"Pitt as Death on the pale Horse rides naked on the White Horse of Hanover, galloping over the prostrate bodies of pigs; other pigs, a multitude extending to the horizon, flee before him. On the horse's fringed saddle-cloth is a crown. Pitt is very emaciated, his flaming hair streams behind him encircled by a fillet inscribed 'Destruction'. In his right hand is a large flaming sword; in his left he holds the thread-like body of a scaly monster with gaping jaws, webbed wings, and serpent's tail. Behind him on the horse's hind quarters sits a naked imp wearing the feathered coronet of the Prince of Wales, with the motto 'Ich di[en]'. He grasps Pitt, and kisses his posterior; in his left hand he holds out a paper: 'Provision for the Millenium £125,000 pr An'. The horse's tail streams out, expanding into clouds, and merging with the flames of Hell which rise from the extreme right. In the tail and flames imps are flying, headed by Dundas holding a pitchfork; he wears a wig and plaid with horns and webbed wings. Behind are three imps: Loughborough, indicated as usual by an elongated judge's wig in back view (cf. BMSat 6796); Burke with webbed wings and serpent's tail; Pepper Arden [Identified by Wright and Evans as Lord Kenyon. The identification in the text is confirmed by Lord Holland.] wearing a large wig. In the foreground (right) Pitt's opponents are being kicked towards Hell by the horse's hind legs. Fox has just been violently struck in the face, and staggers backwards, clutching a paper inscribed 'Peace'. Sheridan lies prone, face downwards, hands raised, as if for mercy. Wilberforce sits on the ground clasping his 'Motion for a Peace' (see BMSat 8637). Behind Fox Lansdowne looks up from the ground, clenching his fists. On the extreme right the Duke of Norfolk, Lord Stanhope, and the Duke of Grafton are about to plunge into the flames: Fox in falling is pushing them over. ..."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: And e'er the last days began, I looked, & behold, a white horse, & his name who sat upon it was Death ..., and Mounted to 36 x 42 cm.
Publisher:
Pubd. June 4th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Wilberforce, William, 1759-1833, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Brothers, Richard, 1757-1824, and Halhed, Nathaniel Brassey, 1751-1830.
"A fat and placid-looking preacher stands in his pulpit in profile to the left, reading his sermon. He says: "I shall divide my Discourse into Seven Heads namely ------" He resembles the parson of British Museum satires no. 8428, and is probably Moore, the Archbishop; this is supported by the engraving (1792) after Romney."--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of a set of eight satirical portraits, each issued separately., Two lines of text below image: I shall divide my discourse into seven heads ..., and Mounted to 18 x 13 cm.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, No. 37 New Bond Street
"Three-quarter length portrait of the Duke of Queensberry, old and rakish, standing in profile to the right, and leering through a quizzing-glass. He wears a battered hat and ruffled shirt. His cane hangs from a coat-button."--British Museum online catalogue
Alternative Title:
Quizzing a filly
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Quizzing glasses.
Publisher:
Pubd. May 26th, 1795, by H. Humphrey, New Bond Str
"Pitt, thickly coated with feathers, stands terrified between Sheridan and Fox. Only his face, hands, and (bare) feet are uncovered. He turns his head in profile to the right towards Fox, clasping his hands. Fox, much caricatured, and grinning broadly, pushes a dripping mop in his face. Its stick is inscribed 'Remonstrance of the People'. He has dipped it in a steaming cauldron (of tar) inscribed 'Rights of the People', under which are blazing papers: 'Sedition Bill', 'Ministerial Influence', and 'Informations'. Round Pitt's neck is a noose, the rope from which hangs over a lamp-bracket. On the lamp is a crown; on the post a placard: 'Fate of the Sedition Bill'. Sheridan (left), with a sinister glare, raises in both hands a huge cap of 'Libertas', from which feathers shower down on Pitt's head. ..."--British Museum online catalogue
Alternative Title:
Retribution, tarring and feathering, or, The patriots revenge, Patriots revenge, and Tarring and feathering
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of quoted text below title: "Nay & you'll stop our mouths, beware your own.", and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 26th, 1795, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Association for Preserving Liberty and Property against Republicans and Levellers (London, England)
Subject (Topic):
Tarring & feathering, Lamps, Liberty cap, Petition, Right of.., and Sedition
"Pitt (right), as a butcher, stands arrogantly behind his block, holding up a leg of mutton to a hungry, lean, and dismayed John Bull, who stands with bent knees (left), his right hand groping in his breeches pocket. Pitt says: "A Crown, - take it, or leave't". His cleaver lies on his blood-stained block, on the front of which are two placards side by side: 'Prices of Provision. 1795 Journeymans Wages - 1795 Mutton 10 1/2d £b. Carpenters 12sh pr Week Lamb 11 D° Shoemakers 10sh D° Veal 11 1/2 D° Bakers 9sh D° Beef 12 D° Gardeners 8sh D° Small Beer - 2d pr Quart Smiths 8sh D° Bread 12d Husbandmen 7sh D° pr Quarter Loaf God save the King'. Behind Pitt is the pent-house roof of the shop or stall from the front of which hang joints of meat and pieces of offal. The lower story of a house forms a background (left). John Bull wears the dress and wrinkled gaiters of a yokel. ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse, titled Billy the Butcher's Advice to John Bull, etched on a separate plate that is printed below the plate with the image: Since bread is so dear, (and you say you must eat) ..., and Mounted to 46 x 31 cm.
Publisher:
Pubd. July 6th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Geographic):
Great Britain, England, and London.
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Food prices, Butcher's shops, and Butchers
"Pitt as hangman stands beside a fire of faggots immediately outside the door of the 'Crown & Anchor' (name on door-post). In his right hand is an axe; he drops an open book into the flames, and looks over his shoulder at Reeves who is disappearing into the tavern. On one page (right) is the trunk of a tree surmounted by a crown and the words 'The Royal Stump', on the other: 'No Lords No Commons No Parliame[nt] Damn the Revolution'. He wears a long coat with a hangman's noose tied round his waist, a round hat, and wrinkled gaiters. From his pocket protrudes a book: 'Ministerial Sincerity and Attachment a Novel'. He says:"Know, villains, when such paltry slaves presume To mix in Treason, if the plot succeeds, You're thrown neglected by: - but if it fails, You're sure to die like dogs!" Reeves, with hands outstretched in protest, says: "O Jenky! Jenky! have I gone through thick & thin for this ?" From his coat-pockets hang papers: '£400 pr Ann, To the Chairm[an] of the Crown & Anchor', and, 'List of Spies Informers Reporters Crown & Anchor Agents'. On the right Fox, Sheridan, and Erskine blow at the fire; the two former on hands and knees, Erskine, in wig and gown, between them, an arm across the shoulders of each. Smoke and the lower parts of the adjacent houses form a background. ..."--British Museum online catalogue
Alternative Title:
Crown and Anchor-libel burnt by the public hangman
Description:
Title etched below image., One line of text below title: To the charman [sic] & members of the truly loyal association at the Crown & Anchor, this small token of gratitude for favors receiv'd is respectfully dedicated by the author., Sheet trimmed within plate mark., and Mounted to 34 x 48 cm.
Publisher:
Pubd. Novr. 28th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Reeves, John, 1752?-1829., Jenkinson, Charles, 1727-1808., and Association for Preserving Liberty and Property against Republicans and Levellers (London, England)
Subject (Topic):
Axes, Bonfires, Executioners, Lamps, and Taverns (Inns)
"A design in two adjacent circles, with inscriptions above and below the circles on an aquatinted ground. In the manner of genre, not satire. [1] The kitchen of a young English farmer who sits with his arm round a little boy (right) who stands at his knee eating an apple, while his pretty wife (left) holds out a buxom child to kiss him. He holds a sickle. A dog sits at his feet. Behind (right), before a blazing fire, a young woman places a sirloin of beef upon a round table, laid for a meal, with a large pitcher beside it. A pestle and mortar and other brass utensils are neatly ranged on the chimney-piece, beside which is a spit. A ham and string of onions hang on the wall. Through an open door (left) are a hen and chickens, two pigs feeding in a stye, and a haystack. The title continues: 'Prosperity & Domestick-Happiness.' [2] A young farmer lies stabbed to the heart by a bayonet, surrounded by his despairing and terrified wife and three children. Behind (right) is a ruined house. In the background (left) French soldiers are driving off sheep and cattle, and a village (right) is in flames. Behind is the sea with ships of war at anchor. ..."--British Museum online catalogue
Alternative Title:
"Curs'd be the man who owes his greatness to his country's ruin!!!!! and "Cursed be the man who owes his greatness to his country's ruin!!!!!
Description:
Title from text below images., Text below title: To the people & the parliament of Great-Britain, this print is dedicated, by the Crown & Anchor Society., Text above images: Such Britain was! Such Flanders, Spain, Holland, now is! From such a sad reverse, O Gracious God, preserve our country!!, Temporary local subject terms: Kitchens -- Fireplaces -- Farmers -- Wars -- Peace vs. war., and Mounted to 38 x 44 cm.
Publisher:
Pubd. Jany. 12th, 1795, by H. Humphrey, No. 37 New Bond Street
"A close parody of West's picture, 'The Death of Wolfe' (1771). The three officers supporting the mortally wounded Pitt are (left to right) Burke, Pepper Arden (Master of the Rolls), and Dundas. From Burke's pocket projects a paper 'Reflections upon £3700 Pr Ann.' (The policy indicated by his famous book, see BMSat 7675, &c, had been rewarded by two pensions, see BMSat 8654.) Dundas, wearing a kilt, offers Pitt a glass of wine (in place of stanching his wound); a bottle of 'Port' projects from his coat-pocket. The officer behind holding the British flag is identified by Lord Holland as Chatham and the man who supports him as Powys, noted for his propensity to tears (see BMSat 6642). The White Horse of Hanover (cf. BMSat 8691, &c.) on the flag is more conspicuous than in West's picture, and a scroll inscribed 'Magna Chart[a]' has been added. In the group facing Pitt the place of the Mohawk Indian seated on the ground is taken by Loughborough, half-naked, the purse of the Great Seal replacing the Indian's beaded bag, the mace that of his musket, a bloodstained headsman's axe that of his tomahawk. In place of the beaded headdress is the Chancellor's wig surmounted by a monster with the head of a cock, whose limbs are snakes. The two men who lean forward to Wolfe, pointing back to the messenger with the news of victory, are dressed as running-footmen in livery and hold the long sticks with the head enclosing an egg carried by these men. Ink-pots are slung across their shoulders by bands inscribed 'Ist Treasury Runner' and '2d Tre . . .', showing that they are the two Secretaries to the Treasury, George Rose and Charles Long. Grenville, in peer's robes, stands between Lord Mansfield and Windham, who supports him. In place of West's handsome young officer who runs up with the French flag is a man with the face of a demon holding a tattered tricolour flag inscribed 'Libertas', its shaft broken. A large bonnet-rouge lies on the ground. The couple who stand on the extreme right watching Pitt with clasped hands are Richmond and a man with a wooden leg. Richmond, in general's uniform, his bald head contrasting with the luxuriant hair of West's corresponding figure, has a cannon slung to his back to indicate his Mastership of the Ordnance (cf. BMSat 6921, &c.) in which, however, he had been succeeded by Cornwallis (Feb. 1795), see BMSat 8341. His weeping companion has been identified as Wilberforce, though his wooden leg might indicate Brook Watson, Commissary-General (see vol. vi). The background differs from West's picture. In place of the confused fighting and the smoke which surrounds the Heights of Abraham, the Ministerial cavalry advance in even line, rank upon rank, and put to flight a small body of sansculottes with bonnets-rouges (left). They have a standard on which is a crown. ..."--British Museum online catalogue
Description:
Title etched below image., Text below title: "We have overcome all opposition!, exclaimed the messengers. "I'm satisfied," said the dying hero, & expired in the moment of victory., Text at botton of plate: To Benjn. West Esqr., President of the Royal Academy, this attempt to emulate the beauties of his unequal'd picture ..., Sheet trimmed within plate mark on upper and lower edges., and Temporary local subject terms: Emblems: White Horse of Hanover -- Purse of the Seal -- Allusion to French Revolution -- Treasury -- Bills: Sedition Bill.
