Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a copy of a Rowlandson watercolor. See nos. 11111-7 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Publisher:
Reeve & Jones, No. 7 Vere Strt.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Reeve and Jones, publisher., and Rowlandson, Thomas, 1756-1827, artist.
"A whole length satirical portrait of the Duke of Norfolk, directed to the right; in his left hand is the baton of Earl Marshal; his right hand is in his waistcoat pocket. He wears top-boots, a slouched hat, and his hair is closely cropped. Earlier caricatures show the Duke wearing his own hair without powder, hanging on his neck."--British Museum online catalogue.
Alternative Title:
Norfolk dumpling
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons.
"Bust portrait of a good-looking lady, directed to the left. In the gauze projection which covers her bust are four small dogs. Her hair is not extravagantly dressed, and is decorated with three ostrich feathers, which suggest that she may be intended for Mrs. Fitzherbert."--British Museum online catalogue.
Alternative Title:
Fashionable bosom
Description:
The 'f' in 'fo' and the 'N' in 'No.' in imprint statement are etched backwards. and Title etched below image.
Publisher:
G. Humphrey, No. 48 Long Acre
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzherbert, Maria Anne,--1756-1837., and Harvey, Francis--Ownership.
"Britannia, in profile to the right, kneels on the ground, bending forward with an expression of angry distress. She supports herself on her spear, the upper part of which rests against her right shoulder. Her shield, broken, lies on the ground, her knee resting on it. Behind her (left) are the two 'State Quacks', Fox and North, Fox, with a fox's head, sitting on the ground, lifts Britannia's petticoats in both hands. North, very stout and fat, stands (left) in profile to the right, holding a large syringe. A mountainous landscape, with clouds, forms the background."--British Museum online catalogue.
Alternative Title:
State quacks administering and State quacks administring
Description:
Printmaker from British Museum catalogue.
Publisher:
W. Humphrey, No. 227 Strand
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, William, approximately 1740-approximately 1810, printmaker., and North, Frederick,--Lord,--1732-1792--Caricatures and cartoons.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-78
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"A slim man, standing, 'chapeau-bras', in profile to the right. He is fashionably dressed in a high-collared coat cut back to form tails, and shirt frill; his shoes have very large buckles. His hair is in a queue resembling that worn by the Macaronies c. 1772 but smaller and attached to the back of his head instead of falling on his shoulders. Beneath the title is etched, 'These Species of Insects, of late are become exceeding numerous, (like the Green Louse, when first brought to Amsterdam, from a single one, has proceeded such Swarms as to be of alarming Consequence) their Colours' are various, '& cast their Coats like the Camelion, sometimes to ten different Shades of a day, it is difficult to distinguish the Male of these Reptiles from the Female, as the Voice & Manner approaches nearer to the Feminine than Masculine. Liquor they are peculiarly fond of, and when in a State of Inebriation are so troublesome, that it requires a stout Cane to keep them from stinging you. They are in being all the Year round, are chiefly to be found in the Boxes of the Theatres, Publick Gardens, Concerts, &c. You may hear them long before they come to View, by a shrill squeak of Bern me, Gad Zounds, Blood & Thunder, D------m'd Boar & such Phrases. The celebrated Linneus attributes their Generation to the Putrified Essence of Lavender, Bergamot, Marchalle Powder, Violets, Pomatums, Snuff, Grease &c. &c. Although their first Appearance has a terrible Aspect, they are as harmless and inoffensive, when sober, as New Born Babes. A Buckling of this Species, differs from a Buck, much in the same manner as a Hornet to a Wasp'."--British Museum online catalogue, description of a later state.
Description:
"Price 6d, col[ore]d 1s."--Following imprint., Probably an early state; price statement, which seems to be partially or completely burnished away in later states, is present here. For a probable later state lacking price, see no. 6718 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Questionable attribution to Rowlandson from the British Museum catalogue and Grego., Temporary local subject terms: Dandies -- Fashionable men -- Fashion -- Allusion to Charles Furtado., and Title etched below image.
Publisher:
Published … by a lover of Natural History
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Bar scales given in English miles, 60 in a degree, Irish miles, 50 in a degree, and Dutch miles, 15 in a degree., Drawn from the survey made by Sr. Wm. Petty ; divided into its provinces, counties, and barronies, shewing also its bishopricks, borroughs, highwaies ... ; improved with many additions not extent in any other map., Includes inset map The sea coast of England, Scotland, and Ireland, Holland & part of France., No. 8 of 69 maps bound together in composite atlas., and Scale [ca. 1:540 000].
Publisher:
Sold by Rob. Morden at the Atlas in Corn-hil and by Christ. Brown at the Globe and Compasses in St. Pauls Churchyard
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printmaker from Grego., and Title etched below image.
Publisher:
H. Holland, Oxford Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Pitt, William,--1759-1806--Caricatures and cartoons., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
"George III and Queen Charlotte stand before the open gate of the Treasury, from which Pitt has just wheeled a barrow laden with money-bags. Pitt, the straps of the barrow round his shoulders, his coat-pocket bulging with guineas, obsequiously hands the king a money-bag. George III stands full-face, legs astride, a money-bag inscribed '£100000' under his right arm, another in his right hand and all his pockets overflowing with guineas. Queen Charlotte (left) stands on his right taking a pinch of snuff, and looking up at him with a smile of greedy and satisfied cunning; in her apron is a heap of guineas. Military officers wearing high cocked hats with feather trimmings (in a French fashion), and long pigtail queues, stand round the King and Queen, in a semicircle, in front of the spiked gates of the Treasury, playing musical instruments: fifes, bassoons, a horn, &c. The pockets of the two in the foreground (left and right) are crammed with guineas, those of the others, presumably equally full, are concealed. They represent the placemen and Ministerialists of the Treasury Bench. The most prominent (right) is probably Lord Sydney. In the foreground (left) an old sailor, armless and with two wooden legs, sits on the ground, his empty hat before him. On the right the Prince of Wales, in rags, hesitates to take a paper inscribed 'Accept £200000 from your Friend Orleans', which a slim and foppish Frenchman, in bag-wig and 'chapeau-bras', standing on the extreme right, offers him, taking his hand. He is very different from the heavily built Due d'Orléans (who succeeded his father in Nov. 1785) who had recently presented his portrait by Reynolds (now at Hampton Court) to the Prince of Wales. He had adopted the English manner of dress and made it fashionable in France ..."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
Willm. Holland, No. 66 Drury Lane
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., Necker, Jacues,--1732-1804--Caricatures and cartoons., Orléans, Louis Philippe Joseph,--duc d',--1747-1793--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., and Sydney, Thomas Townshend,--Viscount,--1733-1800--Caricatures and cartoons.