Manuscript on parchment of Valerius Maximus, Facta et dicta memorabilia
Description:
In Latin., Script: Written in gothic bookhand. Marginal and interlinear annotations in less formal scripts., 8 large initials, 10- to 7-line, of poor quality, pink against gold ground thickly edged in black, filled with stylized foliage, green, orange, and yellow on blue ground. Foliage serifs, pink, blue, orange and yellow with white filigree extending into margins to form partial borders. Gold balls, thickly edged in black. Numerous small initials, 5- to 3-line, pink against gold ground edged in black, filled with stylized foliage, orange and yellow on blue ground. Numerous flourished initials, 2- to 1-line, alternate in red and blue with brown or red penwork. Headings in red by at least two rubricators. Paragraph marks in blue for chapters in tables preceding each book; in red and blue for text., Folio 1r damaged with some loss of text. Most of the decoration is badly rubbed and stained., and Binding: Nineteenth century, Italy. Brown leather case, blind- and gold-tooled. Title (citing portion of table of contents for Book II, f. 1r) on spine: "De institutis/ antiquis/ de disciplina/ militari/ de iure" and "Triumphandi".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper, written in two stages. Part II was copied in the mid-14th century (before 1369) in Tuscany, possibly in Pisa. Part I was copied by Niccolo di Giovanni Cinuzi da Siena in Ferrara, Italy, by 1 Sept. 1415. Part I: Boccaccio, Filostrato. Part II: Articles 2-35 and 38-39 consist of a collection of Italian canzoni by various authors as well as anonymous poems. Artt. 36 and 37 are fragments of Petrarch, Rerum vulgarum
Description:
In Italian., Watermarks: Part I: similar to Briquet Monts 11678. Part II: similar to Briquet Ciseaux 3737., Script: Part I (ff. 1r-78v): Written by a single scribe in a bold upright notarial script. Part II (ff. 91r-110v): Written in a clear notarial script by a single scribe; later writers have added the initials, offset in margins, for the major sections of text (sometimes inaccurately) and the notes on ff. 109v-110v., Crude drawings include a falconer with birds, f. 103v, and a ghost (?), f. 103r., The pattern of stains suggests the two parts were originally bound separately. Stained throughout; some ink blotches affect text., and Binding: Nineteenth century. Brown calf over wooden boards, blind-tooled. Red-brown, gold-tooled label. Parchment reinforcements between quires.
Manuscript on parchment of Formularium novum, copied after an unbound exemplar in the hands of master Ulrich, librarius at the papal court in Rome. Preserved from the end of chapter 531 up to the end of the text, i.e. chapter 586. Many documents have connections with Bologna. Also contains an undated and unsigned letter addressed to a Pope, answering a letter by the General of the Franciscan order and referring to an invasion of property belonging to the writer's family by a certain Tiburtius, made into a formula
Description:
In Latin., Script: Art. 1 copied by one hand in Gothica Cursiva Libraria; art. 2 is in another hand, writing a small script of the same type., Headings in red; instructions for them are written in small Cursiva in the margins, together with the chapter numbers. 2-line flourished initials, alternately red with purple and blue with red penwork. Art. 2 is undecorated., The reading is doubtful at many places. The corners and outer edges of the final leaves damaged., and Unbound.
Manuscript fragment on parchment of a gradual containing the Second and Third Sundays after Easter
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: one 4-line initial "I", the body of which is divided into three columns of blue, blue-grey, and light brown, each column decorated with a different pattern of white filigree; the first letter of the rubric is a blue uncial with red penwork, and the rest of the rubric is written in red; punctuated with the punctus; musical notation is in black on 4-line staves in red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Graduals (Chants).
In Latin., Script: written in gothic script, with notation in nota quadrata., Many illuminated, several historiated initials, the rest in red and black penwork. Made for a church where there was a special veneration for Sts. Lawrence, Concordia and Pope Marcus., Many folios are damaged, some were repaired and all were cut off at the upper and side edges., and Binding: old wooden boards covered with leather; metal corners and center pieces, leather clasps; rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Graduals (Liturgical books)., Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Music
Manuscript bifolium, on parchment, containing part of a didactic poem about Latin grammar
Description:
In Latin., Script: Italian gothic. Marginal annotations in a contemporary cursive gothic hand., Decoration: Initial letters in red and blue ink., and Ownership? inscription in gutter of bifolium: "Al molto nobilo Messer Antonio R----."
