Manuscript on parchment of seventeen miniatures (all versos), formerly inserted in MS 287, which were removed and rebound in their present form when recognized as the work of the 19th-century facsimilist, Caleb Wing. They were intended to replace originals excised from MS 287 at an uncertain date. As suggested by the format of MS 287, there were probably only sixteen miniatures in the original program
Description:
Binding: 19th-20th centuries. Worn red velvet.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Wing, C. W. fl. 1826-1860. (Charles William),
Subject (Topic):
Arts, Forgeries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of The Mirrour of the Blessed Lyf of Jesu Crist, translated into English by Nicholas Love. With Memorandum stating that the original copy of the translation was given to Thomas Arundell, Abp. of Canterbury, for his approval, in 1410
Description:
In Middle English., Script: Written by one hand in bastard Anglicana., Initials at beginning of each day, 4-line, on ff. 22r, 34r, 53r, 106r, gold against pink and blue grounds, with white filigree, partial borders of acanthus leaves and daisy buds in purple, pink, orange and blue, black hair-spray with green leaves and gold dots. (Similar initials or more important decoration probably occurred on the folios missing at the beginning of Prohemium, Monday, Friday and Chapter 64.) 3- and 2-lines initials gold against pink and blue, with white filigree, short border of hair-spray with green leaves and gold dots. 1-line initials and paragraph marks gold with blue penwork or blue with red used in text and in running titles and notations in outer margin. Line-fillers in blue and gold; rubrics throughout., Outer margin of f. 37 cut off., and Binding: 19th-20th centuries. Olive green goatskin, blind-tooled, with gold-tooled label. Two clasp-and-catch fastenings. Bound by Zaehnsdorf (London, ca. 1842-1930). Original flyleaf (f. iv) is a bifolium, inserted sideways, from a manuscript written in England, 14th century, in Anglicana formata. On the recto and verso at top, portions of a prose text by Richard Rolle; on the recto and verso at bottom, Rolle's Commandment of Love.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Love, Nicholas, fl. 1410. and Rolle, Richard, of Hampole, 1290?-1349.
Subject (Topic):
Devotional literature, English (Middle), English literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment. With graded calendar, in red and black, lacking January and February; the qualifier "pape" erased or crossed out
Description:
In Latin., Script: Written by a single scribe in elegant gothic textura (larger size for the Canon), with standard musical notation of Canon, etc., Sumptuous full bar borders surrounding text and running between text columns, alternating red and blue segments, divided by gold panels, from which sprout short sprigs of ivy (blue, red, pink with white highlights, often in a guilloche pattern) and daisy buds, gold cusped corners, filled with ivy or strapwork with flower terminals; the whole further embellished by hair-spray with gold balls and flowers; the gold with simple punches throughout. On the same folios, 7- to 5-line initials, blue and/or red with white highlights, filled with red, pink, and blue ivy or strapwork on irregular gold grounds, with simple punches. Elaborate 3- and 2-line initials throughout, pink and blue, filled with ivy, trailing pink and blue ivy, on irregular gold grounds extending with ivy into border, embellished with gold balls and hair-spray. 2- and 1-line gold initials throughout, with elaborate purple penwork designs, often far into margins; long (up to 10-line) I-initials in the same manner. 2- and 1-line blue initials throughout with red penwork; long I-initials in same manner. 1-line gold initials with simple brown penwork. Line-fillers in the litany, blue and gold. Two leaves, probably with miniatures of the Maiestas Domini and Crucifixion, have been removed before the Canon (after f. 136)., First four leaves are stained and trimmed, but with no loss of text., and Binding: Twentieth century. White, gold-tooled pigskin over wooden boards. Gilt edges. Bound by Sangorski and Sutcliffe (London, 1901 to the present).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment (thick, furry) of Hugo de Folieto, Moralitates de avibus. With Libri de medicina anime, Chapters 1-7, incomplete at end. Often attributed to Hugh of St. Victor. Written as part of a larger book
Description:
In Latin., Script: Written by one scribe in bold gothic bookhand., Eighteen colored drawings of birds, many of which have been retouched by a later hand. Well drawn initials in red or blue, with penwork designs of the other color, mark the beginning of each chapter; rubrics throughout., Most folios are stained and have been repaired, but with little loss of text., and Binding: Twentieth century. Red goatskin, gilt, by Zaehnsdorf. Marks and small holes along outer edges of leaves suggest that an earlier binding had two fore-edge clasps.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugh, of Fouilloy, d. 1172 or 3.
