A collection of original caricatures by Robert Dighton, published 1792-1812
Alternative Title:
Caricatures by Dighton
Description:
Title from spine., Etching, several leaves watermarked 'Edmeades & Pine' and dated 1808 and 1807; sheet size 31.0 x 25.5 cm., Bound in early 19th century black half morocco, gilt-decorated spine, titled in gilt 'Characatures by Dighton', recased with original spine laid down., With the bookplate of James Barratt, Lymm Hall, inside front cover., and For further information, consult library staff.
A group of portrait drawings depicting some of the correspondents included in a French collection of Madame du Deffand's letters. The drawings are inserted throughout both volumes of the printed text, supplementing the engraved portraits and other plates that were either issued with the work or added later
Description:
Collection title devised by cataloger., All but one of the drawings have the sitter's name added in pencil below, and all but two are signed "ABaudet Bauderval" (with the initial letters forming a monogram). The artist is tentaitvely identified as A. Baudet-Bauderval, a lithographer who was active in France in the mid-19th century; see person record in the online catalogue of the Bibliothèque nationale de France., Bound in a copy of: Du Deffand, M. Correspondance complète de la marquise du Deffand avec ses amis le président Hénault-Montesquieu-d'Alembert-Voltaire-Horace Walpole ... Paris : H. Plon, 1865., and Extra-illustrated with plates, portraits, drawings.
Subject (Name):
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780, d'Averne, Sophie de Brégis, comtesse, active 1721-1723,, Pont-de-Veyle, 1697-1774,, Choiseul, Louise Honorine Crozat, duchesse de, 1734-1801,, Saint-Lambert, Jean-François de, 1716-1803,, Luynes, Marie Brûlart de La Borde, duchesse de, 1684?-1763,, Chaulnes, Anne Josèphe Bonnier de La Mosson, duchesse de, 1718-1787,, Vallière, Anne Julie Françoise de Crussol, duchesse de, 1713-1797,, Luxembourg, Madeleine-Angélique de Neufville-Villeroy, duchesse de, 1707-1787,, and Rochefort, Marie Thérèse de Larlan de Kercadio, comtesse de, 1716-1782,
Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
A group of portrait drawings depicting some of the correspondents included in a French edition of Madame du Deffand's letters. The drawings are inserted throughout the three volumes of the printed text, supplementing the engraved portraits and other plates that were issued with the work
Description:
Collection title devised by cataloger., Many of the drawings have the sitter's name written below, and most are signed "ABaudet Bauderval" (with the initial letters forming a monogram). The artist is tentaitvely identified as A. Baudet-Bauderval, a lithographer who was active in France in the mid-19th century; see name authority record in the online catalogue of the Bibliothèque nationale de France., Bound in a copy of: Du Deffand, M. Correspondance complète de Mme. du Deffand avec la duchesse de Choiseul ... Paris : M. Lévy frères, 1866., and Extra-illustrated: plates, portraits, drawings.
Subject (Name):
Voltaire, 1694-1778,, Walpole, Horace, 1717-1797,, Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780,, Lévis-Mirepoix, Anne-Marguerite-Gabrielle de Beauvau-Craon, duchesse de, 1707-1791,, Luxembourg, Madeleine-Angélique de Neufville-Villeroy, duchesse de, 1707-1787,, Guerchy, Claude-Louis-François Régnier, comte de, 1715-1767,, Gleichen, Charles Henri, baron de, 1733-1807,, Dufort de Duras, Henriette Julie de, comtesse d'Egmont, 1696-1779,, Noailles, Marie-Anne-Françoise de, comtesse de la Marck, 1719-1793,, Choiseul, Etienne-François, duc de, 1719-1785,, Barthélemy, J.-J. 1716-1795, (Jean-Jacques),, Choiseul, Louise Honorine Crozat, duchesse de, 1734-1801,, Vallière, Anne Julie Françoise de Crussol, duchesse de, 1713-1797,, Boufflers, Amélie de, 1751-1794,, Bauffremont, Charles-Roger de, 1713-1795,, Aiguillon, Louise Félicité de Brehan-Plélo, duchesse de, 1726-1796,, Sénac de Meilhan, Gabriel, 1736-1803,, Brionne, Louise de Rohan, comtesse de, 1734-1815,, Mirepoix, Gaston Charles Pierre de Lévis, duc de, 1699-1757,, Mazarin, Louise-Jeanne de Durfort de Duras, duchesse de, 1735-1781,, Conzié, Louis-François-Marc-Hilaire de, 1732-1804,, Maine, Anne Louise Bénédicte de Bourbon, duchesse du, 1676-1753,, and Grammont, Béatrix de Choiseul-Stainville, duchesse de, 1730-1794,