Manuscript bifolium on parchment, containing text from the Heroides, with the text of the Italian prose translation by Filippo Ceffi framing it in the margins
Description:
In Latin and Italian., Script: gothica textualis rotunda italiana., Decoration: capitals touched in yellow ink. Headings in red ink., and Labeled in a large later hand: "Ricorda...anno...161...."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ceffi, Filippo. and Ovid, 43 B.C.-17 A.D. or 18 A.D.
Manuscript on parchment (goatskin) of 1) Landulphus senior (Landulphus Mediolanensis, 12th century), Historia Mediolanensis. 2) Catalogue of the Archbishops of Milan up to Galdinus (1166-1176). 3) Arnulf of Milan (Arnulphus Mediolanensis, d. ca. 1077), Liber gestorum recentium
Description:
In Latin., Script: Copied by one hand in Southern Gothica Semitextualis Libraria. Marginal notes in Gothico-Humanistica Cursiva Libraria., Annotations in the hand of Francesco della Croce., Plain red 1-line initials in the verses at the end of art. 1, Book I (f. 10v) and in art. 2; alternately red and blue 2- or 3-lines initials in the other parts; 5-line littera duplex in the same colours at the beginning of art. 3; 6-line littera duplex with penwork and marginal extensions at the beginning of art. 1, Book I (f. 1v); 9-line foliate initial on square background in yellow, mauve, red, green, blue and with left-margin Gothic illuminated acanthus border on f. 1r., and Binding: Twentieth century. Plain white parchment over pasteboard. Remnants of title-label at the top of the spine.
Subject (Geographic):
Connecticut, New Haven., Italy, and Milan (Italy)
Subject (Name):
Della Croce, Francesco, 1391-1479.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript fragment on parchment of an initial; De Ricci records two manuscript numbers for this fragment; however, it contains only one initial
Description:
In Latin. and Decoration: initial "N" in light pink decorated with white foliate patterns around the outer edge of the letter and white dots around the inner edge; the ends of the letter terminate in green and yellow; the letter is on a gold geometric ground that is outlined in black and filled with green, pink, and red leaves attached to a blue vine and with balls that are half white and half blue or green.
Manuscript on parchment, composed in two parts with different formats, of Jacobus de Voragine, Legenda aurea. With several Saints' Vitae by various authors. Part I was written in (probably Northern) Italy at the end of the 14th or beginning of the 15th century. Part II may have been written in Hainaut and added during the 15th century
Description:
In Latin., Script: Part I written in round gothic bookhand by a single scribe who made neat corrections, often on lines ruled in the margins. Part II written in well formed gothic textura., Part I: Border decorations: long stems, inner and top margins or between text columns, in blue, pink, and grey segments divided by small balls, sprouting curling foliage (blue, light blue, and orange), concentrated at corners, with large spiky leaves at terminals and large spiral angular returns filled with mauve or gold in the lower margins; large gold dots tucked under leaves and trailing from the tips of leaves on thin brown pen lines. Initials, 4- to 3-line, attached to stems, pink and grey with white highlights; foliage serifs, as above; letters filled with blue and gold, with some vine work (green and grey), against gold grounds with thick black edging. 2-line initials, set into text columns, blue or red, with very elaborate, minute penwork, blue, red, and occasionally green, built up of small spirals, roundels, and long "caterpillar"-like segments, often extending the full length of text columns; with curling flourishes in margin. 1-line initials in Table of Contents red or blue, with thin vertical strokes in the opposite color; chapter numbers in red. Headings and paragraph marks in blue or red; rubrics throughout., Part II: Plain initials, 5- to 3-line, alternating red and blue, with large serifs; one on f. 300v in red and blue. Headings and initial strokes in red., and Binding: Nineteenth century. Pinkish brown calf case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Voragine, approximately 1229-1298. and Cistercians.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Legends, and Manuscripts, Medieval