Subject (Topic):
Birds in literature, Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Nicolaus de Lyra, Postilla super psalterium; Postilla super libros prophetorum
Description:
In Latin., Script: copied by two scribes: A copied ff. 1r-95r (with the exception of f. 40) in Gothica Cursiva Antiquior Libraria; and B copied ff. 97r-272r in the same type of script, but closer to Anglicana., Decoration: Illuminated initials in red, purple, blue, and gold leaf. Elaborate marginal vine-and-floral ornamentation at beginnings of chapters in red, blue, green, brown, and gold leaf. Occasional multi-colored pictures and diagrams. Traces of indexing tabs on the first leaf of every book. See catalog description for further detail., and Binding: 19th century parchment over pasteboards. Each cover has a central embossed design of an interlocking lozenge and rectangle in red and black with floral ornamentation in gold and blue. Red leather labels on spine with embossed gold letters.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a sumptuously illuminated and exceptionally well preserved manuscript of East Anglian origin
Description:
In Latin., Script: Written in fine gothic bookhand., Eight of the original ten historiated initials survive. The initials are pink and blue with white filigree and dots on f. 7r incorporating intertwining leaves in pink, blue, green and orange; the figures predominantly orange, and purple with some pink, blue and green, on elaborately tooled gold, set against square grounds, quartered blue and red, with diapering. Each initial with a lavishly ornamented full border incorporating spiraling foliage, large oak leaves, flowers, knots, grotesques, and quatrefoils framing additional figures. 2-line initials for Psalms, pink and/or blue, with white filigree and dots, filled with spiraling ivy, large leaves and dots, blue, green and orange, occasionally a fleur-de-lis, flower, or diaper pattern, on gold, against pink and blue grounds, with white filigree and dots, most connected to bar borders, pink, blue, orange and gold with floral, ivy and grotesque terminals. 1-line initials for verses, gold, thickly edged in black, against irregular pink and blue grounds with white filigree and dots. Many varied line fillers in red and blue., Lower right corners of ff. 42 and 85 excised., and Binding: Sixteenth century, perhaps at Oxford. Caught-up sewing on twelve tawed, slit strap supports, only four of them laced into beech boards, the others cut off at the edges of the spine. The spine is square and the bands prominent and defined. Covered in dark brown calf, blind-tooled with two concentric frames of medallion heads and arabesques, with thistles in the outer corners of the inner panel and an ornament with a cherub's head on it in the center. Nails for catches but no marks of them on the leather, stubs of two straps on the upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment of 1) Psalter in English, in the 8-part liturgical division, beginning defectively. Text is the later version of the Wycliffite translation of the Psalms. 2-7) Book of Hours, use of Sarum. 8) St. Jerome's Psalter, with introductory prayer and text followed by a suffrage to the Virgin. With Notes on Historia, Alegoria, Anagogia, Tropologia
Description:
In Middle English and Latin., Script: Written in small, well formed gothic bookhand., Five 6- to 5-line initials at the liturgical divisions of the Psalter (Psalms 26, 52, 68, 80, 97; initials for Psalms 1, 38, and 109 missing, offset initials on ff. 35v, 109r, and 156r), pink and blue with white highlights against cusped gold grounds, filled with brown, blue, and pink foliage with curling foliate serifs; pink, blue and gold bar border in outer margin with foliate shoots, terminals and horizontal extensions full across in upper and lower margins. Eleven 5- to 4-line initials (ff. 139v, 158v, 161r, 162r, 163r, 163v, 164r, 165v, 168r, 169v, 176v), gold, edged in black against a cusped ground, quartered in blue and pink, with white highlights and floral hair-spray. 3-line initials, blue with red penwork throughout. Capitals alternating red and blue. Rubrics throughout. Red and blue line-fillers in litany., and Binding: 19th-20th centuries. Brown leather case, blind-tooled. Red edges. Smells like a Middleton binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment of a Psalter, with astrological notes, a Calendar, and other litanies and prayers
