Date assigned by curator., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below images., and Two images on one plate, each individually titled.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue.
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Printmaker from British Museum catalogue. and Title from text in and below image.
Publisher:
J. Aitken, Castle Street, Leicester Square
Subject (Name):
Aitken, James, -1802, publisher., Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier,--marquis de,--1757-1834--Caricatures and cartoons., Louis--XVI,--King of France,--1754-1793--Caricatures and cartoons., Necker, Jacques,--1732-1804--Caricatures and cartoons., Orléans, Louis Philippe Joseph,--duc d',--1747-1793--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
Two rows with six men and women from various walks of life, comment on Roscius.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Betty, William Hen. West--(William Henry West),--1791-1874., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns.
Description:
Companion print to: English barracks., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Geographic):
France--Foreign opinion, British.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher. http://id.loc.gov/authorities/names/n97860707, France.--Armée--Barracks and quarters--Caricatures and cartoons., Harvey, Francis--Ownership., Malton, Thomas, 1748-1804, printmaker. http://id.loc.gov/authorities/names/nr93023172, and Rowlandson, Thomas, 1756-1827, artist. http://id.loc.gov/authorities/names/n50022330
"Louis XVI and Marie Antoinette seated on chairs at Varennes while an armed and ferocious mob invades the room through an open door (left); the approach of an angry crowd is suggested by a sea of heads, above which weapons are raised. The King sits full face, the Queen beside him in profile to the left and on the extreme right. One ruffian presents a blunderbuss at the Queen, another, yelling, threatens the King with a pistol and sabre. A soldier (left) advances with his musket cocked towards the little Dauphin, who has fallen on his back at the King's feet, having apparently been pushed over by the soldier's bayonet. A man wearing only a bonnet rouge and a shirt advances with a dagger in each hand; behind him is a man with a raised hammer in one hand, a broom in the other."--British Museum online catalogue.
Alternative Title:
French democrats surprising the royal runaways
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Louis--XVI,--King of France,--1754-1793--Caricatures and cartoons., Louis--XVII,--of France,--1785-1795--Caricatures and cartoons., and Marie Antoinette,--Queen, consort of Louis XVI, King of France,--1755-1793--Caricatures and cartoons.
"A crowded design: the room of a quack doctor or astrologer; Larevellière-Lépeaux sits at his table in a gothic chair; five generals approach him from the right, two others are seated (left) behind his chair. The doctor wears his official (Director's) dress (see BMSat 9199) with feathered hat; a bonnet-rouge crowns the back of his chair, against which leans a book: 'Hortus Siccus' (Larevellière was a botanist). He is hunchbacked, with deformed legs ('The holy Hunchback . . .', cf. BMSat 9240). He holds up a retort in which a liquid explodes, so that tiny decollated heads fly upwards. On his table are jars, bottles, and an open book: 'Mal de Naples sive Morbus Gallicus'. (The blockade of Naples by the British fleet was followed by its evacuation by the French (8 May) and risings against the republicans.) A mortar is inscribed 'Arch-Duke Boluses' (the Arch-duke Charles had beaten the French decisively at Stockach, 25 Mar.). A jar is 'Preparation of Lead', a box is 'Lake's Pills' (a pun on Leake's quack remedy; Lake had defeated the Irish rising in 1798). A large jar of 'Esprit de Robespierre' contains a guillotine; a smaller one, a dagger. The five generals are in advanced stages of disease or decay. The foremost holds his hat; from his pocket issues a paper: 'Case of Diabetes'. The next hobbles, contorted with pain, his shambling puny legs swollen below the knee, his boot slashed; he has a paper: 'l'ennemi inquietait mes derrieres'. A lean man has one eye and holds an ear-trumpet to his ear. On the left a general, his face distorted, sits painfully on a close-stool decorated with a bonnet-rouge and motto: 'Vive la grande Nation'. He clutches a paper: 'Ordres, les Ordres'. Beside him is a torn paper, 'Plans de Campagne'. Jourdan, facing him, vomits into a chamber-pot punningly inscribed 'Jourdan' (cf. BMSat 7908, &c). On the ground are clyster-pipe and syringe, books, and papers: 'French Conquêtes' (torn); 'Regime de Terreur' with 'alo Septembre' (BMSat 8122), 'Russian Regimen' (see BMSat 9408, &c), 'Hosologie [sic] Francoise', and 'Catalogue of new French Diseases'. A large crocodile, emblem of the quack and of Egypt (see BMSat 9250), is suspended (as in BMSat 7735) from the roof by tricolour bands. Against the wall are many emblematical objects: on the extreme left an ape (Liberty) seated on a bracket holds a bonnet-rouge on a staff. Above is a terrestrial globe suspended upside down. Next are two mummies swathed with tricolour bandages; the larger is 'Buonaparte', the smaller 'Kleber' (both confined to Egypt by the British fleet). Glass jars containing specimens of abortion are ranged on a long shelf inscribed 'Projets Avortès' [sic]. Some of the labels are illegible, others are: 'Ireland, Commune de Pekin, Venise, Department du Mont Caucase, Directoire d'Abissinie [see BMSat 9352], Armée du Gauge'."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jourdan, Jean-Baptiste,--1762-1833--Caricatures and cartoons., Kléber, Jean-Baptiste,--1753-1800--Caricatures and cartoons., La Revellière-Lépeaux, Louis-Marie de,--1753-1824--Caricatures and cartoons., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"A burlesqued battle-piece. A French army on the sea-shore flees in wild confusion from the fire of a group of English soldiers with a Union flag and two cannon on a low sandy cliff (right). Clouds of smoke suggest an intense cannonade from invisible British troops. In the centre of the French fugitives is Napoleon spurring a white horse, his sabre flying into the air from his outstretched right hand. Two other officers are mounted, one hurls away a banner with skull and cross-bones; the rest are infantry. Corpses, decollated heads, weapons, &c, lie on the ground, trampled on by fugitives. On the horizon are men-of-war; in the sea, ships boats in advance or retreat. The British are realistically drawn, the French are burlesqued. The former wear shakos, their first appearance in these prints."--British Museum online catalogue.
Alternative Title:
Buonaparte landing in Great Britain
Description:
Printmaker from British Museum catalogue. and Title etched in upper left corner of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Design in two compartments contrasting on the left the poverty and depravity of "French Liberty" with the opulence of the British on the right "British Slavery." The thin, ragged sansculotte with a liberty cap on his head, warms his bare, talon-like feet before a fire, while eating his dinner of raw onions. Behind him snails overflow his chamber pot; above the fireplace a "Map of French Conquests". At his feet a sword lies across a violin like a bow. He extolls the virtues of the National Assembly and new won liberties. In contrast on the right, an obese, red-faced Englishman sits in a luxurious room before a table laden with a tankard of hock and a large joint of beef. His shoes are slashed to relieve his bloated, gouty feet. A gold statute of Britannia adorns the wall above him. He curses his ministry for imposing taxes and starving the British people.
Alternative Title:
British slavery
Description:
Title etched below image. and Two images on one plate.
Subject (Geographic):
France--History--Revolution, 1789-1799.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
Britannia (Symbolic character), Liberty, Poverty, Rugs., Taxation--France., Taxation--Great Britain., Taxes., and Wealth.
"A mounted officer with drawn sabre heads a procession of 'Volunteers' linked by a chain to his horse and to each other. The horse is a well-bred animal with handsome trappings, but the rider is lean and has torn breeches. He is followed by a file of three whose necks are attached to the horse and whose hands or arms are pinioned. All are miserable wretches, barelegged and ragged; the last, less abject, has sabots and takes snuff. He is chained to the neck of a donkey on whose back is a pannier containing three despairing conscripts. To the animal's tail is tied a low truck on which a moribund shackled man lies on his back, his knees drawn up. To the truck is chained, in a stooping position, a man whose hands are tied behind his back, his nails being long talons. Birds, scenting carrion, fly towards the procession. Below the design: 'Dedicated (by an Eye Witness) to the Volunteers of Great Britain'."--British Museum online catalogue.
Description:
Printmaker identified as Gillray and the artist questionably identified as Charles Loraine Smith in the British Museum catalogue. and Title etched in top part of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Smith, Charles Loraine, 1751-1835, artist.
"The corner of a tailor's fitting-room. A hideous and plebeian Englishman, fat and short-legged, and wearing a curled Brutus wig, looks at his reflection in an elaborately framed wall-mirror crowned with a bonnet-rouge (left). The tailor, a simian monstrosity standing behind him (right), adjusts the sleeve of the coat. The coat (so styled after de Bry, see BMSat 9389) has a high collar, is heavily padded, with full sleeves gathered at the shoulders, and is cut back into narrow tails. The boots have long pointed toes, the tops, with high tasselled peaks, projecting in front of the leg far above the knee. He stands on a large volume: 'Nouveaux Costumes'. The tailor is foppish, though wearing a bonnet-rouge with a long peak, long queue, ungartered stockings, and slippers. A tricolour measuring-tape is draped about him. He says: "A ha! - dere my Friend, I fit you to de Life! - dere is Libertè - no tight Aristocrat Sleeve, to keep from you do, vat you like! - aha! begar, dere be only want von leetel National Cockade to make look quite a la mode de Paris!!" John Bull answers: "Liberty! - quoth'a! - why sound I can't move my Arms at all! for all it looks woundy big! - ah! damn your French Alamodes, they give a man the same Liberty as if he was in the Stocks! - give me my Old Coat again, say I, if it is a little out at the Elbows." On the wall (right) is visible the left portion of a framed plate of the official costumes of the Directory (see BMSat 9196, &c): in six compartments are tiny simian creatures inscribed respectively: 'Membre du Directo[ire], Cornell des Anciens, Ministre, Conseil des 5 Cents, Juge------, Administrat ...'. Beneath is a framed oval containing 'Les Regles pour les Modes'; these end: 'Vive la Libertè'. A patterned carpet completes the design."--British Museum online catalogue.
Alternative Title:
French tailor fitting John Bull with a Jean de Bry
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.