A group of amateur watercolor drawings that illustrate various scenes from Clara Reeve's Gothic novel The old English baron. The drawings are inserted throughout the printed text of the fourth edition, bound in near the scenes that are depicted. Although untitled, the drawings have been assigned titles that derive from the text
Description:
Collection title devised by cataloger., Each drawing is signed 'C. Boyle' and most are dated with the month, day, and year of production. The artist is probably Charlotte Boyle-Walsingham (1769-1831), who married Lord Henry Fitzgerald in 1791; she legally changed her name to Charlotte FitzGerald-de Ros in 1806, after successfully petitioning to end the abeyance to the Barony of de Ros and becoming 20th Baroness de Ros of Helmsley., Bound in a copy of: Reeve, C. The old English baron: a Gothic story. London : Printed for Charles Dilly, in the Poultry, MDCCLXXXIX [1789]., Lacking the two published plates., Bound in vellum with gilt edges and tooling and with pink silk endpapers., Extra-illustrated with eight watercolor drawings on vellum, produced by Charlotte Boye in 1789 (these drawings are cataloged separately)., Autograph (Fitz-Gerald?) scratched out on page iii., and In red case.
A group of drawings that illustrate select scenes from Laurence Sterne's novel The life and opinions of Tristram Shandy, gentleman. The drawings vary in level of detail and completeness; one is a slight pencil sketch, two are more detailed drawings in pen and ink over pencil, and three are elaborate drawings in ink and wash. The drawings are bound in as either the frontispiece or before the frontispiece, one in each of the six volumes of the eighth edition of the work. Several of the compositions were later engraved, presumably from larger designs by Bunbury
Description:
Collection title devised by cataloger., The drawings are unsigned, and only one has a title written at the bottom., Bound in H.W. Bunbury's copy of: Sterne, L. The life and opinions of Tristram Shandy, gentleman. London : Printed for J. Dodsley, 1770., In slipcase., and With H.W. Bunbury's original drawings (cataloged separately) bound in; also with verses in unidentified hand on end-papers of v. 4.
Title from text in image., Artist and date of publication from unverified data from local card catalog record., Nine lines of descriptive text located centrally in design: In presenting to your notice these volumes of caricatures, I am desired in the names of the publishers, artists, & also from myself ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed within plate mark.
One of a collection of four similar images; the others in this series are: Miss Hargraves as Amy; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. In this image, a full-length image of Edmund Kean as Othello constructed from parts of a print or prints while his costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming and small metal buttons. This image is the only one of the four mounted on a secondary sheet, this one ruled as if from a ledger
Description:
Title written at bottom of sheet., Statement of responsibility written at top of sheet; "the author" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Kean, Edmund, 1787-1833, and Shakespeare, William, 1564-1616.
One of a collection of four similar images; the others in this series are: Mr. Kean as Othello; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. This collage shows full-length image of a woman, identified as Miss Hargraves. Her head and neck, arms, and feet have been cut from an unidentifed print or prints while her costume and its trimming are cut from satin cloth. On each side are small images also cut from prints: on the right a house with a second story wrap-around porch and on the right a covered structure ladened with refreshments and On the back of this collage are mounted three small engravings of women in fashionable dress; with notes in red ink "Presented by Sarah, Apl. 8 1830" written twice in the upper left and right and below also on the right and left "The author returns thanks". In the same hand the middle print has been annotated "Kemble" which is also engraved in the plate with the author and printmaker statements "R. Cruikshank delt. J. Rogers sc."
Description:
Title written below image; artist statement above image. and Date of production from recipient's note on the verso and other internal evidence.
Title devised by curator., Devised title and artist attribution based on Horace Walpole's notes on facing leaf: This book belonged to Mr. Pope, and the drawing is by him. Horace Walpole, 1766. It is a view of Twickenham Church from his own garden., Date of production based on artist's death date., and Drawn on front flyleaf in volume 1 of Alexander Pope's copy of: Homeri opera quae extant omnia. Amstelaedami : Ex officina Wetsteniana, MDCCVII [1707].
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, made using the same farbics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Vestris: her head and neck, arms, and boots have been cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso written in red ink, two poems: "The Snow Drop by Henry Neele" and "I Saw Thee Weep, Byron" transcribed in two columns
Alternative Title:
Madame Vestris as Don Giovanni
Description:
Title written at bottom of sheet., Signed with initials in lower right corner; artist "H.A.S" is unidentified., Date of production from recipient's note on the verso of one of the collages and other internal evidence., and The poem on verso "The Snow Drop" in the Oriental Herald and Journal of General Literature, volume 16, page 502 and signed "W. B." Also published in May 1828 in the The Ariel: A literary and cricial gazette (Philadelphia), vol. 2. no.1.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856,, Mozart, Wolfgang Amadeus, 1756-1791., and Da Ponte, Lorenzo, 1749-1838.
Subject (Topic):
Characters, Actresses, British, and Operas & operettas
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Madame Vestris as Don Giovani. Formerly part of an album (now lost), each on the same size sheet but different colors and collages attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed using the same fabrics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Bartolozzi, with her head and neck, hands, and boots cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso in two columns written in red ink and ruled in red ink: On the left the title of a poem only "Lines on my garden". On the right: Song, "My own Blue Bell".
Description:
Title written below image., Artist statement written at top of sheet; "Master Butcher" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856, and Da Ponte, Lorenzo, 1749-1838.
A coffin is carried down the stairs of a gothic church by a procession of monks, lit by the light of the full moon and the flames of the torches that some of the monks carry. They walk toward an open crypt in the foreground. The light from the crypt illuminates the monument on the wall opposite (a knight in armor) as well as two monks kneeling at the opening of the crypt and a third monk holding a thurible. A man with a red cloak stands in the shadows on the left, looking down at the scene at the crypt. The image is intended to be backlit. The light sources in the image -- the moon, the glow shining out of the gothic crypt, and the torch-bearing friars -- are enhanced when the image is held up to a light
Description:
Title and approximate date of production from dealer's description., Unsigned; artist unidentified., Drawn in the style of the painter and etcher Franz Joseph Manskirch (1768-1840), who worked in London between 1793 and 1819., and On paper watermarked "J. Whatman Turkey Mill".
Subject (Topic):
Churches, Funeral processions, Incense, Monks, Moonlight, Pointed arches, and Torches
A collection of sixty-four prints (mostly engravings and etchings) showing views of London and its vicinity, including views of Chelsea with Ranelagh, Hampstead, Highgate from Upper Halloway, Old Bedham with the gardens in front, Whitehall with the gatehouse, Grosvenor Square, St. Mary's Church on the Strand with old Somerset House, The Royale Mews in Charing Cross, St. James's Square with the Round Pond, Covent Gardent, Royal Gardens of Somerset, Hampstead, and scarce views of Barnes and Richmond as well as views of Twickenham, and many other scenes in and around London in the later half of the 18th century
Subject (Geographic):
England, London., Thames River (England), Saint James's Park (London, England), Twickenham (London, England), and London (England)
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid
Description:
Title from published print based on this drawing., Signed "George Cruikshank" lower right. The British Museum catalogue attributes the design to George's father Isaac in its description of the print engraved after this drawing. Cohn similarly suggests that this design "was probably the work chiefly of Isaac"., A drawing for the illustrated songsheet "Galvanism, or, The miraculous recovery of the unfotunate [sic] Miss Baily", published by Laurie & Whittle in 1807, which tells the tale of a servant Darby Daly who discovers the young Miss Baily hanging, and after reviving her with bellows, forces her seducer to marry her., Backed with Japanese tissue; with the title "The outraged husband" printed on mount., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10938., and Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1144.
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Couples, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
Four drawings, each depicting a different character with their face in the form of a heart: a man drinking; a man with a pipe; a violinist; and an elegant lady and Eleven drawings, each depicting a different character with their face in the form of a heart: a man playing a flute; a dour-looking cleryman; a coachman; a vendor wearing a turban; a man in a tricorne hat; an obese man in an armchair with medicine on a side table; a man smoking a pipe. Also two cards wtih older woman clutching a blanket around her shoulders; a pretty young women with a highly decorated hat with feathers and her hands in a muff; and, a female ballad sheet vendor
Description:
In English., Title devised by cataloger., Each drawing is signed by the artist in lower left corner either initials or full name., One small pencil drawing of a coffee pot on the verso of the drawing of a dour-looking cleryman., Date based on a watermark on one of the sheets., and Elizabeth Dubuisson was a portrait painter whose work was displayed at the Royal Academy between 1805-40; she also drew "Character Sketches", a series of caricatures on the Mufflechop Family published by Pewtress and Ackermann approximately 1830. She produced additional drawings similar to these four, with ten being held by the Victoria and Albert Museum (accession no.: E.1091-1992).
A collection of five botanical drawings, one with two hummingbirds (Lampornis calosoma) and twenty botanical prints (some proof state) by James Sowerby
Description:
Title devised by cataloger. and Housed in two solander boxes, with drawings in Box 1 and prints no.1-9. Box 2 contains prints nos. 12-17 and two unnumbered prints.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1810]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 35. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Mary Berry; bust length, facing left with head turned towards the viewer; short hair in curls; an oval inside a rectangle
Alternative Title:
Miss Agnes Berry
Description:
Title assigned by cataloger; alternative title from note in ink that incorrectly identifies sitter., Signed and dated by the artist in lower left corner., Drawn after a miniature by Anne Mee that was commissioned by Horace Walpole in 1790., and Mounted on page 35 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Name):
Berry, Mary, 1763-1852, and Strawberry Hill (Twickenham, London, England)
Half-length portrait of Grosvenor Bedford. He is dressed in a brown coat with elaborate gold trim, a lace cravat and lace cuffs. He supports his head on his proper right hand with his elbow resting on a volume set on a table
Description:
Title from 2005 Christie's appraisal. and Grosvenor Bedford was secretary to Horace Walpole and his Deputy at the Exchequer, 1755-1771.
A three-quarter length portrait of Sir William Killigrew. He stands before large columns on the left and a treed landscape on the right. He wears 17th century court attire and Text from both the 1774 and 1784 editions of Description of the villa of Mr. Horace Walpole, at Strawberry Hill: Over the chimney, an original half-length of Milton, aet. 45, in black, a ring tied to one of his button holes
Alternative Title:
Portrait of John Milton
Description:
Title from 2005 Christie's appraisal., Horace Walpole incorrectly, or aspirationally, believed this to be a portrait of John Milton whose name is inscribed on the frame., Unknown creator., Copy after Anthony Van Dyck., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A Portrait of Milton.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Killigrew, William, Sir, 1606-1695,
A three-quarter-length portrait of Robert Walpole in a wooded landscape. He wears a blue coat and red waistcoat with the insignia of the Order of the Garter. He holds a riding crop in his proper right hand. His gloves are tucked in his belt while he holds his hat in his left hand which rests at his waist. Two horses with grooms are visible in the distant landscape
Description:
Title from 2005 Christie's appraisal., Artist not identified, but English School, circa 1725., and Previously attributed to John Wootton.
LWL Ptg. 105 Framed, on view in Administration Area
Image Count:
2
Resource Type:
still image
Abstract:
A bust-length portrait in a trompe l’oeil oval frame. The frame is inscribed G.M. 1739 on either side of a trompe l’oeil coat of arms. Montagu wears a blue velvet jacket with a white cravat. Draped over his proper right shoulder, is an ermine-lined red mantle worn by members of the House of Lords
Description:
Title from 2005 Christie's appraisal., Attributed to Jean-Baptiste Van Loo by Christie's in the 2005 appraisal., and Inscribed and dated: G.M. 1732.
Subject (Name):
Montagu, George Brudenell Montagu, Duke of, 1712-1790,
One of a number of related versions of this portrait in the style of Liotard. The sitter, identified as Maria Gunning, was a notable beauty of her time. She wears Turkish dress, a pearl choker necklace and large pearl earrings. Her pale complexion is achieved by lead white make-up know to be poisonous
Description:
Title from 2005 Christie's appraisal. and Artist thought to be a follower of Jean-Etienne Liotard.