Description:
In Latin., Written by two scribes in tiny gothic textura. Scribe 1: ff. 2v-91v; Scribe 2: ff. 91v (last folio of quire 8)-95v. Several later hands have added scribbles, prayers, and inscriptions on ff. 1r-2r, 10r, 95v, 96r, 97v, 98r, 99r., Small (6-line) and rather crude historiated initials. The initials for Ps. 52 (the Fool) and Ps. 109 (the Trinity) are missing. In each initial, the figure drawn in black and colored pink, green, and/or blue on a gold ground; the initials attached to cusped, tapering bar border, blue, red, and gold, with white highlights, with ivy terminal, black with red and green leaves. Gold and blue calligraphic initials (2-line), with blue and red penwork respectively; 1-line initials, alternating red and blue. KL monograms, gold on red and blue, with white highlights. Because the initial I was placed in the margin without an inset space in the text, the illuminator often missed it (e.g., for Ps. 70 on f. 42r; for Ps. 113 on f. 62r, and for Ps. 125 on f. 68v)., and Binding: 15th-16th centuries. Resewn on three two-layered tapes of tawed skin attached to wooden boards. The endband cores are of tawed skin with a tawed skin braid at the head, a new endband added at the tail. The spine is square and the cover adhered to it. Covered in tawed skin, originally pink, with corner tongues. Cover repaired at spine and two corners and two silver clasps added. In a flexible grey leather pouch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Astrology, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment of a Psalter-Hymnal, written for a Benedictine monastery. On the rear flyleaf, a fragment of the Gospel of Mark, 1:24-31 and 36-42, in West-Saxon translation
Description:
In Latin and Anglo-Saxon., Script: Copied by three scribes, all writing Northern Gothica Textualis Formata. The fragment is copied in careful Anglo-Saxon Minuscule., The decoration consists of 1-line plain initials alternately in red and blue in the text; 2-line flourished initials in blue with red penwork with marginal extensions; 3- and 5-line litterae duplices with partial or full penwork borders (J-motifs) as indicated in art. 2. Litterae duplices also on ff. 116r, 133v, 143v (artt. 3, 6 and 7)., and Binding: Original undecorated leather over oak boards (?). Spine with three raised bands. Traces (?) of one clasp.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines. and Catholic Church
Subject (Topic):
Liturgy, Hymns, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Psalters
Manuscript on paper of 1) Thomas Hoccleve, Complaint. 2) Hoccleve, Dialogue with a Friend. 3) Hoccleve, Tale of Jereslaus' Wife. 4) Prose moralization of the text in art. 3, preceded by a prologue in verse. 5) Hoccleve, How to Learn to Die. 6) Hoccleve, The Joys of Heaven, in prose, preceded by a prologue, in verse. 7) Hoccleve, Tale of Jonathas, preceded by prologue. 8) Prose moralization of the tale in art. 7. 9) John Lydgate, Dance of Macabre. 10) Hoccleve, Regiment of Princes
Description:
In Middle English., Script: Written in a current mixed hand, Anglicana with Secretary forms, by a single scribe who wrote in a more cursive and compressed style of script for the prose sections of text., Blue initials, 6- to 2-line, for major text divisions, with several distinct styles of red flourishing. Headings and marginal notes in red; paragraph or stanza marks alternate red and blue. Written by a scribe who paid careful attention to the presentation of the text: stanzas are divided by red lines that extend width of written space; metrical arrangements are marked by brackets in red; notes are added, in red, in outer margins and preceded by blue paragraph marks that are often joined together to form a vertical wavy line. In addition, the scribe has also paid attention to minor ornamental features: decorative flourishes, mostly in red, have been added to many lower margins; ornamental ascenders in top line of text extend into upper margin and are often decorated with red., and Binding: Twentieth century. Tan pigskin, blind-tooled, with title, in gold, on spine: "Hoccleve/ Manuscript/ XV Cent." Edges spattered red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hoccleve, Thomas, 1370?-1450?
Subject (Topic):
English literature, English poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval