Manuscript on paper (thick, coarse) of Lives of the Saints, preceded by accounts of events in the Bible from both the Old and New Testaments. Folios 51 and 61 interchanged in rebinding.
Description:
Binding: Nineteenth century, Italy. Rigid vellum case with two red labels on spine: "Trattati di storia sacra" and "Manuscritto 1360"., Crudely executed title page, f. 1r, consisting of floral and foliage motifs in upper margin, scroll around column in inner margin, and, in outer margin, scroll around column terminating in elongated arm with text on the scroll (much rubbed and stained). In lower margin a coat of arms (damaged; probably: or, two columns gules); the letters B and C on either side in the bases of columns in inner and outer margins. The decoration of title page in bright red and green. Plain initials (some with simple foliage designs), headings, paragraph marks, pointing hands, and hands holding crosses or symbols of passions of martyrs (e. g., gridiron for Laurence), all in bright red, green, and/or black., Folio 1 damaged; no loss of text., Script: Written by several scribes in unruly mercantesca script, above top line. Script becomes smaller and tighter toward end of codex., and Watermarks: similar in design to Briquet Ciseaux 3708 dated Genoa, 1465.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (one leaf) of Three poems. MS 352, f. 88 from a larger volume, may be Benivieni's working copy, since words and verses have been added and deleted throughout; all three columns on both recto and verso have been struck out. The three poems were once thought to be the autograph works of Lorenzo de' Medici
Description:
In Italian., Script: Written in a vigorous notarial script., Leaf is mutilated and has been repaired extensively., and Boxed.
Manuscript on paper (sturdy) of what is probably the first version of the treatise, finished ca. 1476-77. The order of contents is as follows: fortresses; temples, churches and theaters; columns and other architectural details; plans for palaces; aqueducts; measuring and surveying; instruments of war
Description:
In Italian., Watermarks: anchor and star similar to Briquet Ancre 478, Bergamo 1502., Script: Written in italic script by a single scribe who left blank spaces for illuminated initials., Outer and lower margins of almost every page filled with architectural or mechanical sketches drawn either directly on the leaves (ff. 1r-5v) or on small strips of paper pasted onto the margins of the leaves (ff. 6r-57v), in brown ink, sometimes with green or pink washes. The drawings illustrate every section of the text; many have explanatory inscriptions., and Binding: Eighteenth century. Red edges. Mottled, brown calf, streaked on the turn-ins. Blind-tooled, with a gold-tooled spine.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Name):
Martini, Francesco di Giorgio, 1439-1502.
Subject (Topic):
Architecture, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, and Military art and science
Manuscript on paper of Guglielmo Balzani, of Casale Monferrato, Treatise on Falconry
Description:
The 8th Marchese of Monferrato mentioned in the prologue is presumably Guglielmo (1550-1587)., In Italian., Watermarks: unidentified crossbow in circle, with countermark "B A B"., Script: Written by 2 hands in 17th-century cursive: Scribe 1) ff. 1r-177r; Scribe 2) ff. 177v-208r., and Binding: Eighteenth century. Spattered brown calf, blind-tooled. Edges spattered blue/green and red. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Balzani, Guglielmo.