Subject (Name):
Coventry, Maria Gunning Coventry, Countess of, 1733-1760,
A bust-length portrait of Horatio, Lord Walpole, younger brother of Robert Walpole. Horace Walpole called him “Old Horace.” He wears a green button coat with a simply white cravat and a long, powered wig. The sitter is identified in a cartouche at the bottom center of a simple beaded gilt frame
Description:
Title from 2005 Christie's appraisal., Attributed to Jean-Baptiste Vanloo in 2005 Christie's appraisal., and This is a version of a portrait from Walpole’s collection at Strawberry Hill.
LWL Ptg. 100 Framed, on view in Administration Area
Image Count:
2
Resource Type:
still image
Abstract:
A view of the Thames from the right bank, nearly opposite Marble Hill Park. The white building visible through the trees on the right is Lady Suffolk’s House, Marble Hill. A sailboat floats on the water. A rider on horseback leads a second horse along the riverbank. Figures gather at leisure under the foreground tree, while across the river other stroll on paths through the lawn
Description:
Title from 2005 Christie's appraisal., Formerly attributed to Richard Wilson, now attributed to his circle., and Another version of this scene is in the National Gallery. This is reproduced in W.G. Constable, Richard Wilson, plate 57a. Horace Walpole records in his copy of the exhibition catalogue that Wilson exhibited a painting of the View of the Thames near Richmond at the Society of Arts 1762. This painting is not included in David Solkin’s Richard Wilson Online Catalogue Raisonné (Paul Mellon Centre for Studies in British Art).
Title from dealer's catalog., Date based on approximate age of the sitter and the years the artist was active in the Walpole household., and Gilt-metal mount on velvet easel stand.
View of the small "oratory of St. Nicholas" perched on a tiny island in Switzerland’s Lake Lucerne
Description:
Title etched below image., Signed with initials and dated in lower left corner. "I.G.", i.e., Isabella Godfrey, the married name of Augusta Isabella Ingram., and Probably engraved and printed in England, where the printmaker presumably lived after marrying John Godfrey of Sandwich, Kent, in 1823. Possibly worked up from a sketch made on a post-nuptial continental tour.
View of the ruins of Godesburg Castle near Bonn, inspected by a female observer in the foreground
Alternative Title:
Godesburg Castle on the Rhine
Description:
Title etched below image., Signed with initials and dated in lower right corner. "I.G." stands for "Isabella Godfrey", the married name of Augusta Isabella Ingram., and Probably engraved and printed in England, where the printmaker presumably lived after marrying John Godfrey of Sandwich, Kent, in 1823. Possibly worked up from a sketch made on a post-nuptial continental tour.
A head and shoulders profile portrait of Miami chief Pacanne, holding a tomahawk across his chest, with bracelets on his upper arms and jewellery in his ears, nose and across the crown of his head
Description:
Title in scratched letters at top of image, partially in reverse; the individual letters are printed correctly but the words themselves run right to left on the print., Printmaker attribution and date from impression at the Library and Archives Canada (Acc. No. 1938-223-42), on which the contemporary statement of responsibility "by Mrs. Simcoe 1794" is written in ink., After a drawing by British Lieutenant Governor Henry Hamilton, who travelled with Pacanne during the American Revolution. The original drawing is now housed at the Houghton Library at Harvard., A slightly later date is suggested by a contemporary ink annotation beneath plate mark on Lewis Walpole Library impression: An Indian Chief N. America of the Miamis tribe (from life 1795)., and Presumably one of only two small plates etched by Simcoe, which were sent to England in 1794 and printed in Bristol and London; see Dictionary of Canadian Biography, entry for Elizabeth Posthuma (Simcoe) Gwillim.
Portrait of Queen Caroline seated on a red armchair wearing a black dress with frilled collar and a black feather hat
Description:
Title written in ink below image., 'P. Contencin’ is possibly Peter Contencin, 1760-1829, born in Islington and married to Elizabeth Leekey, 1760-1805., and Paper watermarked 'Weatherley & Lane 1818'.
Subject (Geographic):
Great Britian.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,