Ink drawing depicting a prisoner, possibly Saint Laurence of Rome, about to be burned over coals by Roman soldiers. The prisoner's hands are bound behind his back and he is naked apart from a loin cloth; a soldier on foot grasps him from behind while two mounted soldiers look on. Four other figures surround the prisoner, one crouching at the prisoner's feet and spreading coals. A statue of a seated figure next to an eagle is visible in the upper right, probably an architectual element of a building in the background
Description:
Title from local catalog card., Signed in ink with the artist's initials in lower right corner of mount; also signed on verso with the same initials., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in at page 153 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Ink drawing depicting a prisoner, possibly Saint Laurence of Rome, about to be burned over coals by Roman soldiers. The prisoner's hands are bound behind his back and he is naked apart from a loin cloth; a soldier on foot grasps him from behind while two mounted soldiers look on. Four other figures surround the prisoner, one crouching at the prisoner's feet and spreading coals. A statue of a seated figure next to an eagle is visible in the upper right, probably an architectual element of a building in the background
Description:
Title from local catalog card., Signed in ink with the artist's initials in lower right corner of mount; also signed on verso with the same initials., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in at page 153 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
A drawing of six heads mostly in profile, three men, two ladies, and one child, all wearing hats. One lady in the upper right is a view from the back with only a hit of her check shown while the man in the foreground is shown full-face. A drawing in the lower left has been heavily scored through. From the left margin mid-sheet is a drawing of a sleeved-wrist and hand hold a stick(?).
Alternative Title:
Miscellaneous heads
Description:
Title from dealer's description; alternative title from Draper Hill., Signed by the artist in lower right corner., Date from Draper Hill., and A drawing from a sketchbook given by Gillray to the Rev. John Sneyd in the late 1790s.
A drawing of the library at Horace Walpole's home, Strawberry Hill in Twickenham. Shelves with Gothic arches line three walls and are filled with books; on the back wall is a large arched window and two small rose windows filled with painted glass. On the far left is the chimney-piece imitated from the tomb of John of Eltham, Earl of Cornwall in Westminster Abbey, over which the painting of The Marriage of Henry VI hangs. In front of the fireplace is a desk on which Mrs. Damer's terra-cotta eagle sits in its glass case. Half of the ceiling painted by Clermont from Walpole's designs is visible at top; oval and rectangular paintings line the walls above the bookshelves
Description:
Title devised by curator., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 102 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Geographic):
England and Twickenham.
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Dwellings, Libraries (Rooms & spaces), and Interiors
View of the north side of the house at Strawberry Hill, looking towards the screen leading into the Prior's garden. The exterior walls of the house rise above on the left; in the middle distance a man stands within the doorway to the garden, the open door behind him. The courtyard wall and door leading to the road are seen at right
Description:
Title devised by curator., Artist and date of production from curator., and Formerly laid in Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Drawing of a young man, full length, twisted in preparation to throw a ball(?) with two cords attached(?) that is held in his left hand; with medium-length hair; naked except for a cloth tied around his shoulder and draped across his hips
Description:
Title from local catalog card., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in with one other drawing at page 109 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with one other drawing to 49 x 37 cm., and Original case shelved separately.
A view of the stairway at Strawberry Hill, Twickenham, looking up towards the Armory. The ornate railing of the staircase, each post of which is topped with a single antelope supporting a shield, is prominent in the foreground; its winding path up to the landing containing the Armory and further up to the next floor can be traced. On display on the back wall of the Armory is a cluster of weapons and armor, visible between two columns supporting decorative arches on the ceiling. A stained glass window is visible on the left wall of the Armory; armorial shields are seen above the doors to the right of the window. The walls are decorated with Gothic tracery; part of a quatrefoil window is visible at the top of the image
Description:
Title devised by curator., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 93 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Arms & armament, Interiors, and Stairways
Satirical drawing on the professions of medicine, law and the church. Three practitioners stand in a well furnished interior; each wears the dress of his profession. The lawyer holds a sealed document, the clergyman a book, and the physician a phial. Pictures on the wall show men rushing to separate two fighting dogs, men and women bringing tithes to a clergyman, and two doctors quarreling at a bedside
Description:
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Subject (Topic):
Clergy, Interiors, Lawyers, Pictures, Physicians, and Quarreling
Satirical drawing on the professions of medicine, law and the church. Three practitioners stand in a well furnished interior; each wears the dress of his profession. The lawyer holds a sealed document, the clergyman a book, and the physician a phial. Pictures on the wall show men rushing to separate two fighting dogs, men and women bringing tithes to a clergyman, and two doctors quarreling at a bedside
Description:
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Subject (Topic):
Clergy, Interiors, Lawyers, Pictures, Physicians, and Quarreling