Subject (Topic):
Falconry, Italian literature, and Manuscripts, Medieval
Manuscript on paper (with various watermarks), composed of five separate manuscripts bound together. Parts I and II were written in the 15th century and III-V in the 17th century. Part I: Vita di San Petronio. Part II: Tommaso Nacci Caffarini, Tractatus de stigmatibus extractus, the second part of the book De supplemento legende beate Katerine de senis. Part III: Federico Borromeo, Vita S. Caroli Borromei. Part IV: Pope Pius II, De morte eugenij Quarti creationeque et coronatione Niccolai V oratio. Part V: Thomas Obicinus, Motiuo Celeste diretto in questo segnato tempo
Description:
In Latin and Italian., Script: Part I: Round humanistic by a single scribe. Part II: Small neat round textura in a single hand. Part III: Written by one scribe in a calligraphic italic hand. Part IV: Written in italic hand by a single scribe. Part V: Written in a small italic hand by one scribe., Part I: Simple penwork initials in red or blue, some with penwork designs of the other color. Part II: Uninspired and badly rubbed historiated initial (Christ [?] displaying stigmata) on gold background with three gold dots, f. 19r; small decorative initials in red with black penwork designs, or blue with red. Paragraph marks in red or blue., The manuscript has been damaged and repaired extensively. Parts I and III: Waterstained and mended throughout. Part II: Folios have been trimmed with some loss of marginalia., and Binding: 18th-19th centuries. Vellum and paste paper case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petronius, Saint, Bishop of Bologna, d. ca. 445.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papal documents, and Stigmatization
Guglielmo, da Saliceto, approximately 1210-1276 or 1277
Published / Created:
1473.
Call Number:
Manuscript 54 vault
Image Count:
734
Resource Type:
text
Abstract:
Manuscript, on paper, in two unidentified hands, containing Guglielmo da Saliceto's Summa conservationis et curationis (ff. 1r-275r). Followed, in a third hand, by an alphabetical glossary of plants in Latin and German (ff. 275r-278r). Ends with the text of the Chirurgia (ff. 280-364), ending imperfectly. Texts of the Summa conservationes et curationis and of the Chirurgia were likely written separately in Italy, but bound in Germany
Alternative Title:
Summa conservationis & curatione : [and] cyrurgia
Description:
In Latin and German., Title from title page (front flyleaf)., Script: humanist minuscule., Layout: double column of 51 lines., Binding: German 16th-century half blind-tooled pigskin binding over oak boards with two fore-edge brass clasps, with catches on the upper board. Lower board repaired with one clasp missing. Parchment binding stay (Germany, 15th-century) between ff. 10 and 11). Binding was rebacked and repaired in the 20th century; pastedown and flyleaf were added (watermark "P" with 4 petals on top, not located in Briquet). Leather spinal label with a gold-tooled title: "Guilielmi/ Placentini De [?]/ Saliceto Summa/ Conservationis/ Et Curationis/ 1473"., Title page has colophon: Wilhelmi Placentini medici de Saliceto summa conservationis et curationis -- item Chirurgia. 1473. Claruit auctor tempore Rudolphi I imp..., End of Summa (f. 275) has colophon: Explicit liber quart et ultimus practice phisicalis excellentissimi magistri guilhelmi piacentini 1473., and Two units foliated separately.
Subject (Topic):
Materia medica, Medicine, Manuscripts, Medicine, Medieval, and Surgery, Medieval
A volume of etchings by three daughters of art collector John Ingram 1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli whose own etchings were in manner of Rembrandt and whose influence can be seen in the sisters' etchings. The style of the various impressions is very similar and were apparently made within a fairly short period if the dated prints are an accurate indication; some of the prints bound in first are dated February 1816 and then March 1816. This dating seems to be confirmed by a contemporary inscription on the front free endpaper: "These are the works of the Miss Ingrams' from their first lesson, 18..." Only five of the prints are unsigned; several prints in multiple impressions or two or more states, using brown and black inks and various stocks of paper, a few bearing a British watermark and date of 1814. Some of the prints have been mounted, but most have been printed directly on contiguous leaves forming the signatures of the volume
Alternative Title:
Etchings, gradations
Description:
Title devised by cataloger., Date of album based on internal evidence of some dated etchings, all '1816'., Also with inscription on front pastedown: Minnie Snowden, with John Johnson's kind regards and good wishes, Jan. 4, 1906., Bound in contemporary half calf, front cover detached and first leaves loose., and Three-quarter leather with marbled boards. Front board and first signature detached. Pages slip-stiched; decision to leave as is. Do not rebind. For further information, consult library staff.