Publisher:
Pubd. Decr. 17th, 1795, by H. Humphrey, 37 New Bond Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, Dundas, Henry, 1742-1811, Mansfield, David Murray, Earl of, 1727-1796, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Windham, William, 1750-1810, Rose, George, 1744-1818, Wilberforce, William, 1759-1833, Long, Charles, 1760-1838, Lilford, Thomas Powys, Baron, 1743-1800, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Chatham, John Pitt, Earl of, 1756-1835, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Watson, Brook, 1735-1807, Wolfe, James, 1727-1759., and West, Benjamin, 1738-1820.
"Britannia (left) grovels before a monster (right) representing the French Republic. Behind her stand Fox, Sheridan, and Stanhope, as sansculottes, joyfully hailing the apparition. Britannia on her knees, and bending forward, holds out her arms in a gesture of abject submission, pointing to her shield and spear, the crown and sceptre, and 'Magna Charta' which lie on the ground before her. She is on the edge of a cliff. The monster is supported on dark clouds; he is a man seated with arms and legs akimbo, one jack-boot is planted on the sun, a face in its disk looking from the corners of the eyes at Britannia with a dismayed expression; the other is on a crescent enclosing the old moon. His seat is the point of a huge bomb-shaped cap of 'Li-ber-tas'. His head is a black cloud on which grotesquely fierce features are indicated. Above his head rises a guillotine emitting rays of light. His dress is that of a ragged sansculotte with a dagger thrust in his belt. The British sansculottes are also bare-legged and wear belts in which a dagger is thrust; but they have nothing of the fierce arrogance of France. Fox, his stockings ungartered, and Sheridan, shambling forward with propitiatory gestures, remove their bonnets-rouges. Fox holds out two large keys labelled 'Keys of the Bank of England'; Sheridan proffers a document: 'We Promise the Surrender of the Navy of Great Brita[in] - of Corsica [see BMSat 8516] - of the East & West Indias [see BMSat 8599] - & to abolish the Worship of a God' [cf. BMSat 8350]. Stanhope, less deprecating, stands behind the others, waving his bonnet-rouge and a rolled document inscribed 'Destruction of Parliament'."--British Museum online catalogue
Alternative Title:
Britannia petitioning for peace
Description:
Title etched below image., Dedication etched below title: To the patriotic advocates for peace, this seemly sight is dedicated., Sheet trimmed within plate mark., and Temporary local subject terms: Monsters: French Republic as a monster -- Opposition: members of the Opposition -- Keys to the Bank of England -- Magna Charta -- Sansculottes -- Bonnet-rouges -- Sceptres -- Shields -- Crowns.
Publisher:
Pubd. Feby. 2d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Stanhope, Charles Stanhope, Earl, 1753-1816
"A creature with the head of Sir Joseph Banks, a body defined by the ribbon of the Bath and roughly in the form of a chrysalis, and with the wings of a butterfly, rises (right) from a mud flat surrounded by sea. His head and body are decorated with trails of leaves; on his wings are sea-creatures: a shell, lobster, starfish, &c, and an (empty) cornucopia. He wears the jewel of the Bath with three insects (in place of crowns) in the centre. He is rising towards rays which radiate from a sun enclosing a crown in the upper right corner of the design. Caterpillars are emerging from the mud flat. Beneath the title: 'Description of the New Bath Butterfly - taken from the "Philosophical Transactions for 1795" - "This Insect first crawl'd into notice from among the Weeds & Mud on the Banks of the South Sea; & being afterwards placed in a Warm Situation by the Royal Society, was changed by the heat of the Sun into its present form------ it is notic'd & Valued Solely on account of the beautiful Red which encircles its Body, & the Shining Spot on its Breast; a Distinction which never fails to render Caterpillars valuable.'"--British Museum online catalogue
Alternative Title:
Great South Sea caterpillar transformed into a Bath butterfly
Description:
Title etched below image. and Temporary local subject terms: Reference to South Sea expedition, 1768-1771 -- Orders: Order of the Bath -- Crowns -- Reference to George III.
Publisher:
Pubd. July 4th, 1795, by H. Humphrey, No. 37 New Bond Street