding: Eighteenth century. Gilt, gauffered edges. Brown sheepskin over wooden boards, blind-tooled. Floral woodblock paste paper pastedowns and endleaves. Two fastenings with shell-shaped clasps on the upper board and pins in the edge of the lower. Rebacked., Decorated with several miniatures and borders in water and body color: f. i verso, full-page miniature of tomb in a landscape, with an epigraphic inscription. Arms above inscription: azure, a fess or; an inescutcheon azure, a bend wavy or. On f. 1r, a full frame, outer, inner and upper margins with bucrania, trophies, swags, jewels, arms and armor (including two shields: azure, a fess or; and azure, a bend wavy [Marcello]), in blue, pink, green and gold, framed in gold; lower margin, a parapet with a cornice, enclosing a cartouche with bust, supported by putti and flanked by the letters "A. A.", background filled with spiral flowing vines, pink, blue, green and gold, with brown hair-spray. Cartouches bearing inscriptions on ff. 53v, 82v, 105v. On f. 145v a scroll, written in red and blue letters festooned on a tree in a landscape, the ends supported by two putti. At the beginning of each novel, a 3- or 2-line initial, gold, against a purple or crimson ground with gold floral filigree; followed by several words in text script, gold against a crimson or purple rectangular ground., Script: Written by one person in bold italic., and Watermarks: crossed arrows buried in gutter.
Subject (Name):
Feliciano, Felice,--15th cent
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--16th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (watermarks obscured by binding and trimming) of prayers and hymns to the Virgin Mary.
Alternative Title:
Questa sie de madona felippa da thano
Description:
Early inscription on front cover.
Subject (Name):
Catholic Church--Prayers and devotions and Mary,--Blessed Virgin, Saint--Devotion to
Subject (Topic):
Hymns, Italian, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (speckled on hair side) of 1) Petrarch, Rerum vulgarium fragmenta. 2) Petrarch, Triumphi.
Description:
Acquired from H. P. Kraus in 1960 by Thomas E. Marston., Binding: Nineteenth century, Italy. Brown calf, blind- and gold-tooled. Gilt edges. Title on spine: "Petrarca". Signed by "CR"., Illuminated by Antonio di Niccolo di Lorenzo. The decoration consists of an illuminated title page with full border, white vine-stem ornament on blue, red and green ground with white, blue and pale yellow dots, respectively, with a thin gold bar in all margins, forming a diamond (black) in inner and a roundel with a profile head of a young woman against blue sky with some clouds in the outer margin. In the lower border a medallion (erased) framed in gold and supported by four round-faced putti with multicolored wings in green and red. Superimposed on the border are a variety of multicolored birds, a lion and two putti. These animals are related to animals in contemporary Florentine manuscripts and perhaps reflect the use of a model book. Historiated initial, 10-line, gold, on blue green and red ground with white vine-stem ornament attached to the inner border, with a half-length portrait of Petrarch holding a book against a blue sky with white cloud formations. Six illuminated initials (ff. 143r, 155v, 159r, 168v, 176r, 178v), 6- and 5-line, gold on blue, red and green grounds with white vine-stem ornament extending into margin, and gold dots with hair-line extensions. On f. 143r, initial joined to partial border, same as above. Plain initials in blue, paragraph marks alternate red and blue. Headings in red., and Script: Written by Carlo di Palla Guidi in a round humanistic script, above top line.
Subject (Name):
Petrarca, Francesco,--1304-1374
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper and parchment containing 1) Ownership inscription and note on the scribe, followed by a variant form of a Biblical quotation (Lamentations 3:27-28). 2) Legend of St. Jerome in Italian, with special attention for miraculous events, as an introduction to artt. 4-6. Quotes Iohannes Belet (12th century), St. Augustine, Prosper of Aquitaine, Isidore of Seville, Sulpicius Severus. 3) Ps.-Eusebius, Epistula de morte Hieronymi (BHL 3866), Italian translation. 4) Ps. -Augustinus Hipponensis, Epistola de magnificentiis Hieronymi (BHL 3867), Italian translation. 5) Ps.-Cyrillus, Epistola de miraculis Hieronymi (BHL 3868), in Italian translation. 6) History of abbot Daniel living in Thebais and his disobedient servant, to whom he tells the life of a virtuous man they have met, called Eulogius, who eventually became patricius and praefectus praetorio in Constantinople at the time of emperor Justinus I (518-527); due to the loss of one or more quires the major part of the text, containing the intervention of the Virgin, is missing.
Description:
Binding: Quarter binding of bevelled wooden boards (worm-eaten) and brown leather; spine with three raised bands and paper title label with handwritten 17th-century inscription: “Vita / di S. / Girola.” On the boards marks of one clasp attached to the front board and on the front board the ca. 1800 inscription “JO.” written in black ink. Possibly the binding once belonged to another manuscript., Collection of Bernard M. Rosenthal (MS 38). Purchased from him on the Edwin J. Beinecke Fund., Description follow modern foliation which includes two preliminary leaves.., Headings in pale red, often difficult to read. Yellow heightening of the majuscules. Initials, with guide letters written in the space reserved for the initial: (1) flourished initials (3-4 lines) in red with pale red (or brown) penwork or in blue with red penwork, sometimes with marginal penwork extensions; (2) at the beginning of each text a larger initial; the letters following this type of initial are majuscules. F. 3r: 12-line blue initial of the littera duplex type with extensive penwork in red and some blue, with decorative border in the same colours in the inner and lower margin and tendrils in the other margins containing flowers and acorns; the border of the lower margin terminates in a medallion containing a coat of arms; ff. 8r, 41r: 9-line initial of the same type and in the same colours; f. 47v: 6-line, idem; f. 77v: 7-line black initial., Script: Copied by one hand in a peculiar form of Southern Gothica Textualis Libraria under Humanistic influence as visible in the total lack of compression; special features are: the sloping hairline at the top of the second stroke of e, parallelled by the sloping stroke on i; h with exceptionally long curved extension under the baseline; the forked lower ending of f and straight s on or under the baseline and the forked descender of p; and the very fancy majuscules., and The lower margin of f. 62 torn off.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library