BEIN ENG38 : From the Cary Collection of Playing Cards., Title devised by cataloger., Latin/Italian suit system, modified (swords, wands, pentacles, cups), Type: Cartomancy., Composition of deck: 78 [A, K, Q, C, J, 10-2, trumps I-XXI, Fool]., CourtCards: Cavaliers are called knights; jacks are labelled pages., Pipcards and Jokers: Pip cards numbered X-II., Trumps: Single figure trumps; II: THE HIGH PRIESTESS; V: THE HIEROPHANT., The cards appeared originally with Waite's Pictorial Key to the Tarot, 1910. All cards bear the designer's monogram. Suits of batons and money are labelled wands and pentacles., and Label indicates that the pack was printed in Great Britian and distributed by the Church of Light, Los Angeles.
Manuscript on paper containing 1) Anthony Jenkinson (1529-1610/11), Relation of a travel to Russia and Persia. 2) Anonymous sonnet in praise of Queen Elizabeth I. Probably an autograph. 3) Anonymous treatise in four parts attacking the apology which Cardinal William Allen (1532-1594) published in 1587 for Sir William Stanley's action in the Netherlands in the preceding year. 4) Accounts regarding tenements; one is headed "Lambeth". 5) Account of a journey through the Middle East, made in 1578 and attributed by another hand to an unrecorded Sir Anthony Standen. 6) Definition of terms related to the Turkish empire encountered in art. 5. 7) Description of the Grand Duchy of Tuscany under Francesco Maria de' Medici (1541-1587). 8) Ferdinand Alvarez de Toledo, Duke of Alva (1508-1582), Proposal addressed to King Philip II of Spain regarding the conquest of Portugal, made 25 May 1579, in English translation. 9) Description of the Benedictine convent of Camaldoli near Arezzo. 10) Short description of England and Scotland. 11) Accounts signed William Garnett; the last one is dated from the 33d year of Queen Elizabeth (1591/1592). The upper outer corner of the page is missing, with loss of text. 12) Collection of state letters. 13) Estate accounts partly dating from 1586/1587 and addressed to unknown person
Description:
In English., Script: Part I (between 1550 and 1600): Art. 1, 3 and the group 5-10 are each written by a different scribe, all writing Gothica Cursiva Libraria (Secretary). The quotations and headings in art. 3 are in Humanistica Cursiva. Art. 2 is also written in Humanistica Cursiva. Art. 4 is in Gothica Cursiva Currens (Secretary)., Script: Part II (between 1600 and 1625): Written by one hand in Gothica Cursiva Currens (Secretary), some quotations and headings in Humanistica Cursiva., Script: Part III (between 1575 and 1600): Written by one hand in Gothica Cursiva Formata (Secretary)., and Binding: Seventeenth century (?). Brown (?) sheepskin over pasteboard, rebacked. On the spine the gold-tooled titles (s. XIX-XX) "JENKINSON RELATION 1561" and "STATE PAPERS?? MS.".
Subject (Geographic):
Connecticut, New Haven., England, Middle East, Russia, and Great Britain
Subject (Name):
Allen, William, 1532-1594., Jenkinson, Anthony., and Standen, Anthony, Sir.
Subject (Topic):
English poetry, English prose literature, Manuscripts, Medieval, Description and travel, History, and Politics and government
Page 183. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
English officer in his morning dress / by Miss Conway
Description:
Title and statement of responsibility from note in ink on a four of hearts playing card (57 x 85 mm) mounted below drawing; alternative title and statement of responsibility written in pencil at top of image: English officer in his morning dress, by Miss Conway., A transformation card., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 183 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Subject (Topic):
Military officers, British, and Ethnic stereotypes
Inscription on verso, in ink: "Entrance of the villa at Strawberry Hill. E.E. 1781.", Signed and dated lower right corner of image: "E.E. 1781"., Numbered in pencil on verso: "No. J"., Note in pencil in unknown hand: "The print of this in the Description, 1784 has slight differences: pot with shrub missing, includes more at right, + top. This is surely Edward's original watercolor for the famous print however.", Formerly shelved as part of the SH Views collection., Edward Edwards (1738-1806), English artist, associate and teacher of perspective in the Royal Academy, London., and Not in Manuscript Catalogue of 1763.
Title written in unknown hand at bottom left corner of sheet, below image., Formerly titled in repository as: "North front.", Unknown artist., Formerly shelved as part of the SH Views collection., Note on verso: There is nothing to show when this was done. It is almost parallel with the "North front" in Bedford's Description (p. 20), 1784 which says "Barlow del et sculp.", and For further information, consult library staff.
Title written in watercolor at bottom of image., Unsigned; artist unidentified., Date supplied by cataloger., and Mounted on page 87 in an album containing material relating to Spring Gardens, Vauxhall, with the spine title: Vauxhall miscellany.
SH Contents C323 no. 2 Framed, shelved in LFS Bin 68
Image Count:
1
Resource Type:
still image
Abstract:
Watercolor drawing representing the procession in the romance of the Castle of Otranto by Horace Walpole
Description:
John Carter (1748-1817), British draughtsman and antiquary., Signed and titled by the artist, lower center. Same text transcribed in another hand on verso., and Later label on verso: This picture was painted by John Carter (1748-1817) and was exhibited at the Royal Academy of 1790. It belonged to Horace Walpole and was at Strawberry Hill until the sale in 1842 when it was bought by the Reverend Horace Cholmondeley from whom it came through his daughter and grand-daughter to H.C.J.
Prosper, of Aquitaine, Saint, approximately 390-approximately 463
Published / Created:
[between 1400 and 1425]
Call Number:
Beinecke MS 15
Image Count:
230
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Prosper Aquitanus, Epigrammata ex sententiis Sancti Augustini. With Johannes Shepey, Sermones
Description:
In Latin., Script: Written in various styles of Anglicana, with some portions in gothic bookhand, by four scribes. Scribe 1) ff. 1r-10r; Scribe 2) ff. 10v-30r; Scribe 3) ff. 31r-107v; Scribe 4) f. 75r to the top of 76r (perhaps to supply text missing from the exemplar)., Blue initials with elaborate red, blue, and black penwork borders that almost totally encompass the written space on ff. 1r and 31r (trimmed along upper and outer edges); similar initials in blue with red penwork designs extending entire length of folio introduce each new section of text., and Binding: Nineteenth century. Brown sheepskin, blind- and gold-tooled. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430. and Prosper, of Aquitaine, Saint, approximately 390-approximately 463.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, Sermons, and Theology, Doctrinal
The arms of two gibbets extend symmetrically, high above a bonfire; between them is an equally high post supporting a board on which the title is etched. From one (right) dangles a realistic effigy of Napoleon (scarcely caricatured) in cocked hat, uniform, and Hessian boots. From the other hangs a ruffianly fellow holding a dark lantern. They face each other in profile
Description:
Title from ink annotation, centered at the top of the sheet within the design., Unsigned; attributed to Rowlandson., and Preliminary pencil sketch of a print published by R. Ackermann on 27 November 1813. Cf. No. 12103 in the Catalogue of prints and drawings in the British Museum, v. 9.
Subject (Name):
Fawkes, Guy, 1570-1606, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806